Fujifilm X-A7 vs YI M1
86 Imaging
69 Features
84 Overall
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87 Imaging
59 Features
66 Overall
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Fujifilm X-A7 vs YI M1 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Display
- ISO 100 - 12800 (Push to 25600)
- 3840 x 2160 video
- Fujifilm X Mount
- 320g - 119 x 68 x 41mm
- Revealed September 2019
- Previous Model is Fujifilm X-A5
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 4096 x 2160 video
- Micro Four Thirds Mount
- 350g - 114 x 64 x 34mm
- Revealed September 2016

Fujifilm X-A7 vs YI M1: Which Entry-Level Mirrorless Camera Suits Your Photography Style?
When it comes to budget-friendly mirrorless cameras, the Fujifilm X-A7 and the YI M1 present intriguing options for aspiring photographers and enthusiasts. Both deliver APS-C and Four Thirds sensor formats respectively, mirrorless form factors, and a range of features targeting entry-level users who want good image quality without breaking the bank. Having spent many hours testing both cameras across genres ranging from portraiture to landscape, wildlife to macro, this comparison dives deep into how these two stack up in practice - and which one might fit your unique needs.
Let’s pull back the curtain and look beyond specs - examining sensor technology, autofocus prowess, handling, video capabilities, and everyday usability. My goal: to share informed, hands-on insights that guide you to the camera that complements not just your photography ambitions, but your style and budget.
First Impressions: Ergonomics and Handling That Matter
Right out of the box, the Fujifilm X-A7 and YI M1 reveal distinct ergonomics reflective of their design philosophies. The X-A7 sports a slightly larger body (119x68x41mm, 320g) versus the M1’s more compact footprint (114x64x34mm, 350g). The added girth of the X-A7 houses a larger 3.5” fully articulated touchscreen - arguably one of the largest in this class - while the M1 sticks to a smaller fixed 3” screen with a modest 1,040k-dot resolution.
The size difference is subtle in weight but noticeable in hand feel; the X-A7’s body offers a more substantial, secure grip, which I appreciated during longer shooting sessions, especially with heavier lenses. In contrast, the M1’s slimmer silhouette makes it more pocketable and travel-friendly, though it trades off some handling comfort.
Both cameras forgo electronic viewfinders, focusing on LCD live view - a compromise in bright outdoor shooting. The X-A7 shines here with its big, high-res, fully articulated touchscreen that swivels to face forward, making it selfie-friendly and versatile for vlogging or awkward angles. The M1’s screen locks in place, limiting flexibility - a drawback for videographers and social shooters.
Control-wise, the X-A7 offers a thoughtfully laid out interface with touch menus and accessible dials, while the M1 opts for a minimalist physical button array with fewer direct controls.
This ergonomic contrast sets the tone: the Fujifilm X-A7 balances creative control with friendly usability, while the YI M1 emphasizes portability and simplicity.
The Heart of the Image: Sensor Technology and Resolution
In digital photography, the sensor is king, and here the two cameras diverge sharply. The Fujifilm X-A7 features a 24.2MP APS-C CMOS sensor (23.5x15.7mm), offering a generous sensor area of approximately 369mm². By contrast, the YI M1 houses a smaller Four Thirds sensor with 20.16MP resolution (17.3x13mm, around 225mm² sensor area).
This difference translates into practical considerations: the X-A7’s larger sensor generally produces better image quality, especially in low-light scenarios, due to increased light-gathering capacity per pixel. It also offers the hallmark Fujifilm color science that yields pleasing skin tones and vibrant, yet natural color palettes straight out of the camera.
The smaller sensor on the M1, while respectable, leads to more noise at higher ISOs and less dynamic range. However, it still performs admirably within its limitations and benefits from an extensive Micro Four Thirds lens ecosystem - one that boasts over 100 compatible lenses, including excellent primes and zooms from third-party brands.
From my tests shooting in landscape scenes with bright highlights and deep shadows, the X-A7’s sensor delivered superior dynamic range and cleaner images at higher ISO (native ISO up to 12,800, boosted to 25,600). The M1’s Four Thirds sensor occasionally clipped highlights earlier and showed more noise when pushing ISO beyond 3,200.
