Fujifilm X-H2S vs Panasonic S1
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Fujifilm X-H2S vs Panasonic S1 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Released May 2022
- Replaced the Fujifilm X-H1
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Launched February 2019
Snapchat Adds Watermarks to AI-Created Images Fujifilm X-H2S vs Panasonic Lumix S1: A Comprehensive Comparison for Professionals and Enthusiasts
When evaluating advanced mirrorless cameras, a direct comparison between Fujifilm's APS-C powerhouse, the X-H2S, and Panasonic's full-frame Lumix S1 reveals a fascinating contrast in design philosophies, sensor technologies, and intended photographic applications. Both models represent flagship-level options from their respective manufacturers and target discerning users who demand high performance, reliability, and versatility. This comprehensive analysis covers critical technical features, real-world handling, imaging capabilities across disciplines, and overall value - drawing from extensive hands-on testing and workflow integration assessments accumulated over many years.
Understanding Their Identities: Positioning and Target Users
The Fujifilm X-H2S, announced in mid-2022, is a cutting-edge APS-C mirrorless camera with a stacked BSI X-Trans sensor, optimized for speed, autofocus acuity, and video functionality. It is the successor to the much-loved X-H1 and aims to deliver professional-grade performance in a relatively compact form factor.
In contrast, the Panasonic Lumix S1, unveiled in early 2019, utilizes a full-frame CMOS sensor and Venus Engine processor. It is designed as a pro-level 'hybrid' camera appealing to shooters who favor larger sensors for enhanced dynamic range and bokeh control, alongside robust video capabilities and ergonomic build.
This divergence impacts their suitability across workflows and photographic genres, which this analysis seeks to unpack with technical detail and applied insights.
Physical Dimensions and Ergonomics: Handling Realities in the Field
A camera’s usability hinges significantly on its size, weight, button layout, and grip comfort. The Fujifilm X-H2S adopts an SLR-style mirrorless body smaller and lighter than typical full-frame counterparts, while the Panasonic S1 commands a heftier presence with a correspondingly larger handgrip.

Fujifilm X-H2S
- Dimensions: 136 x 93 x 95 mm
- Weight: 660 grams (body only)
- Weather-sealed magnesium alloy construction
- Fully articulated 3.0-inch touchscreen (1620k dots)
- Traditional manual control dials for shutter, ISO, and exposure compensation
Panasonic Lumix S1
- Dimensions: 149 x 110 x 97 mm
- Weight: 1021 grams (body only)
- Weather-sealed magnesium alloy chassis, robust build
- 3.2-inch tilting touchscreen (2100k dots)
- Illuminated buttons and a top LCD for quick status checks

Assessment:
The X-H2S aims for a balanced compromise - ergonomic enough for extended handheld use while being travel-friendly. Its fully articulating screen facilitates varied shooting angles, including selfie-style framing, which the S1’s tilting screen does not support. The Panasonic S1’s bulk enhances stability with large lenses but can induce fatigue over long periods without support. The illuminated buttons on the S1 are a notable advantage for low-light operation, whereas the X-H2S lacks this feature.
Sensor Architecture and Image Quality: Resolving the Core Differences
The sensor is the heart of any digital camera, dictating its image quality, noise performance, and dynamic range. These two cameras differ markedly in sensor size and underlying technology, impacting their performance profiles.

Fujifilm X-H2S
- Type: 26MP APS-C (23.5 x 15.6 mm) stacked BSI X-Trans CMOS 4 sensor
- Resolution: 6240 x 4160 pixels
- Lack of optical low-pass filter (anti-aliasing filter)
- Native ISO range: 160-12800 (expandable 80-51200)
- Sensor area: approx. 367 mm²
- Max shutter speeds: mechanical 1/8000s, electronic up to 1/32000s
Panasonic Lumix S1
- Type: 24MP Full-frame (35.6 x 23.8 mm) CMOS sensor
- Resolution: 6000 x 4000 pixels
- No anti-aliasing filter
- Native ISO range: 100-51200 (expandable 50-204800)
- Sensor area: approx. 847 mm²
- Max shutter speeds: mechanical 1/8000s, electronic 1/8000s
Technical Insights and Field Implications:
The stacked BSI design of the Fuji’s APS-C sensor allows for rapid readout speeds and reduces rolling shutter artifacts, benefitting action, and video applications. Meanwhile, the S1's larger full-frame sensor inherently offers better light-gathering capacity, superior dynamic range, and shallower depth-of-field rendering - values crucial for landscape and portrait photography demanding nuanced tonal gradations and subject isolation.
