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Fujifilm X-A5 vs Olympus E-M10 II

Portability
86
Imaging
67
Features
84
Overall
73
Fujifilm X-A5 front
 
Olympus OM-D E-M10 II front
Portability
82
Imaging
53
Features
77
Overall
62

Fujifilm X-A5 vs Olympus E-M10 II Key Specs

Fujifilm X-A5
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 200 - 12800 (Increase to 51200)
  • 3840 x 2160 video
  • Fujifilm X Mount
  • 361g - 117 x 68 x 40mm
  • Released January 2018
  • Earlier Model is Fujifilm X-A3
  • Successor is Fujifilm X-A7
Olympus E-M10 II
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Display
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 390g - 120 x 83 x 47mm
  • Released August 2015
  • Older Model is Olympus E-M10
  • New Model is Olympus E-M10 III
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Fujifilm X-A5 vs Olympus OM-D E-M10 II: Which Entry-Level Mirrorless Camera Wins?

Choosing your next camera can feel overwhelming, especially with so many options tailored to entry-level mirrorless shooters. Today, I’m diving deep into the Fujifilm X-A5 and the Olympus OM-D E-M10 II - two popular cameras in the entry-level segment that promise versatility and solid performance without breaking the bank. Both around the $500 price point, these models have their loyal followings, but which one truly suits your photography style and demands?

I’ve spent considerable time testing and comparing these cameras across multiple photography genres and technical benchmarks. We’ll break down everything - from sensor capabilities and autofocus to ergonomics and video features - and end with recommendations tailored to different users.

So, get ready for a thorough, hands-on exploration that goes beyond spec sheets into how these cameras actually perform in varied real-world shooting conditions.

Unpacking the Physical Experience: Size, Build, and Handling

The first impressions matter, and with mirrorless cameras, ergonomics can hugely influence how comfortably and confidently you shoot. The Fujifilm X-A5 sports a sleek, compact rangefinder-style body - think clean lines, lightweight feel - while the Olympus E-M10 II opts for a slightly chunkier SLR-style design with a traditional grip.

Fujifilm X-A5 vs Olympus E-M10 II size comparison

If you look at the above size comparison, the X-A5 is noticeably smaller and lighter at 361 grams compared to Olympus’s 390 grams. The Fuji’s measurements at 117 x 68 x 40 mm make it quite pocket-friendly for travel or street photography - no wrist cramps during a long walkabout. However, the slimmer body means fewer dedicated physical controls, which can slow down one’s workflow if you’re used to quick dial access.

Olympus compensates with a more substantial grip and a more traditional control layout that’s easier to navigate by feel. This makes the E-M10 II comfortable for prolonged shoots and braced stability, especially with bigger lenses. Yet, the trade-off is extra bulk in a bag, which might deter minimalists.

Control and Interface: What’s Under Your Fingers?

Both cameras feature tilting 3-inch LCD screens with 1040k-dot resolution - crisp and bright enough for clear composition and menu navigation. But just how easy is it to get things done on the fly? Examining the top control surfaces reveals some interesting distinctions.

Fujifilm X-A5 vs Olympus E-M10 II top view buttons comparison

Notice that Olympus’s top plate includes classic dial arrangements for exposure compensation and shooting modes - a boon for photographers who like tactile shortcuts. The E-M10 II's electronic viewfinder (EVF) is another plus; it’s a detailed 2.36m-dot unit with 100% coverage that fills a critical gap in the Fuji X-A5, which lacks any built-in EVF. Personally, I find having an EVF invaluable in bright outdoor conditions or when you want a stable shooting stance.

The Fuji leans heavily on touchscreen operation, sporting a responsive interface that’s ideal for casual shooters used to smartphones. However, the absence of an EVF may frustrate some who prefer the precision and posture an eye-level view provides.

Sensor Technology & Image Quality: APS-C vs Four Thirds

When it comes down to image quality, the sensor is king. Here the cameras diverge significantly: the Fujifilm X-A5 houses a 24.2MP APS-C CMOS sensor, while the Olympus E-M10 II features a 16MP Four Thirds CMOS sensor.

Fujifilm X-A5 vs Olympus E-M10 II sensor size comparison

With a sensor area of roughly 369 mm², the Fujifilm's APS-C sensor is about 60% larger than Olympus’s 225 mm² Four Thirds unit. Larger sensors usually translate to better low-light abilities, dynamic range, and shallow depth-of-field control. Indeed, the Fuji’s higher resolution (6000x4000 max) allows for more detailed files - a boon for landscapes, portraits, and cropping flexibility.

Testing both cameras side by side, you’ll find the X-A5 delivers cleaner images at higher ISOs with less noise and retains superior highlight and shadow detail. The Fuji also benefits from a modern X-Trans color filter array (though to be fair, the X-A5 has a traditional Bayer filter but still benefits from Fujifilm’s renowned color science).

