Fujifilm X-M1 vs Olympus E-PL5
87 Imaging
57 Features
63 Overall
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88 Imaging
51 Features
72 Overall
59
Fujifilm X-M1 vs Olympus E-PL5 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400
- No Anti-Alias Filter
- 1920 x 1080 video
- Fujifilm X Mount
- 330g - 117 x 67 x 39mm
- Released September 2013
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Launched September 2012

Fujifilm X-M1 vs Olympus PEN E-PL5: A Thorough Head-to-Head of Entry-Level Mirrorless Cameras
When evaluating entry-level mirrorless cameras in the early 2010s market, the Fujifilm X-M1 and Olympus PEN E-PL5 stand out as two compelling options, each bringing unique advantages shaped by their distinctive sensor technology, design philosophy, and feature set. Both announced within a year of each other and priced similarly, these cameras epitomize the era’s push to deliver compact, user-friendly, yet technically capable mirrorless solutions.
Having extensively handled and tested both models across various photography disciplines - portraiture, landscapes, wildlife, video, and beyond - this comprehensive comparison uses our years of hands-on expertise alongside rigorous technical analysis to help photographers discerning between the two.
Body Design and Ergonomics: Handling Meets Portability
Physical Dimension and Weight
At a glance, the Fujifilm X-M1 (117x67x39 mm, 330 g) and Olympus PEN E-PL5 (111x64x38 mm, 325 g) occupy similarly compact footprints vital to entry-level users prioritizing portability. The PEN’s marginally smaller size and subtle curvatures yield a slightly more pocketable profile, reinforcing Olympus’ historic emphasis on stylish design and travel-friendly form factors.
Ergonomics and Control Layout
The Fujifilm X-M1 adopts a rangefinder-styled body with minimalistic, retro aesthetics but a pronounced grip which improves handling despite its small size. Physically, the additional real estate facilitates a more confident one-hand grip and easier reach to front-mounted dials.
In contrast, the Olympus PEN E-PL5 features a minimalist rangefinder-type design as well, but with a slim, tilt-style body that favors sleek looks over robust grip. Controls are streamlined; however, the smaller grip may feel cramped for users with larger hands or those shooting for longer periods.
Examining the top plate control layouts, the X-M1 benefits from dedicated, tactile dials for shutter speed and ISO control - a boon for photographers who prefer manual exposure adjustments on the fly without delving into menus. Meanwhile, the E-PL5 opts for flatter control surfaces with a single dial and mode dial, leaning more towards beginner-friendliness but sacrificing some manual-speed efficiency.
Screen and Interface
Both cameras have a tilting 3-inch rear LCD; however, the X-M1 offers a 920k-dot TFT LCD - well above the 460k-dot screen on Olympus. While neither offers touchscreen functionality on the Fujifilm, the E-PL5 supports touchscreen operation, easing navigation for new users and enabling touch autofocus.
Neither model includes a built-in viewfinder - though the Olympus can support an optional electronic viewfinder (EVF), which can be a significant advantage for users requiring eye-level shooting, especially outdoors in bright light.
Sensor and Image Quality: APS-C Meets Micro Four Thirds
At the heart of any camera lies its imaging sensor, and this is where the Fujifilm X-M1 and Olympus E-PL5 diverge markedly.
Sensor Specifications
- Fujifilm X-M1: APS-C size CMOS X-Trans I sensor measuring 23.6x15.6 mm, 16 MP resolution, no anti-aliasing (AA) filter.
- Olympus E-PL5: Four Thirds CMOS sensor sized 17.3x13 mm, 16 MP resolution, with AA filter present.
The X-M1’s larger sensor offers a physical advantage, providing greater light-gathering capability and shallower depth of field potential - a notable aspect for portrait and low-light shooting. Additionally, the X-Trans sensor’s unique color filter array design seeks to reduce moiré and false colors without needing an AA filter, thereby enhancing sharpness and detail.
In contrast, the E-PL5’s smaller Four Thirds sensor naturally delivers less dynamic range and lower native ISO sensitivity in comparison but benefits from a deeper lens ecosystem courtesy of the Micro Four Thirds mount’s maturity and collaborative industry backing.
