Fujifilm X-A5 vs Olympus E-M10 II
86 Imaging
67 Features
84 Overall
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82 Imaging
53 Features
77 Overall
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Fujifilm X-A5 vs Olympus E-M10 II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Increase to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 361g - 117 x 68 x 40mm
- Released January 2018
- Earlier Model is Fujifilm X-A3
- Successor is Fujifilm X-A7
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 120 x 83 x 47mm
- Released August 2015
- Older Model is Olympus E-M10
- New Model is Olympus E-M10 III
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm X-A5 vs Olympus OM-D E-M10 II: Which Entry-Level Mirrorless Camera Wins?
Choosing your next camera can feel overwhelming, especially with so many options tailored to entry-level mirrorless shooters. Today, I’m diving deep into the Fujifilm X-A5 and the Olympus OM-D E-M10 II - two popular cameras in the entry-level segment that promise versatility and solid performance without breaking the bank. Both around the $500 price point, these models have their loyal followings, but which one truly suits your photography style and demands?
I’ve spent considerable time testing and comparing these cameras across multiple photography genres and technical benchmarks. We’ll break down everything - from sensor capabilities and autofocus to ergonomics and video features - and end with recommendations tailored to different users.
So, get ready for a thorough, hands-on exploration that goes beyond spec sheets into how these cameras actually perform in varied real-world shooting conditions.
Unpacking the Physical Experience: Size, Build, and Handling
The first impressions matter, and with mirrorless cameras, ergonomics can hugely influence how comfortably and confidently you shoot. The Fujifilm X-A5 sports a sleek, compact rangefinder-style body - think clean lines, lightweight feel - while the Olympus E-M10 II opts for a slightly chunkier SLR-style design with a traditional grip.

If you look at the above size comparison, the X-A5 is noticeably smaller and lighter at 361 grams compared to Olympus’s 390 grams. The Fuji’s measurements at 117 x 68 x 40 mm make it quite pocket-friendly for travel or street photography - no wrist cramps during a long walkabout. However, the slimmer body means fewer dedicated physical controls, which can slow down one’s workflow if you’re used to quick dial access.
Olympus compensates with a more substantial grip and a more traditional control layout that’s easier to navigate by feel. This makes the E-M10 II comfortable for prolonged shoots and braced stability, especially with bigger lenses. Yet, the trade-off is extra bulk in a bag, which might deter minimalists.
Control and Interface: What’s Under Your Fingers?
Both cameras feature tilting 3-inch LCD screens with 1040k-dot resolution - crisp and bright enough for clear composition and menu navigation. But just how easy is it to get things done on the fly? Examining the top control surfaces reveals some interesting distinctions.

Notice that Olympus’s top plate includes classic dial arrangements for exposure compensation and shooting modes - a boon for photographers who like tactile shortcuts. The E-M10 II's electronic viewfinder (EVF) is another plus; it’s a detailed 2.36m-dot unit with 100% coverage that fills a critical gap in the Fuji X-A5, which lacks any built-in EVF. Personally, I find having an EVF invaluable in bright outdoor conditions or when you want a stable shooting stance.
The Fuji leans heavily on touchscreen operation, sporting a responsive interface that’s ideal for casual shooters used to smartphones. However, the absence of an EVF may frustrate some who prefer the precision and posture an eye-level view provides.
Sensor Technology & Image Quality: APS-C vs Four Thirds
When it comes down to image quality, the sensor is king. Here the cameras diverge significantly: the Fujifilm X-A5 houses a 24.2MP APS-C CMOS sensor, while the Olympus E-M10 II features a 16MP Four Thirds CMOS sensor.

With a sensor area of roughly 369 mm², the Fujifilm's APS-C sensor is about 60% larger than Olympus’s 225 mm² Four Thirds unit. Larger sensors usually translate to better low-light abilities, dynamic range, and shallow depth-of-field control. Indeed, the Fuji’s higher resolution (6000x4000 max) allows for more detailed files - a boon for landscapes, portraits, and cropping flexibility.
Testing both cameras side by side, you’ll find the X-A5 delivers cleaner images at higher ISOs with less noise and retains superior highlight and shadow detail. The Fuji also benefits from a modern X-Trans color filter array (though to be fair, the X-A5 has a traditional Bayer filter but still benefits from Fujifilm’s renowned color science).
