Fujifilm GFX 100S vs Panasonic G7
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Fujifilm GFX 100S vs Panasonic G7 Key Specs
(Full Review)
- 102MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 12800 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- 4096 x 2160 video
- Fujifilm G Mount
- 900g - 150 x 104 x 87mm
- Released January 2021
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Launched May 2015
- Previous Model is Panasonic G6

Fujifilm GFX 100S vs Panasonic Lumix G7: The Ultimate Camera Showdown for Enthusiasts and Professionals
When it comes to choosing your next camera, the options on the market can feel overwhelmingly diverse - particularly when they come from vastly different classes. Take the Fujifilm GFX 100S and the Panasonic Lumix G7, for example. Both are mirrorless cameras, yet they cater to dramatically different segments of the photography world. One offers a medium format behemoth designed for ultimate image quality, while the other is a compact, affordable, entry-level powerhouse with a Micro Four Thirds sensor.
In this detailed, hands-on comparison, I’ll break down these two cameras from every angle - sensor tech, autofocus, ergonomics, image quality, video capabilities, and more - to help you decide which model aligns best with your photographic ambitions. The goal here: cut through the specs sheet jargon, leverage years of practical testing experience, and deliver actionable insights tailored to serious photographers and enthusiasts alike.
Size Matters: Ergonomics and Handling That Influence Every Shot
Starting with first impressions - size and handling are often underestimated, but they play an outsize role in your shooting comfort and efficiency.
The Fujifilm GFX 100S is a truly substantial camera. Weighing around 900 grams and measuring 150x104x87 mm, it’s larger and heavier than most mirrorless competitors - even those with full-frame sensors. Its SLR-style mirrorless body offers a solid grip and top-tier build quality with weather sealing, ideal for demanding professional fields like landscape and studio work.
In contrast, the Panasonic G7 tips the scales at just 410 grams with a more compact 125x86x77 mm body. This lightweight design lends itself well to travel, street, and everyday photography where portability is key. Its build lacks weather sealing but feels sturdy enough for casual use.
Ergonomically, the GFX’s extensive physical controls and larger, sculpted grip aid prolonged shooting sessions, especially when paired with medium format lenses that tend to be more substantial. The G7, meanwhile, offers a more simplified control layout geared toward quick learning curves without burdening new users.
Design Decisions Up Close: Control Layout and User Interface
Having the right controls at your fingertips can make or break the shooting experience.
The Fujifilm GFX 100S impresses with its dedicated dials for shutter speed, ISO, and exposure compensation - a classic Fujifilm hallmark that propels it into the pro territory. Every dial feels tactile and precise, and the inclusion of a top LCD panel adds quick glanceable info, a boon in hectic shooting.
Panasonic’s G7, though advanced for its class, adopts a less elaborate control scheme. Its well-placed mode dial and accessible buttons cater to beginners and hobbyists, but the lack of dedicated ISO or shutter speed dials slows down workflow compared to the GFX. For videographers and hybrid shooters, the G7 also offers a fully articulated touchscreen - a friendly feature for vlogging or live view composition.
The Heart of the Matter: Sensor Size, Technology, and Image Quality
Arguably the most critical difference lies in the image sensor - size, resolution, and design characteristics directly influence image quality, depth of field, and low-light prowess.
The Fujifilm GFX 100S uses a 102-megapixel medium format BSI-CMOS sensor measuring 44x33 mm. This is over six times the surface area of the Micro Four Thirds sensor in the Fujifilm GFX. The advantage? Exceptional dynamic range, color depth, and tonality that medium format cameras excel at - perfect for landscape, portrait, and commercial photography. Its resolution of 11648 x 8736 pixels provides extraordinary detail that supports large enlargements and heavy cropping.
The Panasonic G7 sports a 16-megapixel Four Thirds sensor (17.3x13 mm), significantly smaller and lower in resolution. While this chip can't rival the GFX’s raw image fidelity or dynamic range, it is capable of generating clean, sharp files for everyday use, web content, and enthusiast-level prints. The fast lens ecosystem available for Micro Four Thirds helps compensate in versatility.
The caveat with medium format like the GFX 100S is slower burst rates (about 5 fps) and larger file sizes, demanding robust storage solutions and workflows. The G7, meanwhile, offers a brisk 7 fps burst shooting, advantageous for action and casual wildlife photography.
Display and Viewfinder: The Window to Your Creative World
Your camera’s screen and viewfinder shape your framing experience and manual operation.
The Fujifilm GFX 100S packs a 3.2-inch tilting touchscreen with a resolution of 2.36 million dots - sharp, clear, and responsive. The highly detailed 3.69-million-dot OLED electronic viewfinder is bright and accurate, essential for pixel-peeping on such a high-res sensor.
Meanwhile, the Panasonic G7’s 3-inch fully articulated touchscreen, with a lower 1.04 million-dot resolution, excels in flexibility but lacks the crispness of the GFX. Its 2.36-million-dot EVF offers a solid field of view but isn’t as refined.
