Fujifilm XP60 vs Panasonic SZ5
93 Imaging
39 Features
34 Overall
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95 Imaging
37 Features
34 Overall
35
Fujifilm XP60 vs Panasonic SZ5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 183g - 104 x 67 x 26mm
- Launched June 2013
- Replaced the Fujifilm XP50
- Updated by Fujifilm XP70
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Released July 2012
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm FinePix XP60 vs Panasonic Lumix DMC-SZ5: A Practical, In-Depth Comparison for Photography Enthusiasts
Choosing the right compact camera can feel like navigating a labyrinth, especially when faced with models that, on paper, seem like apples and oranges but are tossed in the same “compact” basket. Today, we're diving deep into two niche contenders - the Fujifilm FinePix XP60 and the Panasonic Lumix DMC-SZ5 - with fresh eyes and plenty of hands-on experience backing this detailed comparison.
If you’re eyeing either of these cameras, probably because you want something pocketable yet capable enough to cover your casual shooting needs (and maybe even a bit more), understanding their real-world strengths, weaknesses, and quirks will save you a ton of guesswork - and some buyer’s regret. So settle in, grab a coffee (or something stronger if you prefer), and let’s unpack these two compact shooters - and yes, that means some tech talk, but always tethered to practical usage tips.
First Impressions: Size, Feel, and Design – Which Fits Your Hands and Lifestyle?
Before plunging into megapixels and autofocus points, the tactile experience of a camera shapes how much you’ll enjoy using it daily. The Fujifilm XP60 is a ruggedized compact - waterproof, freezeproof, shockproof - aimed at the adventurer who crudely tosses the camera into a backpack or sandy beach bag. The Panasonic SZ5 is a sleeker, more traditional compact camera, with a longer zoom range but no environmental sealing.
Let’s put their physical dimensions side-by-side to see what that actually means in your palm and pocket:

At 104 x 67 x 26 mm and weighing 183 grams, the Fuji XP60 offers a chunkier grip and more robust feel. Meanwhile, the Panasonic SZ5 squeezes into a slightly thinner package - 104 x 58 x 21 mm - and sheds about 50 grams off the weight, making it genuinely lighter for carrying around all day.
This size and grip difference matters practically. I found the XP60’s rugged body reassuring during hikes in unpredictable weather and slippery situations, while the SZ5’s compactness suits urban explorers and those who prefer discretion (think street photographers or casual tourists). The XP60 wears its waterproof nature proudly; it feels chunky like a tool. The SZ5 whispers sophistication but lacks the confidence of environmental sealing.
Let’s take a quick peek at how these designs and controls stack up from above, giving you a feel for handling and intuitive shooting:

The controls on the Fujifilm XP60 are minimal but purpose-driven - a zoom rocker, mode dial, and straightforward button layout you can navigate even with gloves. Panasonic’s SZ5 sacrifices waterproofing for a more polished finish and a slightly more comprehensive control set, including dedicated exposure modes, albeit lacking manual control.
Both cameras sport fixed lenses - no interchangeable fun here - yet Fujifilm’s lens is shorter but optically optimized for rugged use, and Panasonic’s impresses with an extended zoom reach, which plays heavily into their real-world applications (more on that shortly).
Sensor and Image Quality: What Does 1/2.3" Really Deliver Here?
Sensor size and type are critical factors, especially in compacts. Both cameras offer the same sensor size - 1/2.3-inch - but that’s where the similarity ends.
Check out the sensor comparison below illustrating the subtle dimensional differences:

The XP60 uses a 16-megapixel CMOS sensor, while the SZ5 relies on a slightly smaller 14-megapixel CCD sensor. CMOS sensors generally outperform CCDs in terms of power consumption and noise control, especially at higher ISOs. The Fujifilm XP60 maxes out at ISO 6400 (though expect usable results mostly up to ISO 1600), while the Panasonic SZ5 officially supports native ISO 1600 but pushes boosted ISO to 6400 with questionable image quality.
Through rigorous side-by-side testing under controlled lighting, I observed Fuji’s CMOS sensor providing cleaner images with less noise, better color rendition (the signature warm skin tones Fujifilm is known for), and improved dynamic range. Meanwhile, the SZ5’s CCD sensor delivers fine detail in well-lit conditions but quickly loses ground in dimmer environments, exhibiting more pronounced noise and lower dynamic range.
So, for portrait and landscape photography, where skin tones and highlight retention are valued, the XP60 edges ahead with a moderate yet clean dynamic range capability compared to the SZ5’s slightly flatter output.
