Fujifilm X-S20 vs Panasonic GF1
72 Imaging
73 Features
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85 Imaging
46 Features
47 Overall
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Fujifilm X-S20 vs Panasonic GF1 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 160 - 12800 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Launched May 2023
- Previous Model is Fujifilm X-S10
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Announced October 2009
- Newer Model is Panasonic GF2

Fujifilm X-S20 vs Panasonic Lumix GF1: A Tale of Two Entry-Level Mirrorless Titans
Stepping into the entry-level mirrorless camera market often means navigating a labyrinth of choices, each with distinct legacies and designs. Today, we're pitting the freshly announced Fujifilm X-S20 (2023) against the venerable Panasonic Lumix GF1 (2009). At first glance, it’s a head-scratcher: a modern APS-C powerhouse taking on a decade-old Micro Four Thirds trailblazer. But beneath this temporal clash lies a compelling comparison that underscores how camera tech has evolved - and what still matters to photographers.
I've handled thousands of cameras over 15 years, pushing them through both lab-style tests and demanding field shoots. Here, I’ll peel back the layers on these two to reveal which suits your style - whether you're a portrait purist, a landscape lover, a wildlife tracker, or a video storyteller. Buckle up, we’ve got a lot to cover.
First Impressions: Design and Handling - SLR-Styled Charm Meets Rangefinder Elegance
Starting with physical builds - the X-S20 adopts a classical SLR-style mirrorless body, sporting a robust, manly heft at 491 grams. The dimensions (127x85x65mm) suggest a camera comfortable to grip, especially with Fuji’s well-regarded handgrip design. Contrast this with the tiny and nimble Panasonic GF1, which is closer to a rangefinder-styled shooter, weighing only 385 grams and measuring a compact 119x71x36mm. The GF1 is noticeably slimmer, perfect for pocketability and street antics, but it lacks the heft you might prefer for stability or longer shoots.
The ergonomics favor the X-S20 for those who cherish a true camera grip and accessible dials. The GF1’s minimalist, button-sparse layout might appeal to those who prefer quick simplicity, but it can feel cramped in larger hands. The X-S20's grip and size also help mitigate fatigue when using telephoto lenses, a crucial factor for wildlife and sports photographers.
Control Layout and Interface: Modern Touch Meets Classic Simplicity
On top, the X-S20 boasts a rich array of physical dials - shutter speed, ISO, exposure comp, and a rear command dial. The controls feel tactile and precise, letting you alter settings instinctively, a delight for those who shoot manual or prioritize speed. The Fuji’s fully articulated 3-inch touchscreen (1840k dots) complements this nicely, especially for vlogging or creative angles.
Meanwhile, the GF1’s control panel is sparse but functional for its time, with a fixed 3-inch screen at a modest 460k resolution and no touchscreen capabilities. It lacks an electronic viewfinder altogether, a big omission by today's standards - you’re forced to rely solely on the LCD for composition, which in bright light can be challenging.
With the X-S20, I enjoyed a much more fluent shooting experience - focusing faster, dialing in changes with confidence, and accessing menus without fuss. The GF1 provides more of a “legacy charm” approach but calls for patience and adaptation, especially if you rely on modern touch or eye-detection autofocus.
Sensor and Image Quality: APS-C Muscle vs. Micro Four Thirds Heritage
Here’s where the gulf truly widens - the X-S20 is built around a 26-megapixel APS-C BSI-CMOS sensor measuring 23.5 x 15.6mm, while the GF1 uses a 12MP Four Thirds CMOS sensor at 17.3 x 13mm. The difference in sensor size (366.6mm² vs 224.9mm²) translates to broadly better noise performance, dynamic range, and color depth for the Fuji.
In practical terms, Fuji’s sensor allows for cleaner high-ISO shots - shooting up to ISO 12800 native, and expandable to 51200, making it adept for low light or night scenes. The GF1’s native max ISO is 3200, which feels limiting for contemporary photographers craving cleaner night/astro photos. Plus, Fuji's sensor is free of an anti-aliasing filter, pushing for sharper detail rendering - a boon for landscape photographers craving every bit of resolution.
The X-S20’s color science remains a highlight, renowned for pleasing skin tones and rich color gradations, perfect for portrait and wedding shooters who want pleasing JPEGs without exhaustive edits. The GF1, while solid for its age, tends to produce flatter color profiles and less dynamic range, which may require more post-processing to get pop.
