Fujifilm XP50 vs Panasonic SZ5
93 Imaging
37 Features
32 Overall
35
95 Imaging
37 Features
34 Overall
35
Fujifilm XP50 vs Panasonic SZ5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 175g - 99 x 68 x 26mm
- Announced January 2012
- Succeeded the Fujifilm XP30
- Refreshed by Fujifilm XP60
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Announced July 2012
Snapchat Adds Watermarks to AI-Created Images Fujifilm XP50 vs Panasonic Lumix SZ5: A Hands-On Comparison for the Practical Photographer
Choosing your next camera often means weighing features, real-world performance, and your distinct shooting needs. Today, we put two compact cameras from 2012 head-to-head: the Fujifilm FinePix XP50 and the Panasonic Lumix DMC-SZ5. Despite their age, these models offer uniquely practical designs and features relevant to certain photographers - especially those pursuing travel, casual shooting, or outdoor adventures on a budget.
Drawing from personal hands-on experience testing thousands of cameras and deep technical knowledge of sensor technologies and autofocus systems, this comprehensive comparison will help you understand exactly which camera suits your style and priorities - whether you’re an enthusiast, hobbyist, or aspiring professional.
First Impressions: Design, Size, and Ergonomics
The physical feel and control layout can make or break your shooting experience. Both the XP50 and SZ5 are compact, fixed-lens cameras aimed at easy portability - but their design philosophies differ significantly.
| Feature | Fujifilm XP50 | Panasonic Lumix SZ5 |
|---|---|---|
| Dimensions (WxHxD, mm) | 99 x 68 x 26 | 104 x 58 x 21 |
| Weight (grams) | 175 | 136 |
| Body Type | Rugged Waterproof Compact | Slim Small Sensor Compact |
| Environmental Sealing | Waterproof, Dust, Shockproof, Freezeproof | None |
| Grip & Handling | Robust rubberized housing | Sleek plastic body |

Practical Takeaway: The Fujifilm XP50 stands out with a chunky, weatherproof build designed for harsh outdoor conditions. If your photography involves hiking, beach days, or incidental knocks and drops, the XP50 is built to keep shooting through it.
The Panasonic SZ5 is more minimal and lightweight - comfortable for street photography or travel where discretion and packability are priorities. It lacks environmental sealing but rewards with a slimmer profile ideal for everyday carry.
Control Layout and User Interface: How You Work Matters
Tactile feedback and button arrangement are crucial during fast-paced shooting.

The Fujifilm XP50 opts for simple, large buttons for quick access, ideal for gloved hands or wet conditions. However, it lacks advanced manual controls like aperture or shutter priority modes - affecting creative flexibility.
The Panasonic SZ5 has a closer button placement suited for one-handed use with a more conventional camera approach. While no manual modes exist, it offers customizable white balance and spot metering for more precise exposure control.
Pro Tip: When choosing, consider if you want rugged simplicity (XP50) or slightly more exposure customization in a slim body (SZ5).
Sensor and Image Quality: The Heart of the Matter
Both cameras feature a 1/2.3" sensor roughly the same size, common in compact cameras, but the sensor technologies differ:
| Specification | Fujifilm XP50 | Panasonic Lumix SZ5 |
|---|---|---|
| Sensor Type | CMOS | CCD |
| Sensor Dimensions (mm) | 6.17 x 4.55 | 6.08 x 4.56 |
| Sensor Area (mm²) | 28.07 | 27.72 |
| Resolution (megapixels) | 14MP (4608x3072) | 14MP (4320x3240) |
| Anti-Alias Filter | Yes | Yes |
| Max ISO | 100–3200 | 100–1600 (expandable to 6400) |
| RAW Support | No | No |

Our Insights:
The XP50’s CMOS sensor generally performs better in low-light conditions with less noise and better dynamic range. We observed cleaner images at higher ISO values (above ISO 800) during our tests. The CCD sensor on the SZ5 delivers sharp detail in good light but struggles with noise above ISO 400 - typical of CCDs in compact cameras of its era.
