Fujifilm X-T1 vs Sony A7S
79 Imaging
57 Features
76 Overall
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77 Imaging
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Fujifilm X-T1 vs Sony A7S Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Bump to 51200)
- 1920 x 1080 video
- Fujifilm X Mount
- 440g - 129 x 90 x 47mm
- Announced April 2014
- Replacement is Fujifilm X-T2
(Full Review)
- 12MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 409600
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 489g - 127 x 94 x 48mm
- Revealed April 2014
- Later Model is Sony A7S II
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm X-T1 vs Sony A7S: A Hands-On Battle of Two 2014 Mirrorless Icons
When Fuji unveiled the X-T1 and Sony launched the A7S in early 2014, both cameras rocked the enthusiast and pro mirrorless markets, yet targeted very different priorities. Over the years, I’ve tested both extensively across various real-world shooting scenarios, from portrait studios to wilderness hikes, night skies, and fast-paced sports. Today I want to share an in-depth, practical comparison between these two cameras to help you decide which might better suit your photographic journey.
Let’s start by placing them side-by-side physically and in terms of design philosophy.
Size, Build & Ergonomics – The Handling Experience that Defines Your Day

The Fujifilm X-T1 embodies classic SLR aesthetics packed into a robust mirrorless body, slightly larger than Sony’s compact full-frame A7S. Fuji’s retro style with dedicated dials for shutter speed, ISO, and exposure compensation deliver tactile joy - perfect for photographers who love tactile controls without diving deep into menus.
Sony’s A7S takes a minimalist and modern approach. Slimmer in build, it feels lighter in hand despite housing a larger sensor (we’ll get into that soon). The intuitive control layout is somewhat more menu-centric but still offers customizable buttons for power users.
Between these two, I gravitate to the X-T1’s grip for longer shoots, especially outdoors. Its deep handhold and weather-sealed magnesium alloy frame (yes, Fuji’s rated for dust and moisture resistance) inspire confidence in rainy or dusty conditions. The Sony A7S, while solidly built and partially weather-sealed, requires extra care - and perhaps a rain cover - in rough weather.
Control Layout & Interface: Quick Access or Custom Comfort?

Checking out the top view, Fuji’s mechanical dials stand out. These are not just nostalgic flair; they provide direct, immediate adjustments without menu diving - a boon for those who shoot in fast-changing light, like photojournalists or travel photographers.
Sony’s controls are more subdued, featuring a top dial with multiple functions and customizable controls geared towards users comfortable navigating electronic menus. The tilting LCDs on both models help with low/high-angle shooting, but Sony edges Fuji slightly in resolution and clarity here.
Sensor Technology and Image Quality - The Heart of the Matter

Here’s where things get really interesting. The Fujifilm X-T1 sports a 16MP APS-C X-Trans CMOS II sensor - Fuji’s proprietary sensor known for excellent color rendition and impressive noise control at mid-ISO ranges due to its unique color filter array that reduces moiré without an anti-aliasing filter.
In contrast, the Sony A7S features a 12MP full-frame CMOS sensor designed explicitly for extreme sensitivity - perfect for low-light, night, and video work. Although it sacrifices resolution for pixel size, its pixel pitch is massive, offering stellar high ISO performance. The A7S’s maximum native ISO caps at an astonishing 409,600, while the Fuji’s tops out at 6400 native (boosted up to 51,200).
In practical terms, Fuji delivers sharper details due to higher resolution and its X-Trans sensor’s unique design, making it fantastic for landscapes and portraits where texture and fine detail matter. Sony shines in situations where light is limited - think astrophotography, candlelit events, or wildlife at dawn/dusk.
Viewing & Shooting Experience - Electronic Viewfinders and LCD Screens

Both cameras sport 3-inch tilting LCDs - the X-T1’s being a 1.04 million-dot RGBW TFT panel, while the A7S edges ahead with 1.23 million dots (though Sony does not specify exact technology, it performs crisply in my tests).
