Fujifilm X-H1 vs Sony A7R II
61 Imaging
68 Features
85 Overall
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68 Imaging
75 Features
84 Overall
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Fujifilm X-H1 vs Sony A7R II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 12800 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 673g - 140 x 97 x 86mm
- Introduced February 2018
- Updated by Fujifilm X-H2
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 625g - 127 x 96 x 60mm
- Announced June 2015
- Old Model is Sony A7R
- Replacement is Sony A7R III

Fujifilm X-H1 vs Sony A7R II: A Pro Mirrorless Camera Showdown for Serious Creators
When choosing your next professional mirrorless camera, it pays to dive deep into real-world performance, features, and ergonomics - not just headline specs. The Fujifilm X-H1 and Sony A7R II are both powerful cameras aimed at photography enthusiasts and professionals, but they have distinctly different approaches to imaging. Having tested both extensively across multiple photography disciplines, this comparison breaks down how each delivers on image quality, handling, autofocus, video, and more.
Whether your passion is portraits, landscapes, wildlife, or video, our technical analysis coupled with practical user insights will help you decide which system fits your creative vision and budget best.
A Tale of Two Cameras: Design and Ergonomics
Before looking under the hood, the physical interface and handling can greatly shape your shooting experience. The Fuji X-H1 and Sony A7R II share an SLR-style mirrorless design but offer notably different ergonomics and control layouts.
Fujifilm X-H1
- Size & Weight: 140x97x86 mm, 673g - solid and substantial, slightly heavier than typical APS-C cameras but comfortable when using larger Fuji lenses.
- Grip and Build: The X-H1 features a deep, pronounced grip ideal for extended handheld shooting, especially with telephoto or fast primes.
- Weather Sealing: Comprehensive environmental sealing provides confidence for shooting in rain and dusty conditions.
- Top Display: Unique among Fuji cameras, includes a top LCD panel showing critical settings at a glance.
- Tilting Touchscreen: 3.0" 1.04M-dot with intuitive touch focus and menu navigation.
Sony A7R II
- Size & Weight: 127x96x60 mm, 625g - more compact and lighter, benefiting travel photographers and street shooters.
- Grip and Build: Smaller grip reflecting its full-frame mirrorless form factor, less comfortable with larger glass but still well designed.
- Weather Sealing: Also features dust and moisture resistance, though not significantly superior to the Fuji.
- Tilting Screen: 3.0" 1.23M-dot LCD, no touchscreen capability.
- Controls: Slightly fewer physical controls requiring more menu diving.
The X-H1’s tactile dials and buttons allow quicker manual adjustments, matching its more traditional DSLR-style handling. The Sony favors a sleeker, minimalist approach that might appeal to photographers valuing portability but could slow you in fast-paced environments.
Sensor Technology and Image Quality: APS-C vs Full-Frame
At the heart of every camera is its sensor, defining resolution, dynamic range, noise performance, and more. Fuji’s APS-C X-Trans sensor and Sony’s full-frame BSI-CMOS go head-to-head with distinct philosophies.
Feature | Fujifilm X-H1 | Sony A7R II |
---|---|---|
Sensor Type | X-Trans CMOS III (APS-C) | Back-Illuminated CMOS (Full-Frame) |
Sensor Size | 23.5 x 15.6 mm | 35.9 x 24 mm |
Megapixels | 24 MP | 42.4 MP |
Max ISO (native/boosted) | 12,800 / 51,200 | 25,600 / 102,400 |
Anti-alias filter | No | No |
Max Resolution | 6000 x 4000 | 7974 x 5316 |
Color Depth (DxO Mark) | Not tested | 26.0 bits |
Dynamic Range (DxO Mark) | Not tested | 13.9 EV |
Low Light ISO (DxO Mark) | Not tested | 3434 |
Sensor Takeaway
- Sony A7R II’s 42MP full-frame sensor delivers exceptional resolution and dynamic range, results you can see in big prints and heavy crops, particularly useful for landscapes, portraits, and studio work requiring detailed raw files.
- Fujifilm X-H1’s 24MP APS-C sensor is no slouch - Fuji’s unique X-Trans array reduces moiré and improves color fidelity without an optical low-pass filter. This sensor shines in producing film-like color rendition, a signature Fuji hallmark.
