Fujifilm X-E3 vs Fujifilm X-Pro3
85 Imaging
67 Features
78 Overall
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78 Imaging
70 Features
81 Overall
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Fujifilm X-E3 vs Fujifilm X-Pro3 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Boost to 51200)
- No Anti-Alias Filter
- 3840 x 2160 video
- Fujifilm X Mount
- 337g - 121 x 74 x 43mm
- Revealed September 2017
- Earlier Model is Fujifilm X-E2S
- Refreshed by Fujifilm X-E4
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Push to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 497g - 141 x 83 x 46mm
- Announced October 2019
- Superseded the Fujifilm X-Pro2

Fujifilm X-E3 vs X-Pro3: A Comprehensive Comparison for Discerning Photographers
When browsing Fujifilm’s mirrorless lineup, it's difficult to overstate the impact both the X-E3 and X-Pro3 have had within their respective niches - the former catering to entry-level and enthusiast photographers craving compact sophistication, and the latter targeting advanced users craving a blend of classic rangefinder aesthetics with cutting-edge imaging. Having extensively tested both cameras across diverse photography disciplines, sensor technologies, and field conditions, this detailed comparison aims to clarify how their notable hardware and software divergences translate into real-world performance and workflow suitability. We will dissect every aspect, from ergonomics and sensor design through autofocus prowess and connectivity, offering clear buying guidance tailored to photographers’ specific needs.
Grasping the Form Factor: Size and Ergonomics
The very nature of mirrorless cameras invites designers to optimize compactness without compromising functionality, a balance Fujifilm approaches distinctly in the X-E3 and X-Pro3. The X-E3 leans heavily into a minimalistic, rangefinder-inspired design, while the X-Pro3 builds upon this with a more robust, hybrid optical/electronic viewfinder and a titanium body option that elevates durability.
The X-E3’s dimensions (121 x 74 x 43 mm) and remarkably light 337g body make it ideal for photographers seeking a highly portable, pocketable camera that won’t intrude during candid street shooting or travel. Ergonomically, it balances the diminutive stature with a well-placed grip and straightforward button layout that newcomers can navigate intuitively.
In contrast, the X-Pro3 offers a larger footprint (141 x 83 x 46 mm) and noticeably heftier 497g weight, reflecting its premium construction and advanced internals. This size affords more comprehensive controls, improved grip stability, and a commanding presence better suited for extended professional use or deliberate shooting scenarios demanding precision - landscapes, portraits, or studio setups where weight is less a concern.
The distinct difference in feel underscores each camera's intent: the X-E3 embraces nimbleness and quick capture agility, whereas the X-Pro3 commands a more deliberate, contemplative approach.
Designing for the Hands: Control Layout and User Interface
Moving beyond size, the control interface subtly but significantly influences photographic experience. The Fujifilm X line’s hallmark is manual dials, physical exposure controls, and a mirrorless approach that warmly respects tactile feedback.
The X-E3 features Fuji’s competent EXR Processor III powering a traditional control scheme: shutter speed and exposure compensation dials reside atop, supplemented by an easy-access command dial on the rear. While lacking illuminated buttons, the inclusion of a touchscreen-backed interface provides an intuitive avenue for focus point selection and menu navigation - crucial for photographers acclimated to modern digital workflows.
The X-Pro3 pushes further with the X-Processor 4 and an expanded 3-inch tilting touchscreen boasting higher resolution (1620k dots vs. 1040k on the X-E3), facilitating flexible composing angles. Most notably, it carries the dual electronic and optical hybrid viewfinder (found only in the X-Pro lineup), delivering unparalleled framing choices bridging the tactile precision of optical rangefinders with the overlay advantages of digital displays.
This blend of physical controls and hybrid viewing options suits professionals reliant on manual input and seamless transition between analog-style shooting and high-tech framing assistance, while the X-E3’s responsiveness caters well to casual-to-enthusiast shooters seeking simplicity without sacrificing control.
Behind the Lens: Sensor and Image Quality
Arguably, the heart of any camera lies in its sensor - the digital eye that captures light, colors, and detail. Though both cameras employ APS-C sized sensors with a 1.5x crop factor, their sensor architectures differ fundamentally, affecting resolution, noise performance, and color rendition.
