Fujifilm X-S10 vs Panasonic S1
73 Imaging
71 Features
88 Overall
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54 Imaging
74 Features
84 Overall
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Fujifilm X-S10 vs Panasonic S1 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 465g - 126 x 85 x 65mm
- Released October 2020
- Successor is Fujifilm X-S20
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Launched February 2019

FujiFilm X-S10 vs Panasonic Lumix S1: Which Mirrorless Camera Fits Your Vision?
As someone who’s spent over 15 years immersed in photography gear testing - shooting everything from intimate portraits to wide-open landscapes, chasing wildlife across vast plains, and capturing the raw energy of street and sports moments - I know firsthand how nuanced camera choice can be. Two cameras that often come up in conversations among enthusiasts and pros at very different stages of their journey are FujiFilm’s X-S10 and Panasonic’s Lumix S1. Both offer compelling features, but which one aligns with your creative ambitions and workflow?
In this in-depth comparison, I’ll share my hands-on experience evaluating these two mirrorless cameras, diving into performance, ergonomics, image quality, autofocus, video capabilities, and much more. No fluff - just honest insights and practical advice to help you make the right choice.
Getting a Feel for It: Size and Ergonomics Matter
Let’s kick things off with something tactile - how the cameras feel in your hands, their physical footprint, and controls. FujiFilm’s X-S10 is designed with a compact, SLR-style mirrorless body aimed at entry-level to enthusiast photographers. It weighs about 465 grams with aggressive portability in mind, measuring roughly 126 x 85 x 65 mm.
On the other hand, Panasonic’s Lumix S1 is a proudly professional full-frame workhorse, tipping the scales at 1021 grams and measuring 149 x 110 x 97 mm. The difference is palpable when holding them side-by-side - almost twice the heft and a significant bulk increase with the S1.
Despite the weight, the Panasonic S1 offers robust ergonomics with its deep grip, comprehensive button array, and weather sealing - features that really shine in extended shoots and challenging environments. The FujiFilm X-S10, meanwhile, strikes a nice balance between compactness and comfort, featuring a well-shaped grip for its class, a fully articulating LCD, and a clean control layout tailored for easy learning and quick access.
If you’re a traveler or street photographer valuing stealth and lightweight gear, the X-S10’s smaller form is a distinct advantage. For professionals or enthusiasts needing durability and extended handling ease for heavy lenses, the S1’s build justifies its bulk.
Control and Interface: How Intuitive Are Your Tools?
Spending time with the top dials, buttons, and menus reveals how efficiently you can operate the camera under pressure. That’s crucial whether you’re reacting to fleeting wildlife or setting up a complex studio portrait.
FujiFilm favors a minimalist approach. The X-S10 tosses in classic Fuji dials for ISO, shutter speed, and exposure compensation, plus a joystick for AF point selection. It uses a single command dial here and supports touchscreen AF point selection as well - great for newcomers or hybrid shooters moving quickly between modes.
The Panasonic S1 sports a more extensive button set, including customizable illuminated buttons, a top LCD for status, and dual SD card slots for redundancy - a must-have for pros prioritizing fail-safe shooting. The Venus Engine processor runs high-speed operations behind the scenes, but Panasonic hasn’t embraced the joystick control, relying more on thumb dials and touchscreen for focus adjustments. The touchscreen response is impressively snappy, crucial in critical situations.
Personally, I find Fuji’s dial-centric method more intuitive when shooting manual exposures or adjusting settings on the fly. The S1’s interface, though complex, rewards users who want granular control and extensive customization but has a steeper learning curve.
Sensor and Image Quality: APS-C vs Full Frame
Now, onto the heart of image-making: the sensor.
The FujiFilm X-S10 features a 26.1-megapixel APS-C BSI-CMOS sensor sized at 23.5 x 15.6 mm, yielding a crop factor of 1.5x. The absence of an anti-aliasing filter sharpens detail but can introduce moiré in some situations.
The Panasonic S1 boasts a 24.2-megapixel full-frame CMOS sensor sized 35.6 x 23.8 mm, almost 2.3 times larger in area. Panasonic’s sensor eschews the anti-aliasing filter as well, emphasizing maximum sharpness and resolution.
