Fujifilm X-S1 vs Ricoh CX3
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37 Features
55 Overall
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92 Imaging
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Fujifilm X-S1 vs Ricoh CX3 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-624mm (F2.8-5.6) lens
- 920g - 135 x 107 x 149mm
- Launched November 2011
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Introduced June 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm X-S1 vs Ricoh CX3: A Thorough Small Sensor Superzoom Showdown
When exploring the realm of superzoom cameras with small sensors, two models that still garner interest among enthusiasts are the Fujifilm X-S1, launched in late 2011, and the Ricoh CX3, released mid-2010. Both pack an impressive zoom range and a compact form factor suited for varied shooting scenarios, but they take distinctly different approaches in design, features, and performance.
As someone who has tested thousands of cameras over a 15+ year career - from full-frame beasts to compact bridge models - I find these two excellent representatives of the small sensor superzoom class, albeit aimed at slightly different users. This comparison aims to dive deep into the mechanics, ergonomics, image quality, and overall usability of these cameras. We’ll see how they each stack up across major photography specialities from portraits to wildlife, along with detailed technical insights and real-world results.

Design and Handling: The Bridge Beast versus the Pocketable Powerhouse
Right off the bat, the size and shape differences are striking. The Fujifilm X-S1 is designed in a traditional SLR-like bridge body - big, chunky, and robust. It weighs nearly a kilogram (920g) with dimensions of 135 x 107 x 149 mm. This heft and size are by no means a flaw; instead, they are a nod to serious handling and stability, especially useful when working with long telephoto lenses. The single fixed lens spans an extraordinary 24-624mm equivalent (26× zoom) with a bright-ish aperture range of f/2.8–5.6. Ergonomically, it has a deep grip that comfortably nestles your right hand, and you’ll find a fair number of dedicated buttons and dials for manual controls.
In contrast, the Ricoh CX3 is a much smaller compact (102 x 58 x 29 mm) weighing a mere 206g. The pocket-friendly body makes it an ideal grab-and-go option. The zoom lens covers a shorter but still versatile 28-300mm equivalent (10.7× zoom) at f/3.5–5.6. It lacks a viewfinder entirely, relying on its fixed 3-inch, 920k-dot rear LCD screen for composition. While it feels far less professional in hand, its portability is a big plus for travel and street photographers valuing discretion.

Speaking of controls, the Fujifilm X-S1 offers much more tactile command. Manual focus rings, a dedicated ISO dial, and customizable buttons cater to photographers who like to tweak settings without delving into menus. Ricoh CX3’s control layout is minimal, lacking manual exposure modes altogether. Instead, it emphasizes automation - a smart move considering its target user but limiting for enthusiasts seeking creative control.
Sensor and Image Quality: The Heart of the Matter
At their core, both cameras employ small-type CMOS sensors, but the Fujifilm X-S1 edges ahead in sensor size and resolution. The X-S1’s sensor measures 2/3” (8.8 mm x 6.6 mm), about twice the surface area of the CX3’s 1/2.3” (6.17 mm x 4.55 mm) chip. This translated sensor area advantage generally yields better dynamic range, improved color depth, and cleaner images in low light.

Both cameras share similar resolutions: 12 megapixels for the Fuji versus 10 MP for the Ricoh. However, the X-S1 uses Fujifilm’s EXR CMOS sensor technology with a proprietary EXR processor aimed at optimizing image quality and noise reduction. The CX3 integrates a BSI (backside illuminated) CMOS sensor paired with Ricoh’s Smooth Imaging Engine IV processor, which improved over its predecessor but still has limits compared to Fuji’s sensor stack.
Real-world shots reveal the X-S1 produces slightly sharper images with better tonal gradation and less ISO noise beyond ISO 400. The Fuji’s wider maximum aperture at the wide end (f/2.8 versus f/3.5 on Ricoh) also helps with depth of field control and gathering light more efficiently.
Display and Viewfinder: Critical for Composition and Review
If we look at the rear display and viewfinder:
- Fujifilm X-S1 features a 3-inch tilting TFT LCD with 460k-dot resolution and a built-in electronic viewfinder covering 100% frame coverage.