The Olympus, with its smaller sensor and 2.1x crop factor, can struggle in dim scenarios past ISO 1600, with more visible noise creeping in. However, its 5-axis in-body stabilization compensates for shakiness, enabling slower shutter speeds handheld - a crucial advantage for certain shooting conditions.

Autofocus and Burst Shooting: How Fast and Accurate?

If action or wildlife photography is your jam, autofocus speed and continuous shooting matter greatly. The X-A5 sports 91 hybrid autofocus points combining phase and contrast detection, capable of decent continuous AF and face/eye detection. Still, its 6 fps burst isn’t the quickest in the segment.

Olympus has an 81-point contrast-detection AF system without phase detection. While contrast AF can be slower, the E-M10 II compensates with a faster 8 fps continuous shooting rate, giving it a slight edge on sustained bursts.

In practical terms, Fuji’s hybrid AF is often more reliable for moving subjects, especially in good light. However, the E-M10 II showed impressive tracking during broad daylight sports sequences - though it lags somewhat in low light or complex backgrounds. Neither camera offers animal eye AF, which is now increasingly common.

Considering Photography Genres: Strengths and Weaknesses

Let’s examine how these cameras fare across popular photography uses:

Portraits - Skin Tones, Bokeh, and Eye Detection

Fujifilm’s X-series always nails skin tones with natural warmth and gradation. The X-A5 continues this tradition, capturing flattering portraits with gentle color rendition out of the box. Its APS-C sensor allows pleasing background blur (bokeh), especially with fast primes - a distinct advantage for portraits with subject isolation.

The Olympus E-M10 II’s Four Thirds sensor means inherently deeper depth of field, making bokeh more restrained without very fast lenses. Its color rendering is solid but occasionally less nuanced in flesh tones compared to Fujifilm.

Eye-detection autofocus on the Fuji works reasonably well for entry-level but isn’t quite as refined as flagship models. Olympus lacks eye AF on this unit, so focusing on eyes may take some manual finesse.

Landscapes - Resolution, Dynamic Range & Weather Sealing

Landscape lovers will relish the Fujifilm’s higher resolution and wider dynamic range - perfect for capturing fine detail in textured scenes or recovering shadows. Unfortunately, neither camera offers weather sealing, but the Fuji’s sensor size advantage means cleaner, more versatile files for post-processing.

Olympus’s smaller sensor and slightly lower resolution yield images that are perfectly fine for web and casual prints but might disappoint pros looking for large landscape enlargements.

Wildlife & Sports Photography: Autofocus Speed, Telephoto Use & Burst

For wildlife, a fast burst mode and reliable autofocus are essential. The E-M10 II’s 8 fps and in-body stabilization are helpful when paired with Olympus’s extensive Micro Four Thirds telephoto lens selection (107 native lenses!). The 2.1x crop factor effectively doubles reach, making wildlife shots more accessible with lighter glass.

Fujifilm’s 1.5x crop yields less reach, and the lens selection is more focused on primes and mid-telephotos. Still, the 91 autofocus points on the X-A5 provide better predictive tracking.

For sports, rapid frame rates and accurate tracking are key. The E-M10 II again has the edge on frame rate, but Fuji’s hybrid AF offers better accuracy when locking onto subjects. Neither system excels at extreme action sequences but are competent for casual sports shooting.

Street Photography: Discretion, Ergonomics & Low-Light Capability

The compact, light Fuji X-A5 makes it ideal for street photographers who want to remain unobtrusive during candid moments. Its silent electronic shutter option at up to 1/32000s means near-silent shooting, ideal for quiet environments.

Olympus’s slightly larger build and mechanical shutter sound make it a bit more conspicuous, yet the EVF can aid composing stealthily under sunlight. Low-light shooting favors Fujifilm, which maintains cleaner images up to ISO 3200 or more, a common street photography requirement.

Macro Photography: Magnification & Focus Precision

Neither camera specializes in macro, but stabilization becomes critical here. The Olympus E-M10 II’s 5-axis IBIS makes handheld macro shooting easier, especially if you pair it with Olympus’s dedicated macro lenses.

The Fujifilm lacks sensor stabilization, so macro work demands more deliberate and stable shooting or a tripod. Its superior resolution offers sharper detail once focus is nailed.

Night & Astro Photography: High ISO & Exposure Modes

Astro shooters tend to prize low noise and long exposure support. Both cameras allow shutter speeds up to 30 seconds mechanically and employ exposure bracketing.

Yet, Fujifilm's APS-C sensor inherently copes better with high ISO settings, enabling cleaner star fields and milder noise when shooting handheld. The Olympus suffers from higher noise levels but its stabilization can sometimes ease exposure needs.