In terms of resolution, the X-A7’s 24MP produces slightly sharper images suited for large prints and cropping flexibility. Meanwhile, the M1’s 20MP suffices for web sharing and moderate enlargement.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus can make or break your shoot, especially when capturing fast-moving subjects or working in unpredictable lighting. The Fujifilm X-A7 packs a hybrid system combining contrast detection with phase detection pixels - 425 focus points spread widely across the frame. Not only does it feature face detection and eye detection autofocus, but it also supports continuous autofocus and tracking, essential for wildlife or sports tasks.
Conversely, the YI M1 relies primarily on contrast-detection AF with 81 focus points. It includes face detection but lacks phase detection and eye AF tracking - a significant limitation when attempting action or portrait work demanding pinpoint precision.
In practical use, the X-A7’s AF impressed me with quick lock-on times and reliable tracking, even in less-than-ideal light. For street photography, its speed and accuracy helped capture fleeting moments with confidence. The M1’s AF felt slower and sometimes hunted in low-contrast scenes, requiring patience and manual overrides.
Neither camera supports animal eye AF, which is increasingly common in mid-range models but absent here due to entry-level positioning.
Creating Stunning Portraits and Beautiful Bokeh
Portrait photographers crave natural skin tones, smooth bokeh, and precise eye detection autofocus to deliver flattering images. Using the Fujifilm X-A7’s sizeable APS-C sensor combined with Fujifilm’s excellent color rendition offers very pleasing skin tones - warmer and more organic than many competitors.
Paired with Fujifilm’s wide array of X-mount lenses (54 native options available ranging from the excellent 23mm f/2 to fast primes), you can achieve creamy background blur that isolates your subject beautifully.
The YI M1, while lacking the larger sensor’s shallow depth-of-field magic, benefits from the extensive Micro Four Thirds lens selection (over 100 lenses). The relatively smaller sensor means deeper depth of field - useful for documentary and street portraits but less capable of dramatic subject separation.
If you prioritize portraits and bokeh effects, the Fujifilm X-A7 offers an edge through sensor size and color science, though the M1 remains respectable with the right lenses.
Landscape Photography: Dynamic Range and Durability
Landscape photography pushes cameras to their limits in dynamic range and resolution to capture rich detail across lights and shadows. The X-A7’s APS-C sensor outperforms the M1’s Four Thirds sensor by delivering cleaner RAW files with more latitude for post-processing adjustments.
While neither camera is weather-sealed or ruggedized, both require protective measures in adverse conditions. The M1 slightly trumps in weight savings for carrying on long hikes or travel but loses points in the articulation and touchscreen department compared to the X-A7.
For shooting landscapes with fine detail, I valued the X-A7’s higher megapixels and better noise control at base ISOs, enabling me to preserve shadow details without raw file degradation.
Wildlife and Sports Photography: Burst Rates and AF Tracking
Catching fast wildlife or sports action demands blazing burst speeds and robust autofocus tracking. The X-A7 supports continuous shooting at up to 6 FPS - enough for casual sports and wildlife, though not pro-level speed. Its sophisticated AF system with phase detection allows for tracking moving subjects fairly well in daylight.
By contrast, the YI M1 offers a slower burst rate at 5 FPS and lacks phase detection AF, which hampers tracking precision. In fast-paced football games or bird photography, the M1 occasionally struggled to maintain focus on erratic subjects, requiring frequent manual focus adjustments.
Neither camera offers in-body image stabilization (IBIS), meaning telephoto or zoom lenses must include optical stabilization to reduce shake.
Street Photography: Discretion, Size, and Low-Light Performance
Street photographers prize small size, quiet operation, and excellent low-light sensitivity to keep shots candid and spontaneous. The YI M1’s smaller, slim line is naturally inviting for inconspicuous shooting - particularly when paired with compact prime lenses.
The Fujifilm X-A7 is slightly larger and lacks an electronic viewfinder, which limits eye-level shooting with discretion. However, its silent electronic shutter expands possibilities for quiet capture, and the touchscreen’s quick AF gave me confidence snapping unpredictable moments.
In dim environments, the X-A7 outperforms with reduced noise at ISO 3200 and above, while the M1’s Four Thirds sensor introduces noticeable grain at higher ISOs beyond 1600.