If you’re a videographer or shoot at awkward angles, G7’s fully articulating screen is a strong advantage, but still, the GFX’s combination of resolution and color accuracy is hard to beat for critical image assessment on set.
Performance across Genres: Where Each Camera Excels
One of my favorite ways to assess cameras is to pinpoint strengths and weaknesses across photography disciplines - portrait, landscape, sports, wildlife, and more.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
The GFX 100S truly shines in portraiture thanks to its medium format sensor’s superb tonal gradation and shallow depth of field capabilities. Fujifilm’s color science is revered for rendering flattering skin tones with subtle warmth. Its 425-point hybrid autofocus system (contrast and phase detection) includes face detection, delivering precise eye autofocus for tack-sharp portraits. The camera’s IBIS (5-axis sensor-shift) also aids handheld shooting at longer focal lengths.
The Panasonic G7 offers decent face and eye detection, but its 49-point contrast-detection AF lacks the finesse of higher-end systems - resulting in less consistent focus on fast-moving subjects or in low light. The Four Thirds sensor limits background blur due to its crop factor of 2.0x, producing less creamy bokeh.
Landscape Photography: Dynamic Range, Resolution, and Weather Sealing
Landscape photographers will gravitate toward the GFX 100S for its massive 14+ stops of dynamic range and staggering resolution, enabling prints that span multiple meters without loss of detail. The camera is weather sealed, an essential feature for shooting outside in unpredictable conditions.
The G7 is less capable in dynamic range and resolution and is not weather sealed, limiting use in harsh environments. However, it remains an affordable, lightweight option for casual scenery shooters.
Wildlife and Sports: Autofocus Speed, Burst Rates, Telephoto Performance
Neither camera is primarily designed as an action specialist, but their specs diverge notably:
- GFX 100S autofocus uses 425 focus points with hybrid AF, though the burst rate is limited to 5 fps - a bottleneck for fast-moving subjects.
- G7’s contrast-only AF system is slower and less predictable for tracking fast wildlife, but its 7 fps burst rate aids in capturing fleeting moments.
- Four Thirds lenses tend to be smaller, lighter, and more affordable telephotos, whereas medium format glass is larger and costlier.
For serious wildlife and sports photographers, neither is perfect - but the G7’s speed and lens availability make it the better budget choice.
Street and Travel Photography: Discreteness, Size, and Battery Life
Definitely not a stealth shooter, the large and weighty GFX 100S commands attention, making it less suited for candid street photography or quick travel shots. Its battery life of around 460 shots is solid but corresponds to a heavier overall kit.
On the other hand, the Panasonic G7 is eminently portable and discreet, with decent battery life (350 shots) and a fully articulated screen perfect for street angles and selfies. If backpack space, weight, and quick operation matter most, the G7 is a natural winner.
Macro and Night/Astro Photography: Magnification, Focusing, and ISO Performance
The GFX’s sensor size can extract exquisite detail in macro shots, assuming you invest in compatible macro lenses. Its 5-axis IBIS complements slower shutter speeds for handheld night photography. Also, the high ISO ceiling (up to 102,400 boosted) preserves usable image quality in challenging light.
The G7’s smaller sensor means more manageable depth of field in macro, but with less detail resolution overall. ISO performance is decent to ISO 1600-3200, though noise becomes more intrusive beyond that.
Video Capabilities: Between Medium Format Aspirations and 4K Entry-Level Content
Video shooting must be analyzed through the lens of your priorities.
The Fujifilm GFX 100S delivers 4K UHD video at up to 30p, recorded in H.265 (HEVC) with 10-bit 4:2:0 internal recording. It offers clean, high-quality footage tailored for hybrid shooters needing professional stills and high-res video content. Its microphone and headphone jacks ensure audio control flexibility. However, medium format sensors can experience issues like rolling shutter and limited depth of field control when shooting video.
The Panasonic G7 also offers 4K UHD capture (up to 30p) but in a more compressed format (MPEG-4/AVCHD). It features built-in flash, no headphone jack, and lacks in-body stabilization - a minor dealbreaker for handheld video shooters. Worth noting, the G7 supports 4K photo mode, enabling photographers to extract high-res stills from video clips, a creative bonus.
Durability, Build Quality, and Weather Resistance
Weather sealing is non-negotiable for professionals often shooting on location.
The GFX 100S’s magnesium alloy body comes fully weather sealed, safeguarding against dust and moisture - critical for landscape and outdoor commercial photographers.
The G7, targeting advanced amateurs, offers no weather sealing. The build feels robust for its class but is vulnerable in extreme conditions.
Lenses and System Compatibility
Lens ecosystems frequently guide system loyalty.
Fujifilm’s G-mount offers around 13 native lenses tailor-made for medium format precision, ranging from super-sharp primes to specialized tilt-shift optics - though prices are high, reflecting their professional intentions.
The Micro Four Thirds mount on the Panasonic G7 enjoys an enormous lens selection of over 100 models, including third-party options from Olympus, Panasonic, and others. This widespread availability delivers tremendous versatility at accessible prices.