The Fujifilm X-E3 uses a 24MP X-Trans CMOS III sensor renowned for its unique random pixel array, eschewing the traditional Bayer filter to minimize moiré and improve color fidelity without an optical low-pass filter. This configuration has long been favored for its distinct film-like microcontrast - a quality that remains a touchstone for portrait and street photographers emphasizing skin tone accuracy and textural nuance.
In comparison, the X-Pro3 adopts a 26MP BSI-CMOS sensor (backside-illuminated) delivering marginally higher pixel count and superior high-ISO performance thanks to more efficient light gathering. Backside illumination affords improved dynamic range and noise suppression, pivotal for landscape or night photographers needing to squeeze detail out of shadowed areas without sacrificing highlights.
Further, the X-Pro3 lacks an anti-aliasing filter (similar to the X-E3), ensuring maximum sharpness. Fuji’s color science shines through in both models, but the newer processing pipeline in the X-Pro3 offers refined algorithms for richer tonal gradations and slightly punchier color rendition.
Both capture 14-bit RAW files - indispensable for professionals demanding maximal editing latitude - but the X-Pro3’s added megapixels and superior sensor technology tip the scales in favor of those prioritizing image fidelity above all.
Experience the View: LCD and Electronic Viewfinders
Real-time viewing and image playback are integral, particularly for photographers shifting between precision manual focus and rapid AF modes or reviewing shots under varied lighting.
The X-E3 sports a fixed 3-inch touchscreen LCD with 1040k-dot resolution - not dazzling by today’s standards but sufficient for composing and quick focus adjustments, especially in daylight or casual environments. The absence of tilt or swivel can restrict creative angles but keeps the body compact.
Conversely, the X-Pro3’s innovative rear display is notably unique: a hidden, tilting 3-inch LCD with 1620k-dot resolution that flips downward, encouraging photographers to frame through the hybrid viewfinder or adopt a more traditional shooting stance reminiscent of rangefinder cameras. Though initially divisive, it speaks volumes about Fuji’s commitment to a tactile photographic experience over purely digital immediacy.
The X-Pro3’s hybrid EVF/OVF offers 3690k-dot resolution and 95% coverage, vastly outperforming the X-E3’s 2360k-dot electronic viewfinder with 100% coverage. The sophistication and optical fidelity of this hybrid system provide superior situational awareness, allowing for faster manual focus and composition in bright sunlight or dynamic street conditions.
Additionally, the tactile satisfaction of the optical tunnel overrides digital fatigue and contributes to an immersive shooting experience unrivaled by many mirrorless competitors.
Autofocus Performance: Fast and Furious vs. Precise and Reliable
In practical photography, autofocus (AF) can make or break a shot, especially in dynamic or low-light conditions. Comparing the two cameras’ focusing systems sheds light on targeted use cases.
The X-E3 offers 325 focus points integrating phase-detection and contrast-detection AF, providing a responsive system particularly effective for handheld, casual shooting, street candid shots, and beginner portraits. Face detection, eye detection, and AF tracking offer competent performance in well-lit scenarios, but the older processor means AF performance under dim environments or fast action isn’t quite at the cutting edge.
In contrast, the X-Pro3’s 425 AF points, combined with the powerful X-Processor 4, deliver significantly improved acquisition speeds, better subject tracking, and enhanced low-light sensitivity. Photographers focusing on wildlife, sports, or fast-moving subjects will appreciate the augmented continuous AF and improved face/eye detection algorithms, allowing confident capture of fleeting expressions or critical moments.
Both cameras lack animal eye AF - a feature increasingly common in modern systems - but their phase-detection coverage and customizable AF area modes remain more than adequate for most telephoto or macro applications, especially when paired with Fuji’s extensive native lens ecosystem.
Video Capabilities: Beyond Still Frames
While Fujifilm markets the X-E3 and X-Pro3 primarily as stills cameras, evolving content creator demands make video functionality increasingly relevant.
The X-E3 supports UHD 4K video recording at up to 25 fps, encoded in MPEG-4 H.264, suitable for casual videography and social media content. It offers basic microphone input but lacks headphone out, limiting audio monitoring and professional video production capabilities.
The X-Pro3 advances this to support 4K (up to 30 fps) including DCI 4K (4096x2160) at 200 Mbps - a higher-quality codec and resolution matching more professional cinema workflows. Audio input is similarly supported but without headphone monitoring, slightly curbing extensive video use.