Viewing Experience: Articulated Touchscreen vs. Fixed LCD
The X-S20’s 3-inch fully articulated touchscreen with 1.84 million dots is a game-changer for composing in tricky angles or for vloggers. The touch interface is responsive and intuitive, though I found the touchscreen settings can sometimes feel too sensitive while shooting handheld.
The GF1’s fixed TFT LCD, while perfectly fine for its era, simply can’t keep up. The 460k dots resolution is notably lower, making it tricky to check focus or fine details in bright conditions. The lack of any touchscreen is also a drag for quick AF point changes or menu navigation.
This difference puts the X-S20 squarely in a modern user-experience league, especially for casual and hybrid shooters who mix stills and video shoots.
Real-World Image Quality: What Can You Expect in Practice?
Comparing real shots side-by-side, the X-S20 thoroughly outclasses the GF1 in clarity, color fidelity, and noise management. Fuji’s advanced autofocus with 425 focus points and face/eye/animal eye detection ensures tack-sharp portraits and wildlife captures with minimal frustration. Its ability to handle subtle nuances like skin textures and catch glimmers in the eyes feels intuitive - a testament to the company’s continuous improvements in AF algorithms.
The GF1, with only 23 phase-detection autofocus points (all contrast-based), feels comparatively slower and less accurate, especially in dynamic or dim environments. Portraits sometimes miss the sharp focus on the eyes, requiring manual focus nailing that can be challenging with its older AF system. Colors trend a bit more neutral - less punch, but potentially easier to tweak in post if you prefer a flatter RAW for creative grading.
For landscapes, Fuji’s 26MP resolution delivers larger prints with more detail, while the Micro Four Thirds sensor struggles to equal that fine nuance without cropping.
Burst Speed and Buffer: Catching Fast Moments
Sports and wildlife photographers - pay attention. The X-S20’s burst speed of 8fps mechanical and an impressive 20fps electronic shutter mode (silent shooting!) provide excellent coverage for fast action. Combined with its sensor-shift 5-axis image stabilization, you’re well-equipped to capture sharp images even handheld with long lenses.
The GF1 tops out at just 3fps burst, no electronic shutter, and lacks built-in stabilization. This limits its utility for sports enthusiasts who demand decisive action capture.
Autofocus Nuances: Accuracy, Speed, and Focus Modes
The X-S20 employs a hybrid AF system - phase detection plus contrast AF - with 425 focus points that cover nearly the entire frame. It’s also blessed with face, eye, and animal eye detection - features that help lock in focus even on squirming kids or darting birds.
By contrast, the GF1’s contrast-detect AF is slower and more prone to hunting, with only 23 focus points and no face or eye detection. This makes subject tracking or portrait work a frustration compared to newer cameras.
In practical shooting sessions, the X-S20’s AF speed and accuracy save precious time and image misses, especially in unpredictable conditions. GF1 users back in the day had to be more deliberate and patient.
Build Quality, Weather Resistance, and Durability
Neither camera offers weather sealing or rugged environmental protections. The GF1’s design reflects early mirrorless era priorities - compactness over weather hardening. The X-S20 doesn’t change much here either; Fujifilm hasn’t weatherproofed this model, keeping it less professional rugged but more affordable and lighter.
Still, both feel solidly built, with the X-S20 benefiting from over a decade of lessons learned producing durable kits.
How They Stack Across Photography Genres
Let’s talk about the real-world use cases where each shines or falls short:
-
Portraits: Fujifilm X-S20 wins hands down, with superior skin tone rendering, advanced eye detection AF, and rich color reproduction. The GF1 lags here given older sensor tech and limited AF.
-
Landscapes: The X-S20’s higher resolution and dynamic range deliver more tonal depth and detail, making it great for landscape shooters who want large prints. GF1 is competent but less detailed.
-
Wildlife: The X-S20’s 20fps burst, superior AF, and IBIS give it a major edge. GF1’s slow 3fps and no stabilization restrict its use here.
-
Sports: Again, X-S20 is better equipped for fast tracking and low light due to burst speed and more sensitive AF points.
