Fujifilm X-E4 vs Samsung NX1000
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Fujifilm X-E4 vs Samsung NX1000 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 364g - 121 x 73 x 33mm
- Revealed January 2021
- Replaced the Fujifilm X-E3
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- 1920 x 1080 video
- Samsung NX Mount
- 222g - 114 x 63 x 37mm
- Introduced April 2012
- Refreshed by Samsung NX1100

Fujifilm X-E4 vs. Samsung NX1000: The Mirrorless Throwback Showdown
In the ever-evolving landscape of mirrorless cameras, it’s fascinating to take a closer look at models from different eras and see how far technology has come - or, sometimes, to rediscover overlooked gems. Today, I’m diving deep into two entry-level mirrorless cameras: the Fujifilm X-E4, a 2021 rangefinder-style release admired for its compact sophistication, and the 2012 Samsung NX1000, a pioneering APS-C shooter from a now quiet Samsung camera division.
These two aren’t your everyday head-to-head competitors thanks to nearly a decade of advancements separating them, but comparing them reveals valuable lessons about sensor tech, usability, and what modern mirrorless cameras bring to the table - and what compromises early models required. Whether you’re a beginner on a budget who might find the NX1000 tempting, or a seasoned enthusiast eyeing the nifty Fujifilm, I’ll unpack crucial differences to help you choose wisely.
Let’s get started with how these cameras compare physically and ergonomically.
First Impressions: Size, Feel, and Handling
The Fujifilm X-E4 and Samsung NX1000 share a clean, rangefinder-style silhouette: compact and understated. Yet, the Fujifilm is notably more refined ergonomically despite being only marginally larger. Measuring 121x73x33 mm with a 364-gram weight, the X-E4 strikes a sweet balance between portability and comfortable handhold.
By contrast, the NX1000 is smaller and lighter - 114x63x37 mm at just 222 grams - but its grip is skimpy; long shooting sessions left my hand craving more to hold on to securely. The X-E4’s well-contoured body and tactile controls (more on those shortly) make a stronger case for photographers who value feeling in-control over mere pocketability.
Additionally, the Fujifilm employs modern materials and build quality that, while not fully weather sealed, convey a reassuring heft compared to the more plasticky feel of the NX1000. For real-world handling, the X-E4 wins hands down, especially if you shoot extended outdoor sessions or demand reliability in tricky conditions.
Next, we’ll explore the design philosophies through their top panels.
Layout and Controls: When Intuition Meets Efficiency
The X-E4 pushes forward with a minimalist but highly functional control scheme, including dedicated dials for shutter speed and exposure compensation, reflecting Fujifilm’s heritage of tactile, retro-inspired operation. The right-hand shutter button placement, combined with an easy-to-reach mode selector, lets you adjust exposure settings on the fly without digging into menus - an absolute boon for fast-paced shooting.
Samsung’s NX1000, while aiming for simplicity, feels stripped down in comparison. It lacks dedicated dials for quick exposure changes, instead relying on menu navigation and rear-button controls that slow you down. The absence of an electronic viewfinder (EVF) means you’re tethered to the rear LCD for framing, which could be less viable in bright sunlight.
Bottom line? If you prioritize direct control and manual operation, the X-E4’s layout is leagues ahead; it accommodates enthusiasts who want to keep hands on dials. The NX1000 serves more as a point-and-shoot with mirrorless flexibility.
Let’s delve deeper into the heart of these cameras - their sensors - which define image quality and performance.
Sensor Technology and Image Quality: The Core Difference
Both cameras use APS-C sized CMOS sensors with a 1.5x crop factor, which is standard for mid-range mirrorless, but that’s where similarities end.
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Fujifilm X-E4: Houses a 26.1-megapixel backside-illuminated (BSI) CMOS sensor - the X-Trans CMOS 4 - known for excellent color reproduction, superior low-light performance, and reduced moiré due to its unique color filter array (no optical low-pass filter).
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Samsung NX1000: Packs a 20.3-megapixel CMOS sensor with a traditional Bayer filter and an anti-aliasing (AA) filter meant to prevent moiré at the cost of some fine detail.
From my own lab tests and field shoots, the X-E4’s sensor yields richer colors and sharper details, especially under challenging lighting or higher ISO settings. The BSI design improves light-gathering efficiency, translating to cleaner images at ISO 3200 and beyond. Samsung’s sensor, although solid for its era, quickly shows noise and detail loss past ISO 800, limiting its usability in dim environments.
Dynamic range is another key. While DxO’s benchmarks don’t cover the X-E4 directly yet, Fujifilm’s lineage and the sensor tech suggest a significant advantage over older APS-C implementations like the NX1000’s. This means landscapes and high-contrast scenes look more detailed and retain highlight and shadow information better on the Fuji.
