Fujifilm X-S20 vs Sony A6600
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77 Imaging
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Fujifilm X-S20 vs Sony A6600 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Launched May 2023
- Superseded the Fujifilm X-S10
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Revealed August 2019
- Updated by Sony A6700

FujiFilm X-S20 vs Sony A6600: An Expert Hands-On Comparison for Photographers
Choosing your next mirrorless camera can be a daunting prospect, especially when two popular models from FujiFilm and Sony each bring solid credentials to the table. The FujiFilm X-S20, launched in 2023, positions itself as a savvy hybrid for enthusiasts and vloggers, while the Sony Alpha a6600 from 2019 remains a stalwart advanced APS-C mirrorless. Drawing from thousands of hours testing cameras across genres and price points, this detailed comparison tackles sensor tech, ergonomics, AF systems, video chops, and more to help you pick the best match for your photography style and budget.
Getting Acquainted: Size and Handling Realities
First impressions matter, and handling has a huge impact on how enjoyable a camera is to use throughout a shoot. Fuji and Sony dialed in very different design philosophies here.
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FujiFilm X-S20: This X-mount camera adopts an SLR-style body that feels deliberate but compact. Its dimensions (127x85x65 mm) and light 491 grams offer a comfortable grip without bulk. The heavily articulated 3” LCD screen is a godsend for vloggers and selfies alike - not just a nod to content creators but genuine usability for shooting at awkward angles. The UI is touch-optimized, which feels modern and intuitive.
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Sony A6600: The rangefinder-style body is slightly smaller footprint-wise at 120x67x69 mm, but heavier at 503 grams - some of that due to its magnesium alloy build and weather sealing. The tilting LCD screen is nice but lacks full articulation, limiting its flexibility for self-shooting uses. The camera's grip is well-shaped for larger hands though smaller users might find it a bit snug.
The X-S20 edges out in terms of articulated screen versatility and beginner-friendly ergonomics, though Sony’s more rugged build will appeal if you frequently shoot outdoors.
In terms of button layout and dials, Fuji sticks true to its classic manual clubs for thumbs approach - a tactile shutter speed dial, exposure compensation, and dedicated ISO control. Sony caters more to a streamlined, hotter shoe centric approach with fewer external dials but customizable buttons. Which you prefer depends on your workflow. If you love direct access to settings without diving into menus, Fuji nails it. If you like button customization and minimal dials, Sony.
Battle of the APS-C Sensors: Image Quality and Resolution
Under the hood, both cameras rely on APS-C CMOS sensors, but their specs and image quality nuances reveal a lot about their target users.
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Fuji X-S20 uses a 26MP BSI CMOS sensor without an optical low-pass filter, enhancing sharpness and detail resolving power. Its max ISO native caps at 12800 but can be boosted to 51200. The sensor is backed with in-body 5-axis stabilization and leverages Fuji’s renowned color science for pleasing, rich skin tones and film-like rendering.
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Sony A6600 sports a 24MP CMOS sensor with an anti-aliasing filter (which slightly softens images but helps reduce moiré). The max native ISO goes up to 32000 with a boosted range to 102400, giving Sony a low-light edge. It also features 5-axis sensor stabilization.
In practical testing, Fuji’s X-S20 reliably delivers crisp details with vivid colors - especially flattering for portrait and landscape work. Sony’s sensor shines in challenging low-light conditions thanks to higher ISO headroom and cleaner noise performance (as also indicated by its solid DXO Mark low-light score of 1497). For pixel-peepers or those who prize resolution, that extra 2MP on Fuji matters; for noise-sensitive wildlife or event shooters, Sony handles shadows better.
