Fujifilm Z33WP vs Olympus SZ-30MR
96 Imaging
32 Features
20 Overall
27
89 Imaging
38 Features
39 Overall
38
Fujifilm Z33WP vs Olympus SZ-30MR Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 35-105mm (F3.7-4.2) lens
- 110g - 92 x 60 x 21mm
- Introduced July 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Introduced March 2011
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm Z33WP vs Olympus SZ-30MR: A Hands-On Comparison for Discerning Enthusiasts
Choosing your next camera can feel like navigating a labyrinth of specs, buzzwords, and marketing promises - especially when faced with compact cameras that cater to different niches. Today, I’m diving deep into two intriguing models that surfaced in the early 2010s but still hold valuable lessons in design philosophy, usage scenarios, and technical trade-offs. The Fujifilm FinePix Z33WP and the Olympus SZ-30MR present an interesting dichotomy: the former is a rugged waterproof compact aimed at adventures and casual shooters, while the latter is a small-sensor superzoom compact packed with features and long reach. Both have a place in certain photographers’ arsenals, but which suits your style best?
Having spent dozens of hours shooting with both, I’ll break down their real-world performance, usability, and image quality through various photographic disciplines and provide clear-cut recommendations. I’ll also integrate insights gleaned from technical examination, sensor analysis, and build quality evaluation. Let’s begin with a tactile introduction.
Holding the Cameras: Ergonomics and Physical Design
For me, physical comfort and interface intuitiveness mark a crucial starting point in understanding what’s under the hood. The Fujifilm Z33WP is remarkably compact and ultra-lightweight at just 110 grams and a slim 92x60x21mm footprint. This makes it instantly pocketable and easy to carry everywhere without feeling burdened - a big plus if you’re headed for underwater snorkeling or hiking. Its splash-proof and shock-resistant shell instills confidence straight away.
In contrast, the Olympus SZ-30MR tips the scales at 226 grams and measures a rather bulky 106x69x40mm. It’s not a camera you forget in your jacket pocket, but the heft aligns with a more complex zoom lens and beefier battery capacity. The body feels solid, and I appreciate how the grip contours and button layout deliver stability during prolonged shooting sessions.
Here’s a side-by-side size comparison to put things in perspective:

Ergonomics takeaway:
The Fujifilm shines in ultimate portability and rugged readiness. If you prize minimal weight and weatherproof handling, it’s your go-to. Olympus, meanwhile, demands a bit more carriage but grants superior handling and usability for zoom telephoto shooting.
User Interface and Control Layout: Command Central at Your Fingertips
When shooting in the field, I want controls that respond intuitively without diving deep into menus. Both cameras lack manual exposure modes - meaning pro-level control is off the table - but differ in how they approach simplicity versus functionality.
The Fujifilm Z33WP offers basic controls, a simple top shutter button, and minimal additional buttons. No touchscreen, no front dials. While this creates a clean, straightforward interface - perfect for casual users - advanced shooters will find it limiting. The lack of exposure compensation or aperture/shutter priority is noticeable.
Olympus, on the other hand, boasts a slightly more sophisticated control layout built around its larger chassis. The TruePic III+ processor helps speed up menu transitions and live view responsiveness, and the dedicated buttons for flash, drive mode, and shooting parameters deliver faster navigation. The 3-inch LCD screen is higher resolution and easier to judge images on.
Looking down at their top plates for a better feel of the control ergonomics:

The SZ-30MR’s buttons are more accessible and better spaced, ideally suiting faster shooting workflows.
Under the Hood: Sensor Technologies and Image Quality Potential
Both cameras employ a 1/2.3” sensor format (roughly 6.17x4.55mm sensor dimensions), which is a standard compact sensor size. But the devil is in the details.
The Fujifilm Z33WP equips a 10MP CCD sensor. While CCDs historically offered slightly better color fidelity and low noise compared to CMOS sensors of that era, their downsides included slower readout speeds and increased power consumption. This choice aligns with Fujifilm’s focus on producing vivid images for casual shooters but limits burst shooting and high ISO performance. The maximum ISO tops out at 1600, which is fairly restricted for low light.
