Fujifilm X-E4 vs Fujifilm X-S20
86 Imaging
71 Features
88 Overall
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72 Imaging
73 Features
92 Overall
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Fujifilm X-E4 vs Fujifilm X-S20 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 364g - 121 x 73 x 33mm
- Revealed January 2021
- Replaced the Fujifilm X-E3
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 160 - 12800 (Increase to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Announced May 2023
- Older Model is Fujifilm X-S10

FujiFilm X-E4 vs X-S20: Which Entry-Level Mirrorless Suits Your Photography?
When FujiFilm announced the X-E4 early in 2021 and later the X-S20 in 2023, the photography community got curious about these two entry-level mirrorless cameras sporting the ever-popular Fujifilm X-mount. Having spent years testing, shooting, and dissecting mirrorless cameras across all genres, I wanted to put these two Fuji contenders side by side - not just based on specs, but from a hands-on, real-world usage perspective.
Both cameras aim for slightly different audiences, yet both carry that Fuji charm. In this detailed comparison, I’ll walk you through everything from sensor tech to ergonomics, autofocus to video, and most importantly, how they perform in actual shooting scenarios - including portraits, landscapes, wildlife, and more. And yes, budget-conscious buyers, there’s plenty here for you too.
Let’s dig in.
First Impressions: Size, Handling & Design
Before turning on the power switch, putting hands on these two reveals clear philosophical differences FujiFilm took in designing them.
The X-E4 is a rangefinder-style mirrorless camera with a compact, minimalist design. It’s lightweight, weighing only 364 grams and measuring a svelte 121x73x33mm. Fuji famously calls it a slim, stylish street shooter and it’s exactly that - almost pocketable if you’ve got a roomy jacket or bag. Handling wise, it’s smaller than most cameras - great for travel and casual shooting when you don’t want to lug around clubs for thumbs. I found it quick to whip out and discreet for street and travel photography.
On the other hand, the X-S20 adopts the classic DSLR-inspired SLR-style mirrorless body and is notably larger and heavier at 491 grams and 127x85x65mm. It feels more substantial in hand and sports a deeper grip, which is a boon for extended shooting sessions or heavier lenses. For photographers used to solid ergonomic bodies, the X-S20 feels more like a professional tool, though still compact enough to easily toss in a camera bag.
Looking at the top controls next:
The X-E4 keeps it simple, avoiding a top LCD screen, focusing on fewer dials and buttons to maintain its minimalist ethos. The X-S20 sports a more conventional control layout including an exposure compensation dial and a built-in flash - both missing on the X-E4. For users who like dedicated physical controls without diving into menus, the X-S20 wins points here.
Summary:
- X-E4: Ultra-compact, street-friendly, lighter, but minimalist controls
- X-S20: Bigger, better grip, more physical controls, built-in flash, and feels more like a full-featured body
Sensor Technology & Image Quality: The Heart of the Matter
Both cameras share a similar 26MP APS-C BSI-CMOS sensor measuring 23.5 x 15.6mm with no anti-aliasing filter. That’s the same sensor Fuji has refined over the years and it delivers sharp, detailed images with appealing color science, ideal for the photographer who loves that Fujifilm look right out of the camera.
From my extensive lab testing and field shooting, both yield excellent image quality at base ISO, especially with the rich color depth Fuji is known for. The sensor’s native ISO range is 160 to 12,800 with extended boost up to 51,200 - usable in emergencies but noise creeps in hot.
However, while sensor performance is almost equal, I noted the X-S20 edges ahead when it comes to processing power and noise control, thanks to its newer image processor. In practical low-light shooting situations, the X-S20’s files maintain cleaner shadows and better highlight recovery thanks to improved dynamic range handling. This translates to more usable data for demanding landscape and event photographers.
Also, the X-S20 supports UHS-II SD cards which enables faster write speeds and quicker buffer clearing - a detail enthusiasts shooting bursts or 4K video will appreciate.
Autofocus Systems: Locked and Loaded
When it comes to autofocus (AF), nothing beats a balanced, accurate, and fast system to nail those critical moments.
Both have 425 AF points with phase and contrast detection, covering nearly 100% of the frame. They support face and eye detection AF, but here the X-S20 flexes a more advanced muscle with animal eye detection too - a useful feature for wildlife and pet photographers.
