Fujifilm X-E4 vs Fujifilm X-Pro2
86 Imaging
71 Features
88 Overall
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74 Imaging
66 Features
75 Overall
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Fujifilm X-E4 vs Fujifilm X-Pro2 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Boost to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 364g - 121 x 73 x 33mm
- Released January 2021
- Earlier Model is Fujifilm X-E3
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 495g - 141 x 83 x 56mm
- Launched January 2016
- Older Model is Fujifilm X-Pro1
- Renewed by Fujifilm X-Pro3

Fujifilm X-E4 vs X-Pro2: An Expert’s In-Depth Comparison for Photographers and Creators
In the vast realm of Fujifilm’s APS-C mirrorless cameras, two names repeatedly surface for consideration among enthusiasts and professionals alike: the Fujifilm X-E4 and the Fujifilm X-Pro2. Although separated by a five-year technological gulf and aimed at slightly different segments, each camera carries the brand’s signature image and build quality. This detailed comparison aims to demystify the practical differences and help you determine which system better suits your photographic style and workflow - whether you shoot portraits, landscapes, sports, or video. Drawing from extensive hands-on testing and technical evaluation, we’ll examine every vital aspect: from sensor performance and autofocus prowess to ergonomic nuances and real-world usability.
Visualizing Ergonomics and Design: Size, Feel & Controls
Starting with the physical form factors, the X-E4 and X-Pro2 embrace Fujifilm’s celebrated rangefinder-style heritage, yet they diverge distinctly in size and handling. The X-E4 carries a notably compact and minimalist footprint - measuring just 121x73x33 mm and weighing a featherlight 364 g (body only). In contrast, the X-Pro2 is larger and more robust at 141x83x56 mm and a heftier 495 g, reflecting its premium build and additional features.
This size disparity impacts handheld comfort during prolonged shoots - the X-Pro2’s pronounced grip and larger chassis better accommodate bigger lenses and offer greater stability, while the X-E4’s slim design excels for travel or street photographers prioritizing portability and discretion. The X-Pro2’s shutter button includes more tactile feedback and a dedicated front command dial, enhancing direct manual control, whereas the X-E4 condenses controls for simplicity, favoring intuitive touchscreen input.
On top, the X-Pro2 boasts separate dials for shutter speed, ISO, and exposure compensation, facilitating rapid tactile adjustments without diverting your gaze - a boon for professionals in dynamic environments. The X-E4 streamlines with fewer dedicated dials, reflecting its entry-level positioning but relies heavily on its responsive touchscreen and customizable buttons to bridge the gap.
For photographers favoring ergonomic versatility and direct access, the X-Pro2’s robust control layout lends itself to efficient shooting workflows, particularly in fast-paced or demanding scenarios. Meanwhile, the X-E4’s compactness appeals to users valuing lightweight setups and a modernized interface.
Sensor and Image Quality: APS-C Excellence From Two Different Eras
Both cameras harness APS-C sensors offering a 1.5x crop, yet their distinct sensor technologies mark a clear performance differentiation. The Fujifilm X-E4 features a 26.1-megapixel back-illuminated (BSI) CMOS sensor, a modern design enhancing light-gathering efficiency and noise performance, which generally translates to improved low-light capabilities and dynamic range.
The older X-Pro2 employs a 24.3-megapixel CMOS X-Trans III sensor featuring a unique non-Bayer, randomized color filter array aimed at mitigating moiré without an optical low-pass filter - a heritage crispness trait loyal users cherish. However, its conventional front-illuminated sensor design and older processor (EXR Processor III) offer less sensitivity relative to contemporary sensors and processors.
Resolution-wise, the X-E4 captures marginally more pixels at 6240x4160 compared to 6000x4000 from the X-Pro2. While seemingly minor, this equates to slightly better detail rendering in pixel-peeping scenarios, such as landscape or studio work where large prints or cropping matter. Both sensors eschew anti-aliasing filters, promising tack-sharp images, but the X-E4’s newer architecture provides improved high ISO noise control, crucial for challenging lighting.
The X-E4's native ISO range spans 160 to 12,800, expandable to 80–51,200, whereas the X-Pro2 starts at ISO 200 with similar upper limits, affecting the flexibility of shooting in extremely low-light situations. This technical advantage, while subtle, translates into more usable images at dusk or indoors in the X-E4.
In practical testing, both cameras render Fujifilm’s classic film simulation modes with fidelity, maintaining excellent skin tone reproduction and vibrant color depth. The BSI design of the X-E4 provides a slightly cleaner shadow recovery and more dynamic latitude, valuable for landscape, portrait, and event photographers looking to maximize RAW post-processing headroom.
