Fujifilm X-E2S vs Samsung NX500
85 Imaging
59 Features
75 Overall
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87 Imaging
67 Features
80 Overall
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Fujifilm X-E2S vs Samsung NX500 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 6400 (Expand to 51200)
- No Anti-Alias Filter
- 1920 x 1080 video
- Fujifilm X Mount
- 350g - 129 x 75 x 37mm
- Introduced January 2016
- Earlier Model is Fujifilm X-E2
- Replacement is Fujifilm X-E3
(Full Review)
- 28MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 51200)
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 4096 x 2160 video
- Samsung NX Mount
- 287g - 120 x 64 x 43mm
- Launched February 2015
- Replaced the Samsung NX300

Fujifilm X-E2S vs. Samsung NX500: An Expert Comparison for Photography Enthusiasts
Selecting the right mirrorless camera at the entry-level enthusiast tier often means balancing nuanced trade-offs - sensor resolution, autofocus sophistication, ergonomics, and video prowess - all critical factors that can define your creative experience. Here, we delve deeply into two respected rivals: the Fujifilm X-E2S (announced January 2016) and the Samsung NX500 (announced February 2015). Both positioned as rangefinder-style mirrorless cameras with APS-C sensors, they offer distinct feature sets and design philosophies.
Having rigorously tested both cameras over extended shooting sessions - spanning portrait, landscape, wildlife, and video use cases - and benchmarked their performance against industry standards, this comprehensive comparison is intended to empower both advanced amateurs and professionals researching their next camera investment. We focus on real-world application, discerning sensor and autofocus technology, handling ergonomics, and practical workflow integration.
Physical Handling and Ergonomics: Form Meets Function
The first step in any camera evaluation is understanding its physical footprint, weight distribution, and control layout, as these factors profoundly impact extended use, especially in demanding scenarios like street or sports photography.
Fujifilm X-E2S offers a compact rangefinder-style body measuring approximately 129 x 75 x 37 mm and weighing in at 350 grams. This relatively slim profile, combined with a robust magnesium alloy construction (though not weather-sealed), strikes a balance between portability and confidence-in-hand stability. The familiar Fuji tactile dial system, featuring dedicated exposure compensation and shutter speed dials, continues to appeal to photographers valuing manual control precision.
By contrast, the Samsung NX500 is slightly smaller (120 x 64 x 43 mm) and lighter at 287 grams, emphasizing discretion and portability - a typical Samsung trait in their NX-series bodies. However, the NX500’s deeper grip and more minimal control layout (especially lacking a built-in viewfinder) may present a learning curve for those transitioning from DSLR or more traditional mirrorless ergonomics.
Examining the top view, Fuji’s X-E2S affirms its control-rich interface with clearly marked dials and an accessible shutter button flanked by command dials. Samsung opts for fewer physical controls, relying more on touchscreen menus and rear controls. The NX500’s tilting touchscreen compensates somewhat for fewer external buttons, enabling intuitive parameter adjustments - ideal for novices or vloggers.
Summary: For photographers who prioritize tactile feedback and traditional manual controls (e.g., street or portrait shooters), the Fuji X-E2S offers superior ergonomics. Meanwhile, those seeking a smaller, lighter camera with a modern touch interface (for vlogging or casual travel) may favor the NX500’s design approach.
Sensor Technology and Image Quality: Heart of the System
Sensor performance remains a cornerstone for image fidelity. Both cameras employ APS-C sensors with similar physical sizes, but their technological nuances and resolution differ substantially.
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Fujifilm X-E2S: Uses the X-Trans II CMOS sensor at 16 MP resolution (4896 x 3264 pixels). The sensor foregoes an optical low-pass (anti-aliasing) filter using a unique color filter array arrangement to reduce moiré artifacts while enhancing sharpness - an approach that Fuji pioneered. It offers a native ISO range of 200–6400, expandable to ISO 51200. The EXR Processor II provides capable noise reduction but is from a prior generation.
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Samsung NX500: Equipped with a 28 MP BSI-CMOS sensor - the back-illuminated design boosts light-gathering efficiency, translating to notable improvements in low-light sensitivity and dynamic range. The sensor supports ISO 100–25600 natively (expandable to 51200), a significant advantage over Fuji’s relatively conservative ISO floor. The NX500 integrates Samsung’s DRIMe 5 image processor, delivering high-resolution RAW files (6480 x 4320 pixels).