In real shooting tests, the Sony retains more highlight and shadow detail, shines in very low light, and prints sharp images at poster size. The Fuji’s sensor produces punchier colors straight out of the camera, rewarding those who appreciate in-camera JPEG quality but is more limited in low light and extreme dynamic range scenarios.
Autofocus Systems: Speed, Accuracy, and Eye Detection
For critical focus, especially in action or portraits, autofocus technology matters a great deal. Both bodies feature hybrid systems combining phase and contrast detection, but their implementations differ.
Feature | Fujifilm X-H1 | Sony A7R II |
---|---|---|
Focus Points | 325 (Hybrid Phase + Contrast) | 399 Phase-detection AF points |
Face Detection | Yes | Yes |
Eye Autofocus | No | No |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Yes |
Touchscreen AF | Yes | No |
Real-World Autofocus Insights
- The X-H1’s autofocus system, while relatively dense for APS-C, is somewhat slower than Sony’s, especially in continuous tracking scenarios such as wildlife or fast-paced sports. However, its touchscreen AF and intuitive focus peaking ease manual operation.
- The Sony A7R II excels at precise subject tracking, particularly with faster lenses and full-frame light gathering. The 399 focal points cover a wide frame area, making continuous autofocus reliable through complex action.
Neither camera offers eye-detection AF, a notable absence when considering modern autofocus standards. That said, both systems do well with face detection and multi-point tracking.
Image Stabilization: A Game Changer on Both Counts
Both cameras incorporate sensor-based 5-axis image stabilization (IBIS). This feature helps reduce blur in handheld shooting, especially at slow shutter speeds or with telephoto lenses.
- Fujifilm X-H1 introduced its first IBIS system, delivering up to 5 stops of compensation - significant for an APS-C camera.
- Sony A7R II was Sony’s first camera to include IBIS, providing about 4.5 stops of shake reduction.
In tests, the Fuji’s stabilization feels slightly more effective, likely due to optimizations for Fuji’s lenses and firmware tuned for APS-C formats. This advantage is especially useful for macro, low-light, and video shooters.
Understanding the Display and Viewfinders: Composing Your Shots
A quality display and viewfinder contribute enormously to framing accuracy and usability.
Feature | Fujifilm X-H1 | Sony A7R II |
---|---|---|
Rear Screen | 3.0", 1.04M dots, touchscreen, tilting | 3.0", 1.23M dots, tilting, no touchscreen |
Electronic Viewfinder | 3.69M dots, 0.75x mag, 100% coverage | 2.36M dots, 0.78x mag, 100% coverage |
Touchscreen | Yes | No |
The X-H1’s higher resolution EVF provides a sharp, bright view that helps in manual focusing or evaluating exposure. The touchscreen enhances focus selection and menu access.
The Sony’s EVF, while less dense, is still highly usable and benefits from excellent color rendering and response speed.
For critical fieldwork like street, portrait, or macro photography, the Fuji’s touchscreen may speed up your shooting workflow.
Performance in Popular Photography Genres
Let’s examine how these cameras perform across key photography disciplines, based on extensive hands-on testing.
Portrait Photography
Fuji X-H1
- Color science delivers warm, natural skin tones without post-processing.
- APS-C sensor depth of field and proprietary film simulations produce compelling aesthetic portraits.
- 325 AF points support reliable face detection and selective focusing.
- IBIS aids handheld sharpness at wide apertures.
Sony A7R II
- Higher resolution captures exquisite facial detail.
- Full-frame sensor generates smoother bokeh and superior subject separation.
- Superior low-light autofocus aids dim indoor shooting.
- Eye detection is absent, but precise AF tracking mitigates.
Landscape Photography
Fuji X-H1
- 24MP resolution fits most landscape needs.
- In-camera film profiles add creativity to JPEG workflows.
- Weather sealing enables rugged outdoor use.
- APS-C sensor limits ultimate detail capture and dynamic range compared to full-frame.
Sony A7R II
- 42MP sensor excels in resolution and dynamic range.
- Superb shadow and highlight preservation for HDR and panoramic stitching.
- Slightly more compact for carrying long hikes.
- Good weather resistance but slightly less rugged grip.
Wildlife Photography
Both cameras have limits given their specs and autofocus tech compared to modern sports-focused bodies.
Fuji X-H1
- Faster burst rate: 14 fps (vs 5 fps on Sony), better for capturing fleeting animal action.
- Dense AF points reasonable but not specialized tracking algorithms.
- APS-C crop factor (1.5x) effectively extends telephoto reach.
