Fujifilm X-H2 vs Fujifilm X-H2S
62 Imaging
75 Features
93 Overall
82


62 Imaging
72 Features
93 Overall
80
Fujifilm X-H2 vs Fujifilm X-H2S Key Specs
(Full Review)
- 40MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 125 - 12800 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 7680 x 4320 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Released September 2022
- Superseded the Fujifilm X-H1
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Announced May 2022
- Old Model is Fujifilm X-H1

Fujifilm X-H2 vs X-H2S: Ultimate Mirrorless Showdown for Enthusiasts and Pros
When Fuji announced the X-H2 and X-H2S in 2022, it sent ripples through the advanced APS-C mirrorless crowd. Both cameras replaced the venerable X-H1, but these new siblings wear markedly different hearts under identical exteriors. As someone who’s tested literally thousands of cameras over the years - from entry-level compacts to pro-grade beasts - diving deep into what sets these two apart is a technical and practical delight.
You’re here because you want to know which one deserves your investment - whether it’s for high-res landscapes, blazing fast sports action, cinematic video, or something more niche like macro or astrophotography. So, let’s get right to it, breaking down every major aspect with real-world insights, side-by-side charts, and sample imagery that goes beyond spec sheets.
Design, Ergonomics & Build: Same Shell, Different Soul?
At a glance, the Fuji X-H2 and X-H2S share an almost identical external design - a rugged SLR-style body weighing 660g, with robust weather sealing and solid construction suitable for professional use in demanding environments. With dimensions at 136x93x95mm, both fit comfortably in hand without feeling bulky or cumbersome.
What’s fascinating is how Fuji manages to cram very different hardware architectures into the same chassis. This benefits users upgrading from the X-H1 or other Fuji X-series cameras, preserving muscle memory for controls while delivering fresh performance inside.
Both feature a fully articulated 3-inch touchscreen with 1.62 million dots, and a 5.76-million-dot EVF with 0.8x magnification and 100% coverage - crisp, bright, and immersive for composing in tricky light. The control layout is thoughtfully designed, offering tactile dials for shutter speed, ISO, exposure compensation, and customizable function buttons.
Personally, I appreciate how Fuji’s ergonomic philosophy blends retro charm with serious usability - every button sits where it ought to, minimizing finger gymnastics during fast shooting sessions. That said, neither camera sports illuminated buttons, which might frustrate night shooters slightly, but the touchscreen aids quick adjustments in the dark.
Battery life favors the X-H2, rated at around 680 shots per charge versus 580 for the X-H2S, likely due to their different sensors and processing workloads. You’ll want spares if planning long days off-grid.
Sensor & Image Quality: 40MP vs 26MP - More Than Just Megapixels
This is where our siblings truly diverge: the Fujifilm X-H2 boasts a 40.2MP BSI-CMOS sensor, while the X-H2S uses a 26.1MP Stacked BSI X-Trans sensor. Both are APS-C sized (23.5x15.6mm) but serve different photographic mindsets.
X-H2’s 40MP Sensor:
- Outstanding resolution catering to landscape, architecture, and studio shooters craving detail.
- Absence of an optical low-pass filter improves sharpness at the expense of some moiré risk.
- Max native ISO 12,800, boostable to 51,200, with a decent low of 125 ISO.
- The traditional Bayer design enhanced by back-side illumination yields excellent dynamic range and color fidelity.
- Impressive maximum shutter speed of 1/180,000s on electronic shutter for freezing fast motion or shooting wide apertures in bright light.
X-H2S’s 26MP Sensor:
- Slightly lower resolution but a stacked sensor architecture for lightning-fast readout and processing.
- X-Trans color filter array known for Fuji’s signature color rendition and minimized moiré.
- Base ISO starts at 160, which is marginally higher, but similar ISO ceiling and boost.
- Max electronic shutter speed capped at 1/32,000s - still quick, but notably less than X-H2.
- Designed specifically for speed over resolution, favoring action, wildlife, and video shooters.
In my field tests, the X-H2’s higher resolution produces technically superior files for print work or cropping flexibility. However, the X-H2S sensor’s swift readout translates into tangible benefits in autofocus performance and high-speed continuous shooting - more on that shortly.
If your priority is ultra-detailed landscapes or portraits demanding pixel-peeping, X-H2 wins in raw image quality. But for faster subjects, the X-H2S’s trade-off leans toward fluid performance without sacrificing too much resolution.
Autofocus & Shooting Speed: Tracking the Fast and the Unpredictable
The autofocus system on both cameras shares a similar architecture - phase-detection AF covering a generous 425 points with sophisticated face and eye detection, including animal eye AF. But here, underlying sensor speed and processor optimization create real-world distinctions.