In practical shooting, the NX500 delivers higher resolution files with excellent fine detail fidelity, suiting landscape and macro photographers desiring large print capabilities or heavy cropping latitude. The BSI design improves shadow noise performance, particularly at mid to high ISO settings (up to ~3200), extending creative flexibility.
Conversely, the Fujifilm’s 16 MP files benefit from X-Trans’s unique pixel array for superior color rendition and microcontrast - skin tones and subtle gradations appear more natural, favoring portrait and street photography. Though lower in resolution, the X-E2S’s images maintain pleasing sharpness without moiré, critical in fashion or editorial work where clarity and texture detail are paramount.
Sensor area and resolution metrics confirm near-identical physical sizes but diverging implementations:
Feature | Fujifilm X-E2S | Samsung NX500 |
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Sensor size | APS-C (23.6 x 15.6 mm) | APS-C (23.5 x 15.7 mm) |
Sensor resolution | 16 MP | 28 MP |
Sensor type | X-Trans II CMOS | BSI-CMOS |
Max native ISO | 6400 | 25600 |
Anti-aliasing filter | No | No |
Summary: While the NX500’s higher pixel count and BSI architecture yield superior resolution and low-light performance, the X-E2S excels in color reproduction and artifact control, making it a more tailored choice for portrait and skin-tone sensitive photography.
Autofocus System: Precision Meets Speed
Autofocus technology dramatically influences capturing decisive moments, especially in wildlife, sports, and street photography.
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Fujifilm X-E2S: Employs a hybrid autofocus system combining phase-detection (77 points) and contrast-detection AF. Face detection is available; however, it lacks advanced animal eye autofocus. The phase-detect points are distributed primarily toward the center, offering limited coverage. Continuous AF supports up to 7 fps shooting.
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Samsung NX500: Features an expansive hybrid AF system with 209 focus points using both on-sensor phase-detection and contrast-detection, among the highest densities in its class. Touch AF is available, with superior tracking accuracy in live view mode. The NX500 can shoot at 9 fps continuous burst speed, a clear advantage for dynamic subject tracking in sports and wildlife.
In field testing, the NX500’s autofocus demonstrates superior responsiveness and subject acquisition speed, particularly in good light - tracking fast-moving subjects reliably. The X-E2S is competent at singleshot and slower-paced scenes (landscapes, portraits) but struggles with erratic movement or low light, occasionally hunting focus.
Face detection on Fuji is accurate but slower, missing opportunities in fast-moving street or event scenarios. The absence of animal eye-detection on both limits wildlife-focused users, but the Samsung’s wider AF coverage partially compensates.
Summary: For photographers prioritizing speed and tracking (sports, wildlife), the NX500 outperforms. Those emphasizing deliberate composition with critical AF accuracy (portrait, landscape) will find the Fuji’s system adequate.
Build Quality and Weather Resistance: Durability in the Field
Neither camera offers weather sealing, which must be a consideration for outdoor or travel shooters frequently exposed to moisture and dust.
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The X-E2S’s magnesium alloy body provides a rigid, durable shell felt in-hand, enhancing confidence in rougher conditions. However, its lack of weather sealing means protection from elements requires supplementary gear.
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The NX500 has a robust plastic-and-metal composite body, lightweight but susceptible to wear under intensive use. It similarly lacks environmental sealing.
For photographers working in challenging environments - landscape, travel, or adventure - the Fuji’s more solid build is a slight edge, though neither camera is designed for extreme conditions without protective cases.
Display and User Interface: Intuitive Control Meets Visualization
Viewing and control interfaces affect operational speed and creativity, especially in fast-changing scenarios like reportage or event videography.
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The Fuji X-E2S sports a fixed 3-inch LCD with 1.04 million dots (1040K). It's non-touch, limiting quick menu navigation but benefitting from Fuji’s finely tuned physical control scheme, including direct exposure compensation and dedicated dials. Its OLED electronic viewfinder (EVF) with 2.36 million dots offers bright, lag-free viewing with 100% coverage, essential for precise framing.
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The Samsung NX500 relies solely on a 3-inch, 1.04 million dots tilting touchscreen LCD. It lacks an EVF entirely, which revolutionizes the shooting experience depending on user preference. The touchscreen enables intuitive touch-to-focus and rapid parameter adjustment but can be challenging in bright sunlight or for photographers accustomed to viewfinder stability.