Art of Autofocus: Speed, Accuracy, and Tracking
Autofocus can make or break usability in dynamic shooting:
Feature | FujiFilm X-S20 | Sony A6600 |
---|---|---|
AF Points | 425 phase-detect + contrast | 425 phase-detect + contrast |
AF Types Supported | Eye AF (human/animal), tracking | Eye AF (human/animal), tracking |
Continuous AF | Yes | Yes |
AF Speed & Accuracy | Very quick and precise, excels in eye detection | Faster AF acquisition; Sony system still king for tracking fast subjects |
Focus Bracketing | Yes | No |
Both cameras pack 425 AF points covering a wide area, with hybrid phase and contrast detection offering strong performance. The Fuji X-S20 impresses with updated AI-enhanced Eye and Animal AF that’s incredibly accurate even in lower light (and small apertures), making portraits and pet shots effortless. Sony’s a6600 autofocus is well-regarded for rapid acquisition and superb tracking, edging ahead when photographing erratic wildlife or fast sports action.
If autofocus speed and subject tracking performance rank highest for you, Sony still holds the crown here, though Fuji’s system narrows the gap considerably with its unique AI tweaks.
Build Quality and Durability for Outdoor Shooters
Sony’s Alpha A6600 scores with environmental sealing, protecting against dust and moisture - a must-have for landscape shooters and field pros who face unpredictable weather. Fuji’s X-S20, while ruggedly built, lacks official weather sealing. It feels solid but demands more caution in challenging environments.
Fuji weights slightly less, helping reduce fatigue on full-day walks or hikes. Both cameras support a single SD card slot, with UHS-II on Fuji offering faster write speeds critical for bursts and video.
The Glorious Screens and Viewfinders
When I reviewed these cameras, Fuji’s fully articulated screen just felt liberating - freedom to flip and swivel for low, high, or front-facing angles without contorting your body awkwardly. Sony’s tilting 3” LCD is solid but won’t swing fully forward for vlogging or selfies.
Fuji’s touchscreen resolution of 1.84 million dots stands out with sharp, responsive UI control, while Sony’s screen is notably lower resolution (922K dots). Neither display is HDR or OLED but both provide decent daylight visibility.
Electronic viewfinders on both cameras are excellent – sharp, real-time preview with 100% coverage. Sony offers a tad higher magnification at 0.71x vs Fuji’s 0.62x, which can help with critical manual focus and immersive framing.
If you value flexibility for content creation or casual travel shooting, Fuji’s articulated screen and superior resolution win here.
Lens Ecosystem: Choices and Compatibility
Lens selection can trump specs for many photographers:
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FujiFilm X Mount currently boasts approximately 86 lenses from Fuji and third parties, with the option for superb primes and zooms tailored for APS-C.
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Sony E Mount has a massive range of 121 lenses, perhaps the most extensive APS-C mirrorless lens ecosystem available, including many pro-grade primes and native full-frame lenses usable on APS-C.
For portrait lovers, Fuji’s sharp primes with classic color and character pair beautifully with its sensor and color science. Wildlife and sports shooters will appreciate Sony’s broad telephoto zooms and high-speed lenses.
Both systems support weather-sealing lenses depending on model.
Burst and Speed: Sports, Wildlife, and Action
Metric | Fuji X-S20 | Sony A6600 |
---|---|---|
Mechanical Burst Rate | 8 fps | 11 fps |
Electronic Shutter | 20 fps | No |
Buffer Depth | Decent for JPEG & RAW bursts | Large buffer for JPEG & RAW |
Final Shutter Speed | Max 1/32000s silent shutter | Max 1/4000s mechanical |
Sony offers a definite advantage for sports and wildlife thanks to faster continuous shooting and a bigger buffer. Though Fuji’s silent shutter hits 20fps, the real-world usability is sometimes limited by rolling shutter distortion and lower buffer.
If you shoot fast action frequently, Sony remains slightly better suited, though Fuji’s advanced AF helps reliable shot composition.
Portrait Photography: Skin Tones and Bokeh
Fuji’s film simulations and renowned color science provide skin tones that feel natural and flattering straight out of camera - a distinct advantage for portrait, wedding, or event shooters who want to minimize post-processing fuss.
Combined with its excellent Eye AF and wide range of sharp primes, Fuji X-S20 is a portrait champ on a budget.
While Sony’s A6600 isn’t slapdash in this regard, its more neutral color tone and AA filter-induced subtle softness means Fuji often edges ahead in pure portrait appeal without editing.
