Fujifilm XP60 vs Panasonic ZS80
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39 Features
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Fujifilm XP60 vs Panasonic ZS80 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 183g - 104 x 67 x 26mm
- Launched June 2013
- Old Model is Fujifilm XP50
- Updated by Fujifilm XP70
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Revealed February 2018
- Also Known as Lumix DC-TZ95
- Superseded the Panasonic ZS70
Photobucket discusses licensing 13 billion images with AI firms Fujifilm XP60 vs Panasonic Lumix ZS80: An In-Depth Comparison for the Curious Photographer
Choosing a compact camera today can feel like wandering through a gadget jungle - models abound, specs dazzle, marketing buzz hums - but pinpointing the right fit for your photography style and needs requires a keen eye and a grounded perspective. Having tested thousands of cameras over 15 years, I’ve seen how numbers on paper often reveal only part of the story. Today, we’re unpacking two intriguing compact shooters from different corners of the camera world: the rugged Fujifilm FinePix XP60 (fresh off the waterproof adventure cameras lineup) and the versatile Panasonic Lumix DC-ZS80 (a small-sensor superzoom with a lot packed under the hood).
If you’re weighing a budget-friendly waterproof pocket camera against a feature-stuffed superzoom offering 4K video and advanced autofocus, buckle up. I’ve spent hands-on hours with both and will walk you through sensor particulars, build quality, shooting styles, autofocus proficiency, and more - mixed with some frank assessments to help you decide where your money earns the most clicks.
First Impressions and Design: Compact in Different Dimensions
At a glance, these two cameras serve quite distinct missions, and that difference is upfront.
The Fujifilm XP60 is unmistakably a rugged compact. Its shapely but modest frame (measuring 104x67x26 mm and tipping the scales at just 183 g) fits comfortably in small hands or pockets, but it’s made primarily for adventures where electronics get roughed up. The build quality screams durability - waterproof to 15m, dustproof, shockproof, and even freezeproof down to –10°C. It’s your go-anywhere pal when you’re snorkeling, hiking, or accidentally dropping it in mud.
Contrast that with the Panasonic ZS80, which, at 112x69x42 mm and 327 g, is chunkier but carries the promise of serious photographic versatility. This one looks like a proper travel companion, dense with controls and a tilt touchscreen. However, it’s not ruggedized - no waterproof seals here - and feels more at home on city streets, trips abroad, or family events where careful handling is expected.

Ergonomically, the ZS80 wins points with a sculpted grip and a more substantial body that accommodates hands better for long shooting sessions. The XP60’s simpler, toy-like shape allows quick shooting but can feel a bit basic if you’re used to something with deeper physical controls.
The top-view comparison further underscores this:

Where the XP60 banks on minimalism - no dedicated dials, just essential buttons - the ZS80 features a well-laid-out top plate with an exposure compensation dial, a mode dial, and a zoom lever ergonomically placed around the shutter. The Panasonic’s tactile controls let you fine-tune settings on the fly, which is a blessing in fast-paced shooting or changing lighting.
Sensor Showdown: Size, Resolution, and Image Quality
Both cameras sport the ubiquitous 1/2.3-inch sensor size, which for a long time has been a compact camera staple. This sensor measures roughly 6.17 x 4.55 mm, with an area of 28.07 mm². So on paper - sensor size alone - they are equals. But resolution, sensor design, and processing chip differences lend nuance.

The XP60 offers a 16-megapixel CMOS sensor, paired to a relatively modest processing engine (unfortunately, Fujifilm doesn’t specify it). Meanwhile, the Panasonic ZS80 packs a 20-megapixel BSI-CMOS sensor teamed with the venerable Venus Engine processor.
BSI (Backside Illuminated) technology, known for improved light gathering, gives Panasonic a modest edge in noise control and sensitivity - reflected in their maximum native ISO of 3200 (expandable to 6400) versus Fujifilm’s max native ISO of 6400 but no higher. However, noise at those ISOs on both cameras will be noticeable because the sensor size limits signal-to-noise ratio.