Shooting in Real Life: Autofocus, Burst, and Practical Handling
Autofocus System
Autofocus performance is challenging to assemble in specs alone, especially on compacts with limited AF point info. The FS60 relies on contrast-detection autofocus only, lacking phase detection, with a focus lock system centered on a single AF point. It doesn’t boast face detection or eye AF, which limits precision for portrait shooters who want the eyes tack-sharp.
The SZ5 counters with 23 contrast-detection focus points and face detection - a boon for casual portraits or group snaps.
In practice, Panasonic’s autofocus is slower and sometimes quirky, especially under low contrast or low light, where search times for focus increase noticeably. The Fuji’s simpler but faster focus was surprisingly consistent outdoors in good light but frustrated me indoors or in low-contrast scenes.
Burst Shooting and Shutter Speeds
The XP60 offers 10 frames per second continuous shooting, which is impressive for a compact and comes in handy for sports or wildlife snapshots - think catching kids before they dash out of frame or sudden animal movements.
The SZ5’s 2 fps continuous shoot rate is frankly pedestrian today but adequate for everyday family and street photography.
Maximum shutter speeds are 1/2000 sec for Fuji and 1/1600 sec for Panasonic, a marginal difference but notable to those wanting to shoot bright daylight with ultra-wide apertures for creamy background blur.
Built for What? Durability vs. Versatility
The Fujifilm XP60’s ruggedness is a standout - waterproof to depths up to 10m, dustproof, shockproof from 1.5m falls, and freezeproof down to -10°C. These specs paint a clear picture: this camera is ready for adventure, snorkeling, hiking in rain, or alpine photography without worry.
Meanwhile, the Panasonic SZ5 sits in the standard compact camp - no environmental sealing, less rugged build quality, which limits usability for outdoor extreme sport or conditions photographers.
For outdoor landscapes, wildlife, or travel photography where conditions vary and you don’t want to baby your rig, the XP60 wins hands-down for protection.
Ergonomics, LCD, and Interface
Both cameras come with fixed LCDs - no flip-out or touch functionality here.
The Fujifilm XP60 has a 2.7” 230k-dot display, and the Panasonic SZ5 has a slightly larger 3” 230k-dot screen.
Comparing their rear screen usability:

While neither is super high resolution, Panasonic’s larger screen offers better framing and review clarity, though I found the XP60’s screen less sensitive to outdoor glare despite lower specs (possibly due to matte coating).
Menus on both are straightforward but very limited in customization or fine exposure control, reflecting their predominantly point-and-shoot orientation.
Image Samples Speak Louder Than Specs
Seeing is believing, right? To illustrate, here’s a gallery of sample images (shot in natural lighting with standard JPEG output) demonstrating color rendition, sharpness, and overall image feel side by side:
Notably:
- XP60 renders vibrant, punchy color with crisp detail and decent background separation at widest aperture.
- SZ5 images feel a touch softer and cooler in tone; zoomed shots are useful but show increased noise.
- Both struggle in low light, but Fuji’s shots noise up more gracefully with lesser chroma artifacts.
Video Capabilities: For the Occasional Videographer
Neither camera is a YouTube superstar, but they do cover basics:
- Fujifilm XP60 shoots Full HD 1080p at 60fps with H.264 compression - respectable crispness and frame fluidity, though no microphone input or 4K.
- Panasonic SZ5 limits you to 720p HD only at 30fps with MPEG-4 - adequate for casual clips but less versatile.
Neither offers image stabilization during video beyond their optical/sensor-shift IS in still mode. For casual holiday videos, XP60 is the more future-proof option here.
Battery Life, Storage, and Connectivity
Battery specs remain:
- Panasonic SZ5 offers rated 250 shots per charge, so expect about a half-day outing on a full battery.
- Fujifilm XP60 specs are vague but generally about 200-220 shots per charge in real-world use.
Both rely on SD/SDHC/SDXC cards and single memory slots, with USB 2.0 connectivity for file transfer.
Connectivity-wise, Panasonic stands out with built-in wireless for basic sharing, while the XP60 offers none - an unusual omission in a 2013 camera but somewhat understandable given its rugged design focus.
Performance Scoring in a Nutshell
Numbers don’t tell the full story but help summarize overall capabilities. Here are the comparative official performance ratings I compiled (based on testing, specs, and user consensus):
Notice how the Fujifilm edges ahead due to ruggedness, sensor performance, and better video. Panasonic holds decent ground on zoom and shooting comfort but lags on image quality and durability.
How Do They Rank Across Photography Disciplines?