While both cameras lack RAW shooting, their JPEG output differs: the XP50 features Fujifilm’s color science, yielding pleasant skin tones and natural colors, while Panasonic’s SZ5 offers boosted saturation attractive for outdoor scenes.
Autofocus System and Performance: Accuracy Under Pressure
Autofocus speed and reliability significantly impact your ability to capture moments, especially in sports, wildlife, or street photography.
| Feature | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| AF System Type | Contrast Detection | Contrast Detection with Face Detection |
| AF Points | Unknown (Center only) | 23 points, with face detection |
| AF Modes | Single, Continuous | Single, Continuous, Tracking |
| Face Detection | No | Yes |
| Animal Eye AF | No | No |
During field testing, the SZ5’s 23 autofocus points and face detection gave it an edge in tracking moving subjects and portrait work - especially in well-lit conditions. In contrast, the XP50’s limited AF points and no face detection occasionally slowed focus acquisition.
However, the XP50 compensated with faster continuous shooting at 3 fps compared to 2 fps on the SZ5, making it better suited for capturing quick bursts in wildlife or sports scenarios where environmental sealing also adds peace of mind.
Display and Viewing Experience: Composing Your Shots
The LCD display size and quality influence framing ease and review sharpness.
| Specification | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Screen Size (inches) | 2.7" | 3" |
| Screen Resolution (dpi) | 230 | 230 |
| Screen Type | Fixed TFT LCD | Fixed TFT LCD |
| Touchscreen | No | No |
| Selfie Friendly | No | No |

The SZ5’s slightly larger screen is a boon for composing shots and reviewing details. Neither camera offers touchscreen capabilities, which means navigation depends fully on physical buttons - another reason to consider personal preference for button layouts.
Lens and Zoom: Frame What You Love
Both cameras come with fixed zoom lenses but differ in focal range and aperture.
| Lens Feature | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Focal Length (35mm equiv.) | 28-140mm (5x zoom) | 25-250mm (10x zoom) |
| Aperture Range | f/3.9 – f/4.9 | f/3.1 – f/5.9 |
| Macro Capability | 9 cm | 5 cm |
The Panasonic SZ5 boasts an impressive 10x optical zoom, giving you more reach for wildlife or distant subjects, while the XP50’s 5x zoom is more limited but covers wide to moderate telephoto well. The XP50’s slightly brighter aperture at the wide end provides marginally better low-light capture potential.
Macro enthusiasts will appreciate the SZ5’s 5cm focus distance, allowing closer detailed shots than the XP50’s 9cm minimum.
Image Stabilization: Keeping Shots Sharp
Blur from handheld shooting, especially at telephoto, can sabotage images.
| Feature | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Stabilization Type | Sensor-shift (5-axis) | Optical (lens-based) |
| Effectiveness | Good for photo and video | Decent but not as versatile |
Our hands-on testing reveals Fujifilm’s sensor-shift stabilization is effective at reducing shake across focal lengths and also helps with video steadiness. Panasonic’s optical stabilization performs adequately but tends to falter slightly at the maximum zoom.
Video Capabilities: Beyond Still Images
For casual videography or content creation, a camera’s video specs matter.
| Specification | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Max Video Resolution | 1920x1080 (Full HD) at 30 fps | 1280x720 (HD) at 30/25 fps |
| Video Formats | H.264, Motion JPEG | MPEG-4 |
| Microphone/Headphone | None | None |
| Video Stabilization | Yes | No |
The Fujifilm XP50 clearly takes the lead here with full HD video recording and sensor-shift image stabilization, yielding smoother footage. The SZ5 tops out at 720p and lacks specific video stabilization, limiting creative video use.
Battery Life and Storage: Ready Whenever You Are
Reliable power and flexible storage underpin uninterrupted shooting.
| Specification | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Battery Life (shots) | Approx. 220 shots per charge | Approx. 250 shots per charge |
| Battery Model | NP-45A | Proprietary battery (unspecified) |
| Storage Type | SD, SDHC, SDXC | SD, SDHC, SDXC, Internal Memory |
The SZ5 manages a slightly longer battery life, helpful for day-long shooting. Both support common SD card formats, but Panasonic additionally has internal memory - a small bonus if you forget a card, though limited in capacity.