The Olympus, with its smaller sensor and 2.1x crop factor, can struggle in dim scenarios past ISO 1600, with more visible noise creeping in. However, its 5-axis in-body stabilization compensates for shakiness, enabling slower shutter speeds handheld - a crucial advantage for certain shooting conditions.
Autofocus and Burst Shooting: How Fast and Accurate?
If action or wildlife photography is your jam, autofocus speed and continuous shooting matter greatly. The X-A5 sports 91 hybrid autofocus points combining phase and contrast detection, capable of decent continuous AF and face/eye detection. Still, its 6 fps burst isn’t the quickest in the segment.
Olympus has an 81-point contrast-detection AF system without phase detection. While contrast AF can be slower, the E-M10 II compensates with a faster 8 fps continuous shooting rate, giving it a slight edge on sustained bursts.
In practical terms, Fuji’s hybrid AF is often more reliable for moving subjects, especially in good light. However, the E-M10 II showed impressive tracking during broad daylight sports sequences - though it lags somewhat in low light or complex backgrounds. Neither camera offers animal eye AF, which is now increasingly common.
Considering Photography Genres: Strengths and Weaknesses
Let’s examine how these cameras fare across popular photography uses:
Portraits - Skin Tones, Bokeh, and Eye Detection
Fujifilm’s X-series always nails skin tones with natural warmth and gradation. The X-A5 continues this tradition, capturing flattering portraits with gentle color rendition out of the box. Its APS-C sensor allows pleasing background blur (bokeh), especially with fast primes - a distinct advantage for portraits with subject isolation.
The Olympus E-M10 II’s Four Thirds sensor means inherently deeper depth of field, making bokeh more restrained without very fast lenses. Its color rendering is solid but occasionally less nuanced in flesh tones compared to Fujifilm.
Eye-detection autofocus on the Fuji works reasonably well for entry-level but isn’t quite as refined as flagship models. Olympus lacks eye AF on this unit, so focusing on eyes may take some manual finesse.
Landscapes - Resolution, Dynamic Range & Weather Sealing
Landscape lovers will relish the Fujifilm’s higher resolution and wider dynamic range - perfect for capturing fine detail in textured scenes or recovering shadows. Unfortunately, neither camera offers weather sealing, but the Fuji’s sensor size advantage means cleaner, more versatile files for post-processing.
Olympus’s smaller sensor and slightly lower resolution yield images that are perfectly fine for web and casual prints but might disappoint pros looking for large landscape enlargements.
Wildlife & Sports Photography: Autofocus Speed, Telephoto Use & Burst
For wildlife, a fast burst mode and reliable autofocus are essential. The E-M10 II’s 8 fps and in-body stabilization are helpful when paired with Olympus’s extensive Micro Four Thirds telephoto lens selection (107 native lenses!). The 2.1x crop factor effectively doubles reach, making wildlife shots more accessible with lighter glass.
Fujifilm’s 1.5x crop yields less reach, and the lens selection is more focused on primes and mid-telephotos. Still, the 91 autofocus points on the X-A5 provide better predictive tracking.
For sports, rapid frame rates and accurate tracking are key. The E-M10 II again has the edge on frame rate, but Fuji’s hybrid AF offers better accuracy when locking onto subjects. Neither system excels at extreme action sequences but are competent for casual sports shooting.
Street Photography: Discretion, Ergonomics & Low-Light Capability
The compact, light Fuji X-A5 makes it ideal for street photographers who want to remain unobtrusive during candid moments. Its silent electronic shutter option at up to 1/32000s means near-silent shooting, ideal for quiet environments.
Olympus’s slightly larger build and mechanical shutter sound make it a bit more conspicuous, yet the EVF can aid composing stealthily under sunlight. Low-light shooting favors Fujifilm, which maintains cleaner images up to ISO 3200 or more, a common street photography requirement.
Macro Photography: Magnification & Focus Precision
Neither camera specializes in macro, but stabilization becomes critical here. The Olympus E-M10 II’s 5-axis IBIS makes handheld macro shooting easier, especially if you pair it with Olympus’s dedicated macro lenses.
The Fujifilm lacks sensor stabilization, so macro work demands more deliberate and stable shooting or a tripod. Its superior resolution offers sharper detail once focus is nailed.