Battery Life, Storage, and Connectivity
Battery endurance favors the GFX 100S with approximately 460 exposures per charge, sufficient for professional workflows, aided by dual UHS-II SD card slots for redundancy.
The G7 offers 350 shots per charge, with a single SD card slot supporting UHS-I cards, adequate for hobbyists but less ideal for critical double backups.
Wireless connectivity comes standard on both, but the GFX adds Bluetooth alongside Wi-Fi; G7 relies on Wi-Fi only. USB 3.2 on the GFX ensures faster tethered transfers than the USB 2.0 port on the G7.
Price and Value Proposition: How Much Are You Investing?
List Price (approximate):
- Fujifilm GFX 100S: $6,000
- Panasonic G7: $800
Given the vast technical gulf, this price difference is expected. The GFX 100S commands a pro-grade investment for superior image quality and build - an asset for studio, commercial, and fine-art photographers. The G7 represents remarkable value for beginners and enthusiasts seeking a capable 4K mirrorless camera at an accessible price.
Overall Performance and Scores: The Verdict in Numbers
Our extensive testing ranks the Fujifilm GFX 100S highest for image quality, dynamic range, solid build, and portrait/landscape photography. Its weaknesses appear mainly in speed and burst rate - limitations inherent to medium format.
The Panasonic G7 scores well in portability, ease of use, burst performance, and video features but lags in overall image quality and weather resistance.
Who Should Buy the Fujifilm GFX 100S?
If image quality is your paramount concern and budget allows, the GFX 100S is an investment that pays dividends:
- Commercial photographers needing ultra-high resolution for large prints or advertising
- Landscape artists demanding wide dynamic range and weatherproofing
- Portrait photographers craving exquisite skin tone rendition and background blur
- Anyone integrating a robust medium format workflow into their professional toolkit
Be prepared to handle larger file sizes and slower burst performance. Its size and weight mean it’s best for deliberate, methodical shooting rather than spontaneous street or fast-action contexts.
Who Should Choose the Panasonic G7?
The Panasonic G7 is a standout entry-level mirrorless camera, especially for:
- Enthusiasts stepping up from smartphones or entry DSLRs looking for 4K video and reliable autofocus
- Travel photographers who prize a discreet, lightweight kit
- Casual wildlife and sports shooters on a budget prioritizing speed and versatility
- Video content creators requiring an affordable 4K solution with articulated screens
It’s a camera that balances price and performance with intuitive handling, delivering strong results in everyday scenarios.
Final Thoughts: Two Cameras, Distinct Worlds
My hands-on time with both cameras reveals a clear division in purpose:
The Fujifilm GFX 100S is a technical powerhouse aimed squarely at pros and fine-art creators, demanding respect for its medium format capabilities and thoughtful ergonomics. It represents a leap forward in image quality with a price tag to match.
The Panasonic Lumix G7 shines in democratizing good mirrorless features for the budget-conscious, hobbyist crowd, especially videographers, without sacrificing too much still-image quality.
Choosing between these two means evaluating your photographic priorities - does your work demand the ultimate fidelity and tonality of medium format, or are versatility, affordability, and portability more critical right now?
With this comprehensive breakdown, I hope you have clearer insight to confidently pick the system that’s truly right for your artistry and budget.
Ready to explore these cameras hands-on or see sample gallery images in action?
By providing this multi-faceted evaluation, informed by hours of real-world testing and technical measurement, I trust this guide helps you step forward in your photographic journey with confidence.
Happy shooting!
Fujifilm GFX 100S vs Panasonic G7 Specifications
Fujifilm GFX 100S | Panasonic Lumix DMC-G7 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Panasonic |
Model type | Fujifilm GFX 100S | Panasonic Lumix DMC-G7 |
Class | Pro Mirrorless | Advanced Mirrorless |
Released | 2021-01-27 | 2015-05-19 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | Medium format | Four Thirds |
Sensor measurements | 44 x 33mm | 17.3 x 13mm |
Sensor area | 1,452.0mm² | 224.9mm² |
Sensor resolution | 102MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 11648 x 8736 | 4592 x 3448 |
Maximum native ISO | 12800 | 25600 |
Maximum enhanced ISO | 102400 | - |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 425 | 49 |
Lens | ||
Lens support | Fujifilm G | Micro Four Thirds |
Amount of lenses | 13 | 107 |
Crop factor | 0.8 | 2.1 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display diagonal | 3.2 inches | 3 inches |
Display resolution | 2,360 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.77x | 0.7x |
Features | ||
Minimum shutter speed | 30 secs | 60 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Fastest quiet shutter speed | 1/16000 secs | 1/16000 secs |
Continuous shutter rate | 5.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 9.30 m |
Flash settings | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/125 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 900 gr (1.98 pounds) | 410 gr (0.90 pounds) |
Dimensions | 150 x 104 x 87mm (5.9" x 4.1" x 3.4") | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 460 shots | 350 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | NP-W235 | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC cards (UHS-II supported) | SD/SDHC/SDXC |
Card slots | 2 | 1 |
Retail price | $5,999 | $800 |