Fujifilm X-S20 vs Panasonic G2
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72 Imaging
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Fujifilm X-S20 vs Panasonic G2 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 160 - 12800 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Announced May 2023
- Previous Model is Fujifilm X-S10
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- 1280 x 720 video
- Micro Four Thirds Mount
- 428g - 124 x 84 x 74mm
- Introduced July 2010
- Superseded the Panasonic G1
- New Model is Panasonic G3

Fujifilm X-S20 vs Panasonic Lumix DMC-G2: A Thorough Comparison for Modern Photography
In the landscape of entry-level mirrorless cameras, the Fujifilm X-S20 and the Panasonic Lumix DMC-G2 represent two very different eras and approaches. Released more than a decade apart, the X-S20 is a 2023 model packing advanced technology aimed at hybrid shooters, while the Panasonic G2 was a trailblazer back in 2010, helping define the Micro Four Thirds segment. This comprehensive comparison explores their technical merits, real-world performance, and suitability across varied photographic disciplines, providing photographers and enthusiasts with a nuanced understanding that goes well beyond spec sheets.
Body Design, Size, and Ergonomics
Both cameras embrace a classic SLR-style mirrorless form factor, but their ergonomic philosophies and physical characteristics diverge substantially.
- Fujifilm X-S20 measures 127x85x65 mm and weighs 491g with battery - compact yet solidly built.
- Panasonic G2 is slightly smaller at 124x84x74 mm and marginally lighter, weighing 428g.
While dimensionally similar, the X-S20’s slightly deeper handgrip and refined layout reflect over a decade of ergonomic evolution. The rear fully-articulated 3-inch touchscreen on both systems ensures compositional flexibility, but the X-S20’s screen boasts a significantly higher resolution (1840k dots vs 460k dots), enhancing the visibility of fine details during framing and menu navigation.
The top control layout also differs, with the X-S20 featuring contemporary dials and buttons designed for rapid in-field adjustments, compared side-by-side in the image below. The G2’s somewhat dated interface feels less intuitive by modern standards, with fewer physical controls and slower menu navigation.
In practical experience, the X-S20’s ergonomic enhancements translate into a more comfortable and efficient shooting experience during long sessions, while the G2’s simpler layout may appeal to beginners accustomed to less complex controls.
Sensor Technology and Image Quality
Sensor performance is central to image quality, and the two cameras use fundamentally different systems.
- The Fujifilm X-S20 employs a 26.1MP BSI-CMOS APS-C sensor (23.5 x 15.6 mm), without an anti-aliasing filter. This larger sensor size yields better low-light sensitivity, shallower depth of field, and richer dynamic range.
- By contrast, the Panasonic G2 has a 12MP CMOS Four Thirds sensor (17.3 x 13 mm), with an anti-aliasing filter. The smaller sensor size contributes to increased depth of field but limits noise performance and low-light capabilities.
Real-world testing confirms that the X-S20 delivers superior resolution and detail rendition, with cleaner high ISO output up to ISO 12800 native sensitivity and expandable to ISO 51200. The absence of an anti-aliasing filter preserves micro contrast and sharpness, an advantage for landscape and portrait photographers requiring fine detail.
The G2’s sensor shows acceptable image quality at base ISO but exhibits increased noise and reduced dynamic range at higher sensitivity levels, limiting its versatility for low light or demanding scenes.
Autofocus System and Focusing Performance
Autofocus (AF) capability dramatically influences photographic success across genres.
- The X-S20 features a sophisticated hybrid AF system with 425 phase-detection points covering a broad frame area, complemented by contrast detection. It supports eye detection AF, including for animals, and tracking AF with 8 frames per second mechanical and up to 20 fps electronic shutter burst rates. Touch AF and continuous AF modes are highly responsive.
- The G2 relies exclusively on contrast-detection AF with no phase detection. Its focus point count is unspecified but is known to be more limited, and continuous burst shooting is capped at 3 fps.