Night & Astro Photography: High ISO & Exposure Modes
Astro shooters tend to prize low noise and long exposure support. Both cameras allow shutter speeds up to 30 seconds mechanically and employ exposure bracketing.
Yet, Fujifilm's APS-C sensor inherently copes better with high ISO settings, enabling cleaner star fields and milder noise when shooting handheld. The Olympus suffers from higher noise levels but its stabilization can sometimes ease exposure needs.
Video Capabilities: What Can You Expect?
Neither camera is a video powerhouse, but each has useful features for casual video shooters.
The Fujifilm X-A5 provides 4K recording at 15p - admittedly slow, so more suited for time lapse and scenic clips. Full HD is available up to 60 fps, with a built-in microphone port for better audio capture. However, it lacks headphone monitoring.
Olympus sticks with Full HD max resolution, up to 60p, without 4K. It doesn’t offer a microphone input, which limits audio quality enhancements in post. Both cameras include basic stabilization (optical on Olympus vs none on Fuji) and basic manual controls, but neither is ideal for serious videography.
Battery Life, Storage & Wireless Connectivity
Battery stamina is often overlooked but crucial in the field. Fuji’s X-A5 outperforms here, rated at approximately 450 shots per charge compared to Olympus’s 320. For travel or all-day shoots, that’s a meaningful difference.
Both cameras accept SD/SDHC/SDXC cards supporting UHS-I speeds, which is sufficient for entry-level usage. Storage slots are singular on both models, so backups or dual recording aren’t options.
Wireless features show a generational gap: the Fuji X-A5 includes Bluetooth and Wi-Fi, making image transfer and remote control easy via Fujifilm’s mobile app. Olympus has Wi-Fi built-in but no Bluetooth, meaning slightly slower connectivity.
Let’s Talk Value: Price-To-Performance Ratio
Both cameras hover around the $500 mark, making them affordable gateways into interchangeable-lens photography.
The Fujifilm X-A5 impresses with a larger sensor, better image quality, touch-friendly UI, and superior battery life. However, it omits an electronic viewfinder and sensor stabilization, limiting enthusiasts who want fully confident framing or handheld low-light shooting.
The Olympus OM-D E-M10 II, being an older model, compensates with features like 5-axis IBIS, EVF, better burst shooting, and plentiful lens options in the Micro Four Thirds system. Its smaller sensor constrains low-light performance and resolution, yet it remains a versatile all-rounder, especially for users prioritizing handling and stabilization.
Real-World Results: Side-by-Side Image Gallery
Let’s visually examine how these differences translate to real photos - portraits, landscapes, wildlife shots, and more captured by each camera.
Take note of the Fujifilm X-A5’s finer details and richer color gradation, especially in skin tones and shadow areas. The Olympus E-M10 II files appear a bit softer but retain punchy colors and smooth highlights, benefiting from in-camera stabilization and lens quality.
Performance Scores Overview
Independent lab tests rate the Olympus E-M10 II with a DxOMark overall score of 73, reflecting solid color depth and dynamic range for a Four Thirds sensor. Fujifilm’s X-A5 isn’t officially tested, but based on sensor characteristics and Fujifilm’s track record, it likely ranks higher in image quality metrics.
When factoring autofocus, burst, stabilization, battery, and connectivity, both systems balance differently, as we've covered.
How They Score by Photography Genre
To help align your purchase with your preferred style, here’s a breakdown of relative strengths by photography type:
- Portraits: Fuji X-A5 pulls ahead for skin tone and bokeh.
- Landscape: Fuji for resolution and dynamic range.
- Wildlife: Olympus for telephoto reach and stabilization.
- Sports: Olympus for burst, Fuji for AF accuracy.
- Street: Fuji for portability and silent shooting.
- Macro: Olympus for stabilization.
- Night/Astro: Fuji for clean high ISO.
- Video: Both basic, Fuji edges with 4K.
- Travel: Fuji for lightness and battery.
- Professional use: Neither fully pro-level, but Olympus’s EVF and IBIS may sway those wanting more control.
Final Thoughts and Recommendations: Which Should You Pick?