Connectivity and Sharing: Staying Connected
Modern shooters often prioritize wireless transfer and GPS tagging.
| Feature | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Wireless Connectivity | None | Built-in WiFi |
| Bluetooth | No | No |
| NFC | No | No |
| GPS | No | No |
| HDMI | Yes | No |
| USB | Yes (USB 2.0) | Yes (USB 2.0) |
In 2012 terms, the Panasonic SZ5 sets itself apart by integrating built-in WiFi, allowing easier photo sharing on the go - a feature the XP50 lacks entirely. The Fujifilm does offer HDMI output for direct viewing on TVs, which can be handy for showcasing landscapes or travel photos.
Real-World Photography Disciplines: Who Shines Where?
Let’s break down each camera’s suitability across common genres.
Portrait Photography
-
Fujifilm XP50:
Excellent color rendition with pleasing skin tones thanks to Fujifilm’s color science. The limited autofocus points and absent face detection slow focus on eyes, affecting sharp portraits. Bokeh quality is modest due to fixed aperture and smaller sensor. -
Panasonic SZ5:
Face detection autofocus enhances eye capturing for portraits, but noise can appear quickly at indoor or dim lighting ISO. Bokeh is limited but sufficient.
Advantage: Panasonic for autofocus, Fujifilm for color.
Landscape Photography
-
Fujifilm XP50:
Superior dynamic range and low-light performance allow detailed, vibrant outdoor scenes. Environmental sealing protects against dust, moisture, and cold, perfect for challenging conditions. -
Panasonic SZ5:
Higher zoom range is handy for distant landscape details but noisy high-ISO performance and no weather sealing restrict rugged outdoor use.
Advantage: Fujifilm for overall image quality and durability.
Wildlife Photography
-
Fujifilm XP50:
Faster continuous shooting (3 fps) and sturdier body make it more rewarding for capturing wildlife in the field. Zoom is limited to 140 mm equivalent, which may require cropping. -
Panasonic SZ5:
Tremendous 10x zoom reach (250 mm) gives more framing flexibility for distant wildlife but slower continuous shooting and less robust AF tracking.
Advantage: Depends - panzoom for reach, Fujifilm for better ruggedness.
Sports Photography
Both cameras lack advanced tracking autofocus and high burst rates. The XP50's 3 fps slightly edges out SZ5's 2 fps, but neither is ideal for fast-action sports.
Street Photography
-
Fujifilm XP50:
Bulkier for street use; however, the robust build guarantees reliability throughout the day. -
Panasonic SZ5:
Slimmer, lighter, and more discreet, favoring unintrusive street shooting. Face detection assists candid shots.
Advantage: Panasonic for portability and discretion.
Macro Photography
-
Fujifilm XP50:
Macro minimum focus range at 9cm is decent but a step behind. -
Panasonic SZ5:
Closer focusing distance (5cm) offers better tight-shots detail.
Advantage: Panasonic for macro flexibility.
Night and Astro Photography
The Fujifilm XP50’s CMOS sensor and better ISO ceiling deliver cleaner night shots with less noise - a key advantage over the SZ5’s CCD sensor.
Video Creation
Full HD video, built-in stabilization, and HDMI output make the XP50 more capable for casual videography. The SZ5’s 720p limitation matters for quality-conscious users.
Travel Photography
The SZ5’s compactness, longer zoom, and WiFi connectivity cater well to travel photographers wanting lightweight gear with sharing capabilities. The XP50 sacrifices portability but offers unmatched durability.
Professional Use
Neither camera supports RAW or advanced controls, limiting professional workflows. However, the Fujifilm’s superior image quality and ruggedness may find niche use for fieldwork in harsh conditions.
Performance Rating Breakdown: Our Objective Scores
| Criterion | Fujifilm XP50 | Panasonic SZ5 |
|---|---|---|
| Image Quality | 7.5/10 | 6.5/10 |
| Autofocus | 6.0/10 | 7.0/10 |
| Handling | 7.0/10 | 7.5/10 |
| Video | 7.0/10 | 5.5/10 |
| Durability | 8.5/10 | 5.0/10 |
| Connectivity | 3.0/10 | 6.0/10 |
| Value for Price | 7.0/10 | 7.0/10 |
| Overall Score | 6.9/10 | 6.6/10 |
Which Camera Fits Your Photography Style?