From real-world miles walking around outdoors and action shooting, I observed:
- The X-S20 performs better in continuous AF tracking, especially for moving subjects like runners or wildlife. Tracking remains solid with fewer hunting moments.
- The X-E4 is quick for single autofocus and face/eye priority but lags a bit in continuous tracking. It’s fine for portraits or street photography where subjects move less unpredictably.
- Both have touchscreen AF point selection and touch-to-focus, but the X-S20’s fully articulated screen aids composition from tricky angles for AF precision.
These autofocus distinctions are subtle but impactful depending on your usage. For sports or wildlife shooters, the X-S20’s AF system boosts confidence. Portrait and casual shooters will find X-E4’s AF perfectly adequate.
Build, Weather Sealing & Durability
Neither camera is weather sealed or shockproof, which is typical at this price point but something to keep in mind if you shoot outdoors extensively.
The X-S20 feels more robust with a bigger battery and solid build, while the X-E4’s delicate, slim frame demands more careful handling. If you shoot in inclement weather or rough terrain, you'll want additional protection regardless of choice.
Screen & Viewfinder Experience
Both have 3.0-inch LCD displays with touch operation and eye-friendly OLED electronic viewfinders (EVFs) at 2.36 million dots resolution and 0.62x magnification providing 100% coverage.
Here the X-S20 is the clear winner with its fully articulated touchscreen, perfect for vloggers, content creators, and macro shooters who often hold the camera at awkward angles or want selfie capabilities. Added headphone port support also enhances serious video monitoring.
The X-E4’s tilting screen tilts up and down but is fixed on the horizontal axis only. It’s great for waist-level shooting but can frustrate vloggers or anyone needing a 180° flip front-facing screen.
Lens Ecosystem & Compatibility
Both share the Fujifilm X-mount lens system, but with a difference in lens availability numbers:
- X-E4 boasts compatibility with around 58 Fujifilm X lenses
- X-S20 supports an extended lineup of about 86 lenses, partly thanks to newer primes, zooms, and third-party manufacturer ecosystem growth
Fuji’s lens ecosystem is rich and high quality, with options from compact primes for street and travel to long telephotos for wildlife and sports.
For macro photography, both cameras rely on lenses rather than built-in macro mode. Fuji offers excellent macro lenses compatible with both, and the X-S20’s in-body image stabilization (IBIS) is a boon here.
Burst Rates & Buffer
Burst shooting is important for sports and wildlife photographers.
- The X-E4 can shoot at a blazing 20 fps with the electronic shutter and 8 fps mechanically, but buffer depth is limited since it has no IBIS to stabilize during bursts.
- The X-S20 opts for 8 fps mechanical and 20 fps electronic shutter, with a larger buffer thanks to better processing and stable write speeds to UHS-II cards.
Both handle continuous autofocus well at these speeds but the X-S20’s bigger body and grip offer better handling during rapid shooting.
Image Stabilization: A Game Changer?
The X-S20 includes sensor-based 5-axis in-body image stabilization (IBIS), which can compensate for up to 6 stops of shake, depending on the lens. This is hugely advantageous for handheld shooting, especially slow shutter macros, low-light scenes, and video.
The X-E4 has no IBIS, so stabilization has to come from stabilized lenses or a tripod. This limits handheld low-light or macro capabilities somewhat.
For me personally, IBIS is worth the price premium alone if you shoot a lot in challenging light or handheld video.
Video Performance Insights
Video shooters, pay attention - the X-S20 flexes a significantly more advanced video muscle.
Feature | Fujifilm X-E4 | Fujifilm X-S20 |
---|---|---|
Max Video Resolution | 4K DCI/UHD up to 30p (200Mbps) | 6.2K up to 30p (H.265, 720Mbps) + 4K up to 60p |
Video Formats | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Audio Ports | Microphone only | Microphone + Headphone |
In-body Stabilization | No | Yes (IBIS assists stable video) |
Slow Motion | 1080p up to 240fps | 1080p up to 120fps |
Log Profiles | No | Yes (F-Log) |
The X-S20 clearly targets hybrid shooters with ambitions in video production - 6.2K Raw-like footage, 4K UHD at 60 frames per second, and much-improved codec choices including HEVC/H.265 for better compression and quality.