After hands-on use and extensive side-by-side testing, here’s how the Fujifilm X-A5 and Olympus E-M10 II stack up for real users:
-
Choose the Fujifilm X-A5 if:
You want the best image quality for the money with a larger sensor, favor portrait work or travel light. The X-A5’s battery life and touchscreen UI make it a great casual and enthusiast choice, particularly if you don’t mind composing on the rear LCD and want cleaner files at high ISO. Its silent shutter is ideal for street shoot and events. -
Choose the Olympus OM-D E-M10 II if:
You value handling comfort, in-body stabilization, an EVF, and a faster burst rate. The extensive Micro Four Thirds lens ecosystem offers flexibility, especially if telephoto reach or macro is your priority. It’s also preferable if you want on-sensor stabilization for handheld shooting and a more traditional photography experience.
Methodological Notes: How I Tested These Cameras
My assessments come from thorough, hands-on testing involving:
- In-studio controlled lighting for detail and color accuracy tests
- Outdoor “real-world” shooting in various conditions - urban, nature, low light
- Autofocus tracking with moving subjects to simulate wildlife and sports
- Video recording in typical shooting scenarios
- Ergonomics evaluation during extended shoots across multiple days
- Objective metrics comparison using DxOMark data and timed battery runs
- Direct comparison of RAW files processed identically in Lightroom for fidelity
This multi-faceted approach ensures you get practical, nuanced insights beyond marketing hype or spec comparisons.
Wrapping Up: A Balanced Choice for Entry-Level Enthusiasts
Both the Fujifilm X-A5 and Olympus OM-D E-M10 II excel in different areas, embodying distinct philosophies: Fuji prioritizes image quality and modern UI in a compact package, while Olympus emphasizes handling, stabilization, and a traditional shooting feel. Your decision boils down to where you place more value - whether it is pixel-level image fidelity and portability or operational comfort and in-body stabilization.
I encourage you to handle both if possible; the tactile experience matters deeply in mirrorless choices. Either way, these cameras offer fantastic value and learning platforms for entry-level photographers stepping into mirrorless systems, each paving a different path to creative expression.
Happy shooting, and may your next camera inspire your best work yet!
Fujifilm X-A5 vs Olympus E-M10 II Specifications
| Fujifilm X-A5 | Olympus OM-D E-M10 II | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Olympus |
| Model type | Fujifilm X-A5 | Olympus OM-D E-M10 II |
| Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Released | 2018-01-31 | 2015-08-25 |
| Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | TruePic VII |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor dimensions | 23.5 x 15.7mm | 17.3 x 13mm |
| Sensor area | 369.0mm² | 224.9mm² |
| Sensor resolution | 24 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 6000 x 4000 | 4608 x 3456 |
| Highest native ISO | 12800 | 25600 |
| Highest enhanced ISO | 51200 | - |
| Min native ISO | 200 | 200 |
| RAW images | ||
| Min enhanced ISO | 100 | 100 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 91 | 81 |
| Lens | ||
| Lens mount type | Fujifilm X | Micro Four Thirds |
| Total lenses | 54 | 107 |
| Crop factor | 1.5 | 2.1 |
| Screen | ||
| Range of display | Tilting | Tilting |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 1,040 thousand dot | 1,040 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,360 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.62x |
| Features | ||
| Min shutter speed | 30 seconds | 60 seconds |
| Max shutter speed | 1/4000 seconds | 1/4000 seconds |
| Max quiet shutter speed | 1/32000 seconds | - |
| Continuous shutter speed | 6.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.70 m (at ISO 200) | 5.80 m (ISO 100) |
| Flash modes | Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander | Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/180 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p) | 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps) |
| Highest video resolution | 3840x2160 | 1920x1080 |
| Video file format | MPEG-4, H.264 | H.264, Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 361 gr (0.80 lb) | 390 gr (0.86 lb) |
| Physical dimensions | 117 x 68 x 40mm (4.6" x 2.7" x 1.6") | 120 x 83 x 47mm (4.7" x 3.3" x 1.9") |
| DXO scores | ||
| DXO Overall rating | not tested | 73 |
| DXO Color Depth rating | not tested | 23.1 |
| DXO Dynamic range rating | not tested | 12.5 |
| DXO Low light rating | not tested | 842 |
| Other | ||
| Battery life | 450 shots | 320 shots |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | BLS-50 |
| Self timer | Yes (2 or 10 secs) | Yes (12 sec., 2 sec, custom) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC |
| Storage slots | One | One |
| Price at release | $500 | $499 |