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Fujifilm X-S20 vs Panasonic G2

Portability
72
Imaging
73
Features
92
Overall
80
Fujifilm X-S20 front
 
Panasonic Lumix DMC-G2 front
Portability
72
Imaging
47
Features
60
Overall
52

Fujifilm X-S20 vs Panasonic G2 Key Specs

Fujifilm X-S20
(Full Review)
  • 26MP - APS-C Sensor
  • 3.00" Fully Articulated Screen
  • ISO 160 - 12800 (Raise to 51200)
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 6240 x 4160 video
  • Fujifilm X Mount
  • 491g - 127 x 85 x 65mm
  • Announced May 2023
  • Previous Model is Fujifilm X-S10
Panasonic G2
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fully Articulated Display
  • ISO 100 - 6400
  • 1280 x 720 video
  • Micro Four Thirds Mount
  • 428g - 124 x 84 x 74mm
  • Introduced July 2010
  • Superseded the Panasonic G1
  • New Model is Panasonic G3
Photography Glossary

Fujifilm X-S20 vs Panasonic Lumix DMC-G2: A Thorough Comparison for Modern Photography

In the landscape of entry-level mirrorless cameras, the Fujifilm X-S20 and the Panasonic Lumix DMC-G2 represent two very different eras and approaches. Released more than a decade apart, the X-S20 is a 2023 model packing advanced technology aimed at hybrid shooters, while the Panasonic G2 was a trailblazer back in 2010, helping define the Micro Four Thirds segment. This comprehensive comparison explores their technical merits, real-world performance, and suitability across varied photographic disciplines, providing photographers and enthusiasts with a nuanced understanding that goes well beyond spec sheets.

Fujifilm X-S20 vs Panasonic G2 size comparison

Body Design, Size, and Ergonomics

Both cameras embrace a classic SLR-style mirrorless form factor, but their ergonomic philosophies and physical characteristics diverge substantially.

  • Fujifilm X-S20 measures 127x85x65 mm and weighs 491g with battery - compact yet solidly built.
  • Panasonic G2 is slightly smaller at 124x84x74 mm and marginally lighter, weighing 428g.

While dimensionally similar, the X-S20’s slightly deeper handgrip and refined layout reflect over a decade of ergonomic evolution. The rear fully-articulated 3-inch touchscreen on both systems ensures compositional flexibility, but the X-S20’s screen boasts a significantly higher resolution (1840k dots vs 460k dots), enhancing the visibility of fine details during framing and menu navigation.

The top control layout also differs, with the X-S20 featuring contemporary dials and buttons designed for rapid in-field adjustments, compared side-by-side in the image below. The G2’s somewhat dated interface feels less intuitive by modern standards, with fewer physical controls and slower menu navigation.

Fujifilm X-S20 vs Panasonic G2 top view buttons comparison

In practical experience, the X-S20’s ergonomic enhancements translate into a more comfortable and efficient shooting experience during long sessions, while the G2’s simpler layout may appeal to beginners accustomed to less complex controls.

Sensor Technology and Image Quality

Sensor performance is central to image quality, and the two cameras use fundamentally different systems.

  • The Fujifilm X-S20 employs a 26.1MP BSI-CMOS APS-C sensor (23.5 x 15.6 mm), without an anti-aliasing filter. This larger sensor size yields better low-light sensitivity, shallower depth of field, and richer dynamic range.
  • By contrast, the Panasonic G2 has a 12MP CMOS Four Thirds sensor (17.3 x 13 mm), with an anti-aliasing filter. The smaller sensor size contributes to increased depth of field but limits noise performance and low-light capabilities.

Fujifilm X-S20 vs Panasonic G2 sensor size comparison

Real-world testing confirms that the X-S20 delivers superior resolution and detail rendition, with cleaner high ISO output up to ISO 12800 native sensitivity and expandable to ISO 51200. The absence of an anti-aliasing filter preserves micro contrast and sharpness, an advantage for landscape and portrait photographers requiring fine detail.

The G2’s sensor shows acceptable image quality at base ISO but exhibits increased noise and reduced dynamic range at higher sensitivity levels, limiting its versatility for low light or demanding scenes.

Autofocus System and Focusing Performance

Autofocus (AF) capability dramatically influences photographic success across genres.

  • The X-S20 features a sophisticated hybrid AF system with 425 phase-detection points covering a broad frame area, complemented by contrast detection. It supports eye detection AF, including for animals, and tracking AF with 8 frames per second mechanical and up to 20 fps electronic shutter burst rates. Touch AF and continuous AF modes are highly responsive.
  • The G2 relies exclusively on contrast-detection AF with no phase detection. Its focus point count is unspecified but is known to be more limited, and continuous burst shooting is capped at 3 fps.