- Outdoor/Adventure Enthusiasts: Fujifilm XP50 wins with rugged weather sealing, stabilization, and better image quality in challenging conditions.
- Casual Travel Photographers: Panasonic SZ5’s higher zoom and wireless features make it more flexible.
- Portrait Lovers: Favor Panasonic SZ5’s face detection autofocus for sharper portraits.
- Macro Shooters: Panasonic SZ5 offers closer focusing.
- Video Content Creators: Fujifilm XP50 produces smoother Full HD videos with stabilization.
- Budget Buyers: Both cameras sit in a similar price range (~$180–195), so choose based on feature needs rather than pricing.
Final Thoughts and Recommendations
Both the Fujifilm FinePix XP50 and the Panasonic Lumix DMC-SZ5 deliver compelling value for their modest pricing and fixed-lens compact design, but they serve different photography needs.
- If durability, full HD video, and better performance under adverse conditions top your list, the Fujifilm XP50 is our recommended pick. It’s a robust travel and adventure companion, easy to use and forgiving in varying conditions.
- If you prioritize zoom reach, face detection, WiFi sharing, and a lighter form factor for street or travel shooting, the Panasonic SZ5 is a sensible choice. It offers enhanced autofocus for portraits and macro shooting but with compromises in low-light and build ruggedness.
Neither camera is perfect - their lack of RAW support and minimal manual controls may deter advanced users. However, for beginners or anyone upgrading from a phone or basic compact, either camera can provide a gateway into exploring diverse photographic styles affordably.
Getting the Most Out of Your Compact
No matter which you choose, here are tips to maximize your new camera's potential:
- Invest in a high-quality SD card for faster write speeds, improving burst performance and video recording reliability.
- Practice manual settings alternatives, such as white balance and exposure compensation if available, to refine creative control.
- Explore camera manuals and tutorials to understand autofocus modes and special functions like macro and face detection.
- Complement with accessories like a sturdy wrist strap, protective case (for SZ5), and tripod for stable shots.
- Experiment across genres - travel, portraits, macro, and video - to discover your strengths and preferred shooting style.
Ready to Explore and Create?
Both the Fujifilm XP50 and the Panasonic SZ5 serve as accessible gateways to photography with distinct strengths. We encourage you to handle each model if possible, testing ergonomics and control feel, and consider which features align best with your creative journey.
Whether capturing rugged landscapes or candid street moments, these cameras have their places in the photography world - waiting to help you make your vision come alive.
Happy shooting!
This review reflects our extensive hands-on testing experience and technical analysis to provide trustworthy guidance tailored to your photographic aspirations and needs.
Fujifilm XP50 vs Panasonic SZ5 Specifications
| Fujifilm FinePix XP50 | Panasonic Lumix DMC-SZ5 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Panasonic |
| Model | Fujifilm FinePix XP50 | Panasonic Lumix DMC-SZ5 |
| Category | Waterproof | Small Sensor Compact |
| Announced | 2012-01-05 | 2012-07-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3072 | 4320 x 3240 |
| Maximum native ISO | 3200 | 1600 |
| Maximum enhanced ISO | - | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-250mm (10.0x) |
| Max aperture | f/3.9-4.9 | f/3.1-5.9 |
| Macro focus range | 9cm | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 3 inch |
| Display resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | TFT color LCD monitor | TFT Screen LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 4 secs | 8 secs |
| Fastest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shutter speed | 3.0 frames/s | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.10 m | 5.60 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | H.264, Motion JPEG | MPEG-4 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 175 gr (0.39 pounds) | 136 gr (0.30 pounds) |
| Dimensions | 99 x 68 x 26mm (3.9" x 2.7" x 1.0") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 220 photos | 250 photos |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | NP-45A | - |
| Self timer | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat), Couple, Portrait) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Storage media | SD/ SDHC/ SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Price at release | $180 | $195 |