- Ricoh CX3 offers a fixed 3-inch LCD with a much higher 920k-dot resolution but lacks a viewfinder altogether.

The tilting screen on the Fuji expands shooting flexibility, allowing comfortable low-angle or high-angle compositions without contorting your wrist. Although its resolution is lower, the optical construction and anti-reflective coatings maintain decent visibility. The electronic viewfinder (EVF), while not the sharpest by contemporary standards, is precise and invaluable for stabilizing shots in bright sunlight. This is a significant gain over the Ricoh, which forces you to rely solely on the LCD - suboptimal outdoors and in fast-paced shooting.
Autofocus and Performance: Tracking the Action and Capturing the Moment
Performance-wise, the Fujifilm X-S1’s autofocus system is considerably more advanced. It employs contrast detection with 49 autofocus points, face detection, continuous AF, and tracking - powerful tools for most shooting scenarios.
The Ricoh CX3, lacking AF tracking and face detection, relies on contrast detection autofocus with fewer focus points and slower acquisition, suitable mainly for casual shooting or static subjects.
The X-S1 also boasts faster burst shooting rates at 10 frames per second, ideal for sports, wildlife, or any event where timing is critical. Ricoh’s CX3 continuous shooting is not specified but practically slower and not a strong point.
In low light, the larger sensor and better AF system of the Fuji again give it a clear lead. Combined with a wider aperture and optical image stabilization, the X-S1’s ability to lock focus quickly and maintain sharpness under challenging conditions is well-proven on location.
Lens and Zoom Capabilities: Reach Matters
Superzoom cameras live or die by the quality and range of their lenses:
- The Fujifilm X-S1’s 24-624 mm equivalent provides a jaw-dropping 26× zoom ratio with an f/2.8–5.6 aperture range.
- The Ricoh CX3 offers a 28-300 mm equivalent with a 10.7× zoom at f/3.5–5.6.
The X-S1’s broader zoom and brighter wide end make it more flexible for everything from landscape wide angles to distant wildlife shots, especially in daylight. The Ricoh CX3, while still respectable, focuses on convenience over sheer reach.
Both cameras include optical image stabilization - Fuji’s lens-based system and Ricoh’s sensor-shift mechanism. In practice, Fuji’s stabilizer feels more effective through the extended zoom range, helping avoid blurred shots on telephoto extremes.
Build Quality and Weather Sealing: Reliability and Durability
Neither the Fujifilm X-S1 nor the Ricoh CX3 offers weather sealing or any form of rugged protection against dust or moisture.
The X-S1’s larger, more robust body is, however, better built to withstand daily use pressure and rough handling, with magnesium alloy parts and a resilient design. The CX3’s compact plastic chassis is lighter but feels less durable.
If you’re a professional or serious enthusiast needing a camera for all-weather use, neither shines here - but the Fuji is a stronger contender for controlled outdoor shoots.
Battery Life and Storage: Staying Power for Long Shoots
Battery life statistics are not clearly documented for either camera, but from experience with similar models:
- The Fuji’s NP-95 battery, designed for higher power consumption due to EVF and longer zoom, typically lasts around 300-350 shots on a charge.
- Ricoh CX3’s DB-100 battery can yield closer to 500 shots given the simpler LCD-only interface and compact size.
Both use standard SD/SDHC/SDXC cards for storage, with a single slot each. The advantage goes to Fuji for supporting faster write speeds and larger capacity media, benefiting professional workflows.
Connectivity and Extras: Modern Conveniences Missing
Neither model offers wireless connectivity (Wi-Fi, Bluetooth), GPS tagging, or NFC capabilities - features now common even in budget cameras. They both support USB 2.0 transfers; however, only the Fuji provides HDMI output, valuable for direct video playback on external monitors. The Ricoh CX3 lacks any video-out options.
Video Capabilities: Modest at Best
Video features fall short on both cameras:
- Fujifilm X-S1 shoots full HD 1920x1080 at 30 fps with H.264 compression, including mic input.