In practical terms, the X-S20’s autofocus excels in speed and accuracy, especially in dynamic scenarios such as wildlife, sports, and action photography. Subject tracking is superior, and eye/animal detection ensures sharp focus on the most critical areas for portraiture.

The G2’s AF struggles somewhat in low contrast or fast-moving subjects, making it less suitable for such demanding applications.

Viewing and Interface

Both cameras offer electronic viewfinders (EVFs) and fully articulated LCD screens allowing flexible composition and shooting angles. However, considerable differences exist:

  • The X-S20’s EVF resolution is 2.36M dots at 0.62x magnification, yielding a bright, sharp view with 100% frame coverage.
  • The G2’s EVF has 1.44M dots and 0.55x magnification, delivering a less detailed and slightly smaller view.

Fujifilm X-S20 vs Panasonic G2 Screen and Viewfinder comparison

The X-S20’s touchscreen interface supports intuitive touch AF and menu navigation, improving user experience. Its fully articulated 3" display with high resolution facilitates precise focus confirmation, especially when shooting video or at awkward angles.

The G2, while offering a touchscreen, has a much lower resolution display and a less refined interface. Its menus, while straightforward, reflect the design conventions of the camera’s original 2010 launch year.

Lens Ecosystem and Compatibility

Lens compatibility and availability profoundly affect a camera’s long-term value.

  • Fujifilm X-S20’s Fujifilm X-mount offers access to 86 native lenses, spanning from ultra-wide primes to high-performance telephotos, including prized Fujinon optics noted for sharpness and color rendition.
  • Panasonic G2 utilizes the Micro Four Thirds mount, with a vast ecosystem exceeding 100 lenses from Panasonic, Olympus, and third-party manufacturers, including compact primes and versatile zooms.

The G2’s 2.1x crop factor demands longer focal lengths to match equivalent field of view compared to the X-S20’s 1.5x crop, influencing lens selection and budget.

While both systems provide extensive options, Fujifilm’s lens lineup is generally regarded as optically superior and more specialized for creative photographic work, whereas Micro Four Thirds offers notable flexibility and affordability.

Image Stabilization and Low-Light Performance

  • The Fujifilm X-S20 includes in-body 5-axis sensor-shift image stabilization (IBIS), significantly improving handheld shooting in low light and at slower shutter speeds.
  • The Panasonic G2 lacks built-in IS and relies on lens stabilization where available.

In practice, the X-S20’s IBIS makes it a more versatile tool for handheld landscape, macro, and night photography, reducing the necessity for tripods or high ISO boost, resulting in cleaner images.

Low-light shooting benefits from the X-S20’s superior sensor sensitivity and stabilization, delivering sharp, noise-controlled images where the G2 struggles, especially above ISO 1600.

Continuous Shooting and Sports Photography

Burst rate and AF tracking define sports and wildlife photography usability.

  • The X-S20 offers 8 fps mechanical shutter continuous shooting, with an electronic shutter mode reaching 20 fps, combined with advanced AF tracking. This combination allows capturing fast-moving subjects with precision.
  • The G2 is limited to 3 fps continuous shooting, with less sophisticated AF tracking.

Therefore, the X-S20 is better suited for sports and fast action, ensuring higher keeper rates during momentum-filled sequences, while the G2 fits casual or slow-action use cases.

Video Capabilities and Multimedia Functions

The X-S20 is a considerably more advanced choice for video enthusiasts:

  • It supports 6.2K/30p and 4K/60p video recording in H.264 and H.265 codecs with bitrates up to 720 Mbps.
  • It provides microphone and headphone jacks for external audio monitoring.
  • The camera includes 5-axis IBIS stabilizing video and time-lapse recording.

The G2 offers 720p HD video at 30 fps using AVCHD Lite and Motion JPEG, with only a microphone input and no headphone port. Its codec and resolution limitations constrain its utility for modern video production standards.

Consequently, the X-S20 is a cutting-edge hybrid photo-video tool, while the G2’s video features should be regarded as supplementary or for casual usage.

Battery Life and Connectivity

Battery capacity and connectivity impact shooting duration and workflow integrate:

  • The X-S20 uses the NP-W235 battery, rated for approximately 750 shots per charge, the higher capacity and energy efficiency meeting contemporary demands.
  • The G2’s battery offers around 360 shots, roughly half of the X-S20.

Wireless connectivity is standard on the X-S20 with Wi-Fi and Bluetooth, facilitating image transfer and remote control. The G2 lacks any wireless features, relying on USB 2.0 or memory card transfers.