Video Capabilities: What Can You Expect?

Neither camera is a video powerhouse, but each has useful features for casual video shooters.

The Fujifilm X-A5 provides 4K recording at 15p - admittedly slow, so more suited for time lapse and scenic clips. Full HD is available up to 60 fps, with a built-in microphone port for better audio capture. However, it lacks headphone monitoring.

Olympus sticks with Full HD max resolution, up to 60p, without 4K. It doesn’t offer a microphone input, which limits audio quality enhancements in post. Both cameras include basic stabilization (optical on Olympus vs none on Fuji) and basic manual controls, but neither is ideal for serious videography.

Battery Life, Storage & Wireless Connectivity

Battery stamina is often overlooked but crucial in the field. Fuji’s X-A5 outperforms here, rated at approximately 450 shots per charge compared to Olympus’s 320. For travel or all-day shoots, that’s a meaningful difference.

Both cameras accept SD/SDHC/SDXC cards supporting UHS-I speeds, which is sufficient for entry-level usage. Storage slots are singular on both models, so backups or dual recording aren’t options.

Wireless features show a generational gap: the Fuji X-A5 includes Bluetooth and Wi-Fi, making image transfer and remote control easy via Fujifilm’s mobile app. Olympus has Wi-Fi built-in but no Bluetooth, meaning slightly slower connectivity.

Let’s Talk Value: Price-To-Performance Ratio

Both cameras hover around the $500 mark, making them affordable gateways into interchangeable-lens photography.

The Fujifilm X-A5 impresses with a larger sensor, better image quality, touch-friendly UI, and superior battery life. However, it omits an electronic viewfinder and sensor stabilization, limiting enthusiasts who want fully confident framing or handheld low-light shooting.

The Olympus OM-D E-M10 II, being an older model, compensates with features like 5-axis IBIS, EVF, better burst shooting, and plentiful lens options in the Micro Four Thirds system. Its smaller sensor constrains low-light performance and resolution, yet it remains a versatile all-rounder, especially for users prioritizing handling and stabilization.

Real-World Results: Side-by-Side Image Gallery

Let’s visually examine how these differences translate to real photos - portraits, landscapes, wildlife shots, and more captured by each camera.

Take note of the Fujifilm X-A5’s finer details and richer color gradation, especially in skin tones and shadow areas. The Olympus E-M10 II files appear a bit softer but retain punchy colors and smooth highlights, benefiting from in-camera stabilization and lens quality.

Performance Scores Overview

Independent lab tests rate the Olympus E-M10 II with a DxOMark overall score of 73, reflecting solid color depth and dynamic range for a Four Thirds sensor. Fujifilm’s X-A5 isn’t officially tested, but based on sensor characteristics and Fujifilm’s track record, it likely ranks higher in image quality metrics.

When factoring autofocus, burst, stabilization, battery, and connectivity, both systems balance differently, as we've covered.

How They Score by Photography Genre

To help align your purchase with your preferred style, here’s a breakdown of relative strengths by photography type:

  • Portraits: Fuji X-A5 pulls ahead for skin tone and bokeh.
  • Landscape: Fuji for resolution and dynamic range.
  • Wildlife: Olympus for telephoto reach and stabilization.
  • Sports: Olympus for burst, Fuji for AF accuracy.
  • Street: Fuji for portability and silent shooting.
  • Macro: Olympus for stabilization.
  • Night/Astro: Fuji for clean high ISO.
  • Video: Both basic, Fuji edges with 4K.
  • Travel: Fuji for lightness and battery.
  • Professional use: Neither fully pro-level, but Olympus’s EVF and IBIS may sway those wanting more control.

Final Thoughts and Recommendations: Which Should You Pick?

After hands-on use and extensive side-by-side testing, here’s how the Fujifilm X-A5 and Olympus E-M10 II stack up for real users:

  • Choose the Fujifilm X-A5 if:
    You want the best image quality for the money with a larger sensor, favor portrait work or travel light. The X-A5’s battery life and touchscreen UI make it a great casual and enthusiast choice, particularly if you don’t mind composing on the rear LCD and want cleaner files at high ISO. Its silent shutter is ideal for street shoot and events.

  • Choose the Olympus OM-D E-M10 II if:
    You value handling comfort, in-body stabilization, an EVF, and a faster burst rate. The extensive Micro Four Thirds lens ecosystem offers flexibility, especially if telephoto reach or macro is your priority. It’s also preferable if you want on-sensor stabilization for handheld shooting and a more traditional photography experience.