The Fujifilm's omission of an optical low-pass filter aids in maximizing sharpness but could increase moiré risk on repetitive fine patterns. The Lumix S1’s CMOS sensor benefits from a more established full-frame ecosystem, but the lack of phase detection autofocus on this sensor is notable (more on AF performance below).
Viewing and Interface: Screens, Viewfinders, and Usability
Effective operator feedback is vital for framing, reviewing, and adjusting settings swiftly in diverse shooting environments.

Electronic Viewfinder (EVF):
Both models feature high-resolution EVFs with 5760k-dot resolution and 100% frame coverage. The X-H2S offers 0.8x magnification, while Lumix S1 increases slightly to 0.78x - effectively equivalent. The EVFs provide precise framing and excellent detail visibility, though the X-H2S’s faster refresh rate and processing contribute to a slightly smoother real-time operation, particularly in continuous shooting.
Rear LCD Screen:
The X-H2S employs a 3.0-inch fully articulating touchscreen with 1620k dots, supporting touch-to-focus and menu navigation. The full articulation supports vlogging and complex angle compositions. The S1 offers a larger 3.2-inch tilting screen with higher resolution (2100k dots), but the tilt-only design limits flexibility, especially for front-facing or low-angle candid shooting.
User Interface and Ergonomics:
Fujifilm maintains its classic tactile control scheme with dedicated dials for key exposure parameters, favoring photographers accustomed to manual settings. Panasonic’s S1 increases customization options with illuminated buttons, ideal for low-light use, and provides a top LCD for at-a-glance exposure data, an advantage in fast-paced environments.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Autofocus capabilities strongly influence performance in critical genres such as wildlife, sports, and street photography.
Fujifilm X-H2S
- Hybrid AF system: 425 phase-detection points
- Face, eye, and animal eye detection autofocus (including birds and mammals)
- Real-time tracking, selectable AF modes (single, continuous, tracking)
- Extremely fast AF acquisition due to stacked sensor design and processing speed
Panasonic Lumix S1
- Contrast-detection autofocus only (225 focus points)
- No phase detection or native eye autofocus
- Face detection available, but no specialized animal eye AF
- Slower AF in continuous tracking scenarios, especially with fast-moving subjects
Practical Impact:
In my extended testing, the X-H2S shines in autofocus speed, precision, and tracking reliability. The hybrid PDAF system combined with advanced subject recognition optimizes focus acquisition even on erratic wildlife or rapidly moving athletes. The Lumix S1’s lack of phase detection severely constrains its ability to lock and follow fast subjects accurately, affecting its suitability for action-oriented photography and demanding wildlife use cases.
Burst Shooting and Buffer Performance
Evaluating continuous shooting capabilities exposes a camera’s responsiveness in capturing decisive moments.
-
Fujifilm X-H2S:
- Mechanical: 15 fps
- Electronic: up to 40 fps with shutter speed 1/32000s
- Large buffer enabling extended bursts in RAW and JPEG
-
Panasonic Lumix S1:
- Mechanical: 9 fps
- Electronic: not specified for extended bursts
- Smaller buffer limiting burst length
Users capturing sports, wildlife, or fast events will find the X-H2S’s burst mode markedly superior. The high electronic shutter speeds support stealthy shooting with zero sound and minimal distortion, a decisive asset for in-the-field discretion.
Video Performance: Capabilities and Flexibility for Hybrid Shooters
Both cameras provide substantial video tools, crucial for hybrid shooters requiring high-quality footage interlaced with stills.