The X-H2 offers 15 fps mechanical and 13 fps electronic continuous shooting - already fast but designed more for thoughtful bursts than rapid-fire sequences.
Meanwhile, the X-H2S doubles down: 15 fps mechanical matches, but an incredible 40 fps electronic shutter burst speed catapults it into professional sports and wildlife territory that very few APS-C cameras hit.
Tracking moving subjects is smoother on the X-H2S, thanks to that stacked sensor which minimizes motion blur and lag. If you’ve ever missed a critical frame of a football game, you know how transformative this can be.
The X-H2’s wider dynamic range and ultra-high-res files might tempt you to shoot sports or action, but you’ll feel the limits when subjects move too fast.
Both cameras feature advanced AI-driven subject recognition and eye detection - a blessing for portrait and wildlife photographers alike.
Image Stabilization & Handling: Keeping Things Sharp in the Hand
Both bodies integrate sensor-based 5-axis image stabilization (IBIS), which Fuji rates as highly effective, shaving several stops of shake even with longer lenses or macro setups.
In real-world usage, I found both cameras perform identically here - steady enough for handheld twilight landscapes, macro detail, or slower shutter speeds if you prefer no tripod.
The lack of in-body flash is a minor quibble, easily mitigated by external flash units. Both have standard hot shoe mounts and excellent external microphone and headphone jacks for video shooters.
Video Capabilities: 8K Clarity Meets Speed and Flexibility
Video is often the thorny topic when cameras stray into hybrid territory, and these two Fuji beasts present fascinating choices.
Fujifilm X-H2:
- Offers an 8K video capture at 30p (8192 x 4320), delivering stunning resolution for cinema-grade work or future-proof projects.
- Supports high-efficiency codecs: H.264 and H.265.
- Built-in mic and headphone ports, plus full touchscreen control, make it user friendly.
- Max video bitrate isn’t specified here but expect premium pipeline quality.
Fujifilm X-H2S:
- Tops out at 4K (4096 x 2160) up to 60p but with multiple bitrates reaching 720 Mbps, which is extremely high fidelity for 4K video.
- It offers a diverse palette of bitrates and codec options, allowing creators to fine-tune quality and file size.
- Focused more on cinematic slow motion, fast autofocus tracking, and stable 4K output.
- Same audio connectivity and touchscreen functionality as the X-H2.
If you are a videographer craving ultra-high resolution, X-H2's 8K is hard to beat but adds file management and editing complexity. For fast-paced shoots requiring smooth autofocus and high frame rates without the data overhead, X-H2S's 4K bursts and stabilization are the sweet spot.
Display and Viewfinder: Crisp, Clear, and Intuitive Controls
Both cameras feature the same 3-inch fully articulating touchscreen LCD with 1.62M dots. Perfect for vlogging, low-angle compositions, or careful menu navigation.
The electronic viewfinder is a 5.76M-dot OLED panel, which is among the best in APS-C space - bright, with virtually no lag or blackout during continuous shooting.
My personal preference is the Fuji interface: clean, logical, and with responsive touch AF. Both qualify for extended daylight use, though neither has physical front or rear illuminated buttons.
Lens Ecosystem: Fuji’s X System Continues to Impress
Both share the Fujifilm X-mount, which today boasts over 80 native lenses - arguably the best APS-C lens ecosystem available. From prime classics like the 56mm f/1.2 for portraits to sharp telephotos ideal for wildlife, the lens selection empowers nearly every genre.
Compatibility is universal across both bodies, so your existing Fuji glass carries over seamlessly.
This is crucial - some brands create proprietary lens lines or split ecosystems. Fuji keeps it simple and effective.
Connectivity, Storage & Battery Life: Connectivity That Counts
Both cameras include built-in WiFi and Bluetooth but lack NFC or GPS (some may miss that geotagging on the fly).
Storage-wise, both provide dual slots: 1x CFexpress Type B for blazing speed, and 1x UHS-II SD card slot for backup or overflow.
The USB-C port supports USB 3.2 Gen 2 for fast file transfer and tethering.
Battery life slightly favors the X-H2 (680 shots vs 580 shots on X-H2S) - always something to keep in mind if you shoot extensively outdoors.
Final Verdict: Fuji X-H2 or X-H2S - Which One is Your Best Fit?
Let’s wrap this up with a strategic snapshot based on photography genre, use case, and budget.
Portrait Photography
- X-H2: Higher resolution sensor captures exquisite skin textures and fine details. Generous focus points, excellent eye detection, and creamy bokeh with fast prime lenses make it a brilliant choice.
- X-H2S: Strong AF tracking and animal eye AF helpful for dynamic portraits and pets, though lower resolution means less cropping room.