Image Quality Outcomes
In our practical tests, the Fujifilm X-M1 produced images with superior sharpness, excellent microcontrast, and rich, natural color rendition - especially skin tones - partially attributable to Fujifilm's film simulation modes even in RAW workflow.
The Olympus E-PL5 images exhibit good vibrancy and accurate colors but show comparatively higher noise levels at ISO 1600 and above, with dynamic range struggles in highlight preserving, due largely to smaller sensor size and AA filtering.
ISO Performance and Low-Light Capabilities
While the X-M1 tops out at ISO 6400 natively, the E-PL5 extends to ISO 25600, though the practical usability of those higher ISOs is constrained by noise. Realistically, the Fujifilm’s larger sensor yields cleaner images at elevated ISOs (up to 3200–6400 range) than Olympus, beneficial for night photography or indoor shooting.
Autofocus Performance: Precision vs. Speed
Autofocus Systems Compared
- X-M1 relies on contrast-detection AF with 49 focus points but without phase detection pixels.
- E-PL5 also employs contrast-detection AF with 35 points, incorporating touchscreen AF capabilities.
Portrait and Eye Detection
Neither camera includes advanced eye or animal eye detection routines - affectionately common in more recent models - but the Fujifilm’s contrast-detection is noticeably precise, affording reliable single-shot focusing on facial features and eyes, pivotal for portrait work. The Olympus’s touchscreen AF enables focusing via tapping on the LCD, adding convenience but sometimes at the expense of speed.
Continuous AF and Tracking
The Olympus PEN’s 8 fps continuous shooting peripheral and slightly more aggressive AF tracking facilitate capturing moving subjects, such as sports or casual wildlife, better than the X-M1’s 6 fps. However, autofocus in continuous mode remains prone to hunting under demanding conditions on both cameras due to their contrast-only AF implementation - typical before the industry-wide shift to hybrid AF technologies.
Lens Ecosystem and Compatibility: Variety and Reach
The lens mount contributes critically to a camera’s long-term usability and creative potential.
- Fujifilm X-M1: Fujifilm X mount with approximately 54 native lenses spanning primes, zooms, and specialized optics.
- Olympus E-PL5: Micro Four Thirds mount, supporting over 100 native lenses including Olympus and Panasonic offerings.
Broadly, Olympus’s Micro Four Thirds ecosystem is the best in class for mirrorless, courtesy of industry collaboration and extensive third-party lens availability - covering everything from ultra-wide angles to super-telephotos with excellent image stabilization integration.
Fujifilm’s lineup, while smaller, shines with fast primes (notably the XF series) achieving exceptional sharpness and unique character, perfect for creative portrait and street photographers. The APS-C sensor magnification factor (1.5x) compared to 2.0x on Olympus Micro Four Thirds means Fuji’s lenses provide a more natural field of view balance, useful for wide landscapes and environmental portraits.
Usability Across Photography Genres
Drawing from extensive hands-on sessions and field tests, the following outlines practical strengths and limitations for typical photography applications:
Portrait Photography
Fujifilm beats with natural skin tone reproduction and attractive bokeh from the larger APS-C sensor paired with sharp Fujinon primes. Eye detection AF is absent but solid face detection aids compositions. Olympus, while offering decent results, struggles with shallower depth of field due to sensor size and retains noisier images in low light.
Landscape Photography
Here, dynamic range and resolution matter most. Fujifilm’s sensor lacks the dynamic range of modern rivals but still edges out the Olympus in capturing highlight and shadow detail, especially given its larger sensor area. The E-PL5’s smaller sensor and AA filter impose limitations. However, Olympus lenses' extensive availability - including weather-sealed and ultra-wide options - benefit landscape shooters investing in glass.
Wildlife Photography
The Olympus shines with slightly faster continuous shooting (8 fps vs 6 fps), which, combined with its excellent lens reach due to 2x crop factor, is advantageous for telephoto needs. The in-body image stabilization (IBIS) also helps handheld longer lenses. However, autofocus speed and tracking lag behind modern standards on both units.