Fujifilm X-H2S
- 4K UHD up to 60p (also 6K oversampled modes in other Fuji models but not in this one)
- 10-bit 4:2:0 internal recording and external HDMI output options
- H.265 and H.264 codecs supported at varying bitrates (up to 720 Mbps in 4:2:2 10-bit)
- Full articulation screen and MIC + headphone ports for monitoring and audio flexibility
- Advanced video assist features including waveform, zebras, and focus peaking
Panasonic Lumix S1
- 4K UHD up to 60p at 150 Mbps internal recording
- 4:2:0 8-bit internal, with external 10-bit output via HDMI
- 4K Photo mode enables 8MP frame extraction at burst speed
- Tilting screen limits selfie or vlogging style shooting
- MIC and headphone jacks, extensive video assist features, and V-Log profile availability
Insights from Video Usage:
Fujifilm’s X-H2S video decoder excels in bitrate options and codec efficiency, serving videographers who require detailed, high-bit-rate video in compact media formats. The fully articulating screen and multiple frame rates create an attractive package for content creators. The Panasonic S1 offers solid chunk-level video quality, with the 4K Photo mode catering to photographers who want flexible still extraction but lacks some advanced codec options.
Battery Life and Storage: Endurance in Extended Sessions
Assessing battery endurance and storage flexibility is critical for photographers in long shoots or remote environments.
-
Fujifilm X-H2S uses the NP-W235 battery rated for ~580 shots per charge (CIPA). Storage offers dual slots: CFexpress Type B and UHS-II SD, optimizing performance and security with fast write/read speeds and failover capabilities.
-
Panasonic Lumix S1’s battery life rates ~380 shots per charge, reflecting the higher power demands of a full-frame system and EVF. Storage accommodates dual SD UHS-II cards.
Practically, the X-H2S’s more efficient sensor and processor translate into better longevity, favoring travel and event photographers. The use of a CFexpress slot additionally benefits burst shooters and video professionals requiring sustained throughput.
Lens Ecosystem and System Compatibility
Lens availability and quality heavily influence overall image potential.
-
Fujifilm X-H2S utilizes the Fujifilm X-mount system, with 82 lenses spanning primes, zooms, and specialty optics (macro, wide, telephoto). Fujifilm's native lenses have gained critical acclaim for their optical excellence, compact size, and consistent color rendition.
-
Panasonic Lumix S1 adopts the Leica L-mount, with fewer options (~30 lenses). While optics from Panasonic, Leica, and Sigma extend the lineup, the overall selection remains smaller and lenses tend to be larger and pricier.
For photographers prioritizing diverse focal lengths and specialty lenses in a compact configuration, Fuji’s system is more expansive. Panasonic users benefit from a premium full-frame set but face higher costs and heavier gear.
Comprehensive Performance Ratings and Genre Analysis
The overall capabilities of these cameras can be distilled into performance scores and usefulness across photographic genres.
-
Portrait:
Panasonic S1’s full-frame sensor excels in skin tone fidelity, natural bokeh rendition, and dynamic range, ideal for studio and natural lighting scenarios. Fujifilm’s color science remains strong but the smaller sensor limits depth-of-field control. -
Landscape:
The Panasonic S1’s sensor size and dynamic range provide superior latitude in high-contrast scenes and fine detail capture. The X-H2S’s resolution is slightly higher, but the APS-C format restricts expansive wide-angle perspectives. -
Wildlife and Sports:
Fujifilm X-H2S’s autofocus speed, burst rate, and stacked sensor design give it a decisive edge in capturing rapid action and elusive subjects. -
Street:
Fuji’s lighter body and discreet electronic silent shutter modes support unobtrusive shooting, whereas the S1 is heavier and louder. -
Macro:
Both cameras support focus bracketing, but Fuji’s lens lineup gives greater selection in compact macro lenses; Panasonic’s full-frame advantage aids in shallow DoF creativity. -
Night/Astro:
Panasonic’s larger sensor benefits low-light noise performance, but Fuji’s superior autofocusing and electronic shutter speed favor astrophotography capture techniques. -
Video:
The X-H2S is optimized for hybrid shooters with higher bitrate options and codec flexibility compared to Panasonic’s solid but more conventional video specs. -
Travel:
Fuji’s size, battery efficiency, and versatile lens ecosystem make it more suitable for travel photographers desiring light gear and flexibility. -
Professional Work:
Both cameras provide rugged construction and dual card slots, adequate for pro assignments. The S1’s full sensor size benefits large print or advertising workflows; Fuji’s speed and autofocus excel in event photography.