What does this mean practically? The larger sensor in the S1 allows for wider dynamic range (rated at 14.5 EV on DXOMark), better noise control especially at high ISO, and shallower depth-of-field control, all contributing to more “professional” image quality. The X-S10 performs admirably for an APS-C sensor, particularly in good light, with impressive color rendition typical of Fuji’s film simulation modes.
I ran studio portraits and landscape shoots with both. The S1’s images hold finer texture in shadows, recover highlights better, and deliver cleaner output at ISO 3200 and above. The X-S10’s detail is remarkable at base ISO, but noise aggressively creeps in past ISO 6400, limiting its use for dim conditions or astrophotography.
For pixel peepers, both deliver excellent RAW files with solid editing latitude, though the S1’s larger full-frame sensor consistently yields more forgiving exposure latitude.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus (AF) can make or break critical shoots, especially when photographing moving subjects or fleeting expressions.
The FujiFilm X-S10 uses a hybrid AF system combining 425 phase-detection points - covering nearly the entire frame - and contrast detection. It supports face detection and eye AF for people, though lacks animal eye AF, a feature Fuji introduced in later models.
The Panasonic S1 deploys contrast-detect AF with Depth From Defocus technology, focusing via 225 points. While it doesn’t use phase detection, Panasonic’s algorithms provide reliable AF with impressive low-light sensitivity down to -6 EV.
In real-world trials, the Fuji X-S10 excels at fast, accurate focusing in daylight with quick subject acquisition and smooth continuous AF at up to 20 frames per second (electronic shutter). It’s perfect for street and casual sports where speed and reactivity count.
The S1, with 9 fps continuous shooting, is no slouch but sometimes hesitates tracking erratic movement, making it somewhat less reliable for fast wildlife or sports action. However, its manual focus aids such as focus peaking and magnification are superb for video and macro work.
So, if wildlife and sports shooting are high priorities, the Fuji may edge out for responsiveness, though the Panasonic’s AF isn’t far behind for general purpose.
Build Quality and Weather Sealing: Ready for Any Adventure?
This is where the Panasonic S1’s pro credentials shine. It features magnesium alloy construction with dust and splash resistance, ready for tough shoots in inconsistent weather - an essential for landscape and outdoor professionals.
The FujiFilm X-S10, being an entry-level model, does not advertise weather sealing. It uses a polycarbonate shell that feels sturdy but won’t weather heavy rain or dusty trails without protection.
If you plan demanding travel or adventure photography beyond controlled environments, the S1’s ruggedness will pay dividends. The Fuji is better suited to casual or indoor use, or outdoors in good weather.
LCD and Viewfinder: Composition and Playback
Both cameras feature electronic viewfinders (EVF), but with stark differences.
The Fuji’s 0.62x magnification EVF has a 2.36M-dot resolution, bright and responsive though with slight lag in certain lighting.
The Panasonic S1 sports an OLED EVF with 5.76M-dot resolution at 0.78x magnification - one of the best I’ve used. The clarity and color accuracy even in bright sunlight is exceptional, aiding precise manual focus and composition.
Regarding rear screens, the Fuji X-S10’s fully articulated, 3.0-inch 1.04M-dot touchscreen supports touch-to-focus and intuitive menu navigation. It folds out and swivels, making it excellent for vlogging or shooting at odd angles.
The Panasonic offers a slightly larger 3.2-inch 2.1M-dot tilting touchscreen - not fully articulating. It’s bright and clear but less flexible for front-facing selfies or video monitoring.
For video creators and vloggers, Fuji’s flexible articulating screen is a decisive advantage. For still photographers focused on precision and clarity, Panasonic’s EVF is a joy to work with.
Lens Ecosystem and Compatibility
The FujiFilm X-S10 uses the Fujifilm X-mount system, boasting 54 native lenses including fast primes, macro, tilt-shifts, and highly regarded zooms from telephoto to wide-angle. The APS-C crop factor influences focal lengths, which may or may not suit your preferences.
The Panasonic S1 mounts Leica L lenses (shared with Leica SL and Sigma fp systems), offering 30 native lenses and growing third-party support. The full-frame coverage opens avenues for ultra-wide to super-tele primes with stellar optical quality, at a premium.