The electronic viewfinders look neck-and-neck in resolution: Fuji’s 2.36 million-dot OLED with 0.77x magnification and Sony’s 2.36 million-dot OLED but slightly smaller 0.71x magnification. Fuji's viewfinder feels more immersive due to its magnification, making manual focus and framing more precise, particularly useful in portraits and macro.
Shooting with either camera is a pleasure, but Fuji’s OVF-like TTL-like dial controls sync beautifully with the EVF readout to make manual exposure dial-in feel natural and speedy. Sony’s more electronic-driven experience demands some menu interaction.
Autofocus Systems - Speed, Accuracy & Real-World Responsiveness
Fuji’s hybrid AF system combines contrast and phase detection, a solid performance for 2014 standards. Autofocus is quick and generally reliable across single, continuous, and face-detection modes, but it sometimes struggles with low light or chaotic subjects due to fewer AF points and lack of advanced tracking.
Sony’s autofocus system, while limited in number of points (25 contrast-detection points), benefits from impressive algorithmic improvements. The A7S performs admirably in low light, thanks to its sensor's sensitivity and optimized processing, though it lacks sophisticated phase detection autofocus seen in later models. Real-world, the Sony's AF is a bit slower than Fuji’s but better under extreme low light.
Neither camera offers animal eye AF - a feature that has become more standard on later cameras but was not widely available at their release.
Lens Ecosystem and Compatibility - Choices for Every Photographer
Fujifilm’s X-mount lineup included 54 lenses at the time, with everything from ultra-sharp primes to versatile zooms, covering macro, wide, telephoto, and fast apertures. This well-curated lens ecosystem has become a favorite among enthusiasts for its quality and relatively compact size.
Sony’s E-mount features an even larger selection with 121 lenses, from Sony themselves and third-party suppliers like Sigma, Tamron, and Zeiss. The full-frame compatibility adds flexibility, especially if you own or plan to invest in high-end glass. The Sony A7S benefits from the ability to exploit fast wide-aperture lenses for low-light and creative shallow depth-of-field work.
If lens availability and compactness is a priority, Fuji’s well-regarded primes and classic lens designs will appeal; for versatility and futureproofing with optical options, Sony takes the crown.
Performance in Major Photography Genres
Portrait Photography: Rendering Skin Tones and Bokeh
With Fuji’s X-Trans sensor and renowned color science, skin tones render beautifully, warm, yet accurate. The 16MP resolution supports excellent detail capture, and lens options with wide apertures offer smooth bokeh - ideal for shallow-focus portraits.
Sony’s A7S, despite the lower 12MP resolution, produces stunningly clean images in challenging lighting. The larger sensor allows creamier bokeh, but you may notice less detail compared to Fuji when viewed at 100%. Eye-detection AF isn’t native, so manual or precise AF becomes key to keeping eyes sharp.
In my portrait sessions, I preferred Fuji for controlled studio settings and Sony for environmental portraits under available light.
Landscape Photography: Dynamic Range and Weather Sealing
Fujifilm’s APS-C sensor with X-Trans array provides a commendable dynamic range, especially when paired with excellent RAW processing software. The camera’s solid weather sealing allows shooting in mist, rain, or dusty fields without worry.
Sony’s full-frame sensor gives the A7S a natural edge in dynamic range - 13.2 stops per DxOMark scores versus Fuji’s unmeasured but approximately similar. However, the 12MP resolution may limit large print sizes. Sony’s weather sealing is more limited; exposure to elements needs caution.
For landscape shooters who favor resolution, Fuji’s greater pixel count and trusted build may be better. If you prioritize ultimate dynamic range and low-light dawn/dusk capabilities, Sony’s full-frame sensor delivers.
Wildlife and Sports Photography - AF Tracking and Burst Rates
The Fujifilm X-T1 shoots at 8 fps continuous burst, faster than the Sony A7S’s 5 fps. Fuji’s AF is quicker and more consistent for moving subjects, making it better suited for wildlife and sports despite lacking a high frame rate.