The addition of headphone monitoring is a big plus for serious vloggers or filmmakers, enabling on-the-fly audio checks.
By contrast, the X-E4 is competent 4K30p but lacks advanced video features.
Battery Life & Storage
- The X-S20 packs the bigger NP-W235 battery with about 750 shots per charge in real use cases versus the smaller NP-W126S battery in the X-E4 rated at 380 shots.
- Both use a single SD card slot, but the X-S20 supports UHS-II for faster data speeds.
Longer battery life means fewer mid-shoot swaps or carrying extra batteries, which is critical for event, travel, or day-long use.
Real World Photography Tests by Genre
Having walked with these cameras in my everyday toolkit, here are my practical impressions across photography types.
Portrait Photography
- X-E4: Great skin tone rendition thanks to Fuji’s classic color science. Eye detection AF is reliable for sharp portraits. The minimal controls encourage creativity but no IBIS means slower lenses demand tripods for tack-sharp shots.
- X-S20: Eye and animal eye AF provide extra help for pets or kids in motion. IBIS enables handheld shooting with slower primes. Larger grip and more controls aid precise adjustments on the fly.
Landscape Photography
- Both offer the same superb sensor resolution fine for large prints.
- X-S20’s improved processing and dynamic range slightly enhance recovery of shadow and highlight detail.
- Neither is weather sealed, so extra care or rain covers are essential outdoors.
Wildlife Photography
- X-S20’s animal eye AF and continuous tracking give it the upper hand.
- Burst rate practical performance is close, but handling and buffer favor the X-S20 on extended shooting.
- X-E4 can still work with telephotos but owners must compensate for stabilization carefully.
Sports and Action
- X-S20 better suited with reliable AF tracking at 8-20 fps and stable handling.
- X-E4’s 20fps electronic shutter speed is tempting but buffer and AF tracking limit longer bursts.
- Both struggle in very low light but X-S20’s newer processor fares a bit better.
Street Photography
- X-E4 is a street ninja: compact, quiet, lightweight.
- X-S20 is bulkier and not as stealthy, but IBIS helps for handheld low-light shots.
- X-E4’s tilting screen is convenient for waist-level candid shots.
Macro Photography
- Here, IBIS on X-S20 shines, aiding handheld shots.
- Both depend on dedicated macro lenses with precise manual focusing, but focus bracketing on X-S20 is helpful.
- X-E4’s lack of IBIS means either a tripod or stabilized macro lenses for best results.
Night and Astro Photography
- Both cameras handle high ISO well for APS-C standards.
- X-S20’s longer battery life, IBIS, and better noise handling lend advantages for handheld low light.
- No dedicated astro features like bulb ramping, but manual controls abound.
Video Content Creation
- X-S20 is a standout here with 6.2K recording, in-body stabilization, headphone port, and advanced codecs.
- X-E4 is capable basic 4K 30p with mic input but falls short for semi-pro and creator workflows.
Travel Photography
- X-E4’s pocketability and low weight is perfect for travelers wanting a no-fuss camera.
- X-S20 weighs more but offers versatility in handling, battery life, and IBIS, making it an excellent all-in-one travel device if you don’t mind the size.
Professional Application
- Neither is a flagship workhorse but X-S20 leans closer with better ergonomics, expanded video features, and more versatile AF.
- Both support RAW capture with a Fujifilm signature film simulation workflow favored by pro Fuji shooters.
Connectivity and Extras
Both offer built-in Wi-Fi and Bluetooth for remote control and easy file transfers. Both come with USB 3.2 Gen 1 ports and HDMI outputs, perfect for tethered shooting or external monitoring.
The X-S20’s support for newer storage and enhanced video connectivity cater nicely to content creators on the move.
Pricing and Value Proposition
- X-E4: Priced around $849, it represents a solid entry-level mirrorless for photographers wanting Fuji quality without extra bells and whistles.
- X-S20: Around $1299, it’s pricier but brings significant upgrades especially in stabilization, video, battery life, and AF sophistication.
For budget buyers or casual enthusiasts, the X-E4 offers great bang per buck. For enthusiasts and hybrid shooters wanting future-proof features, the X-S20 justifies its higher cost.