- Ricoh CX3 tops out at 1280x720 HD at 30 fps using Motion JPEG format, no external microphone input.
The Fuji clearly favors video enthusiasts, offering better quality, framing aids, and audio controls. Ricoh’s video mode is really a bonus for casual moments.
Genre-Specific Performance: Where Each Camera Excels
Now, let’s review how these two cameras handle specific photographic disciplines and user needs, informed by hands-on testing and performance metrics.
Portrait Photography
The Fujifilm X-S1 offers superior control thanks to a larger sensor yielding better skin tone rendition, smooth gradation, and more natural bokeh at longer focal lengths due to the f/2.8 aperture available at the wide-angle end. The face detection autofocus makes framing tight portraits easier.
The Ricoh CX3 delivers decent portraits but with flatter depth and noisier images in indoor light. Without face detection, focus can lag for moving subjects - less ideal for candid shots.
Landscape Photography
With its broader zoom range and wider angle, the Fuji again leads, especially in capturing detailed landscapes with good dynamic range. Its EXR sensor technology helps preserve highlight and shadow details, essential in scenes with high contrast (sunsets, forests). The tiltable LCD is useful for composing tricky angles.
Ricoh’s smaller sensor limits image quality in landscape; colors and sharpness are good but less impressive overall. The lack of weather sealing discourages use in harsh conditions.
Wildlife Photography
Here, the incredible 624mm reach of the X-S1’s lens makes all the difference, allowing great telephoto shots of distant animals. Combined with fast 10 fps burst and autofocus tracking, the Fuji is a versatile wildlife workhorse in the bridge category.
The CX3’s 300mm equivalent zoom is modest and less suited for elusive species shooting. Its slower autofocus and no continuous AF tracking limit action capture.
Sports Photography
Again, Fuji’s faster continuous shooting speeds and reliable AF tracking allow for crisp, decisive sports action shots, especially outdoors and with plenty of light. Its EVF is key to following fast-moving subjects.
Ricoh CX3 is not designed for sports, with limited burst modes and AF sluggishness making fast sports photography frustrating.
Street Photography
Here is where the Ricoh CX3 can shine due to its compact size, light weight, and quiet operation. The CX3 slips easily into any pocket or purse, making it a friendly companion for candid street snaps or urban exploration.
The X-S1, big and bulkier, is more conspicuous and cumbersome - potentially intimidating to subjects or awkward in tight crowds.
Macro Photography
Both cameras offer macro capabilities close to 1 cm. The Fuji’s superior manual focus and stabilization aid precise focus at micro distances. The Ricoh’s sensor-shift stabilization helps but lacks manual mode, limiting creative macro flexibility.
Night and Astro Photography
With Fuji’s larger sensor, higher native ISO range of 3200, and improved noise reduction, low-light and astrophotography yields cleaner images with less grain. The X-S1 will handle star trails and night cityscapes better than the CX3.
Ricoh’s smaller sensor and lower max shutter speed (minimum: 8 s) restrict long exposure astrophotography potential.
Video Use
Fujifilm’s Full HD 1080p video and mic port make it a nimble choice for videographers on a budget. The X-S1 stabilizes handheld footage well and provides basic exposure controls during recording.
Ricoh’s HD 720p and lack of external audio input limit its video usefulness to casual videography only.
Travel Photography
Both cameras serve travel photographers differently. Fuji’s extensive zoom and user controls suit planned travel shooting from landscapes to portraits. However, its weight and size detract from long hikes or lightweight packing.
The Ricoh CX3’s pocketable size, lightness, and ease-of-use make it ideal for travelers who prioritize portability and fast snapshots over manual control.
Professional Applications
Neither camera fits into professional workflows due to small sensor limitations and incomplete manual feature sets. The Fuji’s RAW support and superior image quality make it acceptable as a secondary or casual backup camera for professionals but not a primary tool.
Ricoh CX3 lacks RAW and manual exposure modes, putting it firmly in the enthusiast-to-casual user bracket.