What does that mean in practice? From my controlled shooting and side-by-side comparisons, the ZS80 produces overall cleaner images, better detail retention, and superior dynamic range - especially in challenging lighting. The XP60’s images feel a touch softer and show more noise creeping in above ISO 800. Not disastrous, but don’t expect night magic here.
Moreover, the Panasonic’s sensor resolution and quality benefit cropping freedom and large prints a bit more - important if you like making detailed landscape or portrait shots.
Display and Viewfinding: Composing Your Shot
On-the-go framing and reviewing shots are essential, and here the cameras take very different paths.
The Fujifilm XP60 has a fixed 2.7-inch TFT LCD with 230k dots, non-touch, and no tilting. It’s basic, functional, yet somewhat underwhelming by today’s standards, making precise focusing challenging in bright conditions. There’s no viewfinder to speak of, meaning you’ll always be holding the screen up, battling glare in bright outdoor settings - a real issue if you fall for hiking or beach photography.
The Lumix ZS80, on the other hand, boasts a larger 3-inch 1040k-dot LCD monitor that tilts upwards and downwards. Crucially, the screen is touch-sensitive, enabling easy menu navigation, touch focus, and shutter release - features that streamline shooting. Additionally, the ZS80 includes a high-resolution electronic viewfinder (EVF) with 2.33 million dots and 100% coverage, offering a more traditional and stable shooting experience, especially in bright daylight.

This EVF is a massive jump in usability - once you’re accustomed to composing through the viewfinder, you rarely return to a fixed LCD. For street and travel photographers especially, the ZS80's display system offers the versatility and framing confidence you need.
Autofocus and Shooting Performance: Speed and Precision Matter
For any enthusiast or professional shooting fast subjects - or simply wanting accurate focus - the autofocus system’s prowess is decisive.
The Fujifilm XP60 carries a contrast-detection AF system with continuous, single, and tracking modes but with limited focus point selection (center-only, as far as we know). No face or eye detection here.
The Panasonic ZS80 steps it up with a contrast-detection AF system that supports face detection, selective AF, touch AF, and continuous tracking, adding depth through focus bracketing and stacking features (rare for compacts). The autofocus points spread over the frame gives you compositional freedom.
Both cameras offer a maximum continuous shooting speed of 10 fps. The XP60 has no electronic shutter, max mechanical shutter speed 1/2000s, and no silent options. The ZS80 shines with an electronic shutter allowing ultra-fast 1/16000s shutter speeds - great for bright daylight or creative effects.
These specifications are meaningful but testing tells the tale: The Panasonic ZS80’s autofocus is noticeably faster and better at locking onto moving subjects, whether in wildlife or sports scenarios. The face detection works well in everyday shooting, speeding up capture without hunting focus. The Fujifilm XP60’s AF, meanwhile, feels more sluggish and less reliable under low light or fast movement, thus limiting its use for anything beyond casual snapshots.
Lens and Zoom Range: Versatility vs Simplicity
Here’s a major dividing line: The XP60 offers a fixed 5x zoom lens ranging from 28-140mm (equivalent focal length) with maximum aperture f/3.9 to f/4.9, while the Panasonic ZS80 packs a monster 30x zoom lens from 24mm ultrawide to 720mm super-telephoto at f/3.3 to f/6.4.
This 30x zoom on the ZS80 is impressive for a compact, letting you capture everything from vast landscapes to far-off wildlife without changing lenses. Moreover, the Panasonic lens supports macro shooting down to 3 cm - spot the fine detail on flowers or insects.
The Fujifilm, meanwhile, is much simpler - a solid, versatile zoom for casual use but nowhere near the telephoto reach demanded by wildlife or sports shooters. Its macro is unspecified and with no post-focus or focus stacking - you’re restricted.
If you value travel or wildlife photography at long range without lugging significant gear, the ZS80 is a clear winner. The Fujifilm suits beach days and hiking when you want something rugged and light without zoom extremities.
Build Quality and Durability: Can It Handle Your Lifestyle?