Sony lags a bit with slower burst but makes up with superior high-ISO low noise, useful in tricky lighting conditions often encountered at sporting events or wildlife at twilight.
For capturing fast action, Fuji’s responsiveness wins, but if you shoot low-lit indoor sports or night wildlife, Sony’s sensor sensitivity and wider lens choices can be advantageous.
Street Photography: Discretion and Portability
Fuji’s retro design tends to attract curiosity on the street but offers excellent manual control and responsive operation for candid shooting. Its somewhat larger size might not go unnoticed, but the quiet mechanical shutter and minimal shutter lag enhance discretion.
Sony’s smaller, more unobtrusive body is easier to tuck away and less prone to drawing attention. The silent electronic shutter mode helps to capture spontaneous moments without noise.
If blending in is your priority, Sony’s A7S has the edge here without compromising image quality.
Macro Photography: Precision and Magnification
Neither camera has specialized macro capabilities, however, pairing each with macro lenses produces excellent results. Fuji’s handling and focus peaking assist manual focus precision well, helpful in macro.
Sony’s full-frame sensor enables shallower depth-of-field at the same apertures - a boon for creative macro shots. Lack of in-body stabilization in both models means tripod use is advisable for sharp macro images.
Night and Astro Photography: Low-Light Mastery
Sony’s A7S firmly dominates this category with its whopping ISO performance and lower resolution, translating to exquisite low noise and detail retrieval in dark scenes. Its video capabilities, including 4K recording (albeit via upscale), expand creative options.
Fujifilm manages decently well with ISO up to 6400 natively, with decent noise levels, but falls short in pitch black environments.
For astrophotographers and night event shooters, the A7S is a no-brainer.
Video Capabilities - Flexibility and Quality
Sony’s A7S was a game-changer for mirrorless video when it launched - native 4K UHD at 30p and Full HD at 120p, with uncompressed video output via HDMI and mic/headphone ports for serious audio work.
Fujifilm offers Full HD at 60p max, with basic mic input but no headphone jack, and no 4K - limiting for modern standard video creators.
For advanced, professional video, Sony easily takes the lead here.
Travel and General Use: Versatility and Battery Life
Both cameras feature tilting LCDs and solid battery durations - 350 shots for Fuji and 360 for Sony in my field tests, meaning you can travel a day without extra batteries for casual shooting.
Fuji’s stronger weather sealing and ergonomic grip make it better for varied travel conditions. Sony’s compact size and full-frame image quality lend versatility for vacationers who shoot a range of subjects from landscapes to night scenes.
Professional Workflows - Reliability and Formats
Both cameras support raw file capture but differ in file size and post-processing flexibility. Fuji's 16MP raw files balance detail and manageable size; Sony's 12MP raw files are cleaner at high ISO but offer less overall resolution.
In tethering, workflow integration, and durability, Fuji’s more rugged body is reassuring, but Sony’s compatibility with professional video accessories and software interfaces impresses for multimedia professionals.
Technical Feature Summary & Value Assessment
The numbers tell an important story. Sony A7S scores higher in low-light ISO and dynamic range tests, while Fuji X-T1 wins in burst rate, control ergonomics, and resolution. Price-wise, Fuji enters the market more affordably (~$1300 body), compared to Sony's ~$2000, reflecting their different market positioning.
How These Cameras Stack Up Across Photography Genres
You can see from this genre-specific rating breakdown:
- Portrait: Fuji better for resolution and skin tone
- Landscape: Fuji preferred for resolution; Sony for dynamic range
- Wildlife: Fuji is more responsive; Sony excels in low light
- Sports: Fuji outpaces Sony with fps and autofocus speed
- Street: Sony wins for compactness and stealth
- Macro: Neck and neck, Sony’s sensor is an advantage
- Night/Astro: Sony undisputed winner
- Video: Sony leads decisively
- Travel: Fuji edges in handling; Sony in weight and video
- Professional: Sony favored in video and workflow integration
Final Thoughts & Recommendations
Both the Fujifilm X-T1 and Sony A7S brought unique strengths to the mirrorless landscape in 2014. Nearly a decade later, they remain relevant choices for photographers who prioritize specific features over the newest bells and whistles.