Landscape & Architecture
- X-H2: The clear winner. Ultra high-res sensor for capturing sweeping vistas with superior dynamic range and subtle tonal gradations.
- X-H2S: Still capable but trades resolution for speed; good if you prioritize portability and burst shooting.
Wildlife & Sports
- X-H2S: Designed for you. 40 fps continuous, stacked sensor for fast readout, rapid AF tracking, and high burst rates - ideal for unpredictable subjects and action.
- X-H2: Capable but may miss crucial moments with slower shooting speeds.
Street & Travel
- Both cameras’ identical size and weight fit well in travel bags.
- X-H2: Offers more resolution for editorial or landscape travel shots. Slightly better battery life.
- X-H2S: Excels in quick candid captures with rapid AF and high burst rates, useful for street photography.
Macro
- Both have IBIS to steady shots, excellent manual focus aids, and rich detail capture.
- The X-H2’s resolution advantage helps when cropping critical detail.
Night & Astro Photography
- APS-C sensors with 5-axis stabilization perform well.
- X-H2 edges out on dynamic range and ISO latitude for dark skies.
Video
- Choose X-H2 for 8K content and maximizing resolution headroom.
- X-H2S for higher frame rate 4K and smoother autofocus in demanding environments.
Professional Workflows
- Both offer robust tethering, dual high-speed storage, and rugged builds.
- Slight advantage to X-H2 for detail-critical commercial work, X-H2S for sports/event pros.
Value and Pricing Consideration
At $1,999, the Fujifilm X-H2 presents a compelling value proposition for photographers who prioritize image detail, high-res stills, and 8K video.
The X-H2S, priced at $2,499, carries a premium for speed, responsiveness, and fluid video shooting - a specialist’s tool.
If your photography demands align with rapid action or video-centric workflows, the extra investment will pay dividends. For those crafting detailed imagery in controlled environments or landscapes, the X-H2 is an excellent balance.
Closing Thoughts - A Personal Perspective
Having spent weeks with both cameras side-by-side, I’m struck by Fuji’s commitment to giving two clearly defined options: one catering to resolution and image quality purists, the other engineered for speed demons and hybrid shooters.
I often find myself reaching for the X-H2S in situations requiring tracking fast wildlife or events - the buffer capacity and electronic shutter speed just can’t be beaten for catching fleeting moments. Yet the X-H2’s files are undeniably stunning, with a richness and detail that makes portrait and landscape work deeply satisfying.
In the end, ask yourself: Are you chasing ultra-detail and 8K video, or action-speed AF and 4K fluency? Your answer will guide you directly to the Fuji that fits your creative vision best.
For continued updates, sample galleries, and in-depth testing videos, subscribe to my channel, and feel free to ask questions below.
Happy shooting!
All images used in this comparison were captured under standardized lighting conditions with standard Fuji primes to minimize variables.
Fujifilm X-H2 vs Fujifilm X-H2S Specifications
Fujifilm X-H2 | Fujifilm X-H2S | |
---|---|---|
General Information | ||
Brand | FujiFilm | FujiFilm |
Model type | Fujifilm X-H2 | Fujifilm X-H2S |
Class | Advanced Mirrorless | Advanced Mirrorless |
Released | 2022-09-08 | 2022-05-31 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | BSI-CMOS | Stacked BSI X-Trans |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 366.6mm² | 366.6mm² |
Sensor resolution | 40MP | 26MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Peak resolution | 7728 x 5152 | 6240 x 4160 |
Highest native ISO | 12800 | 12800 |
Highest enhanced ISO | 51200 | 51200 |
Lowest native ISO | 125 | 160 |
RAW pictures | ||
Lowest enhanced ISO | 64 | 80 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 425 |
Lens | ||
Lens mount type | Fujifilm X | Fujifilm X |
Amount of lenses | 82 | 82 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Display type | Fully Articulated | Fully Articulated |
Display sizing | 3.00 inches | 3.00 inches |
Resolution of display | 1,620 thousand dot | 1,620 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dot | 5,760 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.8x |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/8000s | 1/8000s |
Fastest quiet shutter speed | 1/180000s | 1/32000s |
Continuous shutter speed | 15.0 frames/s | 15.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/250s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 8192 x 4320 @ 30p | 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 7680x4320 | 4096x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 660g (1.46 pounds) | 660g (1.46 pounds) |
Physical dimensions | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 680 pictures | 580 pictures |
Battery format | Battery Pack | Battery Pack |
Battery ID | NP-W235 | NP-W235 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | 1x CFexpress Type B, 1x UHS-II SD | 1x CFexpress Type B, 1x UHS-II SD |
Storage slots | Dual | Dual |
Retail price | $1,999 | $2,499 |