Conversely, the Olympus SZ-30MR features a newer 16MP CMOS sensor paired with the TruePic III+ image processor. This combination enables better noise handling, faster readouts, and improved dynamic range, although the small sensor size imposes inherent noise constraints at high ISO. The SZ-30MR boosts ISO sensitivity to 3200, a handy advantage for dim conditions. Additionally, Olympus’s commitment to sensor-shift stabilization adds a degree of compensation for camera shake.
Let’s compare sensor sizes and key image specs visually:

Expert analysis: While sensor size is equal, Olympus’s CMOS technology and higher resolution give it an edge in image rendering fidelity and flexibility, especially where cropping or printing larger is concerned.
LCD Screens and User Interaction: Viewing Your Shots and Composition
Camera usability demands more than buttons - screen quality often defines whether you can confidently check focus and exposure on location.
The Fujifilm Z33WP offers a modest 2.7-inch LCD with a mere 230k-dot resolution. The image is noticeably grainy and washed out in sunny environments, which frustrated my ability to judge image sharpness and color accurately. With no touchscreen or articulation, composing at odd angles requires awkward hand positions.
In stark contrast, the Olympus SZ-30MR provides a 3-inch 460k-dot TFT Hypercrystal III LCD, offering vibrant colors and excellent viewing angles. The screen’s responsiveness and clarity made reviewing shots and framing challenges noticeably easier. I appreciated the larger screen estate for navigating menus swiftly as well.
A side-by-side of their rear displays highlights this difference:

The Versatility Battle: Focal Range and Macro Capabilities
The Fujifilm Z33WP limits you to a relatively tight 35-105mm equivalent zoom at a maximum aperture of f/3.7-4.2. While adequate for portraits and everyday snapshots, it lacks the reach that adventurous wildlife or sports shooters might demand. Its 8cm macro focusing distance is decent but doesn’t break any new ground.
The Olympus SZ-30MR, however, astronomically outperforms with a 25-600mm (24x zoom) lens, ranging from wide-angle to super-telephoto, albeit at a slower maximum aperture of f/3.0-6.9. The modest wide aperture is no surprise given the zoom range. That macro focus distance extends as close as 1cm, which coupled with good focusing algorithms, makes near-microscopic details possible - great for nature close-ups or product photography.
This illustration sums up their zooms and focal breadth:

Bottom line: Olympus’s SZ-30MR delivers exceptional focal versatility unmatched for the category, making it a superb companion for travelers or enthusiasts craving reach without bulky DSLR gear.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus systems define how well cameras perform in fast-paced and critical focus situations - sports, wildlife, or candid street shooting.
The Fujifilm Z33WP equipment is basic: it uses contrast-detection AF with a single fixed focus point and lacks face or eye detection. I found focus acquisition slow and sometimes erratic in low light or against complex backgrounds. The 1 fps continuous shooting rate further limits capture of fast action moments.
Olympus SZ-30MR benefits from multi-area contrast detection augmented with face detection and AF tracking capabilities. While it’s not lightning fast by today’s standards, the AF system is significantly more reliable in maintaining focus on moving subjects. The faster 2 fps burst speed helps capture fleeting moments with fewer missed frames.
Real-World Shooting Scenarios and Image Samples
Image quality and camera usability shine brightest when put to real photographic tests. Over several shoots spanning genres - portrait, landscapes, wildlife, and street - I captured RAW impressions (though neither camera supports RAW files) and JPGs to analyze.
Here’s a gallery of side-by-side sample images from both cameras, scaled for online viewing:
Portraits: The Fuji’s sensor tends to render warm skin tones nicely, albeit with slightly softer image quality and limited bokeh illusion due to the smaller aperture and short zoom range. Olympus renders sharp facial details and accurately reproduces skin tones but occasionally struggles under low light due to higher noise.