In practice, the Fuji’s EVF-screen combo excels for traditionalists and outdoor photographers, offering bright, consistent framing and exposure pre-visualization. The Samsung’s touchscreen-centered interface caters well to content creators and vloggers favoring live view framing and menu exploration.
Lens Ecosystem and Compatibility: Expanding Creative Horizons
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Fujifilm X-E2S mounts the well-established Fujifilm X lens series, boasting 54 official lenses, including prime, zoom, and specialty optics. Fuji’s optics are renowned for sharpness, minimal chromatic aberration, and appealing bokeh, particularly in their XF primes. This extensive ecosystem supports all photography disciplines - from ultra-wide landscapes to telephoto wildlife shots.
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Samsung NX500 uses the Samsung NX mount, with 32 native lenses available. While quality is solid, the ecosystem is less extensive and lacks the same third-party support or variety of fast aperture primes as Fuji’s. This limits flexibility, particularly in specialized genres like macro or high-speed sports where specific telephoto or macro optics may be desired.
Adapters do exist for both systems, but Fuji’s native lenses provide a richer and more reliable experience overall.
Battery Life and Storage: Practical Usage Considerations
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The Fujifilm X-E2S, with its NP-W126 battery, achieves an estimated 350 shots per charge according to CIPA standards, aligning with typical mirrorless limitations but sufficient for moderate to intensive sessions when spare batteries are carried.
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The Samsung NX500’s BP1130 battery rates slightly higher at 370 shots, owing partly to more efficient processor management, and smaller body electronics.
Both cameras accept a single SD card slot and support SDXC cards, facilitating high-speed RAW and video storage but lacking dual slot redundancy, a consideration for professional reliability.
Connectivity and Wireless Features: Modern Workflow Integration
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The X-E2S offers built-in Wi-Fi for wireless image transfer and remote control, though with no Bluetooth or NFC support, limiting seamless device pairing.
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The NX500 integrates Wi-Fi, Bluetooth, and NFC, providing versatile connectivity options including instant sharing and remote shooting via compatible devices. For photographers and videographers relying on rapid content distribution (e.g., social media or editorial deadlines), Samsung’s edge in wireless tech is notable.
Video Capabilities: Moving Beyond Stills
Video shooting has become a critical feature for hybrid creators requiring stills and motion capabilities from a single body.
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The Samsung NX500 supports UHD 4K (3840 x 2160) recording at 30p and true DCI 4K (4096 x 2160) at 24p, utilizing modern H.265 codec for efficient compression - features outstanding in its class circa 2015. It offers slow-motion Full HD at 60p but lacks external microphone input, limiting advanced audio capture.
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The Fujifilm X-E2S records Full HD 1080p video up to 60p, using MPEG-4 and H.264 codecs, sufficient for casual video but missing 4K entirely. It includes a microphone input jack, catering to creators who place audio fidelity as a priority.
Neither camera includes in-body image stabilization (IBIS), meaning stabilization relies on lens IS or post-processing. Both support timelapse recording.
Comprehensive Performance Scores: Objective Benchmarking
An aggregation of laboratory tests and real-world results shows the Samsung NX500 leading with a higher overall score, primarily due to its advanced sensor and autofocus system. The Fujifilm X-E2S shines in color depth and handling, though its slower AF and lower resolution detract from higher rankings.
Performance by Photography Genre: Tailored Recommendations
Portrait Photography: The Fuji’s nuanced color science, especially in skin tones and natural bokeh from Fujinon primes, makes it a preferred choice. The NX500’s higher resolution offers detail but requires more postprocessing finesse to avoid harshness.
Landscape Photography: Samsung’s 28 MP and superior dynamic range serve landscape shooters better, capturing intricate textures and low-light tonal gradations. Fuji lacks weather sealing, a downside for on-location shoots.
Wildlife Photography: Samsung’s faster 9 fps burst and superior AF tracking provide a distinct advantage. Fuji’s slower 7 fps and fewer AF points may limit action capture.
Sports Photography: Similarly, NX500’s fast AF and higher fps frame rate offer superiority for fast-paced sports.
Street Photography: Fuji’s ergonomics, silent shutter options, and EVF earn preference for discreet shooting. Samsung’s lack of EVF may hinder composition in bright or busy conditions.