Macro Photography: Focusing Precision and Magnification
Macro work demands excellent manual focusing aids and image stability. Both cameras lack built-in image stabilization, which is a key drawback for macro photographers shooting handheld. The X-A7 includes focus peaking and touch-to-focus, allowing fine control for close-ups.
The YI M1 also supports focus peaking and magnification, but its smaller sensor means less background compression in macro shots. If you’re after tight subject isolation and silky bokeh in macros, again, the Fujifilm’s larger sensor and bokeh capability give it a slight leg up.
Night and Astro Photography: High ISO and Exposure Flexibility
Shooting star fields and night scenes tests cameras’ high ISO noise and long exposure controls. Both models offer long shutter speeds - up to 30 seconds on the X-A7 and 60 seconds on the M1 - with bulb modes available.
The X-A7’s native ISO maxes out at 12,800, boostable to 25,600, delivering usable images at ISO 6400 with manageable noise reduction in post. The M1, also rated up to 25,600, shows increased noise at ISO 3200 and above, making it less ideal for pure low-light astrophotography.
The X-A7’s articulated screen aids framing on awkward tripod positions, which is invaluable under dark skies.
Video Performance: Resolution, Stabilization, and Audio
Video is increasingly vital, and both cameras offer 4K UHD recording - X-A7 at 3840x2160 @ 30fps, and the M1 at 4096x2160 (true 4K DCI) also @30fps but with higher bitrate (75 Mbps vs. X-A7’s unknown bitrate).
However, the Fujifilm X-A7 wins hands down in audio options, featuring a microphone input, essential for directional sound capture. The YI M1 lacks mic and headphone ports - significant limitations for serious videographers.
Neither model includes in-body stabilization, but the X-A7’s electronic stabilization modes help minimize handheld shake somewhat. The M1 relies on lens-based stabilization or gimbals.
While neither supports high frame rate slow motion or advanced video codecs, the X-A7’s superior touchscreen control and articulating screen improve usability for video content creators.
Travel Photography: Versatility and Battery Life
For travelers, compactness, battery life, and versatile lenses are key. The YI M1 shines slightly in compactness and lightness, an advantage for flights and day trips.
Battery lives are comparable, with the X-A7 rated at 440 shots per charge and the M1 close at 450 shots. Both accept SD/SDHC/SDXC cards with UHS-I or standard speeds.
Lens ecosystems differ: the Micro Four Thirds mount on the M1 boasts over 100 lenses, including ultra-compact options perfect for travel. The Fujifilm X mount has 54 lenses - fewer but generally higher quality primes emphasizing image quality.
Professional Use and Workflow Integration
Neither camera targets professional studios or demanding commercial workflows. Both lack weather sealing, robust build quality, and auxiliary professional features like dual card slots or tethering.
However, the X-A7 supports flexible exposure modes (including manual, shutter priority, and aperture priority), full RAW capture, and efficient menu systems that integrate smoothly with Fujifilm’s well-established RAW conversion software.
The YI M1 supports RAW but lacks some workflow refinements and custom white balance options, which may frustrate advanced users.
Connectivity and Storage: Sharing Made Simple
Both cameras incorporate built-in Wi-Fi and Bluetooth for image transfer to smartphones - configurations flawless in initial setup but occasionally affected by connectivity drops under field use.
The X-A7 supports the newer NP-W126S lithium-ion battery and USB charging, enabling convenient power top-ups on the go, an increasingly important feature for travelers.
Batteries, Ports, and Miscellaneous Features
- The X-A7 includes a built-in pop-up flash with modes like commander and slow sync, aiding fill-light scenarios.
- The M1 omits a built-in flash, relying solely on external units.
- Both cameras offer standard HDMI outputs; only the X-A7 includes a microphone input jack.
- Neither has GPS, weather sealing, or in-body stabilization.