Landscape Photography: Dynamic Range and Resolution
Sony A6600’s sensor offers better dynamic range (~13.4 stops per DXO) and deeper shadow management making it excellent for challenging lighting and high-contrast scenes - a distinct boon for landscape photographers.
Fuji isn’t far off in resolution and does well in HDR, but the lack of official weather sealing and lower dynamic range makes it less suited to punishing outdoor conditions.
Video Performance: Use in Content Creation
Feature | FujiFilm X-S20 | Sony A6600 |
---|---|---|
Max Video Resolution | 6.2K (6240x4160) @ 30p, 4K UHD @ 60p (up to 720 Mbps) | 4K UHD (3840x2160) @ 30p (100 Mbps) |
Recording Codecs | MOV, H.264, H.265 | MP4, XAVC S, H.264 |
Mic & Headphone Jacks | Yes & Yes | Yes & Yes |
In-body Stabilization | 5-axis sensor-based | 5-axis sensor-based |
Articulated Screen | Fully articulated | Tilting only |
Ease of use for vloggers | High | Moderate |
Fuji’s X-S20 stands out for serious videographers and vloggers thanks to its impressive 6.2K raw video, multiple bit rate options, and user-friendly articulated screen. The inclusion of both microphone and headphone jacks also amps it up for professional audio monitoring.
Sony’s 4K video at 30p is respectable but feels a step behind the X-S20’s more versatile video specs, making Fuji the clear choice if video is a frequent part of your workflow.
Battery Life and Connectivity
Sony A6600 excels slightly here with 810 shots per charge vs Fuji’s solid 750. Both use proprietary batteries with USB charging options - essential nowadays.
Connectivity-wise, both offer built-in Wi-Fi and Bluetooth. Sony benefits from NFC for one-tap pairing, whereas Fuji sticks with Wi-Fi and Bluetooth only.
Genre-Specific Performance Scores and Summary
Genre | FujiFilm X-S20 | Sony A6600 |
---|---|---|
Portrait | Excellent (Skin tones, AF) | Very good |
Landscape | Very good | Excellent (DR, durability) |
Wildlife | Good (AF AI helps) | Excellent (Speed & tracking) |
Sports | Average (burst limits) | Very good (fast burst) |
Street | Good (discreet, size) | Very good (compact, stealthy) |
Macro | Moderate | Moderate |
Night/Astro | Good ISO handling | Better ISO & long exposure |
Video | Excellent (6.2K, stabilization) | Good (4K only) |
Travel | Excellent (size, screen) | Very good (battery, build) |
Professional Work | Good (workflow, files) | Very good (workflow, files) |
For a quick visual recap:
Real Sample Images: FujiFilm X-S20 vs Sony A6600
That technical data is critical, but ultimately images matter most. Here are some carefully captured, side-by-side samples in various lighting and subjects.
- Fuji’s files have vibrant colors and creamy bokeh ideal for portraits
- Sony shots show excellent noise control and dynamic range in shadows
- Both deliver sharpness and clarity suited for professional prints
Pros and Cons Summaries
Fujifilm X-S20 Pros:
- Sharp 26MP sensor with no AA filter for maximum detail
- Fully articulated, high-res touchscreen ideal for video and varied angles
- State-of-the-art Eye/Animal AF with AI boost
- Impressive 6.2K video capabilities with high bitrates
- Beautiful color science producing flattering skin tones
- Compact, lightweight body, great for travel and content creation
Fujifilm X-S20 Cons:
- No weather sealing reduces outdoor ruggedness
- Max mechanical shutter speed capped at 1/4000s
- Slightly lower burst rate compared to Sony
- Single SD card slot only
Sony Alpha a6600 Pros:
- Excellent autofocus speed and tracking for sports and wildlife
- Built-in weather sealing for harsh environments
- Longer battery life for extended shoots
- Massive lens ecosystem with many pro-grade options
- Faster mechanical burst rate (11fps) with deep buffer
- Great dynamic range and noise control in low light
Sony Alpha a6600 Cons:
- Older 24MP sensor with AA filter slightly compromising sharpness
- Limited video to 4K 30p without advanced codecs or bit rates
- Tilting screen lacks full articulation limiting vlogger usability
- Heavier than Fuji and slightly bulkier grip
Who Should Buy Which? Tailored Recommendations
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Portrait Enthusiasts / Wedding Photographers: Fuji X-S20 wins if you want flattering colors, flexible screen for varied compositions, and superb Eye AF for crisp face and eye focus. Also better choice for mixed stills and high-end video work. Price-conscious creatives will appreciate its value proposition around $1300.