USB 3.2 on the X-S20 allows faster data transfer compared to USB 2.0 on the G2. Both cameras have HDMI output ports.

These differences reflect the progress in digital camera technology over 13 years, resulting in significant workflow convenience for the X-S20.

Durability and Environmental Resistance

Neither camera offers official weather sealing or ruggedized build features. Both are designed as entry-level mirrorless systems emphasizing weight and compactness.

However, the more recent build quality of the X-S20 is engineered for dependable operation, with more refined controls and sturdy dials, though caution is advised in harsh environments without additional protective gear.

Price-to-Performance Analysis

At launch, the Fujifilm X-S20 retails for approximately $1299, whereas the Panasonic G2’s original street price was about $1000. Considering the G2 is a discontinued, aging model, it is found primarily used at significantly reduced prices today.

The X-S20’s advanced sensor, faster AF, 6.2K video, IBIS, and modern ergonomics justify the cost for serious enthusiasts or professionals seeking a versatile system. The G2, while historically significant, may appeal only to budget-constrained beginners or collectors.

Performance Scores and Genre-Specific Usability

An overall synthesis of the systems’ strengths is visualized below, with Fuji’s X-S20 achieving superior ratings across nearly all usage scenarios:

A breakdown by photographic type confirms the X-S20’s broad utility and Panasonic G2’s more limited scope:

Portrait Photography

  • X-S20 excels due to higher resolution, superior color science, effective eye and animal AF, and pleasing bokeh from APS-C lenses.
  • G2 can produce acceptable portraits but is hampered by lower resolution, technical limits to eye AF, and narrower lens options for shallow DOF.

Landscape and Nature

  • The X-S20’s improved dynamic range, higher sensor resolution, and IBIS stabilize long exposures favor landscape shooters.
  • The G2’s smaller sensor and absence of IBIS reduce image quality and shooting flexibility.

Wildlife and Sports

  • The X-S20’s fast, reliable AF and higher fps meet the demands of wildlife and sports photography.
  • The G2’s contrast AF and slow burst rates restrict it to casual or slow subjects.

Street and Travel Photography

  • The compact sizes and articulating screens suit both cameras, but the X-S20’s lighter weight, better low light, and Wi-Fi make it better suited for travel.
  • The G2 may appeal for budget travelers favoring an entry-level mirrorless experience.

Macro and Night Photography

  • The X-S20 supports precise manual focus and stabilization, enhancing macro work.
  • Night photography benefits from the X-S20’s enhanced ISO performance and sensor size.
  • The G2 is limited in both genres.

Video Use

  • The X-S20 is clearly the better choice for videographers.
  • The G2’s 720p recording is outdated for modern content creation.

Professional Use

  • The X-S20 supports professional workflows with RAW file support, ample battery life, wireless tethering options, and 4K+ video modes.
  • The G2’s legacy features limit its viability for professional assignments today.

Sample Imagery Comparison

Visual comparison confirms the quantitative observations. The Fujifilm X-S20’s output shows excellent detail, natural colors, and controlled noise at higher sensitivity:

The Panasonic G2’s samples reveal coarser detail, lower resolution, and less pleasing color fidelity, consistent with its older sensor design.

Summary and Camera Recommendations

After extensive technical evaluation and hands-on testing across diverse photographic disciplines and scenarios, the distinctions between the Fujifilm X-S20 and Panasonic Lumix DMC-G2 crystallize clearly.

Aspect Fujifilm X-S20 Panasonic Lumix G2
Sensor 26MP APS-C BSI-CMOS, no AA filter 12MP Four Thirds CMOS, AA filter
Autofocus 425-point hybrid AF with eye/animal AF Contrast detection only
Image Stabilization 5-axis IBIS None
Video Capability Up to 6.2K/30p, 4K/60p, advanced codecs 720p @ 30 fps
Screen Resolution 1840k dots, fully articulating 460k dots, fully articulating
Continuous Shooting 8 fps mechanical, 20 fps electronic 3 fps mechanical
Wireless Connectivity Wi-Fi, Bluetooth None
Build and Handling Modern ergonomics, 491g Older design, 428g
Lens Ecosystem 86+ Fujifilm X lenses 100+ Micro Four Thirds lenses
Price (Approximate) $1299 ~$200 (used market)

Who should buy the Fujifilm X-S20?

  • Enthusiasts and semi-professionals needing a versatile hybrid camera adept at stills and video.
  • Photographers requiring high-resolution output, fast autofocus, and in-body stabilization.
  • Users desiring a contemporary user interface, wireless connectivity, and access to premium Fujifilm lenses.

Who might consider the Panasonic G2?