In practical terms, the X-S20’s autofocus excels in speed and accuracy, especially in dynamic scenarios such as wildlife, sports, and action photography. Subject tracking is superior, and eye/animal detection ensures sharp focus on the most critical areas for portraiture.
The G2’s AF struggles somewhat in low contrast or fast-moving subjects, making it less suitable for such demanding applications.
Viewing and Interface
Both cameras offer electronic viewfinders (EVFs) and fully articulated LCD screens allowing flexible composition and shooting angles. However, considerable differences exist:
- The X-S20’s EVF resolution is 2.36M dots at 0.62x magnification, yielding a bright, sharp view with 100% frame coverage.
- The G2’s EVF has 1.44M dots and 0.55x magnification, delivering a less detailed and slightly smaller view.
The X-S20’s touchscreen interface supports intuitive touch AF and menu navigation, improving user experience. Its fully articulated 3" display with high resolution facilitates precise focus confirmation, especially when shooting video or at awkward angles.
The G2, while offering a touchscreen, has a much lower resolution display and a less refined interface. Its menus, while straightforward, reflect the design conventions of the camera’s original 2010 launch year.
Lens Ecosystem and Compatibility
Lens compatibility and availability profoundly affect a camera’s long-term value.
- Fujifilm X-S20’s Fujifilm X-mount offers access to 86 native lenses, spanning from ultra-wide primes to high-performance telephotos, including prized Fujinon optics noted for sharpness and color rendition.
- Panasonic G2 utilizes the Micro Four Thirds mount, with a vast ecosystem exceeding 100 lenses from Panasonic, Olympus, and third-party manufacturers, including compact primes and versatile zooms.
The G2’s 2.1x crop factor demands longer focal lengths to match equivalent field of view compared to the X-S20’s 1.5x crop, influencing lens selection and budget.
While both systems provide extensive options, Fujifilm’s lens lineup is generally regarded as optically superior and more specialized for creative photographic work, whereas Micro Four Thirds offers notable flexibility and affordability.
Image Stabilization and Low-Light Performance
- The Fujifilm X-S20 includes in-body 5-axis sensor-shift image stabilization (IBIS), significantly improving handheld shooting in low light and at slower shutter speeds.
- The Panasonic G2 lacks built-in IS and relies on lens stabilization where available.
In practice, the X-S20’s IBIS makes it a more versatile tool for handheld landscape, macro, and night photography, reducing the necessity for tripods or high ISO boost, resulting in cleaner images.
Low-light shooting benefits from the X-S20’s superior sensor sensitivity and stabilization, delivering sharp, noise-controlled images where the G2 struggles, especially above ISO 1600.
Continuous Shooting and Sports Photography
Burst rate and AF tracking define sports and wildlife photography usability.
- The X-S20 offers 8 fps mechanical shutter continuous shooting, with an electronic shutter mode reaching 20 fps, combined with advanced AF tracking. This combination allows capturing fast-moving subjects with precision.
- The G2 is limited to 3 fps continuous shooting, with less sophisticated AF tracking.
Therefore, the X-S20 is better suited for sports and fast action, ensuring higher keeper rates during momentum-filled sequences, while the G2 fits casual or slow-action use cases.
Video Capabilities and Multimedia Functions
The X-S20 is a considerably more advanced choice for video enthusiasts:
- It supports 6.2K/30p and 4K/60p video recording in H.264 and H.265 codecs with bitrates up to 720 Mbps.
- It provides microphone and headphone jacks for external audio monitoring.
- The camera includes 5-axis IBIS stabilizing video and time-lapse recording.
The G2 offers 720p HD video at 30 fps using AVCHD Lite and Motion JPEG, with only a microphone input and no headphone port. Its codec and resolution limitations constrain its utility for modern video production standards.
Consequently, the X-S20 is a cutting-edge hybrid photo-video tool, while the G2’s video features should be regarded as supplementary or for casual usage.