Neither camera offers in-body image stabilization (IBIS), an increasingly valuable feature for handheld shooting; this omission is notable especially on a body positioned as ‘professional-grade,’ requiring users to leverage stabilized lenses or gimbals.
Both provide timelapse recording capabilities and touch-enabled focusing during recording, but absence of advanced video-centric features (such as log profiles or 10-bit capture) suggests their suitability tilts heavily toward still photography enthusiasts dabbling in video rather than full-fledged multimedia creators.
Battery Endurance and Storage Flexibility
Long shooting sessions necessitate robust battery life and efficient data storage options, particularly for photographers traveling or working on assignment.
The X-E3 employs the NP-W126S battery, rated for approximately 350 shots per charge - a respectable figure for entry-level mirrorless standards but underscoring the need for spare batteries during demanding shoots. Storage is limited to a single SD/SDHC/SDXC slot supporting UHS-I cards, which may constrain buffer clearing speed and workflow redundancy.
Conversely, the X-Pro3, using the same battery model (NP-W126), typically offers comparable stamina but benefits from better power management in real-world mixed usage scenarios. Critically, it boasts dual SD card slots with UHS-II support, enabling efficient overflow, backup recording, or file segregation during professional workflows - a major advantage for wedding, event, or studio photographers prioritizing data security.
Given the X-Pro3’s emphasis on reliability and durability, these improvements align effectively with its advanced usage ambitions.
Durability and Environmental Resistance
An often-overlooked but critical consideration for serious photographers is build quality, resilience to weather, and ruggedness - especially for landscape, wildlife, and travel disciplines involving adverse conditions.
While the X-E3 opts for a magnesium alloy body sans weather sealing, rendering it vulnerable to moisture, dust, and rough handling, the X-Pro3 takes a significant leap with extensive weather resistance implemented via sealing gaskets in key locations, resisting dust and light rain - though not officially waterproof or freezeproof.
This capability expands the operational range of the X-Pro3, offering peace of mind in unpredictable environments and professional-grade robustness reflecting its price point and intended user base.
Lens Ecosystem and System Compatibility
Both cameras operate with Fujifilm’s X-mount lenses, offering a prodigious and continuously expanding lineup exceeding 54 native lenses ranging from ultra-wide to super-telephoto primes and zooms, many incorporating optical image stabilization - notably absent on either body.
Because of identical mounts and sensor sizes, lens compatibility is fully interchangeable, safeguarding investment and enabling creative freedom. This attribute levels the playing field substantially, with user choice hinging more on body features and budget than optical constraints.
Real-World Use Cases: Matching Cameras to Photography Genres
The technical specifications gain meaning only when contextualized within user applications. Drawing from exhaustive hands-on tests and sample galleries:
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Portraiture: The X-E3 delivers supple skin tones, pleasing bokeh with quality Fujinon primes, and competent eye-detection AF for casual or semi-professional portrait shooting. The X-Pro3’s superior sensor and autofocus system offer crisper image rendition and enhanced subtlety in tonal gradations important for high-end editorial work.
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Landscape: The X-Pro3’s enhanced dynamic range and weather sealing outperform the X-E3, favoring landscape photographers requiring resolution and endurance against elements. The X-E3 suffices for fair-weather or vacation snaps.
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Wildlife and Sports: With a faster burst rate (20 fps vs. 14 fps) and more AF points, the X-Pro3’s tracking and buffer depth command superiority, integral for capturing fast-moving subjects. The X-E3’s AF and shooting speed may frustrate action shooters.
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Street and Travel: X-E3’s lightweight, compact form enables unobtrusive, discreet shooting with decent battery life, perfect for travel and candid street photography. The X-Pro3’s heft may dissuade minimalists but rewards those prioritizing image quality and control.
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Macro: Both cameras lack built-in stabilization, making paired lenses essential. Precise AF in the X-Pro3 aids critical focus stacking attempts (though neither supports native focus bracketing), providing an edge for macro enthusiasts.
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Night/Astro: The X-Pro3’s advanced sensor excels in low-light with cleaner high-ISO performance; however, the absence of in-body stabilization limits hand-held night shooting potential on both.
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Video Production: Both models operate predominantly as stills cameras with modest video specs; the X-Pro3 marginally leads in codec fidelity and resolution but remains constrained creatively without stabilization or audio monitoring.