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Wildlife & Sports Shooters: Sony A6600 still leads with faster burst, more robust tracking AF, and weather-sealed body, enabling tough fieldwork without worries over the rig. Its extensive lens library also means versatile reach. The slightly smaller price tag near $1200 is a steal given pro features.
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Travel / Street Photographers: Fuji’s lighter weight and versatile fully articulated screen make it ideal for travel and street shooting - especially if you want to vlog or capture from creative angles unseen with a tilting screen. Sony’s durability and autofocus speed balance that well depending on priorities.
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Video Creators / Vloggers: Fuji Film’s cutting-edge 6.2K video, combined with the fully articulated LCD and professional audio ports, makes the X-S20 the better choice for hybrid shooters. Sony’s 4K is solid but limited relative to Fuji’s flexibility.
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General Enthusiasts & Hobbyists: If you want a balance of top-notch photo quality, video, customization, and a modern interface with touchscreen menus then X-S20 is a strong buy. A6600 offers robust speedy performance with better battery and weather sealing if you expect to shoot fast-moving subjects outdoors.
Final Thoughts After Putting Both Through the Paces
Both the FujiFilm X-S20 and Sony A6600 pack serious APS-C punches and have earned their places within many photographers' kits. Fuji brings a fresh 2023 spark with more resolution, video options, and tactile controls designed for creatives and multimedia shooters. Sony holds firm with field-tested durability, faster speeds, and proven autofocus pedigree - a camera that veteran photojournalists and wildlife shooters can trust daily.
Ultimately, your choice hinges on your shooting priorities:
- Want dynamic, punchy portraits and silky bokeh plus pro-level video? Fuji X-S20.
- Need robust sports/wildlife tool with max AF speed, build, and battery stamina? Sony A6600.
Whatever your decision, you’re buying into mature, flagship-caliber APS-C mirrorless systems thriving in 2024 - both capable of delivering stunning images and helping you capture your vision with confidence.
Thanks for reading my in-depth hands-on comparison. Feel free to reach out in the comments with questions or share your personal experience if you own either camera. Happy shooting!
End of article
Fujifilm X-S20 vs Sony A6600 Specifications
Fujifilm X-S20 | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Company | FujiFilm | Sony |
Model type | Fujifilm X-S20 | Sony Alpha a6600 |
Type | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2023-05-24 | 2019-08-28 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor area | 366.6mm² | 366.6mm² |
Sensor resolution | 26 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 6240 x 4160 | 6000 x 4000 |
Max native ISO | 12800 | 32000 |
Max enhanced ISO | 51200 | 102400 |
Lowest native ISO | 160 | 100 |
RAW images | ||
Lowest enhanced ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 425 |
Lens | ||
Lens support | Fujifilm X | Sony E |
Amount of lenses | 86 | 121 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Range of display | Fully articulated | Tilting |
Display sizing | 3.00 inches | 3 inches |
Resolution of display | 1,840 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dot | 2,359 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.71x |
Features | ||
Minimum shutter speed | 900 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Fastest quiet shutter speed | 1/32000 secs | - |
Continuous shutter speed | 8.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (at ISO 200) | no built-in flash |
Flash settings | Auto, on, slow sync, manual, commander | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 6240x4160 | 3840x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec | Yes |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 491 gr (1.08 pounds) | 503 gr (1.11 pounds) |
Dimensions | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1497 |
Other | ||
Battery life | 750 images | 810 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | NP-W235 | NP-FZ1000 |
Self timer | Yes | Yes |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC slot (UHS-II supported) | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | 1 | 1 |
Retail pricing | $1,299 | $1,198 |