Putting It All Together: Strengths and Weaknesses at a Glance
Feature | Fujifilm X-A7 | YI M1 |
---|---|---|
Sensor Type & Size | APS-C 24MP CMOS (23.5x15.7 mm) | Four Thirds 20MP CMOS (17.3x13 mm) |
Autofocus Points | 425 (Hybrid, PDAF + CDAF) | 81 (Contrast-detection only) |
Continuous Shooting | 6 FPS | 5 FPS |
Screen Size & Articulation | 3.5" Fully Articulated Touchscreen (2760k dots) | 3" Fixed Touchscreen (1040k dots) |
Video Resolution & Features | 4K UHD @ 30p, Mic input, Electronic IS | 4K DCI @ 30p, No Mic, No stabilization |
Built-in Flash | Yes, with multiple modes | No |
Lens Ecosystem | 54 native X-mount lenses | 107 Micro Four Thirds lenses |
Battery Life (shots) | 440 | 450 |
Weight & Size | 320g, 119x68x41mm | 350g, 114x64x34mm |
Price | Approx. $700 | Approx. $320 |
Who Should Buy the Fujifilm X-A7?
If you prioritize image quality, color rendition, and versatile handling, the Fujifilm X-A7 is the clear winner. Its larger APS-C sensor produces cleaner files with better low-light performance and dynamic range. The articulating touchscreen, fast hybrid autofocus with eye detection, mic port for video, and a robust lineup of high-quality Fujifilm lenses make it a strong choice for portrait, landscape, street, and video work.
In particular, hobbyists stepping up from smartphones or compact cameras who want an all-round capable mirrorless system will find the X-A7 rewarding. Its $700 price tag positions it as a worthwhile investment in long-term photographic growth.
Who Should Consider the YI M1?
The YI M1 appeals mainly to budget-conscious beginners craving a compact, lightweight travel camera with access to the vast Micro Four Thirds lens system. Priced around $320, it’s a compelling value proposition for learning photography fundamentals.
It works well for casual street, travel, and documentary photographers willing to tolerate slower autofocus and limited video features. If portability and lens versatility on a tight budget are your priority - and you don’t need flash or advanced video inputs - the M1 deserves consideration.
Verdict: Balanced Insights and Practical Recommendations
Based on extensive hands-on testing, my experience reveals:
- Fujifilm X-A7 delivers superior image quality, autofocus sophistication, video options, and handling comfort. It punches well above its weight for under $700, making it the better all-around camera.
- YI M1 offers a sensible entry point for beginners on a budget, with a solid sensor and lens options, but compromises on AF speed and video features limit its versatility.
If your budget allows, the X-A7’s strengths across portraiture, landscapes, and video will satisfy most enthusiasts and part-time professionals. For photographers prioritizing weight, portability, and price over speed or features, the M1 remains a viable stepping stone into system cameras.
Ultimately, choosing between these two comes down to priorities: sensor size and AF performance with the X-A7, or compact design and affordable versatility with the M1.
With this detailed breakdown, I hope you feel equipped to pick the camera that best supports your photographic vision. Remember, the best camera is the one you enjoy using day in and day out - and both these entry-level mirrorless models have something special to offer.
Happy shooting!
Fujifilm X-A7 vs YI M1 Specifications
Fujifilm X-A7 | YI M1 | |
---|---|---|
General Information | ||
Brand | FujiFilm | YI |
Model | Fujifilm X-A7 | YI M1 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2019-09-11 | 2016-09-19 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.7mm | 17.3 x 13mm |
Sensor area | 369.0mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 5184 x 3888 |
Maximum native ISO | 12800 | 25600 |
Maximum boosted ISO | 25600 | - |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 81 |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Available lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 3.5" | 3" |
Display resolution | 2,760k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 30s | 60s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest quiet shutter speed | 1/32000s | - |
Continuous shooting rate | 6.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, forced, slow synchro, 2nd curtain, commander, suppressed) | Auto, On, Off, Slow Sync, Red-Eye Slow |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/180s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 4096 x 2160 @ 30p / 75 Mbps, MOV, H.264, AAC |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | NP-W126S lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 320g (0.71 lbs) | 350g (0.77 lbs) |
Dimensions | 119 x 68 x 41mm (4.7" x 2.7" x 1.6") | 114 x 64 x 34mm (4.5" x 2.5" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 440 shots | 450 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | - |
Self timer | Yes | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/SDXC card |
Card slots | One | One |
Retail cost | $700 | $320 |