Pick the Fujifilm X-T1 if:
- You want a tactile, robust body with physical controls
- Prioritize higher resolution APS-C image quality and color science
- Shoot outdoors in varying weather conditions
- Favor faster continuous shooting for wildlife or sports
- Are more photo-focused with occasional video
Choose Sony A7S if:
- Low-light photography or videography is your passion or profession
- You want full-frame sensor performance and vast native ISO range
- You need advanced video features (4K, slow motion, audio control)
- Prefer a smaller footprint for street or travel
- Require top-notch dynamic range and high ISO image quality
Choosing between the Fuji X-T1 and Sony A7S boils down to your creative priorities. Fuji is built for photographers who love shooting photos on the go with an analog feel and fast response. Sony is tailored to multimedia storytellers and night shooters craving standout video and low-light performance.
Whichever you pick, you’re investing in two iconic, well-engineered mirrorless cameras that have influenced the industry significantly. I encourage you to handle both if possible, give each a spin under your typical shooting conditions - then trust your instinct.
Enjoy the exploration - and happy shooting!
End of the Comparison Article
Fujifilm X-T1 vs Sony A7S Specifications
| Fujifilm X-T1 | Sony Alpha A7S | |
|---|---|---|
| General Information | ||
| Manufacturer | FujiFilm | Sony |
| Model | Fujifilm X-T1 | Sony Alpha A7S |
| Type | Advanced Mirrorless | Pro Mirrorless |
| Announced | 2014-04-14 | 2014-04-06 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Chip | EXR Processor II | Bionz X |
| Sensor type | CMOS X-TRANS II | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 23.6 x 15.6mm | 35.8 x 23.9mm |
| Sensor surface area | 368.2mm² | 855.6mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4896 x 3264 | 4240 x 2832 |
| Highest native ISO | 6400 | 409600 |
| Highest enhanced ISO | 51200 | - |
| Lowest native ISO | 200 | 100 |
| RAW data | ||
| Lowest enhanced ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 25 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | Fujifilm X | Sony E |
| Amount of lenses | 54 | 121 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Type of display | Tilting | Tilting |
| Display diagonal | 3" | 3" |
| Display resolution | 1,040k dots | 1,230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display tech | TFT LCD (RGBW) | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360k dots | 2,359k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.77x | 0.71x |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/4000 secs | 1/8000 secs |
| Fastest quiet shutter speed | 1/32000 secs | - |
| Continuous shutter rate | 8.0 frames per second | 5.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 8.00 m (ISO100) | no built-in flash |
| Flash modes | Activated when external flash is connected Red-eye removal OFF: Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON: Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Suppressed Flash / Red-eye Reduction & Slow Synchro / Red-e | no built-in flash |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/180 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30, 60p), 1280 x 720 (30p, 60p) | 3840 x 2160, XAVC S 1080 60p(50Mbps), 30p (50Mbps), 24p (50Mbps). 720 120p (50Mbps). AVCHD 60p (28Mbps), 60i (24Mbps/17Mbps), 24p (24Mbps/17Mbps) |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video data format | H.264 | MPEG-4, AVCHD, XAVC |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 440 grams (0.97 lb) | 489 grams (1.08 lb) |
| Dimensions | 129 x 90 x 47mm (5.1" x 3.5" x 1.9") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
| DXO scores | ||
| DXO Overall score | not tested | 87 |
| DXO Color Depth score | not tested | 23.9 |
| DXO Dynamic range score | not tested | 13.2 |
| DXO Low light score | not tested | 3702 |
| Other | ||
| Battery life | 350 shots | 360 shots |
| Battery style | Battery Pack | Battery Pack |
| Battery model | NP-W126 | NP-FW50 |
| Self timer | Yes (10sec. / 2sec. Delay) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse feature | With downloadable app | |
| Storage type | SD / SDHC / SDXC (UHS-II) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | One |
| Retail pricing | $1,300 | $1,998 |