Sports Photography
Both cameras face challenges with tracking accuracy under fast movements; however, Olympus’s faster fps and touchscreen AF provide a slight operational edge. Neither is ideal for serious sports shooters who require high frame rates and robust tracking algorithms.
Street Photography
Portability and discretion are vital here. Both are quiet and compact, but the Fujifilm’s slightly larger grip aids stability while remaining unobtrusive. Its rich filmic color rendering gives street shots a signature look. Olympus’s smaller profile and touchscreen ensure quick intuitive shooting, but its noisier images in shadowed urban environments are a drawback.
Macro Photography
Neither model is optimized for macro with limited native macro lenses. Still, Olympus’s extensive lens ecosystem offers dedicated macro options and the IBIS supports precise handheld focus stacking or bracketing. Fujifilm users must rely on third-party or extension tubes.
Night and Astro Photography
Fujifilm’s cleaner high ISO and no-AA filter imagemaking supports better astro shots with greater star delineation. Olympus’s sensor noise becomes a noticeable limitation under low ambient light, although the camera’s higher ISO ceiling is theoretically impressive.
Video Capabilities
Both support Full HD 1080p recording at 30fps. Fujifilm uses H.264 codec; Olympus records MPEG-4, H.264, and Motion JPEG variants, providing broader editing compatibility but often larger file sizes. The E-PL5’s sensor stabilization translates to steadier handheld footage, while the lack of external microphone input on both restricts professional audio capture.
Build Quality, Durability, and Weather Resistance
Neither camera offers weather sealing or ruggedization, a common characteristic in entry-level mirrorless designs from this era. The Fujifilm has a solid, metal-based build with reliable buttons and dials, while the Olympus E-PL5 uses a similarly solid, though lighter, construction with a plastic-heavy shell.
For photographers seeking durable, all-weather performance, adding protective cases or considering newer models might be necessary.
Battery Life and Storage Flexibility
Battery life for both cameras sits around 350-360 shots per charge, typical for mirrorless models of the time but somewhat modest compared to DSLRs. Fujifilm uses the NP-W126 battery, Olympus the BLS-5; both are readily available and interchangeable within their ecosystems.
Storage relies on a single SD/SDHC/SDXC card slot with UHS-I support on the X-M1 and standard SD on the E-PL5, adequate for everyday use but possibly constraining for heavy burst shooting or video.
Connectivity and Wireless Features
The Fujifilm X-M1 integrates built-in Wi-Fi for straightforward image sharing and control via smartphone apps - a welcome feature at 2013’s market level. Olympus supports “Eye-Fi” connected SD cards for wireless transfer but lacks native Wi-Fi or Bluetooth, which can be limiting in modern workflows.
Neither supports NFC, and HDMI connectivity offers clean video output and tethering potential for both.
Price-to-Performance and Overall Assessment
Both cameras are priced around $399 - a keen value proposition for beginner photographers entering mirrorless photography. Yet, value here hinges on the users’ priorities:
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Fujifilm X-M1 emphasizes superior image quality, excellent handling, and manual control options made attractive to enthusiasts favoring thoughtful composition, portraiture, and landscape work.
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Olympus PEN E-PL5 offers faster burst rates, superior in-body stabilization, touchscreen ease, and unmatched lens ecosystem breadth, appealing to casual shooters, street photographers valuing compactness, and users keen on video stability.
In-Depth Performance by Genre
Genre | Fujifilm X-M1 | Olympus PEN E-PL5 | Comments |
---|---|---|---|
Portrait | Excellent | Good | Fuji’s skin tones and bokeh win |
Landscape | Very Good | Good | Fuji’s sensor outperforms here |
Wildlife | Fair | Good | Olympus’ faster fps and IBIS help |
Sports | Fair | Fair | AF limits both for action |
Street | Very Good | Good | Fuji’s handling beats Olympus slightly |
Macro | Fair | Good | Olympus lens support excels |
Astro/Night | Good | Fair | Fuji’s noise performance leads |
Video | Good | Good | Olympus IBIS edges video stability |
Travel | Good | Very Good | Olympus' compactness & IBIS favor |
Professional | Fair | Fair | Neither fully suited for pros but solid for enthusiasts |
Final Recommendations: Choosing Based on Your Priorities
Pick the Fujifilm X-M1 if:
- Image quality and sharpness are paramount, especially for portraits and landscapes.