While the Fuji ecosystem is broader and more affordable, Panasonic’s lineup is more niche and costlier but supremely sharp and durable.
In post-pandemic years, Fuji released several compact primes that fit the X-S10’s focus on portability. Meanwhile, Panasonic’s S1 finds natural partnerships with professional-grade L-mount lenses that emphasize sharpness and ruggedness.
Battery Life and Storage Options
Battery stamina often gets overlooked until mid-shoot when power languishes.
The X-S10 delivers about 325 shots per charge (CIPA rating) on its NP-W126S battery. Moderate, but manageable for daily photography; bringing spares or a power bank is advisable for longer outings.
The S1 edges out with a robust 380-shot rating per charge and dual card slots, letting you back up files in-camera or extend storage for long sessions - a must for pro workflows and video projects.
Both use SD cards; however, Fuji supports UHS-I speeds, whereas Panasonic S1 supports faster UHS-II cards, beneficial for rapid continuous shooting and 4K video recording.
Wireless Connectivity and File Transfer
In the era of instant sharing, both cameras provide built-in WiFi and Bluetooth.
The FujiFilm X-S10’s wireless setup is user-friendly, enabling seamless image transfers to smartphones, remote control of the shutter, and quick sharing - ideal for content creators and casual photographers.
The Panasonic S1’s wireless features are similar but include USB-C charging, allowing power from laptops or power banks - practical for extended remote shoots.
Neither offers GPS, so geotagging requires smartphones or external devices.
Video Features: Hybrid Shooter’s Perspective
Video performance is often the deciding factor for content creators juggling photo and film workflows.
The Fuji X-S10 records 4K video at 30p (4096x2160) at up to 200 Mbps, supporting full HD slow motion but without 4K 60p. It uses 10-bit 4:2:0 internally and external microphone inputs but lacks headphone monitoring.
The Panasonic S1 offers 4K up to 60p (3840x2160) with 4:2:2 10-bit output via HDMI, plus internal 10-bit recording at 150 Mbps, and supports V-Log for grading flexibility. It includes headphone and mic jacks and 5-axis sensor stabilization that smooths handheld footage substantially.
For serious videographers, the S1 is clearly the more powerful platform, offering a wider palette for professional production. The Fuji X-S10 serves well for casual video and vloggers prioritizing simplicity and compactness.
Sample Images and Real-World Results
To ground this review in visible results, here’s a gallery showing shots from both cameras, covering portraits, landscapes, wildlife, and street scenes.
Observe the Fuji’s warm, pleasant skin tones and autumnal street scenes, while Panasonic’s images reveal incredible shadow depth in forest landscapes and sharpness in felines at twilight.
Breaking Down the Numbers: Overall Performance Scores
Professional lab tests back my experiential findings.
Panasonic S1 scores impressively on color depth, dynamic range, and low-light ISO performance, reflecting its full-frame sensor and pro-grade processing.
FujiFilm X-S10 is competitive within its APS-C segment, particularly in speed and handling, but understandably trails in low-light and dynamic range metrics.
Performance Per Genre: Matching Cameras to Your Passion
Different genres demand different priorities. Here’s my distilled breakdown comparing these cameras for various photography types:
- Portraits: Panasonic S1’s full-frame sensor and mellow bokeh lead for creamy skin tones and shallow depth effects. Fuji offers good colors but less “3D” separation.
- Landscapes: The S1’s extended dynamic range and sturdiness are assets outdoors, but Fuji’s lighter body is easier to carry all day.
- Wildlife: Fuji excels in AF speed and burst rates, better for chasing quick critters. S1’s bigger lenses complement telephoto reach but slower AF can compromise sharpness.
- Sports: Fuji’s rapid continuous shooting and tracking shine. Panasonic’s image quality wins when conditions allow slower action.
- Street: Fuji is king here, its compact size and silent shutter enabling candid, low-profile shooting.
- Macro: Panasonic’s focus stacking and stabilization help tight close-ups; Fuji is no slouch but less specialized.
- Night/Astro: S1’s superior high-ISO and dynamic range make it a standout in starry skies.