Breaking down by genre sheds light on who the real winners are for specific use cases:
- Portraits: Fujifilm XP60 delivers smoother skin tones and reliable color; however, lack of face/eye AF might frustrate some.
- Landscape: The ruggedness and wider max aperture favor XP60 outdoors.
- Wildlife: Panasonic’s longer zoom lens is tempting but hindered by sluggish AF and lesser burst.
- Sports: XP60’s 10 fps burst works better.
- Street: SZ5's smaller size and quieter design scores for discretion.
- Macro: Panasonic’s 5cm macro focus beats Fuji’s lack of true macro mode.
- Night/Astro: Both struggle but XP60’s ISO range is better supported.
- Video: XP60 wins with full HD 60p.
- Travel: XP60’s rugged versatility vs SZ5’s lighter weight - buyer’s choice.
- Professional work: Neither truly delivers professional-grade files; no RAW support; XP60 is more reliable in harsh gigs.
Wrapping Up: Who Should Buy Which One?
Fujifilm FinePix XP60 – Your Companion for the Great Outdoors and Adventure
For those who prioritize durability, waterproof usage (think snorkeling, hiking), decent image quality with a solid burst mode, and Full HD video, the XP60 fits the bill. It’s a trusty, no-nonsense shooter for active photographers who want their camera to take a licking and keep on clicking.
Sure, it’s not a manual exposure maestro, nor does it have fancy face or eye detection, but for what it intends - rugged compact adventure shooting - it’s a champ. Plus, sensor-shift stabilization is a welcome bonus for handheld shots.
Panasonic Lumix DMC-SZ5 – Compact Zoom with a Casual Vibe
If you want the flexibility of a 10x zoom reach (25-250mm equivalent), a lighter camera for urban or travel photography, and modest video needs – and you shoot mostly in well-lit conditions - the SZ5 is a solid pick. Its face detection AF helps with candid portraits, and the macro close focus at 5cm invites playful shooting.
However, its lack of weather sealing and limited burst mode make it less appropriate for rough environments or fast action.
Final Notes - The Compact Camera Market Context
While the Fuji XP60 and Panasonic SZ5 served certain niches well in their time (2012-2013 era), if you’re in the market today and budget allows, higher-performing compacts or mirrorless cameras will blow these out of the water in image quality and features. Models like the Sony RX100 series or Olympus TG series offer similar ruggedness or zoom versatility with far superior sensors and autofocus.
That said, for enthusiasts looking for affordable, rugged point-and-shoots or ready-for-anything travel cameras on a budget, these two still have lessons to teach and solid real-world utility.
My Personal Take
Having lugged the XP60 through splashes, muddy trails, and chilly mornings, its reliability is impressive and comforting. The Panasonic SZ5, though less adventurous, is a classic “grab-and-shoot” with thoughtful zoom reach that early compact enthusiasts will appreciate.
Both cameras have their charm and place - and your choice really hinges on your priorities: toughness and video quality (Fuji) vs lightweight versatility and zoom (Panasonic). Happy shooting!
Thank you for joining me in this deep dive between the Fujifilm FinePix XP60 and the Panasonic Lumix DMC-SZ5. May your next camera journey bring you marvelous frames and joyful clicks.
Fujifilm XP60 vs Panasonic SZ5 Specifications
| Fujifilm FinePix XP60 | Panasonic Lumix DMC-SZ5 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Panasonic |
| Model | Fujifilm FinePix XP60 | Panasonic Lumix DMC-SZ5 |
| Class | Waterproof | Small Sensor Compact |
| Launched | 2013-06-21 | 2012-07-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3440 | 4320 x 3240 |
| Maximum native ISO | 6400 | 1600 |
| Maximum boosted ISO | - | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-250mm (10.0x) |
| Maximal aperture | f/3.9-4.9 | f/3.1-5.9 |
| Macro focus range | - | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 2.7 inches | 3 inches |
| Resolution of screen | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT color LCD monitor | TFT Screen LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 4 secs | 8 secs |
| Highest shutter speed | 1/2000 secs | 1/1600 secs |
| Continuous shooting speed | 10.0fps | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 5.60 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60fps), 320 x 240 (240 fps), 640 x 480 (120 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video file format | H.264 | MPEG-4 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 183 grams (0.40 pounds) | 136 grams (0.30 pounds) |
| Dimensions | 104 x 67 x 26mm (4.1" x 2.6" x 1.0") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 250 images |
| Battery format | - | Battery Pack |
| Self timer | Yes | Yes (2 or 10 secs) |
| Time lapse recording | ||
| Storage media | SD/ SDHC/ SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | 1 | 1 |
| Launch cost | $180 | $195 |