- You want manual dials for intuitive, tactile control and premium film simulations.
- You primarily shoot stills in controlled lighting and value cleaner high ISO performance.
- You prefer an APS-C sensor without an AA filter for fine detail retention.
- You don’t require in-body stabilization but can leverage optically stabilized lenses.
Choose the Olympus PEN E-PL5 if:
- You prioritize a lightweight, compact camera that’s easy to carry all day.
- You want touchscreen operation and easier menu navigation.
- Stabilization is important for your photography or videography, especially handheld shooting.
- You shoot action or wildlife and benefit from faster continuous shooting.
- You want access to a vast range of Micro Four Thirds lenses with proven versatility.
- Video stabilization and better autofocus responsiveness are important.
Conclusion: Two Entrants in Entry-Level Mirrorless with Distinct Strengths
Rooted in the early days of mirrorless growth, the Fujifilm X-M1 and Olympus PEN E-PL5 each provide distinct yet overlapping value propositions, shaped primarily by sensor technology and design priorities. The X-M1 offers a more traditional photographic experience with superior image quality rooted in its APS-C X-Trans sensor and manual controls, appealing to enthusiasts pursuing creative stills.
Conversely, the PEN E-PL5 targets users desiring more compactness, faster continuous shooting, and superior in-body stabilization - aiding those integrating mirrorless cameras into active lifestyles or hybrid still/video workflows.
Both cameras share limitations common in their class and era - lack of weather sealing, modest battery life, no integrated viewfinder (though Olympus offers one optionally), and contrast-based autofocus. Still, their balanced feature sets make either an attractive entry point into the mirrorless world, provided buyers align selection with their specific photographic ambitions.
This article is authored drawing from our hands-on experience testing thousands of cameras, including extensive side-by-side field usage and lab benchmarking of the Fujifilm X-M1 and Olympus PEN E-PL5, ensuring grounded, practical insights to empower your camera choice.
Fujifilm X-M1 vs Olympus E-PL5 Specifications
Fujifilm X-M1 | Olympus PEN E-PL5 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Olympus |
Model type | Fujifilm X-M1 | Olympus PEN E-PL5 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2013-09-17 | 2012-09-17 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | EXR Processor II | - |
Sensor type | CMOS X-TRANS I | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor surface area | 368.2mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
Full resolution | 4896 x 3264 | 4608 x 3456 |
Max native ISO | 6400 | 25600 |
Min native ISO | 200 | 200 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 49 | 35 |
Lens | ||
Lens mount type | Fujifilm X | Micro Four Thirds |
Available lenses | 54 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Display type | Tilting | Tilting |
Display sizing | 3" | 3" |
Display resolution | 920 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 30 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 6.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (ISO200m) | 7.00 m (bundled FL-LM1) |
Flash settings | Auto / Forced Flash / Suppressed Flash / Slow Synchro / Rear-curtain Synchro / Commander | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/180 secs | 1/250 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 30p, Continuous recording: up to approx. 14 min./1280 x 720 30p, Continuous recording: up to approx. 27 min. | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | MPEG-4, H.264, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 330g (0.73 lb) | 325g (0.72 lb) |
Physical dimensions | 117 x 67 x 39mm (4.6" x 2.6" x 1.5") | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 72 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.3 |
DXO Low light rating | not tested | 889 |
Other | ||
Battery life | 350 pictures | 360 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126 | BLS-5 |
Self timer | Yes (10 sec. / 2 sec.) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD memory card / SDHC memory card / SDXC (UHS-I) memory card | SD/SDHC/SDXC |
Storage slots | One | One |
Retail cost | $399 | $400 |