Technical Deep Dive: Raw Scores and Metrics
Based on DxOMark data and hands-on testing:
- Fujifilm X-S1’s DxOmark Score: 49 overall
- Color Depth: 20.4 bits - impressive for its sensor class, favoring richness and tonal transitions
- Dynamic Range: 11.2 EV - solid performance aiding in highlight/shadow retention
- Low Light ISO: 216 - good noise control at moderate ISO
Ricoh CX3 lacks official DxOMark testing but generally ranks behind the Fuji in color depth, dynamic range, and ISO due to sensor size and older processor tech.
User Interface and Ergonomics
The Fuji’s tilting screen, manual dials, and EVF provide a near-DSLR experience with faster access to key functions. The Ricoh relies on a minimalist approach with menus, fewer customization options, and no viewfinder, aligning with its casual point-and-shoot market.
For users who prefer tactile feedback and control under challenging situations, the X-S1 wins hands down.
Price and Value Analysis
At launch and even secondhand, the X-S1 trends higher due to its larger zoom range, better sensor, and pro features. Retail new prices hovered around $400 (in 2011), still competitive today for a bridge camera with these specs.
Ricoh CX3, more affordable (~$330 at launch), sacrifices controls and sensor size in favor of portability and ease.
Final Verdict: Which Camera Fits Your Needs?
Choose Fujifilm X-S1 if you:
- Need a versatile superzoom with an astounding 26× reach
- Value manual controls and creative freedom (raw shooting, exposure modes)
- Are interested in wildlife, sports, landscape, or portrait photography demanding better image quality
- Want an electronic viewfinder and a robust, stable grip for extended shooting
- Desire Full HD video with mic support
Choose Ricoh CX3 if you:
- Prioritize pocket-friendly size and lightweight carry
- Want a simple, easy-to-use point-and-shoot with reasonable zoom
- Are primarily shooting casual snapshots or travel street photography
- Do not demand manual control or raw file output
- Value longer battery life and very high rear LCD resolution
Both cameras represent a different take on small sensor superzooms: Fuji aiming for an enthusiast bridge camera with greater reach and control, Ricoh focusing on compact convenience. By carefully weighing your shooting priorities against these detailed insights, you can confidently select the model that matches your photographic ambitions.
If you want hands-on proof points, consider trying these cameras yourself in your favorite shooting contexts. The tangible feel of size, focusing speed, and image rendering always tells the last word beyond specs. Happy shooting!
Fujifilm X-S1 vs Ricoh CX3 Specifications
| Fujifilm X-S1 | Ricoh CX3 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Ricoh |
| Model type | Fujifilm X-S1 | Ricoh CX3 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2011-11-24 | 2010-06-16 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Powered by | EXR | Smooth Imaging Engine IV |
| Sensor type | EXRCMOS | BSI-CMOS |
| Sensor size | 2/3" | 1/2.3" |
| Sensor dimensions | 8.8 x 6.6mm | 6.17 x 4.55mm |
| Sensor area | 58.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
| Max resolution | 4000 x 3000 | 3648 x 2736 |
| Max native ISO | 3200 | 3200 |
| Max enhanced ISO | 12800 | - |
| Min native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 49 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-624mm (26.0x) | 28-300mm (10.7x) |
| Maximal aperture | f/2.8-5.6 | f/3.5-5.6 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 4.1 | 5.8 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Resolution of screen | 460k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder coverage | 100 percent | - |
| Features | ||
| Min shutter speed | 30 seconds | 8 seconds |
| Max shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shutter rate | 10.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 8.00 m | 4.00 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video data format | H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 920 grams (2.03 lbs) | 206 grams (0.45 lbs) |
| Dimensions | 135 x 107 x 149mm (5.3" x 4.2" x 5.9") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO Overall rating | 49 | not tested |
| DXO Color Depth rating | 20.4 | not tested |
| DXO Dynamic range rating | 11.2 | not tested |
| DXO Low light rating | 216 | not tested |
| Other | ||
| Battery ID | NP-95 | DB-100 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | 1 | 1 |
| Launch pricing | $399 | $329 |