-
Street: The GF1’s compact size, discreet rangefinder styling, and quiet operation make it charming for street photog - though limited AF and LCD can be frustrating. The X-S20 is a bit bulkier but offers faster responsiveness.
-
Macro: Fujifilm’s sensor-based stabilization makes macro handheld shots easier, plus 425 AF points aid focus precision.
-
Night/Astro: X-S20’s higher ISO capability and cleaner images win, while the GF1’s noise at ISO 800+ restricts its use.
-
Video: The X-S20 offers up to 4K/60p with modern codecs and mic/headphone jacks - vastly superior for videographers. GF1 maxes out at 720p video and no audio ports, more of a photo-centric tool.
-
Travel: The GF1’s size and weight advantage make it easier to carry, but limited performance may frustrate ambitious travelers. The X-S20 balances usability with modern features but at a size cost.
-
Professional work: X-S20 supports RAW files, a wide lens ecosystem, and superior workflow compatibility, plus modern connectivity (Wi-Fi, Bluetooth). GF1 lacks wireless and is limited to legacy workflows.
Connectivity and Storage: Modern Conveniences vs. Classic Limitations
The X-S20 is equipped with USB 3.2 Gen 1 for fast transfers, HDMI output, and built-in Wi-Fi plus Bluetooth connectivity. These modern features allow easy image sharing, remote shooting, and firmware updates - a game-changer for workflow efficiency.
GF1, being a 2009 camera, has none of the wireless connectivity, slow USB 2.0 port, and uses legacy SD or MMC cards. This means slower tethering, no app control, and no instant sharing - still workable but not future-proof.
Both cameras support a single SD card slot, with the X-S20 supporting faster UHS-II cards, a big plus for 4K video and burst speeds.
Battery Life: Shoot All Day or Pack Extra?
Fuji claims about 750 shots per charge with the X-S20, which aligns with my experience shooting mixed stills and video. Smaller than some pro bodies, but solid for an APS-C mirrorless.
The GF1 rated roughly half that, around 380 shots, and given its age, actual performance can vary as old batteries degrade. For extended outings, carrying spares for either is always wise, but the X-S20’s efficiency is a welcome improvement.
Lens Ecosystem: Fuji’s Mature APS-C vs. Panasonic’s Micro Four Thirds Legacy
Fuji’s X-mount enjoys a rich ecosystem of 86 lenses ranging from primes to zooms, with excellent native glass known for quality and character. Fuji lenses cover wide-angle, telephoto, macro, and specialty optics, often hailed for sharpness and beautiful rendering. Third-party support from Sigma and Tamron adds more options.
Panasonic GF1, using the Micro Four Thirds mount, taps into a massive 107-lens ecosystem shared with Olympus and others. This system excels in small, lightweight lenses, making portability easier. The smaller sensor means longer effective focal length (2.1x crop) for telephoto - great for sports and wildlife telephoto reach with compact lenses.
Both ecosystems serve different philosophies: Fuji for image quality and classic rendering, MFT for compactness and lens variety. Your choice depends on priorities.
Video Capabilities: Modern 4K vs. Early HD
If video matters, the X-S20 is a clear winner - it supports up to 4K (3840x2160) and even 6K (6240x4160) video, with frame rates up to 60fps. It offers high data-rate codecs (H.264/H.265), and professional audio I/O (microphone and headphone jacks), giving you great flexibility for hybrid shooters. It also includes 5-axis IBIS for smooth hand-held footage.
The GF1 maxes out at 720p and 30fps, with AVCHD Lite encoding - a relic by modern standards. There’s no audio input or headphone monitoring. Video is more an afterthought on GF1; it was designed primarily as a photo camera during a different age of digital capture.
Price and Value: What’s Your Investment Worth?
The Fujifilm X-S20 launches at around $1300, positioning it squarely in the affordable enthusiast category but with features punching above its weight class. For this price, you get a very modern camera with ample future-proofing, expert-level controls, and excellent image quality.
The Panasonic GF1’s original MSRP was about $400 (and still available used for roughly that price or less). While tempting for budget-conscious beginners or collectors, it shows its age fast in performance and usability.
For serious buyers, the difference in investment brings a justified leap forward in capability and user experience.
Who Should Choose Which?
Fujifilm X-S20 is for you if…
- You want a versatile APS-C camera with excellent image quality and robust AF.