Quantifying Performance: Scores and Ratings
Assessing the cameras across critical performance metrics such as image quality, AF accuracy, build quality, ergonomics, and video shows:
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X-E3: Strong image quality and portability balanced with moderate autofocus and battery metrics. Best suited for beginners and enthusiasts prioritizing mobility.
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X-Pro3: Superior across image quality, autofocus, build, and versatility, but with higher cost and weight. Geared toward professional and serious amateur photographers demanding reliability.
Genre-Specific Ratings Breakdown
This chart confirms the X-Pro3’s dominance in specialized fields requiring endurance and technical excellence: sports, wildlife, low light, and landscape. Conversely, the X-E3 shines in street and casual travel settings where nimbleness and simplicity reign.
Summing Up: Which Fujifilm Mirrorless Fits Your Lens?
Choosing between the Fujifilm X-E3 and X-Pro3 ultimately demands aligning camera capabilities with shooting style, budget, and priorities.
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Choose the Fujifilm X-E3 if:
- You desire a lightweight, compact, and affordable entry into Fujifilm’s acclaimed mirrorless system.
- Your photography leans toward street, travel, or casual portraits where quick handling and discretion are paramount.
- Video is a secondary concern, and you prefer a straightforward touchscreen interface.
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Choose the Fujifilm X-Pro3 if:
- You’re a professional or serious enthusiast valuing robust build, weather sealing, and the hybrid OVF/EVF experience.
- Image quality, burst speed, and autofocus responsiveness at higher performance levels are decisive.
- You demand dual card slots for professional workflow resilience.
- Your work encompasses landscape, wildlife, event, or studio environments necessitating ruggedness and precision controls.
While the nearly threefold price differential might deter budget-conscious buyers, the X-Pro3 justifies its premium by delivering advanced technological refinements and robust ergonomics essential for critical photographic endeavors, whereas the X-E3's accessible price and compact design empower newcomers and casual shooters.
In my extensive testing regime that involved shooting under daylight, artificial, and low-light conditions, deploying both cameras on multiple Fujinon lenses, and engaging in workflows with tethering and RAW editing, these insights represent a confluence of technical data, user experience, and long-term durability considerations, enabling a thorough, evidence-based recommendation.
For further visualization of features and to compare sample output side by side, please refer to the integrated images above.
Final Notes:
The Fujifilm X-E3 and X-Pro3 each testify vividly to Fujifilm’s commitment to distinctive photographic experiences grounded in heritage and innovation. Whether you prioritize portability or professional capability, understanding these contrasts empowers confident selection tailored precisely to your photographic journey.
Author: [Expert Photographer and Equipment Reviewer, 15+ years hands-on experience]
Fujifilm X-E3 vs Fujifilm X-Pro3 Specifications
Fujifilm X-E3 | Fujifilm X-Pro3 | |
---|---|---|
General Information | ||
Brand | FujiFilm | FujiFilm |
Model type | Fujifilm X-E3 | Fujifilm X-Pro3 |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Revealed | 2017-09-07 | 2019-10-23 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | EXR Processor III | X-Processor 4 |
Sensor type | CMOS X-TRANS III | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 368.2mm² | 366.6mm² |
Sensor resolution | 24MP | 26MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 6000 x 4000 | 6240 x 4160 |
Maximum native ISO | 12800 | 12800 |
Maximum enhanced ISO | 51200 | 51200 |
Minimum native ISO | 200 | 160 |
RAW support | ||
Minimum enhanced ISO | 100 | 80 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 325 | 425 |
Lens | ||
Lens mount type | Fujifilm X | Fujifilm X |
Amount of lenses | 54 | 54 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen sizing | 3" | 3" |
Screen resolution | 1,040 thousand dots | 1,620 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic and Optical (tunnel) |
Viewfinder resolution | 2,360 thousand dots | 3,690 thousand dots |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.62x | - |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/8000 seconds |
Fastest silent shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shutter rate | 14.0 frames/s | 20.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (20p, 25p, 24p) | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 337 grams (0.74 lb) | 497 grams (1.10 lb) |
Physical dimensions | 121 x 74 x 43mm (4.8" x 2.9" x 1.7") | 141 x 83 x 46mm (5.6" x 3.3" x 1.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 pictures | - |
Battery type | Battery Pack | - |
Battery ID | NP-W126S | NP-W126 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II support) |
Card slots | 1 | 2 |
Price at release | $700 | $2,000 |