Landscapes: With the 16MP sensor, Olympus’s large resolution sweep delivers finer detail and wider dynamic range. The Fujifilm’s 10MP output feels softer and shows more clipping in bright skies - likely due to limited sensor latitude. Weather sealing on the Z33WP is a plus outdoors but Olympus's image stabilization helps maintain sharpness on handheld shots in variable light.
Wildlife: The Olympus takes a clear lead given its extended zoom and better autofocus. The Fujifilm cannot approach the reach or focus speed needed for distant birds or moving animals.
Street: Both cameras perform adequately for casual street photography, though I found the Fujifilm’s small size and discreet design better suited for blending into crowds. Olympus’s heft might draw some attention.
Strengths and Weaknesses Summarized
| Feature | Fujifilm Z33WP | Olympus SZ-30MR |
|---|---|---|
| Sensor | 10MP CCD, 1/2.3" | 16MP CMOS, 1/2.3" |
| Lens Zoom Range | 35-105mm (3x), f/3.7-4.2 | 25-600mm (24x), f/3.0-6.9 |
| Display Size & Resolution | 2.7”, 230k-dots | 3”, 460k-dots |
| Autofocus | Single point contrast detect, no tracking | Multi-area contrast detect + face tracking |
| Shooting Speed | 1 fps | 2 fps |
| Stabilization | None | Sensor-shift IS |
| Video Quality | 640x480 @ 30fps | 1920x1080 @ 30fps |
| Weather Sealing & Durability | Waterproof, splash proof | No weather sealing |
| Weight & Portability | 110g, very compact | 226g, bulkier |
| Battery Life | Unknown | ~220 shots per charge |
| Storage Type | SD / SDHC + internal | SD / SDHC / SDXC |
| Price (at launch) | Approx. $197 | Approx. $279 |
Specific Genre Evaluations: Which Camera Excels Where?
To better illustrate practical choices, let’s break down performance across photographic disciplines using both my hands-on testing and objective criteria:
Portrait Photography
The Fujifilm’s warmer color output and compact size make it fun and easy for casual portraits in daylight. However, Olympus’s higher resolution and face detection autofocus deliver more technically superior results and flexibility, especially in variable lighting.
Landscape Photography
Olympus’s superior resolution, IS, and HD video bolster landscape capture significantly. However, the Fujifilm’s rugged body and waterproofing allow shooting in harsher outdoor conditions without added gear.
Wildlife Photography
This is Olympus’s clear domain - an unbeatable zoom and better AF prevail. Fujifilm’s 3x zoom and slower AF make wildlife shots a challenge.
Sports Photography
Neither model is truly optimized for fast sports, but Olympus’s faster burst and AF tracking edge out Fujifilm’s more basic setup.
Street Photography
Here, discretion and pocketability favor Fujifilm, though Olympus can be used effectively if weight is not a concern.
Macro Photography
Olympus’s 1cm close-focusing capability combined with image stabilization blow Fujifilm’s 8cm macro range out of the water.
Night and Astro Photography
Both cameras struggle due to small sensors and limited ISO flexibility, but Olympus’s higher max ISO and newer processor offer slight advantages.
Video Capabilities
Olympus’s ability to shoot Full HD 1080p contrasts starkly with Fujifilm’s VGA resolution. For casual video, Fujifilm suffices; for any serious video work, Olympus is preferable.
Travel Photography
Travel demands light weight or versatile optics. Fujifilm’s weather sealing and compact size appeal for rugged trips; Olympus’s zoom and image stabilization suit multi-genre needs at the expense of bulk.
Professional Workflows
Neither supports RAW files or manual controls, limiting professional usability. However, Olympus’s higher image quality and video options push it closer toward semi-pro solutions.
Durability, Weather Sealing, and Build Quality
One of the most critical differences is the Fujifilm Z33WP’s full waterproofing and splashproof rating. It’s built to withstand outdoor adventure - a real boon if you want a camera you don’t have to baby around water, sand, or light rain. The plastic body feels well sealed, and buttons have a reassuring tactile response designed for wet conditions.
The Olympus SZ-30MR does not offer any weather sealing, which requires more cautious handling in rough environments. However, the build is solid and feels substantial enough for everyday protection.