- Portrait, landscape, and low light performance are important.
- You require 4K video with nice audio options for hybrid shoots.
- You appreciate tactile controls and a sophisticated menu system.
- You’re ready to invest around $1300 for a current tech tool.
- You want a camera that will perform reliably in a majority of photography genres.
Panasonic GF1 fits your bill if…
- You want a pocket-friendly, simple, and lightweight mirrorless camera.
- You primarily shoot static, well-lit scenes indoors or casual outdoor photography.
- Your budget is very tight or you want a device for casual experimentation.
- You don’t need fast autofocus, high ISO, or 4K video.
- You treasure the early days of mirrorless and want a camera with vintage appeal.
Final Thoughts: The March of Time in Mirrorless Choices
Putting the Fujifilm X-S20 alongside the Panasonic GF1 offers a fascinating glimpse at how far mirrorless cameras have come in 14 years. The GF1 was a trailblazer of its time, pioneering compact interchangeable-lens cameras - but now it feels more of a museum piece facing the affordably packed, feature-loaded X-S20.
For photographers who crave modern performance with excellent image quality, autofocus reliability, and video capabilities, the X-S20 is an easy recommendation. Those who cherish simplicity, compactness, and a vintage shooting vibe - with the willingness to deal with the GF1’s limitations - may still find joy in Panasonic’s classic.
If you want my two cents after countless days holding cameras in freezing dawns or blazing stadiums: go X-S20 for capability, go GF1 for charm. Either way - keep shooting, because no specs beat passion behind the lens.
Thanks for reading – may your next shoot be full of decisive moments and happy clicks!
Appendix: Quick Specs & Scores
Feature/Metric | Fujifilm X-S20 | Panasonic GF1 |
---|---|---|
Release Year | 2023 | 2009 |
Sensor | 26MP APS-C BSI-CMOS | 12MP Four Thirds CMOS |
ISO Range | 160–12800 (51200 boost) | 100–3200 |
AF Points | 425 hybrid PD & contrast | 23 contrast-only |
Max Burst Rate | 8fps mechanical / 20fps e-shutter | 3fps |
Stabilization | Sensor-shift 5-axis IBIS | None |
Video Resolution | Up to 6K (6240x4160) 30p | 720p 30fps |
Viewfinder | 2.36M-dot OLED EVF | None |
Screen | 3", fully articulated, 1.84M dots touch | 3”, fixed, 460k dots |
Connectivity | Wi-Fi, Bluetooth, USB 3.2 | None, USB 2.0 |
Weight | 491 g | 385 g |
Price (new) | ~$1300 | ~$400 (used) |
For hands-on, in-the-field reviews that go beyond marketing spiel, trust first-person experience and test data. Hopefully, this comparison helps you cut through the noise and pick your next mirrorless buddy with confidence. Happy shooting!
Fujifilm X-S20 vs Panasonic GF1 Specifications
Fujifilm X-S20 | Panasonic Lumix DMC-GF1 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Panasonic |
Model | Fujifilm X-S20 | Panasonic Lumix DMC-GF1 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2023-05-24 | 2009-10-14 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine HD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 26MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6240 x 4160 | 4000 x 3000 |
Highest native ISO | 12800 | 3200 |
Highest enhanced ISO | 51200 | - |
Lowest native ISO | 160 | 100 |
RAW format | ||
Lowest enhanced ISO | 80 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 425 | 23 |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Number of lenses | 86 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of screen | Fully articulated | Fixed Type |
Screen size | 3.00 inches | 3 inches |
Resolution of screen | 1,840k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.62x | - |
Features | ||
Minimum shutter speed | 900 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Fastest silent shutter speed | 1/32000 seconds | - |
Continuous shutter rate | 8.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (at ISO 200) | 6.00 m |
Flash settings | Auto, on, slow sync, manual, commander | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 6240x4160 | 1280x720 |
Video file format | MPEG-4, H.264, H.265 | AVCHD Lite |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 491g (1.08 pounds) | 385g (0.85 pounds) |
Dimensions | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | 54 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.3 |
DXO Low light score | not tested | 513 |
Other | ||
Battery life | 750 photographs | 380 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-W235 | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC slot (UHS-II supported) | SD/SDHC/MMC |
Card slots | One | One |
Cost at release | $1,299 | $400 |