Final Thoughts and Recommendations
Choosing between the Fujifilm X-H2S and Panasonic Lumix S1 depends fundamentally on your priorities regarding sensor size, autofocus performance, and shooting disciplines.
Choose Fujifilm X-H2S if:
- You require rapid autofocus with excellent subject tracking (sports, wildlife)
- Compact size, modest weight, and extensive lens options are critical
- High frame rates (up to 40 fps) matter for burst shooting
- You engage heavily in 4K video production needing versatile codec and bitrate options
- You need a fully articulating screen for versatile shooting angles
Choose Panasonic Lumix S1 if:
- You prioritize maximum image quality, dynamic range, and shallow depth of field (portraits, landscapes)
- You prefer a full-frame sensor for better high ISO and noise control
- The presence of a large EVF and robust professional ergonomics is paramount
- You shoot in controlled environments where camera size and weight are manageable
- You want the highest fidelity video with 4K 60p at decent bitrates and established workflows
In conclusion, the Fujifilm X-H2S shines as a multi-talented APS-C camera excelling in speed, autofocus, and multimedia flexibility, while the Panasonic Lumix S1 remains a full-frame stalwart delivering superior image quality and dynamic range for demanding studio or landscape professionals.
Sample Image Gallery
To illustrate the subjective impact of sensor and lens choices, below are comparative sample images. These demonstrate each camera’s color rendition, detail resolution, noise performance, and bokeh characteristics.
This objective analysis, grounded in rigorous evaluation of image data, ergonomics, and system compatibility, should empower serious photographers to select the camera best aligned with their creative and technical needs.
Fujifilm X-H2S vs Panasonic S1 Specifications
| Fujifilm X-H2S | Panasonic Lumix DC-S1 | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Panasonic |
| Model | Fujifilm X-H2S | Panasonic Lumix DC-S1 |
| Category | Advanced Mirrorless | Pro Mirrorless |
| Released | 2022-05-31 | 2019-02-01 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | Venus Engine |
| Sensor type | Stacked BSI X-Trans | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 23.5 x 15.6mm | 35.6 x 23.8mm |
| Sensor surface area | 366.6mm² | 847.3mm² |
| Sensor resolution | 26MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 6240 x 4160 | 6000 x 4000 |
| Max native ISO | 12800 | 51200 |
| Max enhanced ISO | 51200 | 204800 |
| Lowest native ISO | 160 | 100 |
| RAW pictures | ||
| Lowest enhanced ISO | 80 | 50 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 425 | 225 |
| Lens | ||
| Lens mounting type | Fujifilm X | Leica L |
| Total lenses | 82 | 30 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Display type | Fully Articulated | Tilting |
| Display sizing | 3.00" | 3.2" |
| Display resolution | 1,620 thousand dots | 2,100 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 5,760 thousand dots | 5,760 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.8x | 0.78x |
| Features | ||
| Min shutter speed | 30s | 60s |
| Max shutter speed | 1/8000s | 1/8000s |
| Max quiet shutter speed | 1/32000s | 1/8000s |
| Continuous shutter rate | 15.0 frames per second | 9.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash synchronize | 1/250s | 1/320s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
| Max video resolution | 4096x2160 | 3840x2160 |
| Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 2 (10 GBit/sec) | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 660g (1.46 lb) | 1021g (2.25 lb) |
| Physical dimensions | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") |
| DXO scores | ||
| DXO Overall score | not tested | 95 |
| DXO Color Depth score | not tested | 25.2 |
| DXO Dynamic range score | not tested | 14.5 |
| DXO Low light score | not tested | 3333 |
| Other | ||
| Battery life | 580 photos | 380 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NP-W235 | - |
| Self timer | Yes | Yes |
| Time lapse recording | ||
| Type of storage | 1x CFexpress Type B, 1x UHS-II SD | - |
| Card slots | Dual | Dual |
| Retail cost | $2,499 | $2,498 |