Sony A7R II
- Higher resolution crops allow tight framing.
- Slower 5 fps burst limits action sequences.
- Larger native sensor gathers more light aiding fast AF lenses.
Sports Photography
- The X-H1 burst rates make it more usable for fast-action, although autofocus can struggle with extremely rapid subject motion.
- The Sony, while slower, captures higher resolution stills, beneficial when select images stand out for critical detail.
Street Photography
- The Sony A7R II’s compactness and quieter operation make it well suited to candid street shooting.
- The X-H1’s bulkier body might be less ideal for discreet shooting but benefits from intuitive physical controls for quick manual adjustments.
Macro Photography
- Both cameras require compatible macro lenses, but IBIS effectiveness on both bodies significantly reduces camera shake.
- Fuji’s touchscreen focus assist aids precision when working close up.
- Sony’s higher resolution helps with fine texture details.
Night and Astro Photography
- Sony’s superior low-light ISO performance and dynamic range mark it as the better pick for astrophotography and long exposures.
- Both cameras offer robust manual exposure options.
- Fujifilm’s in-camera film simulations add creative flair to night scenes.
Video Capabilities
Feature | Fujifilm X-H1 | Sony A7R II |
---|---|---|
Max Video Resolution | 4K DCI 4096x2160 (F-Log supported) | 4K UHD 3840x2160 (No LOG unless firmware mod) |
Microphone Port | Yes | Yes |
Headphone Port | No | Yes |
Stabilization | Sensor IBIS assists video steadiness | Same 5-axis IBIS stability |
Frame rates | Up to 30p 4K | Up to 30p 4K, 60p Full HD |
Touchscreen for video AF | Yes | No |
The Fuji X-H1 is a robust hybrid with professional video features like F-Log profile and a top LCD aiding monitoring, making it excellent for independent filmmakers and vloggers.
Sony leads in audio monitoring with headphone connectivity and higher frame rate Full HD options, helpful for sports and nature documentaries.
Travel Photography
- X-H1’s heavier body and APS-C format strike a balance between reach, image quality, and ruggedness.
- Sony A7R II’s smaller size and longer battery life favor long-days on the move.
- Both offer dual SD slots (Fuji) or versatile media options (Sony) for reliable extended shooting.
Professional Workflow Considerations
- Fuji’s FujiFilm RAW (.RAF) files integrate well with major editors; its color science appeals to professionals seeking film-like aesthetics without extensive editing.
- Sony’s RAW files provide superior latitude in post-production due to higher bit depth and dynamic range.
- Both support tethered shooting and wireless transfer but Fuji’s touchscreen provides faster control changes in busy studio sessions.
Connectivity and Storage: Staying Connected in the Field
Feature | Fujifilm X-H1 | Sony A7R II |
---|---|---|
Wireless | WiFi, Bluetooth | WiFi (no Bluetooth), NFC |
USB | USB 3.0 (High Speed) | USB 2.0 (slower) |
HDMI | Full-size HDMI | Full-size HDMI |
Storage Slots | Dual SD (UHS-II compatible) | Single SD + Memory Stick Duo |
Dual card slots on the Fuji provide an important safety net for professionals shooting critical jobs. Sony’s wider lens ecosystem includes 121 native E-mount lenses, an advantage for those looking for specialized optics.
Battery Life and Power
- X-H1 rated for approx 310 shots per charge.
- Sony A7R II rated for approx 290 shots per charge.
Neither is outstanding by today’s mirrorless standards, so carrying spare batteries is advised for long shoots.
Price and Value: What You Get for Your Investment
Camera | Launch Price (USD) | Current Approximate Price | Summary |
---|---|---|---|
Fujifilm X-H1 | $1299.95 | Mid $1,200 range | Full-featured APS-C pro body |
Sony A7R II | $2912.51 | Around $2,800+ | High-res full-frame powerhouse |
The Fuji X-H1 offers tremendous value for photographers seeking pro features with advanced stabilization, exceptional handling, and a unique film simulation look at a much lower price.
The Sony A7R II justifies its higher cost with industry-leading sensor resolution, dynamic range, and more expansive lens options, geared for studio pros and pixel peepers.
Breaking It Down by Photography Genre
Summary:
- Portraits: Sony edges ahead with resolution and bokeh quality, but Fuji’s color science is adored for skin tones.
- Landscapes: Sony’s dynamic range and resolution make it ideal.