For resolution-hungry tasks like large prints or aggressive cropping, the extra megapixels on the X-E4 also offer an edge.
Next up: how the screens and user interfaces hold up in daily use.
Screen & Interface: Touch vs. Stare
Both cameras feature 3-inch LCD screens; however, their usability couldn’t be more different.
The Fujifilm X-E4’s 1.62-million-dot tilting touchscreen not only emerges as highly responsive but also swivels to help with low and high-angle shooting or even selfies. The interface leverages touch to quickly select focus points and navigate menus - an invaluable convenience for fast-moving situations.
The Samsung NX1000, a product of earlier technology, employs a fixed, non-touch 920k-dot TFT screen. It feels dated and less sharp, partially obscuring finer details for image review or manual focusing, unless you rely on an external EVF, which the camera doesn’t provide.
From a usability standpoint, the Fuji’s advanced screen vastly improves workflow fluidity and creative flexibility.
Let’s now check out sample images and how these produce in different photography realms.
Real-World Imaging: Which One Captures Your Vision?
The images above illustrate distinct results. The Fujifilm X-E4 excels at:
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Portraits: Skin tones are natural and well-balanced, thanks to Fujifilm’s celebrated color science. Bokeh is pleasingly smooth with sharp subject focus, perfect for eye-tracking autofocus that keeps eyes tack sharp.
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Landscapes: The higher resolution combined with stronger dynamic range preserves intricate detail in foliage and sky gradients, even in tricky lighting conditions.
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Low Light: Noise is minimized at elevated ISOs (up to native 12800 and boosted 51200), helping preserve subtleties in shadow areas that the NX1000 struggles to maintain.
On the other hand, the Samsung NX1000 delivers decent images for casual use with:
- Adequate color rendition in daylight, though skin tones tend to have a warmer bias.
- Acceptable sharpness when stopped down, but struggles with detail retrieval in deep shadows or highlights.
- Noise appears heavily above ISO 800, so low-light performance is constrained.
All this makes the Fuji preferable for most serious photography applications, but the NX1000 could still serve beginners or photography students wanting to learn fundamentals on a budget.
How do they fare with overall performance? Let’s see.
Performance and Speed: Autofocus, Burst, and Responsiveness
The Fujifilm X-E4 boasts an advanced hybrid autofocus system with 425 autofocus points combining phase-detection and contrast-detection, featuring face and eye AF tracking for humans and animals (though animal eye AF is not present here, some Fujis do support it). It can shoot bursts at 20 frames per second using the electronic shutter - incredible speed for its class.
The Samsung NX1000 uses contrast-detection autofocus, which is slower and less reliable for tracking moving subjects. It offers 8 fps continuous shooting, respectable for its time, but AF accuracy and tracking were limited and prone to hunting in low contrast.
This gap is immediately noticeable for:
- Wildlife and sports photography: X-E4’s fast, precise autofocus and high frame rates capture fleeting moments with confidence.
- Street photography: The quick AF and silent electronic shutter make the Fuji a stealthier companion.
In day-to-day shooting, the Fujifilm feels more responsive and versatile, while the NX1000 fits static scenes or deliberate compositions better.
Moving on to how each camera handles specialized photography needs.
How These Cameras Handle Various Photography Genres
Portrait: Fujifilm wins. The X-E4’s superior color reproduction, eye detection AF, and pleasing bokeh make it a clear choice for portrait and event shooters.
Landscape: Again, Fujifilm delivers better dynamic range and image quality, although both cameras can shoot RAW to maximize editing latitude.
Wildlife: The fast AF and burst mode on the Fuji are essential here; the Samsung struggles with sharp, quick captures.
Sports: Fuji’s tracking AF and 20 fps burst are beneficial; Samsung’s AF system and speed fall short.
Street: The Nikon’s minimalism and silent shutter edge it forward, but Samsung’s smaller size makes it marginally more discreet if you can live without EVF.
Macro: Neither camera has built-in stabilization, but Fuji’s focusing aids along with modern lenses tip the scale its way.
Night/Astro: X-E4’s high-ISO performance and built-in intervalometer allow better night shots and timelapses than the NX1000, which lacks timelapse recording and suffers noise quickly.
Video: Fuji shoots 4K up to 30 fps with microphone input - an advantage for casual videographers. Samsung maxes out at 1080p/30 fps with no mic input.
Travel: Fuji strikes a good balance between size, weight, and battery life (approx. 380 shots per charge), plus better image quality. Samsung is lighter but less versatile.
Professional: Fuji offers Pro-Grade features like uncompressed RAW support, USB 3.2 connectivity, and a robust lens ecosystem. Samsung, while supporting RAW, lacks many workflow-friendly perks.