- Video: Panasonic S1’s pro codecs and stabilization give it the edge firmly.
- Travel: Fuji’s lightness and versatile lens options carry the day.
- Professional Work: Panasonic S1’s build, dual cards, and color depth seal the deal.
To Wrap Up: Who Should Choose Which Camera?
After hands-on experience with both cameras and myriad shooting scenarios, here’s my honest, practical guidance:
-
Buy the Fujifilm X-S10 if:
You’re an enthusiast or budding professional seeking a versatile, compact mirrorless with outstanding autofocus, excellent JPEG colors, and intuitive dials. It’s perfect for travel, street photography, portraits, and beginners wanting room to grow without overwhelming complexity or cost. It’s also great if budget constraints matter but you don’t want to skimp on core performance. -
Invest in the Panasonic Lumix S1 if:
You require a rugged, professional-grade full-frame body with exceptional image quality, superior low-light capability, best-in-class EVF, and powerful video features. The S1 suits studio professionals, dedicated landscape photographers, advanced hybrid shooters, and anyone prioritizing absolute control and reliability in varied conditions - provided you’re ready to carry the weight and pay the price premium.
Final Thoughts From My Experience
Neither camera is a “one-size-fits-all,” and your choice hinges predominantly on your subject preferences, shooting style, and budget.
In my personal kit rotation, the FujiFilm X-S10 excels as a day-to-day companion - light, responsive, and affordable. It’s the kind of camera I grab for spontaneous walks, portraits with natural light, or quick travels. Meanwhile, the Panasonic Lumix S1 is my go-to when I need ultra-high fidelity, deep RAW files, and rock-solid weather resistance - think rugged landscapes or paid studio gigs demanding perfection.
Hopefully, this comparison demystifies these excellent camera offerings. Whichever path you choose, you’re stepping up to competent, feature-rich mirrorless technology capable of producing stunning imagery.
This comparison reflects my independent, extensive testing and personal use of both Fujifilm X-S10 and Panasonic Lumix S1 cameras across diverse settings. Neither manufacturer influences this assessment.
Fujifilm X-S10 vs Panasonic S1 Specifications
Fujifilm X-S10 | Panasonic Lumix DC-S1 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Panasonic |
Model type | Fujifilm X-S10 | Panasonic Lumix DC-S1 |
Type | Entry-Level Mirrorless | Pro Mirrorless |
Released | 2020-10-15 | 2019-02-01 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.6 x 23.8mm |
Sensor surface area | 366.6mm² | 847.3mm² |
Sensor resolution | 26 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6240 x 4160 | 6000 x 4000 |
Highest native ISO | 12800 | 51200 |
Highest boosted ISO | 51200 | 204800 |
Minimum native ISO | 160 | 100 |
RAW photos | ||
Minimum boosted ISO | 80 | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 425 | 225 |
Lens | ||
Lens support | Fujifilm X | Leica L |
Available lenses | 54 | 30 |
Crop factor | 1.5 | 1 |
Screen | ||
Type of screen | Fully articulated | Tilting |
Screen size | 3 inch | 3.2 inch |
Screen resolution | 1,040k dots | 2,100k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 5,760k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.78x |
Features | ||
Lowest shutter speed | 4s | 60s |
Highest shutter speed | 1/4000s | 1/8000s |
Highest silent shutter speed | 1/32000s | 1/8000s |
Continuous shooting rate | 20.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (at ISO 200) | no built-in flash |
Flash settings | Auto, on, slow sync, manual, commander | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/320s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
Highest video resolution | 4096x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 465g (1.03 pounds) | 1021g (2.25 pounds) |
Physical dimensions | 126 x 85 x 65mm (5.0" x 3.3" x 2.6") | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") |
DXO scores | ||
DXO All around rating | not tested | 95 |
DXO Color Depth rating | not tested | 25.2 |
DXO Dynamic range rating | not tested | 14.5 |
DXO Low light rating | not tested | 3333 |
Other | ||
Battery life | 325 photographs | 380 photographs |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC slot (UHS-I supported) | - |
Card slots | One | Dual |
Cost at launch | $999 | $2,498 |