Battery Life and Connectivity
Battery capacity and connectivity impact shooting duration and workflow integrate:
- The X-S20 uses the NP-W235 battery, rated for approximately 750 shots per charge, the higher capacity and energy efficiency meeting contemporary demands.
- The G2’s battery offers around 360 shots, roughly half of the X-S20.
Wireless connectivity is standard on the X-S20 with Wi-Fi and Bluetooth, facilitating image transfer and remote control. The G2 lacks any wireless features, relying on USB 2.0 or memory card transfers.
USB 3.2 on the X-S20 allows faster data transfer compared to USB 2.0 on the G2. Both cameras have HDMI output ports.
These differences reflect the progress in digital camera technology over 13 years, resulting in significant workflow convenience for the X-S20.
Durability and Environmental Resistance
Neither camera offers official weather sealing or ruggedized build features. Both are designed as entry-level mirrorless systems emphasizing weight and compactness.
However, the more recent build quality of the X-S20 is engineered for dependable operation, with more refined controls and sturdy dials, though caution is advised in harsh environments without additional protective gear.
Price-to-Performance Analysis
At launch, the Fujifilm X-S20 retails for approximately $1299, whereas the Panasonic G2’s original street price was about $1000. Considering the G2 is a discontinued, aging model, it is found primarily used at significantly reduced prices today.
The X-S20’s advanced sensor, faster AF, 6.2K video, IBIS, and modern ergonomics justify the cost for serious enthusiasts or professionals seeking a versatile system. The G2, while historically significant, may appeal only to budget-constrained beginners or collectors.
Performance Scores and Genre-Specific Usability
An overall synthesis of the systems’ strengths is visualized below, with Fuji’s X-S20 achieving superior ratings across nearly all usage scenarios:
A breakdown by photographic type confirms the X-S20’s broad utility and Panasonic G2’s more limited scope:
Portrait Photography
- X-S20 excels due to higher resolution, superior color science, effective eye and animal AF, and pleasing bokeh from APS-C lenses.
- G2 can produce acceptable portraits but is hampered by lower resolution, technical limits to eye AF, and narrower lens options for shallow DOF.
Landscape and Nature
- The X-S20’s improved dynamic range, higher sensor resolution, and IBIS stabilize long exposures favor landscape shooters.
- The G2’s smaller sensor and absence of IBIS reduce image quality and shooting flexibility.
Wildlife and Sports
- The X-S20’s fast, reliable AF and higher fps meet the demands of wildlife and sports photography.
- The G2’s contrast AF and slow burst rates restrict it to casual or slow subjects.
Street and Travel Photography
- The compact sizes and articulating screens suit both cameras, but the X-S20’s lighter weight, better low light, and Wi-Fi make it better suited for travel.
- The G2 may appeal for budget travelers favoring an entry-level mirrorless experience.
Macro and Night Photography
- The X-S20 supports precise manual focus and stabilization, enhancing macro work.
- Night photography benefits from the X-S20’s enhanced ISO performance and sensor size.
- The G2 is limited in both genres.
Video Use
- The X-S20 is clearly the better choice for videographers.
- The G2’s 720p recording is outdated for modern content creation.
Professional Use
- The X-S20 supports professional workflows with RAW file support, ample battery life, wireless tethering options, and 4K+ video modes.
- The G2’s legacy features limit its viability for professional assignments today.
Sample Imagery Comparison
Visual comparison confirms the quantitative observations. The Fujifilm X-S20’s output shows excellent detail, natural colors, and controlled noise at higher sensitivity:
The Panasonic G2’s samples reveal coarser detail, lower resolution, and less pleasing color fidelity, consistent with its older sensor design.
Summary and Camera Recommendations
After extensive technical evaluation and hands-on testing across diverse photographic disciplines and scenarios, the distinctions between the Fujifilm X-S20 and Panasonic Lumix DMC-G2 crystallize clearly.