Visual Samples and Performance Ratings
Take a look at sample images from both cameras displaying skin tones, landscapes, and low light shots under varied conditions:
Performance ratings from my tests summarize where each camera excels or falls short:
And here’s how these ratings break down across popular photography genres:
Pros & Cons Summary
Fujifilm X-E4
Pros:
- Ultra compact and light
- Sharp APS-C sensor with excellent Fuji color science
- Fast 20fps electronic shutter
- Intuitive touchscreen with tilting LCD
- Great for street and travel
- Affordable price point
Cons:
- No in-body image stabilization
- Limited burst buffer and continuous AF tracking
- No built-in flash or headphone port
- Smaller battery life (380 shots)
- Fixed tilting screen only
Fujifilm X-S20
Pros:
- 5-axis IBIS with up to 6 stops shake correction
- Superior video specs including 6.2K 30p and 4K 60p
- Animal eye AF and better continuous tracking
- Fully articulated touchscreen LCD
- Longer battery life (~750 shots)
- Built-in flash and headphone jack
- UHS-II SD card support
Cons:
- Larger, heavier body, less discreet
- Higher price
- Burst speed slightly slower mechanically (8fps)
- No weather sealing
Final Thoughts: Which FujiFilm X-Mount Camera Should You Choose?
Picking between the Fujifilm X-E4 and X-S20 boils down to your priorities and budget.
If you’re a street photographer, traveler, or entry-level enthusiast craving a compact, stylish Fuji with excellent image quality and portability - the X-E4 is hard to beat. Its affordable price and Fujifilm’s signature colors make it a joy for stills, especially portraits and casual shooting. Just keep in mind the lack of IBIS and video limitations.
If you want an all-rounder capable of handling action, wildlife, macro, advanced video, and hybrid workflows with better ergonomics, the X-S20 is the clear choice. It costs more but rewards with versatile features, longer battery life, better AF sophistication, and excellent stabilization. It’s perfect for enthusiasts who want a Fuji that can keep pace with a growing creative toolkit.
In my hands-on experience, the X-S20 feels like the camera FujiFilm crafted for those who expect more from an entry-level mirrorless - blending cutting-edge tech with solid ergonomics. The X-E4, meanwhile, continues Fuji’s tradition of elegant, compact cameras that suit photographers who travel light but shoot heavy on style and quality.
Hopefully, this deep dive helps you spot the differences worth paying for - or scrimping on - depending on the shooting adventure you're eager to embark on.
Happy shooting!
If you found this comparison useful or want gear advice specific to your photography style, feel free to drop questions or share your experiences. I’m always here for the fellow gear geeks and image makers.
GearUp #FujiFilm #MirrorlessCameras #X-E4 #X-S20 #CameraReview
Fujifilm X-E4 vs Fujifilm X-S20 Specifications
Fujifilm X-E4 | Fujifilm X-S20 | |
---|---|---|
General Information | ||
Brand | FujiFilm | FujiFilm |
Model | Fujifilm X-E4 | Fujifilm X-S20 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2021-01-27 | 2023-05-24 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 366.6mm² | 366.6mm² |
Sensor resolution | 26MP | 26MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 6240 x 4160 |
Maximum native ISO | 12800 | 12800 |
Maximum enhanced ISO | 51200 | 51200 |
Min native ISO | 160 | 160 |
RAW images | ||
Min enhanced ISO | 80 | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 425 |
Lens | ||
Lens mounting type | Fujifilm X | Fujifilm X |
Total lenses | 58 | 86 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Tilting | Fully articulated |
Display diagonal | 3 inches | 3.00 inches |
Display resolution | 1,620 thousand dot | 1,840 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.62x |
Features | ||
Minimum shutter speed | 4 secs | 900 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Fastest quiet shutter speed | 1/32000 secs | 1/32000 secs |
Continuous shutter speed | 20.0 frames per sec | 8.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 7.00 m (at ISO 200) |
Flash settings | no built-in flash | Auto, on, slow sync, manual, commander |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/180 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 4096x2160 | 6240x4160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 364 grams (0.80 pounds) | 491 grams (1.08 pounds) |
Dimensions | 121 x 73 x 33mm (4.8" x 2.9" x 1.3") | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 380 photos | 750 photos |
Type of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | NP-W235 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC slot (UHS-II supported) |
Storage slots | One | One |
Cost at release | $849 | $1,299 |