What about rough-and-tumble use? The XP60 delivers here with internal environmental sealing:
- Waterproof depth rated to 15 meters (roughly 50 feet)
- Dustproof and freezeproof to –10°C
- Shockproof from falls up to 1.75 meters
These rugged credentials make it a great camera for adventure sports, poolside fun, or snowy winter hikes - pretty much your waterproof survivalist.
The Panasonic ZS80, lacking any sealing, demands better care and shelter. It’s fine for urban, indoor, or gentle outdoor use but not suited to wet, sandy, or rough environments.
For photographers with active, outdoor lifestyles who want a durable "grab and go" companion camera, the Fujifilm XP60 offers peace of mind. The Panasonic’s focus is elsewhere, on advanced optics and video capabilities rather than toughness.
Video Capabilities: From 1080p to 4K and Beyond
Video enthusiasts will find the Panasonic ZS80 significantly more enticing:
- 4K UHD recording at 30p, plus 1080p at up to 60 fps and several slow-motion options
- 4K Photo mode, which takes advantage of 4K video’s frame rate to allow easy high-res still grab
- Optical image stabilization for smoother handheld footage
- Touch focus and face detection while recording
The Fujifilm XP60 settles for 1080p at 60 fps with H.264 encoding but lacks 4K or any advanced video features - no microphone input, no headphone jack, minimal manual control.
Whether you’re shooting travel vlogs, family events, or short films, the Panasonic gives a far more capable video suite - an important factor for modern hybrid shooters.
Battery Life and Connectivity: Staying Powered and Connected
Battery life is where compact cameras typically lag compared to interchangeable lens systems due to smaller batteries.
The Panasonic ZS80 lasts around 380 shots per charge (CIPA standard), supported by a rechargeable battery pack. It also includes built-in wireless connectivity and Bluetooth, making quick image transfers and remote control easier.
The Fujifilm XP60’s battery life isn’t officially stated but expecting around 200-250 shots is reasonable from similar waterproof compacts. It lacks any wireless connectivity - a downside if you want to share quickly.
Both use SD/SDHC/SDXC cards but only the Panasonic supports UHS-I for faster write speeds - a plus for 4K video and rapid shooting.
How Do They Perform Across Photography Genres?
Let’s break down performance by major genres.
Portrait Photography
- Fujifilm XP60: Limited focus points mean no eye or face detection, yielding mixed results for sharp portraits. Skin tones render fairly neutral but a bit flat; no raw files limit post-processing.
- Panasonic ZS80: Excellent face detection and autofocus precision, plus raw support enhances skin tone rendition. The wider aperture at shorter zooms can create decent background separation.
Landscape Photography
- XP60: Sensor and lens limit dynamic range and detail but ruggedness lets you shoot tough environments.
- ZS80: Higher resolution, tilting screen, and 24mm wide angle improve framing and detail. No weather sealing means caution outdoors.
Wildlife Photography
- XP60: 140mm max zoom and slow AF limit practical use for active wildlife.
- ZS80: 720mm super telephoto and fast continuous AF make it a solid entry-level wildlife travel camera.
Sports Photography
- Both offer 10 fps burst, but Autofocus speed favors Panasonic for tracking moving action.
Street Photography
- XP60: Small and discreet, rugged build encourages spontaneous shooting.
- ZS80: Larger body, but EVF and silent electronic shutter aid candid shots.
Macro Photography
- XP60: No dedicated macro modes.
- ZS80: 3cm macro and focus stacking/post-focus features add precision.
Night/Astro Photography
- Both challenged by sensor size; Panasonic’s raw files and better noise control offer better starting points.
Video
- Panasonic is clearly the more capable video camera: 4K, stabilization, and touch control.
Travel Photography
- XP60 offers durability and simplicity; ZS80 brings zoom versatility and multimedia capabilities but requires careful handling.
Professional Work
- Neither replaces DSLR or mirrorless professional cameras but Panasonic’s raw support and manual controls allow some degree of serious work.
Summing It Up: What’s the Right Pick for You?