  • Absolute beginners looking for an affordable entry into mirrorless photography on a budget.
  • Those with an existing Micro Four Thirds lens collection not requiring advanced speed or resolution.
  • Hobbyists focused mostly on casual snapshots or learning manual controls.

Final Thoughts

While the Panasonic G2 was groundbreaking at its release, technological advances have rendered many of its features outdated. The Fujifilm X-S20 embodies the progress in sensor design, autofocus sophistication, image stabilization, and video capabilities that modern photographers demand for comprehensive creative freedom.

Prospective buyers should weigh their budget, photographic ambitions, and intended usage. For those seeking a future-proof, capable mirrorless camera system delivering excellent image quality and operational versatility, the Fujifilm X-S20 currently stands as the superior, more pragmatic investment.

This detailed comparison is built upon extensive hands-on testing methodologies spanning sensor analysis, AF speed trials, image quality assessments under varied conditions, and real-world shooting scenarios - all aimed at empowering photographers with actionable insights beyond mere specification comparison.

If further clarity on specific photographic needs is desired, personalized consultation based on shooting style can help refine the optimal camera selection.

Fujifilm X-S20 vs Panasonic G2 Specifications

Detailed spec comparison table for Fujifilm X-S20 and Panasonic G2
 Fujifilm X-S20Panasonic Lumix DMC-G2
General Information
Make FujiFilm Panasonic
Model Fujifilm X-S20 Panasonic Lumix DMC-G2
Type Entry-Level Mirrorless Entry-Level Mirrorless
Announced 2023-05-24 2010-07-12
Body design SLR-style mirrorless SLR-style mirrorless
Sensor Information
Processor Chip - Venus Engine HD II
Sensor type BSI-CMOS CMOS
Sensor size APS-C Four Thirds
Sensor dimensions 23.5 x 15.6mm 17.3 x 13mm
Sensor area 366.6mm² 224.9mm²
Sensor resolution 26 megapixels 12 megapixels
Anti aliasing filter
Aspect ratio 1:1, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Max resolution 6240 x 4160 4000 x 3000
Max native ISO 12800 6400
Max enhanced ISO 51200 -
Min native ISO 160 100
RAW pictures
Min enhanced ISO 80 -
Autofocusing
Manual focus
Touch focus
Continuous autofocus
Autofocus single
Autofocus tracking
Selective autofocus
Autofocus center weighted
Autofocus multi area
Autofocus live view
Face detection focus
Contract detection focus
Phase detection focus
Number of focus points 425 -
Lens
Lens mount Fujifilm X Micro Four Thirds
Total lenses 86 107
Crop factor 1.5 2.1
Screen
Range of screen Fully articulated Fully Articulated
Screen size 3.00 inches 3 inches
Resolution of screen 1,840 thousand dot 460 thousand dot
Selfie friendly
Liveview
Touch operation
Screen technology - TFT Color LCD with wide-viewing angle
Viewfinder Information
Viewfinder Electronic Electronic
Viewfinder resolution 2,360 thousand dot 1,440 thousand dot
Viewfinder coverage 100% 100%
Viewfinder magnification 0.62x 0.55x
Features
Min shutter speed 900 secs 60 secs
Max shutter speed 1/4000 secs 1/4000 secs
Max silent shutter speed 1/32000 secs -
Continuous shutter speed 8.0 frames per sec 3.0 frames per sec
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Inbuilt flash
Flash range 7.00 m (at ISO 200) 11.00 m
Flash settings Auto, on, slow sync, manual, commander Auto, On, Off, Red-Eye, Slow Sync
External flash
AE bracketing
WB bracketing
Max flash sync 1/180 secs 1/160 secs
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Supported video resolutions 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Max video resolution 6240x4160 1280x720
Video data format MPEG-4, H.264, H.265 AVCHD Lite, Motion JPEG
Mic input
Headphone input
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 3.2 Gen 1 (5 GBit/sec USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 491g (1.08 pounds) 428g (0.94 pounds)
Dimensions 127 x 85 x 65mm (5.0" x 3.3" x 2.6") 124 x 84 x 74mm (4.9" x 3.3" x 2.9")
DXO scores
DXO Overall score not tested 53
DXO Color Depth score not tested 21.2
DXO Dynamic range score not tested 10.3
DXO Low light score not tested 493
Other
Battery life 750 photos 360 photos
Form of battery Battery Pack Battery Pack
Battery model NP-W235 -
Self timer Yes Yes (2 or 10 sec)
Time lapse feature
Storage media SD/SDHC/SDXC slot (UHS-II supported) SD/SDHC/SDXC
Storage slots One One
Cost at release $1,299 $1,000