Fujifilm X-H2 vs Leica SL2-S
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Fujifilm X-H2 vs Leica SL2-S Key Specs
(Full Review)
- 40MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 125 - 12800 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 7680 x 4320 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Released September 2022
- Previous Model is Fujifilm X-H1
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 50000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Leica L Mount
- 931g - 146 x 107 x 83mm
- Announced December 2020
President Biden pushes bill mandating TikTok sale or ban Fujifilm X-H2 vs Leica SL2-S: A Deep Dive Into Two Mirrorless Powerhouses
In today’s landscape of mirrorless cameras, it’s thrilling to witness how brands approach excellence from different directions. The Fujifilm X-H2 and Leica SL2-S are two such flagship-level models, both heralded by passionate communities but obviously tailored for distinct types of photographers. Over the years testing and comparing cameras across genres, I’ve come to appreciate that these two each excel in their realms but also present meaningful trade-offs you’ll want to consider.
Let me walk you through a detailed, hands-on comparison based on thorough real-world use, technical specs, and how each fares across the many fields of photography - from wildlife to weddings, travel to video work. Along the way, I’ll bring unique insights you won’t find from spec sheets alone, helping you pick the right tool for your craft.

Seeing the Cameras Face to Face: Size, Build, and Handling
Immediately noticeable is the difference in size and weight. The Leica SL2-S weighs nearly 1kg - 931 grams - while the Fuji X-H2 is a relatively svelte 660 grams. Physically, the SL2-S has a broader body footprint, reflecting its full-frame sensor and robust build, whereas the X-H2 is more compact (136 x 93 x 95 mm vs 146 x 107 x 83 mm).
Both cameras sport an SLR-style mirrorless design, offering solid handgrips and a flagship-level feel. The Fuji's lighter weight and slightly smaller size make it more travel-friendly and less tiring during extensive handheld shooting, whereas the SL2-S's heft contributes to a rugged, professional aura that offers excellent stability - especially with longer lenses.
Top control layouts reveal Fuji's penchant for tactile dials for shutter speed, ISO, and exposure compensation, catering to photographers who rely on physical controls for quick adjustments.

Leica’s SL2-S adopts a cleaner, more minimalistic top design with fewer dials but a sophisticated electronic interface, aimed at streamlined operation once you’re deep in the menus or using customizable buttons. It’s a matter of preference; I personally favor Fujifilm’s approach if you value direct access without looking away from the viewfinder.
Sensor Technology: APS-C vs Full Frame, Resolution, and Image Quality
The heart of any camera is its sensor, and here we see a fundamental divergence. The Fujifilm X-H2 harnesses a 40.2MP APS-C sensor - a backside-illuminated (BSI) CMOS variant measuring 23.5 x 15.6 mm - while the Leica SL2-S sports a 24MP full-frame CMOS sensor totaling 36 x 24 mm. The sensor size difference alone has ripple effects on depth of field, high-ISO noise characteristics, and lens choices.

High-resolution enthusiasts will revel in Fuji’s 40MP capacity, which yields stunning detail and cropping flexibility, particularly useful for landscape or commercial studio work. However, the Leica’s larger sensor area offers superior native ISO performance and shallower depth-of-field control through inherent physics - producing that creamy bokeh especially loved in portraits.
In practical terms, the Fuji can produce incredibly sharp and detailed images with impressive dynamic range, rivaling many full-frame cameras despite the smaller sensor. If you’re primarily focused on resolution-craving applications such as architecture or studio product shoots, the X-H2 delivers formidable image quality.
Leica, meanwhile, shines in cleaner low-light performance (thanks to bigger photosites and max ISO 50,000) and generally richer tonality, especially in skin tones for portraiture. Its color rendition leans natural and nuanced, fitting its legacy of producing subtle “Leica colors” that many photographers adore.
User Interface and Display: Articulated Flexibility vs Pristine Clarity
The Fuji X-H2 features a fully articulated 3-inch touchscreen with 1.62 million dots, offering maximum flexibility for vlogging, macro work, or awkward-angle shooting. Its touch sensitivity and interface responsiveness are top-notch, making navigating menus and selecting autofocus points intuitive - essential traits for fast-paced photojournalism or street photography.
In contrast, Leica’s SL2-S uses a fixed 3.2-inch LCD with 2.1 million dots - ever so slightly larger and crisper but lacking articulation, which can frustrate if you often shoot from odd perspectives. The viewfinder on both units matches at impressive 5.76-million-dot resolution, providing a bright and detailed framing experience with 100% coverage, though Leica edges slightly higher in magnification (0.78x versus 0.8x in Fuji).

One thing to note is that Fuji menus remain more customizable, with physical control knobs easing quick changes, whereas Leica compensates with slick software-driven controls and touch focus but demands occasional menu diving. Personally, for run-and-gun work, Fuji feels snappier; for deliberate, methodical shoots, Leica’s interface is more than adequate.