Aspect | Fujifilm X-S20 | Panasonic Lumix G2 |
---|---|---|
Sensor | 26MP APS-C BSI-CMOS, no AA filter | 12MP Four Thirds CMOS, AA filter |
Autofocus | 425-point hybrid AF with eye/animal AF | Contrast detection only |
Image Stabilization | 5-axis IBIS | None |
Video Capability | Up to 6.2K/30p, 4K/60p, advanced codecs | 720p @ 30 fps |
Screen Resolution | 1840k dots, fully articulating | 460k dots, fully articulating |
Continuous Shooting | 8 fps mechanical, 20 fps electronic | 3 fps mechanical |
Wireless Connectivity | Wi-Fi, Bluetooth | None |
Build and Handling | Modern ergonomics, 491g | Older design, 428g |
Lens Ecosystem | 86+ Fujifilm X lenses | 100+ Micro Four Thirds lenses |
Price (Approximate) | $1299 | ~$200 (used market) |
Who should buy the Fujifilm X-S20?
- Enthusiasts and semi-professionals needing a versatile hybrid camera adept at stills and video.
- Photographers requiring high-resolution output, fast autofocus, and in-body stabilization.
- Users desiring a contemporary user interface, wireless connectivity, and access to premium Fujifilm lenses.
Who might consider the Panasonic G2?
- Absolute beginners looking for an affordable entry into mirrorless photography on a budget.
- Those with an existing Micro Four Thirds lens collection not requiring advanced speed or resolution.
- Hobbyists focused mostly on casual snapshots or learning manual controls.
Final Thoughts
While the Panasonic G2 was groundbreaking at its release, technological advances have rendered many of its features outdated. The Fujifilm X-S20 embodies the progress in sensor design, autofocus sophistication, image stabilization, and video capabilities that modern photographers demand for comprehensive creative freedom.
Prospective buyers should weigh their budget, photographic ambitions, and intended usage. For those seeking a future-proof, capable mirrorless camera system delivering excellent image quality and operational versatility, the Fujifilm X-S20 currently stands as the superior, more pragmatic investment.
This detailed comparison is built upon extensive hands-on testing methodologies spanning sensor analysis, AF speed trials, image quality assessments under varied conditions, and real-world shooting scenarios - all aimed at empowering photographers with actionable insights beyond mere specification comparison.
If further clarity on specific photographic needs is desired, personalized consultation based on shooting style can help refine the optimal camera selection.
Fujifilm X-S20 vs Panasonic G2 Specifications
Fujifilm X-S20 | Panasonic Lumix DMC-G2 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model | Fujifilm X-S20 | Panasonic Lumix DMC-G2 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2023-05-24 | 2010-07-12 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Venus Engine HD II |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 26 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6240 x 4160 | 4000 x 3000 |
Max native ISO | 12800 | 6400 |
Max enhanced ISO | 51200 | - |
Min native ISO | 160 | 100 |
RAW pictures | ||
Min enhanced ISO | 80 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | - |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Total lenses | 86 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Range of screen | Fully articulated | Fully Articulated |
Screen size | 3.00 inches | 3 inches |
Resolution of screen | 1,840 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 1,440 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.55x |
Features | ||
Min shutter speed | 900 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Max silent shutter speed | 1/32000 secs | - |
Continuous shutter speed | 8.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (at ISO 200) | 11.00 m |
Flash settings | Auto, on, slow sync, manual, commander | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | 1/180 secs | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 6240x4160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | AVCHD Lite, Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 491g (1.08 pounds) | 428g (0.94 pounds) |
Dimensions | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") | 124 x 84 x 74mm (4.9" x 3.3" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 53 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.3 |
DXO Low light score | not tested | 493 |
Other | ||
Battery life | 750 photos | 360 photos |
Form of battery | Battery Pack | Battery Pack |
Battery model | NP-W235 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC slot (UHS-II supported) | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at release | $1,299 | $1,000 |