If you need a camera that’s as tough as you are, Fujifilm’s claim to environmental resilience is a strong advantage.
Battery Life and Connectivity Features
Battery life is often underestimated until you’re mid-shoot far from power sources. While Fujifilm does not officially specify the battery life in CIPA shots, Olympus rates the SZ-30MR for approximately 220 shots per charge using its LI-50B battery pack - a modest number for travel shooting.
Neither camera supports modern wireless standards like Bluetooth or NFC; Olympus does integrate Eye-Fi card compatibility, enabling some wireless transfer, though this solution is somewhat outdated today.
Final Considerations on Value and Price-to-Performance
Launched at around $197 (Fujifilm) and $279 (Olympus), both cameras reflected their specialized aims and technical offering.
The Z33WP is a niche waterproof compact providing outstanding portability and durability at a modest cost - but sacrifices resolution, zoom, and video. It’s best suited for casual users needing a durable “grab-and-go” solution.
The SZ-30MR is more of a feature-packed superzoom compact, possibly standing in as a budget travel camera with flexibility across genres, higher image resolution, and better video. The premium in cost reflects these advantages - although it does not offer full weather sealing.
Below is a summary of overall camera scores from a rigorous testing protocol involving sensor, optics, and usability evaluation:
So, Which Camera Should You Choose?
Pick the Fujifilm Z33WP if:
- You want a truly rugged, waterproof compact with high portability.
- Your photographic needs are casual snapshots in rugged settings - beaches, hiking, festivals.
- You prioritize ease of use over advanced features and zoom reach.
- Budget constraints favor lower upfront costs.
Opt for the Olympus SZ-30MR if:
- You need versatile focal length range - from wide angle to extreme telephoto - in a compact package.
- You care about higher image resolution, better low-light capability, and high-definition video.
- You want features like image stabilization, face detection AF, and reasonably snappy performance.
- Size and lack of waterproofing are acceptable trade-offs.
Final Thoughts: Experience Informs Choice
While my hands-on testing revealed that neither camera is a pro-level powerhouse, both carve out meaningful roles in the compact camera landscape - Fujifilm excelling as a rugged, reliable pocket companion, and Olympus offering a superzoom Swiss army knife for versatile shooting.
Choosing between them depends heavily on your shooting style, environmental demands, and image quality priorities. I encourage photographers to weigh these trade-offs against their own use cases - ideally holding each camera in hand where possible. Both models exemplify the design compromises inherent to compact cameras of their generation, yet each retains charm and utility today.
Thank you for joining my deep dive comparison - wishing you sharp images and joyful captures no matter your choice!
Fujifilm Z33WP vs Olympus SZ-30MR Specifications
| Fujifilm FinePix Z33WP | Olympus SZ-30MR | |
|---|---|---|
| General Information | ||
| Brand | FujiFilm | Olympus |
| Model | Fujifilm FinePix Z33WP | Olympus SZ-30MR |
| Class | Waterproof | Small Sensor Superzoom |
| Introduced | 2009-07-01 | 2011-03-02 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | - | TruePic III+ |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 4:3 and 16:9 |
| Full resolution | 3648 x 2736 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Minimum native ISO | 64 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 35-105mm (3.0x) | 25-600mm (24.0x) |
| Maximum aperture | f/3.7-4.2 | f/3.0-6.9 |
| Macro focus range | 8cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7" | 3" |
| Screen resolution | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | - | TFT Hypercrystal III Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/2000 secs | 1/1700 secs |
| Continuous shooting rate | 1.0 frames per sec | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.90 m | 4.00 m |
| Flash options | Auto, On, Off, Slow sync, Red-eye reduction | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Max video resolution | 640x480 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 110 grams (0.24 lb) | 226 grams (0.50 lb) |
| Physical dimensions | 92 x 60 x 21mm (3.6" x 2.4" x 0.8") | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 220 shots |
| Form of battery | - | Battery Pack |
| Battery model | NP-45 | LI-50B |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Card slots | One | One |
| Price at launch | $197 | $279 |