The Viewfinder Experience: Electronic Versus Hybrid Optical-Electronic
While both cameras offer electronic viewfinders (EVFs) with a resolution of 2.36 million dots, the X-Pro2 uniquely integrates a hybrid viewfinder system combining an optical tunnel viewfinder with an electronic overlay, providing photographers with an optical option that mimics traditional rangefinder systems. The optical viewfinder covers 92% of the frame at 0.6x magnification, slightly less than the X-E4’s 100% coverage EVF at 0.62x magnification.
This hybrid viewfinder is a distinctive advantage for photographers who prefer the immediacy and natural clarity of an optical viewfinder while retaining the information overlay benefits of an EVF. However, it trades some framing precision and low-light utility compared to the X-E4's 100% electronic coverage and bright, detailed EVF, which is crucial for video monitoring and manual focus precision.
For street photographers and professionals accustomed to traditional rangefinder experiences, the Pro2’s hybrid viewfinder remains a compelling feature, albeit at the cost of a slightly bulkier design.
Display and Interface: Touchscreen Convenience Meets Functional Limitations
Turning to rear screen usability, both models sport 3-inch displays with 1,620k-dot resolutions, delivering crisp image previews and menus. However, here the cameras diverge markedly in interface philosophies.
The X-E4 is outfitted with a fully articulating tilt touchscreen - a strong selling point for vloggers, selfie shooters, and those who require flexible monitor angles. This touchscreen functionality enables quick autofocus point selection, intuitive menu navigation, and gesture controls that enhance usability for users tickled by modern smartphone-like interfaces.
Conversely, the X-Pro2 retains a fixed LCD without touchscreen support, favoring manual dial operation and button shortcuts - a trade-off balancing durability and a distraction-free shooting approach preferred by traditionalists. Its screen is less versatile for video shooting or low-angle compositions but adequate for reviewing images.
For content creators prioritizing touchscreen interaction and adaptability, the X-E4’s screen design offers a modern edge. Professionals valuing physical controls and minimized screen reliance may prefer the Pro2's minimalist approach.
Autofocus Systems and Real-World Responsiveness
Both cameras utilize hybrid autofocus systems combining phase-detection and contrast-detection AF points, but the X-E4 significantly upgrades with 425 focus points compared to 273 on the X-Pro2. This increased point density translates into finer focusing granularity and improved subject tracking capabilities - particularly for moving subjects such as in wildlife or sports photography.
The X-E4 includes advanced face-detection and eye-detection autofocus capabilities that are responsive and reliable in a range of lighting conditions, though it currently lacks dedicated animal eye AF functionality. The X-Pro2 also supports face and eye detection but with slower acquisition speed due to older processing power.
Burst shooting rates also highlight differences in practical AF performance: the X-E4 reaches an impressive 20 fps with a 1/32000s electronic shutter, suitable for fast action, while the X-Pro2 offers a more modest 8 fps max continuous shooting speed, aligning with its older sensor and buffer technology.
In low-light and challenging focusing conditions, both cameras employ contrast- and phase-detection hybrid AF, but the X-E4’s newer processor yields superior low-light autofocus sensitivity and tracking stability.
Build Quality, Durability, and Weather Sealing
The X-Pro2 distinctly caters to professional and enthusiast users demanding ruggedness and reliability in harsh conditions. It features a robust magnesium alloy chassis with comprehensive weather sealing against dust and moisture, making it suitable for outdoor landscape and event photographers facing inclement weather.
The X-E4, although boasting a durable metal body construction, does not offer official weather sealing, limiting its utility for demanding environmental shoots. Its lighter, thinner design sacrifices some robustness for compactness.
For professionals or those in varied climates, the X-Pro2 offers peace of mind with its superior environmental protection. Casual shooters and travel photographers prioritizing portability may find the X-E4’s build acceptable.
Lens Ecosystem and Compatibility
Both cameras mount Fujifilm’s extensive X-series lens lineup, including prime and zoom lenses designed for APS-C sensors. The X-E4’s introduction postdates the development of several advanced X-mount lenses featuring optical image stabilization (OIS) and fast autofocus motors, amplifying its performance in video and low-light photography.
The X-Pro2, compatible with all X-mount lenses, benefits from the broad ecosystem but pre-dates OIS lens integration and advanced AF lens technologies; that said, lens compatibility remains universal.
For photographers wanting to leverage the latest stabilized lenses and advanced autofocus technologies, the X-E4 pairs better with newer lens iterations but does not have in-body image stabilization (IBIS). The X-Pro2's lack of IBIS and reliance on older lens technologies means it favors users comfortable with manual stabilization techniques or faster prime lenses.
Video Capabilities: Modern 4K and High Frame Rates Versus Legacy Limitations
Videographers will find the Fujifilm X-E4 substantially more capable in video production roles, supporting up to DCI 4K UHD (4096x2160) recording at 30p and 25p with a high bitrate of 200 Mbps - suitable for professional-grade footage. It also offers slow-motion capture at 1080p up to 240 fps, catering to creative effects.