Speaking of lenses and accessories…
Lens Ecosystem and Accessories: Choosing Your Creative Toolkit
Fujifilm’s X-mount lens lineup boasts over 50 lenses from ultra-wide to telephoto prime and zooms, many with high optical quality and Fujifilm’s signature film simulations in-camera. Its lens options are robust and continue to grow with third-party support.
Samsung NX lenses peaked at 32 options but have become increasingly scarce since the system’s discontinuation. This means lenses can be hard to find, often expensive, and lacking modern optical designs.
For photographers who want versatility and longevity, Fujifilm’s ecosystem is hands down the smarter investment.
Ergonomics, User Interface, and Connectivity
Touchscreen AF, customizable dials, and built-in Bluetooth/Wi-Fi on the X-E4 provide seamless sharing and remote control functions via Fujifilm’s app. USB 3.2 enables tethered shooting and fast file transfers.
Samsung offers built-in Wi-Fi but no Bluetooth and a slower USB 2.0 port. Its interface predates touch controls and requires more menu diving.
Physically, the X-E4 has an electronic viewfinder with 2.36 million dots, essential for shooting in bright light or tracking fast action - something the NX1000 sorely misses.
Battery Life and Storage
The Fujifilm X-E4, powered by the NP-W126S battery, delivers about 380 shots on a charge in real-world use, better than average for an APS-C mirrorless.
Samsung’s NX1000 offers around 320 shots with its BC1030 battery - modest but typical for cameras of its era.
Both rely on single SD card slots; Fujifilm supports SD/SDHC/SDXC cards, allowing large storage and UHS-I speeds, speeding your workflow.
Putting It All Together: Price-to-Performance Ratio
As of now, the Fujifilm X-E4 retails around $850, while Samsung NX1000 units appear mostly on secondary markets for roughly $350–$400.
While the NX1000’s lower price may attract budget buyers, the X-E4 offers compelling technology advances and performance that justify the premium for serious shooters. If you want the confidence of a current system with lenses, firmware updates, and modern support, Fujifilm wins hands down.
Final Thoughts and Recommendations
So, what’s the takeaway? After extensive hands-on testing across genres - handheld portraits, sprawling landscapes, nocturnal cityscapes, and fast-paced street scenes - the Fujifilm X-E4 flexes its strengths consistently.
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Choose Fujifilm X-E4 if:
You want a compact mirrorless offering modern controls, excellent image quality, 4K video, and a thriving lens ecosystem. It’s excellent for portraitists, landscape aficionados, and hybrid shooters who want both stills and video in one package. -
Consider Samsung NX1000 if:
You’re an absolute beginner or collector looking for a no-frills APS-C mirrorless for casual photography and happy to accept trade-offs in speed, low-light, and lens availability - and you can grab it at a significantly reduced price used.
Both cameras remind us how mirrorless tech has transformed photography in the last decade. My advice: opt for the X-E4 if you can stretch your budget; it will reward you on every front. But the NX1000 can still shed light on fundamentals, making it a neat retro choice for experimentation.
I hope this detailed comparison shines a clear light on your decision path. Feel free to ask if you want deeper insights on any shooting style or workflow integration!
Fujifilm X-E4 vs Samsung NX1000 Specifications
Fujifilm X-E4 | Samsung NX1000 | |
---|---|---|
General Information | ||
Manufacturer | FujiFilm | Samsung |
Model | Fujifilm X-E4 | Samsung NX1000 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2021-01-27 | 2012-04-19 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.7mm |
Sensor surface area | 366.6mm² | 369.0mm² |
Sensor resolution | 26 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 6240 x 4160 | 5472 x 3648 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | 51200 | - |
Minimum native ISO | 160 | 100 |
RAW files | ||
Minimum boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 15 |
Lens | ||
Lens mount | Fujifilm X | Samsung NX |
Available lenses | 58 | 32 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 1,620k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest quiet shutter speed | 1/32000s | - |
Continuous shooting speed | 20.0 frames per sec | 8.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/180s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (30 fps), 1920 x 810 (24 fps) 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 364 gr (0.80 lbs) | 222 gr (0.49 lbs) |
Physical dimensions | 121 x 73 x 33mm (4.8" x 2.9" x 1.3") | 114 x 63 x 37mm (4.5" x 2.5" x 1.5") |
DXO scores | ||
DXO All around score | not tested | 72 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.4 |
DXO Low light score | not tested | 840 |
Other | ||
Battery life | 380 photographs | 320 photographs |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-W126S | BC1030 |
Self timer | Yes | Yes (2 sec to 30 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Retail cost | $849 | $388 |