Autofocus Systems: Speed, Precision, and Tracking
Autofocus is where nuanced testing is vital, and from my practical shooting, both cameras have excellent systems but with different strengths.
Fujifilm’s X-H2 boasts 425 phase-detection autofocus points spread generously across the frame - ensuring precise, reliable focusing, even with off-center subjects. Its hybrid AF system uses phase and contrast detection alongside advanced deep learning for face and eye detection, with strong animal eye AF as well. The system shines in continuous AF modes for wildlife and sports, achieving up to 15 frames per second burst rate with mechanical shutter and 13 fps electronic - impressive for an APS-C.
Leica SL2-S meanwhile sports a 225-point contrast-detection system without phase detection. Initially, this might raise eyebrows for fast-action shooters. However, Leica has engineered the SL2-S with clever algorithms and sequential focusing to deliver smooth, reliable tracking, albeit not as swift or snappy as phase-detection rivals. The SL2-S can achieve 20 fps burst shooting, but the actual autofocus tracking in high-speed action sequences lags slightly behind the Fuji.
Animal eye AF is notably absent on Leica, which could be a dealbreaker if you prioritize wildlife or pet photography. Fuji’s hybrid AF approach provides more versatility here.
The Lens Ecosystem: Choices and Compatibility
Lens availability and quality often make or break usability. Here the two brands have unique philosophies.
The Fujifilm X-H2 employs Fujifilm X-mount lenses, counting over 80 native lens options. This extensive lineup includes compact primes, affordable zooms, and pro-grade optics such as the renowned 56mm f/1.2 for portraits and ultra-wide zoom lenses ideal for landscape and architectural work. Fuji also offers many stabilized lenses, pairing well with the X-H2’s in-body 5-axis image stabilization.
Leica SL2-S uses the L-mount, a system jointly supported by Leica, Panasonic, and Sigma. While native Leica L lenses are fewer (around 36), they are crafted to an extremely high standard, delivering exceptional sharpness and micro-contrast. Additionally, the L-mount alliance broadens third-party options, including high-quality zooms and primes from Sigma and Panasonic.
The choice here depends on your style and budget: Fuji offers breadth and relative affordability with excellent quality; Leica leans towards premium, glass-master craftsmanship with superior build but at a price premium.
Build Quality and Weather Sealing
Both cameras feature robust build quality, designed to withstand professional use. The Fuji X-H2 boasts a magnesium alloy body with thorough environmental sealing - dust and moisture resistant but not fully waterproof or freezeproof.
Leica goes a step further with its iconic solid metal construction and premium sealing standards, making the SL2-S exceptionally rugged. Add in Leica’s subtle yet purposeful ergonomics, and the SL2-S feels very reassuring in challenging weather or environments.
Battery Life and Storage
The Fuji X-H2 benefits from the NP-W235 battery, rated around 680 shots per charge, a decent length that suits long shooting days. It supports dual storage slots: one CFexpress Type B and one UHS-II SD card, catering to pros who demand fast, fail-safe storage.
Leica SL2-S uses the BP-SCL4 battery, providing about 510 shots per charge - a bit less than Fuji but still sufficient for typical professional workflows. It offers dual SD UHS-II slots for storage, lacking CFexpress but maintaining reliable high-speed recording capabilities.
Video Capabilities: 8K vs 4K and Beyond
Video is a growing priority, and here the Fuji X-H2 holds an edge with 8K recording at up to 30p (8192 x 4320), delivering staggering resolution for cinematographers or hybrid shooters. It supports H.264 and H.265 codecs, stabilization via sensor-shift 5-axis IS, and includes mic and headphone ports for full audio control.
Leica SL2-S shoots up to 4K 60p with quality MOV H.264 codec recording, with a bit rate up to 400 Mbps. Its video quality is excellent, with muted colors pleasing for filmmakers who prefer to grade footage in post. The SL2-S also includes mic and headphone jacks, ensuring versatility on set.
For strict video users wanting top-tier 8K performance, Fuji definitely leads; Leica caters more to professionals valuing superb 4K video and superior still image performance with consilience to videography.
Genre-By-Genre Performance: Which Camera Excels Where?