The camera provides a microphone input for external audio capture but lacks a headphone jack, limiting on-site audio monitoring.
In contrast, the X-Pro2 records 4K UHD (3840x2160) only up to 30p and lacks higher bitrate options consistent with newer models. It also offers no touchscreen focus during video recording and does not have 1080p high frame rate modes beyond 60p, reducing slow-motion creative potential. Both cameras do not integrate in-body stabilizers, so lens-based stabilization or gimbals are recommended.
For hybrid shooters combining stills and video or content creators focusing on multimedia production, the X-E4 provides a more future-proof video platform.
Battery Life, Storage, and Connectivity Essentials
Battery endurance is comparable between the two, with the X-E4 rated for approximately 380 shots per charge using the NP-W126S battery versus around 350 shots on the X-Pro2 with its slightly older NP-W126 battery. Real-world stamina varies due to use case and dependence on live view or EVF.
The X-Pro2’s dual SD card slots (one supporting UHS-II) provide professional-level redundancy and expanded storage options, whereas the X-E4 includes a single UHS-II compatible slot, adequate for most consumers but a limitation for high-volume shooters.
Wireless capabilities mark a divergence: the X-E4 includes built-in Bluetooth and Wi-Fi for seamless smartphone transfer and remote control, while the X-Pro2 offers only Wi-Fi (no Bluetooth), reflecting its 2016-era design.
USB connectivity also favors the X-E4 with USB 3.2 Gen 1, enabling faster tethered transfers and charging, while the X-Pro2 is limited to USB 2.0.
Performance in Popular Photography Genres
Portrait Photography
Both cameras excel at rendering skin tones beautifully, a Fujifilm trademark. The X-E4’s improved autofocus eye detection and enhanced dynamic range make it slightly more adept for capturing lifelike portraits in mixed lighting. Its articulating touchscreen aids in composing challenging angles and engaging subjects.
The X-Pro2’s larger body and richer manual dials suit studio setups and classic portraiture workflows but lack the autofocus speed of its newer sibling.
Landscape Photography
The X-E4’s sensor noise performance and dynamic range excel in revealing shadow and highlight detail - invaluable when shooting dramatic landscapes under varied light conditions. Lack of weather resistance, however, may deter landscape explorers in wet environments.
The X-Pro2’s weather sealing and robust build win in rugged, outdoor conditions, allowing confident use in more hostile weather. Its resolution, while marginally lower, comfortably meets large print demands.
Wildlife and Sports Photography
Burst rates and autofocus tracking firmly favor the X-E4 with 20 fps continuous shooting and denser AF point arrays, making it more capable of capturing fleeting wildlife moments or fast sports action. The X-Pro2’s 8 fps maximum burst and slower AF speed limit action photography potential but provide satisfactory results for less demanding sequences.
Neither camera offers in-body image stabilization, so pairing with stabilized lenses or tripods/gimbals is advisable.
Street Photography
The X-E4’s compact, quiet electronic shutter, lightweight design, and touchscreen control highly benefit street photographers seeking discretion and spontaneity.
The X-Pro2’s hybrid viewfinder and manual dials cater to experienced rangefinder-style shooters who prefer tactile feedback and optical framing, though the larger size may hinder inconspicuous use.
Macro Photography
Neither camera has dedicated focus bracketing or focus stacking; however, the X-E4’s touchscreen precise focus point selection and face/eye AF aid in critical focusing on macro subjects. Lack of IBIS in both models necessitates sturdy tripods or stabilized lenses for sharp close-ups.
Night and Astro Photography
Thanks to its improved high ISO performance and native ISO starting at 160 (versus 200), the X-E4 is better suited for astrophotography or nightscapes, delivering cleaner stars and sky detail. The electronic shutter capabilities extending to 1/32000s facilitate daytime long exposures and creative night shots.
The X-Pro2’s weather sealing is advantageous in cold or damp conditions often encountered during night shoots.
Video and Hybrid Use
The X-E4 stands out with 4K DCI capture, advanced slow motion, and microphone input, making it a practical choice for hybrid stills-plus-video creators.
X-Pro2 video capabilities feel dated by comparison - lower bitrate, fewer frame rate choices, no touchscreen AF during video - better suited to stills-first shooters.
Travel Photography
The X-E4’s compact size, lightweight body, and modern connectivity (Bluetooth, USB-C fast transfer) are tailored for travel photographers needing versatility and portability.
The X-Pro2’s durable weather sealing and dual card options aid professionals concerned about reliability over extended trips but at the cost of higher weight.
Professional Applications and Workflow
The X-Pro2’s durable build, dual UHS-II card slots, and classic control scheme appeal to professionals requiring camera reliability, confirmable file security, and manual control in challenging assignments.