- Wildlife: Fuji’s faster burst and crop factor benefit action.
- Sports: Fuji’s speed counts; Sony’s AF accuracy lags behind newer models in this category.
- Street: Sony’s compactness and quieter operation preferred.
- Macro: Both excellent; Fuji has touchscreen AF advantage.
- Night/Astro: Sony dominates with low light capabilities.
- Video: Fuji offers pro tools and better touchscreen control; Sony provides better audio monitoring.
- Travel: Sony’s size and weight give it an edge.
- Professional: Sony’s sensor and workflow integration favored but Fuji remains easier to use for film-like aesthetics.
Final Thoughts and Recommendations
Who Should Choose the Fujifilm X-H1?
- You want a rugged camera with in-body image stabilization that performs strongly in fast burst rates.
- You appreciate intuitive tactile controls, touchscreen focusing, and distinctive film simulation colors.
- Your budget favors professional features without the full-frame price premium.
- You shoot a mix of portrait, landscape, wildlife, and video at a semi-pro or enthusiast pro level.
- You value dual card slots and rugged weather sealing.
Who Should Choose the Sony A7R II?
- You need extremely high-resolution full-frame images for commercial, studio, or fine art projects.
- Dynamic range and low-light ISO performance are critical for your work.
- You prioritize portability and a vast selection of native and third-party lenses.
- Your workflow involves extensive post-production, demanding maximum file fidelity.
- Video capabilities with headphone monitoring and 4K UHD recording are important.
Getting the Most From Your Choice
No matter which camera you choose, pairing it with lenses suited to your specialty is essential. Fuji’s X-mount offers 54 native lenses with strong quality options, while Sony’s E-mount features 121 lenses and grows yearly.
Spare batteries, comfortable grips, and fast memory cards will also improve your shooting experience. We recommend renting or demoing both cameras to feel the handling difference firsthand.
Wrapping Up
Both the Fujifilm X-H1 and Sony A7R II remain excellent pro mirrorless systems, each with fiercely loyal followings and distinct strengths.
- The X-H1 stands out for speed, handling, and unique aesthetics at an accessible price.
- The A7R II continues to impress with its image quality, sensor performance, and professional versatility.
Explore your photography goals carefully. Whether you prioritize ultimate resolution or practical speed, Fuji or Sony has the tools to enhance your creative journey.
If you're ready to dive deeper into the unique qualities of each or want to see their images side-by-side, check out our full gallery and sample photos below.
Happy shooting, and don’t forget to find the right accessories that complement your new gear!
Fujifilm X-H1 vs Sony A7R II Specifications
Fujifilm X-H1 | Sony Alpha A7R II | |
---|---|---|
General Information | ||
Brand | FujiFilm | Sony |
Model | Fujifilm X-H1 | Sony Alpha A7R II |
Class | Pro Mirrorless | Pro Mirrorless |
Introduced | 2018-02-14 | 2015-06-10 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | X-Processor Pro | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 23.5 x 15.6mm | 35.9 x 24mm |
Sensor surface area | 366.6mm² | 861.6mm² |
Sensor resolution | 24 megapixels | 42 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 7974 x 5316 |
Maximum native ISO | 12800 | 25600 |
Maximum enhanced ISO | 51200 | 102400 |
Minimum native ISO | 200 | 100 |
RAW images | ||
Minimum enhanced ISO | 100 | 50 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 325 | 399 |
Lens | ||
Lens mounting type | Fujifilm X | Sony E |
Number of lenses | 54 | 121 |
Crop factor | 1.5 | 1 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen size | 3" | 3" |
Resolution of screen | 1,040 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 2,359 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.75x | 0.78x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/8000s | 1/8000s |
Max silent shutter speed | 1/32000s | - |
Continuous shutter speed | 14.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | Auto, standard, slow sync, manual, commander | no built-in flash |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 673 gr (1.48 lb) | 625 gr (1.38 lb) |
Dimensions | 140 x 97 x 86mm (5.5" x 3.8" x 3.4") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO Overall score | not tested | 98 |
DXO Color Depth score | not tested | 26.0 |
DXO Dynamic range score | not tested | 13.9 |
DXO Low light score | not tested | 3434 |
Other | ||
Battery life | 310 pictures | 290 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Storage media | Dual SD/SDHC/SDXC (UHS-II compatible) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | Dual | 1 |
Launch pricing | $1,300 | $2,913 |