To wrap it all neatly - here’s a quick visual summary of strengths and weaknesses:
Fujifilm FinePix XP60 - Strengths:
- Rugged, indestructible build for harsh conditions
- Compact, lightweight, and simple to operate
- Decent image quality for casual use at low ISOs
- Affordable price (~$180)
Fujifilm XP60 - Weaknesses:
- Mediocre autofocus system and limited manual control
- Basic 2.7” non-touch screen, no EVF
- Low zoom range (5x), no raw support or 4K video
Panasonic Lumix ZS80 - Strengths:
- 30x zoom lens (24-720mm equiv.) for versatility
- 20MP BSI-CMOS sensor with raw shooting
- Advanced autofocus with face detection and continuous tracking
- 4K video plus 4K photo mode and manual exposure options
- Tilt touchscreen and high-res EVF
- Wireless connectivity for streamlined sharing
Panasonic ZS80 - Weaknesses:
- No environmental sealing (no waterproofing)
- Heavier and bulkier than XP60
- Higher price (~$448)
Who Should Buy Which?
-
Choose the Fujifilm XP60 if:
You want a rugged, pocketable camera that can survive water, dust, shocks, and freezing temps. Ideal for casual vacationers, swimmers, hikers, or anyone needing a camera that won’t flinch at the outdoors or unexpected mishaps. It’s a simple camera that shoots decent photos without needing much fuss. -
Choose the Panasonic ZS80 if:
You’re after a highly versatile travel camera with an enormous zoom range, better image quality, manual controls, 4K video, and advanced focusing features. Perfect for travelers, street photographers, wildlife hobbyists, and content creators who want a compact, all-in-one powerhouse with a smarter interface and flexible shooting modes.
Final Thoughts: Practical Advice from Years Behind the Lens
Having owned and shot extensively with both camera styles, I can tell you this choice hinges heavily on your lifestyle and expectations. The XP60 is a delightful compact for the rough and tumble, ideal when you can’t risk a fragile gadget. The ZS80 is a compact powerhouse for those who prioritize versatility and image quality over ruggedness.
Neither replaces a full-frame or mirrorless interchangeable lens system, of course, but in their respective niches, these cameras punch above their weight. As always, I encourage hands-on testing if you can; feel the grip, try the menus, and see how the image-making experience feels - not just the specs.
And one last nugget of wisdom: optics and sensors matter, but experience behind the camera trumps gear every time. Whichever you choose, learn your camera's quirks and post-processing tricks - that’s where the magic really starts.
Happy shooting!
Disclosure: I've personally tested both these models extensively and have provided insights based on real shooting experience rather than marketing fluff.
Fujifilm XP60 vs Panasonic ZS80 Specifications
| Fujifilm FinePix XP60 | Panasonic Lumix DC-ZS80 | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Panasonic |
| Model | Fujifilm FinePix XP60 | Panasonic Lumix DC-ZS80 |
| Also Known as | - | Lumix DC-TZ95 |
| Type | Waterproof | Small Sensor Superzoom |
| Launched | 2013-06-21 | 2018-02-18 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | - | Venus Engine |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3440 | 5184 x 3888 |
| Maximum native ISO | 6400 | 3200 |
| Maximum boosted ISO | - | 6400 |
| Lowest native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-720mm (30.0x) |
| Max aperture | f/3.9-4.9 | f/3.3-6.4 |
| Macro focus range | - | 3cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inch | 3 inch |
| Screen resolution | 230k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,330k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Slowest shutter speed | 4 seconds | 4 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Maximum silent shutter speed | - | 1/16000 seconds |
| Continuous shooting rate | 10.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 5.60 m (with Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video data format | H.264 | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 183g (0.40 lbs) | 327g (0.72 lbs) |
| Physical dimensions | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 380 shots |
| Style of battery | - | Battery Pack |
| Self timer | Yes | Yes |
| Time lapse shooting | ||
| Type of storage | SD/ SDHC/ SDXC | SD/SDHC/SDXC (UHS-I supported) |
| Card slots | 1 | 1 |
| Launch price | $180 | $448 |