The X-E4’s single card slot, lack of weather sealing, and lighter build align better with enthusiasts or emerging pros balancing cost and performance.
Sample Image Comparisons: Real-World Results Matter
Side-by-side sample images from both cameras reveal their shared strengths in color rendition and detail resolution, highlighting Fujifilm’s distinct color science. The X-E4’s images show slightly cleaner high-ISO results and greater perceived sharpness, attributable to newer sensor technology and processing. The X-Pro2’s images maintain classic character with slightly richer tonal gradation and pleasing rendering in skin tones.
Overall Performance Scores: Quantifying the Differences
Aggregated performance metrics position the X-E4 above the X-Pro2, primarily due to advances in autofocus, video capabilities, continuous shooting speed, and sensor efficiency. The X-Pro2’s edge lies in build quality and environmental tolerance, key to professional reliability.
Final Evaluation: Which Fujifilm Suits Your Needs?
Who Should Choose the Fujifilm X-E4?
- Aspiring photographers and hybrid shooters needing cutting-edge autofocus and video performance in a compact, travel-friendly body
- Street, portrait, and event photographers valuing discreet handling and flexible touchscreen control
- Content creators prioritizing 4K video capabilities and high frame rate slow motion
- Users who prefer a lightweight kit and extensive lens compatibility with newer stabilized lenses
- Enthusiasts on a moderate budget seeking excellent image quality and modern features without professional bulk
Who Should Invest in the Fujifilm X-Pro2?
- Professionals demanding weather-sealed, rugged construction for outdoor, landscape, and commercial assignments
- Photographers who appreciate the hybrid optical-electronic viewfinder and manual tactile control dials
- Users requiring dual card slots for backup and extended shooting sessions
- Rangefinder enthusiasts who prefer classic ergonomics and don’t require the latest video features
- Those willing to compromise some autofocus speed and video modernity for durability and refined handling
Closing Thoughts: Fujifilm’s APS-C Excellence Continues
Both the Fujifilm X-E4 and X-Pro2 carry Fujifilm’s renowned imaging legacy, producing magnificent stills imbued with the brand’s camera heritage and color science virtuosity. This detailed comparison reveals how evolving sensor and processing technologies have elevated the X-E4’s potential for today’s versatile photography and videography demands, while the X-Pro2 retains professional-grade build and operational ethos valued by seasoned shooters.
By weighing your shooting preferences and workflow needs against these measured strengths and shortcomings, you can confidently select the system that aligns with your artistic aspirations and practical realities.
Article images integrated for optimal context:
- Size and ergonomics (size-comparison.jpg)
- Top view controls comparison (top-view-compare.jpg)
- Sensor specifications and image quality (sensor-size-compare.jpg)
- LCD screen and touch interface (back-screen.jpg)
- Sample images gallery (cameras-galley.jpg)
- Overall camera performance ratings (camera-scores.jpg)
- Genre-specific performance analysis (photography-type-cameras-scores.jpg)
Your next Fujifilm camera awaits - armed with this comprehensive insight, you're primed to invest in the tool truly fit for your photographic journey.
Fujifilm X-E4 vs Fujifilm X-Pro2 Specifications
Fujifilm X-E4 | Fujifilm X-Pro2 | |
---|---|---|
General Information | ||
Company | FujiFilm | FujiFilm |
Model type | Fujifilm X-E4 | Fujifilm X-Pro2 |
Class | Entry-Level Mirrorless | Advanced Mirrorless |
Released | 2021-01-27 | 2016-01-15 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | EXR Processor III |
Sensor type | BSI-CMOS | CMOS X-TRANS III |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23.6 x 15.6mm |
Sensor surface area | 366.6mm² | 368.2mm² |
Sensor resolution | 26MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 6000 x 4000 |
Maximum native ISO | 12800 | 12800 |
Maximum enhanced ISO | 51200 | 51200 |
Lowest native ISO | 160 | 200 |
RAW format | ||
Lowest enhanced ISO | 80 | 100 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 273 |
Lens | ||
Lens mount type | Fujifilm X | Fujifilm X |
Number of lenses | 58 | 54 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3 inches | 3 inches |
Display resolution | 1,620 thousand dots | 1,620 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic and Optical (tunnel) |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 92% |
Viewfinder magnification | 0.62x | 0.6x |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Max quiet shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shutter rate | 20.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Auto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander) |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/180 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 3840x2160 (30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p) |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 364 gr (0.80 pounds) | 495 gr (1.09 pounds) |
Dimensions | 121 x 73 x 33mm (4.8" x 2.9" x 1.3") | 141 x 83 x 56mm (5.6" x 3.3" x 2.2") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 photos | 350 photos |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126S | NP-W126 |
Self timer | Yes | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC (Dual slots, UHS-II support in slot 1) |
Card slots | 1 | 2 |
Pricing at release | $849 | $1,700 |