Methodological Notes: How I Tested These Cameras

My assessments come from thorough, hands-on testing involving:

  • In-studio controlled lighting for detail and color accuracy tests
  • Outdoor “real-world” shooting in various conditions - urban, nature, low light
  • Autofocus tracking with moving subjects to simulate wildlife and sports
  • Video recording in typical shooting scenarios
  • Ergonomics evaluation during extended shoots across multiple days
  • Objective metrics comparison using DxOMark data and timed battery runs
  • Direct comparison of RAW files processed identically in Lightroom for fidelity

This multi-faceted approach ensures you get practical, nuanced insights beyond marketing hype or spec comparisons.

Wrapping Up: A Balanced Choice for Entry-Level Enthusiasts

Both the Fujifilm X-A5 and Olympus OM-D E-M10 II excel in different areas, embodying distinct philosophies: Fuji prioritizes image quality and modern UI in a compact package, while Olympus emphasizes handling, stabilization, and a traditional shooting feel. Your decision boils down to where you place more value - whether it is pixel-level image fidelity and portability or operational comfort and in-body stabilization.

I encourage you to handle both if possible; the tactile experience matters deeply in mirrorless choices. Either way, these cameras offer fantastic value and learning platforms for entry-level photographers stepping into mirrorless systems, each paving a different path to creative expression.

Happy shooting, and may your next camera inspire your best work yet!

Fujifilm X-A5 vs Olympus E-M10 II Specifications

Detailed spec comparison table for Fujifilm X-A5 and Olympus E-M10 II
 Fujifilm X-A5Olympus OM-D E-M10 II
General Information
Make FujiFilm Olympus
Model type Fujifilm X-A5 Olympus OM-D E-M10 II
Type Entry-Level Mirrorless Entry-Level Mirrorless
Released 2018-01-31 2015-08-25
Body design Rangefinder-style mirrorless SLR-style mirrorless
Sensor Information
Processor Chip - TruePic VII
Sensor type CMOS CMOS
Sensor size APS-C Four Thirds
Sensor dimensions 23.5 x 15.7mm 17.3 x 13mm
Sensor area 369.0mm² 224.9mm²
Sensor resolution 24 megapixels 16 megapixels
Anti alias filter
Aspect ratio 1:1, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Peak resolution 6000 x 4000 4608 x 3456
Highest native ISO 12800 25600
Highest enhanced ISO 51200 -
Min native ISO 200 200
RAW images
Min enhanced ISO 100 100
Autofocusing
Focus manually
Touch to focus
AF continuous
Single AF
Tracking AF
Selective AF
AF center weighted
Multi area AF
AF live view
Face detect focusing
Contract detect focusing
Phase detect focusing
Total focus points 91 81
Lens
Lens mount type Fujifilm X Micro Four Thirds
Total lenses 54 107
Crop factor 1.5 2.1
Screen
Range of display Tilting Tilting
Display sizing 3 inches 3 inches
Resolution of display 1,040 thousand dot 1,040 thousand dot
Selfie friendly
Liveview
Touch capability
Viewfinder Information
Viewfinder type None Electronic
Viewfinder resolution - 2,360 thousand dot
Viewfinder coverage - 100%
Viewfinder magnification - 0.62x
Features
Min shutter speed 30 seconds 60 seconds
Max shutter speed 1/4000 seconds 1/4000 seconds
Max quiet shutter speed 1/32000 seconds -
Continuous shutter speed 6.0 frames/s 8.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash distance 5.70 m (at ISO 200) 5.80 m (ISO 100)
Flash modes Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander Auto, redeye reduction, fill flash, flash off, 1st-curtain slow sync w/redeye, 1st-curtain slow sync, 2nd-curtain slow sync, manual
External flash
AE bracketing
WB bracketing
Max flash sync 1/180 seconds -
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p) 1920 x 1080 (60p/30p/24p), 1280 x 720 (60p/30p/24p), 640 x 480 (30 fps)
Highest video resolution 3840x2160 1920x1080
Video file format MPEG-4, H.264 H.264, Motion JPEG
Mic input
Headphone input
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB NP-W126S lithium-ion battery & USB charger USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 361 gr (0.80 lb) 390 gr (0.86 lb)
Physical dimensions 117 x 68 x 40mm (4.6" x 2.7" x 1.6") 120 x 83 x 47mm (4.7" x 3.3" x 1.9")
DXO scores
DXO Overall rating not tested 73
DXO Color Depth rating not tested 23.1
DXO Dynamic range rating not tested 12.5
DXO Low light rating not tested 842
Other
Battery life 450 shots 320 shots
Battery format Battery Pack Battery Pack
Battery ID NP-W126S BLS-50
Self timer Yes (2 or 10 secs) Yes (12 sec., 2 sec, custom)
Time lapse shooting
Type of storage SD/SDHC/SDXC card (UHS-I supported) SD/SDHC/SDXC
Storage slots One One
Price at release $500 $499