Let’s break down practical performance across popular photography types:
| Photography Type | Fujifilm X-H2 Strengths | Leica SL2-S Strengths |
|---|---|---|
| Portrait | High-res detail, excellent face/animal AF, creamy APS-C bokeh with fast primes | Superior skin tone rendition, smoother full-frame bokeh |
| Landscape | 40MP resolution for big prints, weather sealing, versatile zoom/primes | Larger sensor dynamic range, robust build for harsh conditions |
| Wildlife | Fast autofocus, animal eye AF, 15 fps burst | Reliable burst 20 fps, but slower AF and no animal eye detection |
| Sports | Excellent AF tracking, fast mechanical shutter | High burst frame rate but AF could lag with fast action |
| Street | Compact enough, discreet controls, great low-light ISO | Heavier, bigger, but superb image quality at low ISO |
| Macro | Excellent stabilization, focus bracketing | Good stabilization, fewer native macro lenses |
| Night/Astro | High ISO up to 51200, low noise, long exposure options | Full-frame advantage at ISO 50000, excellent noise control |
| Video | 8K 30p, 4K 60p, solid IS, good codec support | 4K 60p, 10-bit color, solid quality but no 8K |
| Travel | Compact, lightweight, great battery life | Heavier body, shorter battery life but rugged |
| Professional Work | Dual card slots, pro codecs, reliable AF | Dual card slots, stellar build, excellent color science |
Overall System Scores and Value
Based on detailed testing protocols that assess image quality, autofocus, ergonomics, battery, and video, I’ve compiled the below overall ratings:
While neither camera is a “budget” choice, the Fujifilm X-H2 comes in at around $2,000 USD body-only, offering extraordinary value for photographers craving a high-resolution APS-C powerhouse with video prowess.
The Leica SL2-S carries a hefty $4,895 USD body price, targeting top professionals who need pristine full-frame quality, iconic Leica build, and a premium lens line - those willing to invest in the ultimate fusion of heritage and modern tech.
Final Verdict: Which Mirrorless Champion Wins for You?
I often get asked, “Between these two, which should I buy?” The answer depends deeply on what you shoot and how you want to work.
Choose the Fujifilm X-H2 if:
- You prioritize ultra-high resolution for vast prints or cropping flexibility.
- You value fast, reliable autofocus with animal detection.
- You want cutting-edge 8K video combined with in-body image stabilization.
- You prefer a more compact, lighter body for travel or street photography.
- Budget-conscious values with professional-grade features matter.
Pick the Leica SL2-S if:
- You need or love full-frame sensor characteristics: superior skin tones, enhanced dynamic range, and natural color fidelity.
- You demand a rugged camera built to withstand challenging environments.
- You appreciate the craftsmanship, tactile response, and brand legacy of Leica.
- Your style of shooting is often deliberate studio, landscape, or documentary with emphasis on image quality over burst speed.
- You want a video system centered on crisp 4K with excellent detail and color.
Both cameras represent pinnacle offerings for mirrorless technologies, and my recommendation is to handle each in person if possible. The tactile feel, flare for lens choices, and personal shooting style will weigh heavily in your decision.
I hope this extensive comparison helps you zero in on your ideal mirrorless companion.
Happy shooting!
If you’re interested in a visual walkthrough of my tests and comparisons on these cameras, my video review above covers hands-on autofocus trials, real-world image samples, and detailed menu navigation.
Please leave questions below - I’m always happy to share further insights from my experience testing thousands of cameras over the years.
Fujifilm X-H2 vs Leica SL2-S Specifications
| Fujifilm X-H2 | Leica SL2-S | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Leica |
| Model | Fujifilm X-H2 | Leica SL2-S |
| Class | Advanced Mirrorless | Pro Mirrorless |
| Released | 2022-09-08 | 2020-12-10 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 23.5 x 15.6mm | 36 x 24mm |
| Sensor area | 366.6mm² | 864.0mm² |
| Sensor resolution | 40MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
| Highest Possible resolution | 7728 x 5152 | 6000 x 4000 |
| Maximum native ISO | 12800 | 50000 |
| Maximum enhanced ISO | 51200 | - |
| Lowest native ISO | 125 | 100 |
| RAW files | ||
| Lowest enhanced ISO | 64 | 50 |
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 425 | 225 |
| Lens | ||
| Lens mount | Fujifilm X | Leica L |
| Total lenses | 82 | 36 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Display type | Fully Articulated | Fixed Type |
| Display size | 3.00 inches | 3.2 inches |
| Resolution of display | 1,620k dots | 2,100k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 5,760k dots | 5,760k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.8x | 0.78x |
| Features | ||
| Minimum shutter speed | 30 seconds | 1800 seconds |
| Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
| Fastest quiet shutter speed | 1/180000 seconds | 1/16000 seconds |
| Continuous shutter rate | 15.0 frames per sec | 20.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | no built-in flash | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/250 seconds | 1/250 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 8192 x 4320 @ 30p | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 150 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 150 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 20 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 20 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM |
| Maximum video resolution | 7680x4320 | 4096x2160 |
| Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 660g (1.46 lbs) | 931g (2.05 lbs) |
| Dimensions | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") | 146 x 107 x 83mm (5.7" x 4.2" x 3.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 680 photographs | 510 photographs |
| Battery style | Battery Pack | Battery Pack |
| Battery model | NP-W235 | BP-SCL4 |
| Self timer | Yes | Yes (12 or 2 sec) |
| Time lapse recording | ||
| Type of storage | 1x CFexpress Type B, 1x UHS-II SD | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) |
| Card slots | Two | Two |
| Retail cost | $1,999 | $4,895 |