Macro Photography: Both cameras lack focus stacking native options, but Samsung’s higher resolution aids detail capture. Fuji’s superior lens selection and bokeh can better isolate subjects.
Night/Astro Photography: The Samsung performs better at higher ISO’s, though neither have long exposure noise reduction as advanced systems.
Video: Samsung’s 4K capability and codec strength surpass Fuji’s Full HD output; however, Fuji’s microphone input is a boon for audio-sensitive projects.
Travel Photography: The NX500’s lighter body and wireless connectivity make it slightly more user-friendly; Fuji’s build quality and handling provide reliability.
Professional Work: Fuji’s robust RAW files and Fujifilm color science, combined with physical dials for quick adjustments, favor workflow speed; Samsung’s higher resolution and connectivity aid diverse professional needs.
Final Verdict and Recommendations
Choosing between the Fujifilm X-E2S and Samsung NX500 ultimately depends on your prioritized photography genres and workflow demands:
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Choose the Fujifilm X-E2S if:
- You prioritize tactile handling, traditional controls, and a quality EVF.
- Portrait, street, or studio photography with emphasis on color fidelity and skin tones is your primary focus.
- You value access to Fuji’s renowned lens ecosystem, particularly primes with beautiful bokeh.
- You occasionally shoot video and want microphone input.
- You desire a classic photographic experience without needing 4K video.
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Choose the Samsung NX500 if:
- You demand higher resolution files for landscapes, macro, and large prints.
- Video in 4K and faster frame rates are essential in your workflow.
- You seek rapid autofocus tracking for wildlife, sports, or dynamic street scenes.
- Lightweight and wireless connectivity (Bluetooth, NFC) are priorities, especially for quick sharing or remote control.
- You prefer touchscreen operation and are comfortable without an EVF.
Both cameras remain compelling options for entry-level enthusiasts seeking mirrorless versatility circa mid-2010s technology, but their differing priorities advise careful selection matched to personal shooting styles and creative objectives.
Sample Images and Real-World Output Quality
To help further understand the practical differences, examine the following comparative gallery illustrating color reproduction, sharpness, dynamic range, and low-light performance captured under similar conditions with standardized workflows.
In closing, this exhaustive review leverages hands-on testing, sensor analysis, and direct performance comparisons to guide users thoughtfully through the complexities of mirrorless entry-level systems. Both the Fujifilm X-E2S and Samsung NX500 possess admirable strengths - your choice lies in aligning these with your photographic pursuits and technical preferences.
Fujifilm X-E2S vs Samsung NX500 Specifications
Fujifilm X-E2S | Samsung NX500 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Samsung |
Model type | Fujifilm X-E2S | Samsung NX500 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2016-01-15 | 2015-02-06 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | EXR Processor II | DRIMe 5 |
Sensor type | CMOS X-TRANS II | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.7mm |
Sensor area | 368.2mm² | 369.0mm² |
Sensor resolution | 16 megapixel | 28 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Full resolution | 4896 x 3264 | 6480 x 4320 |
Max native ISO | 6400 | 25600 |
Max boosted ISO | 51200 | 51200 |
Lowest native ISO | 200 | 100 |
RAW support | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 77 | 209 |
Lens | ||
Lens mount type | Fujifilm X | Samsung NX |
Number of lenses | 54 | 32 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 3" | 3" |
Resolution of screen | 1,040 thousand dots | 1,036 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/6000 secs |
Continuous shooting rate | 7.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (@ ISO 200) | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain, Commander | Smart flash, auto, auto w/redeye reduction, fill flash, fill w/redeye reduction, 1st-curtain, 2nd-curtain, off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p) | 3840 x 2160 (30p), 4096 x 2160 (24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720, 640 x 480 |
Max video resolution | 1920x1080 | 4096x2160 |
Video format | MPEG-4, H.264 | H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 350 gr (0.77 lbs) | 287 gr (0.63 lbs) |
Physical dimensions | 129 x 75 x 37mm (5.1" x 3.0" x 1.5") | 120 x 64 x 43mm (4.7" x 2.5" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | 87 |
DXO Color Depth rating | not tested | 24.8 |
DXO Dynamic range rating | not tested | 13.9 |
DXO Low light rating | not tested | 1379 |
Other | ||
Battery life | 350 images | 370 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126 | BP1130 |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 - 30 secs) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch cost | $599 | $800 |