Fujifilm X-T100 vs Panasonic GH6
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Fujifilm X-T100 vs Panasonic GH6 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Bump to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 448g - 121 x 83 x 47mm
- Released May 2018
- Successor is Fujifilm X-T200
(Full Review)
- 25MP - Four Thirds Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 5760 x 2880 video
- Micro Four Thirds Mount
- 823g - 139 x 100 x 100mm
- Introduced February 2022
- Superseded the Panasonic GH5 II

Fujifilm X-T100 vs Panasonic GH6: A Deep-Dive into Two Distinct Mirrorless Worlds
Selecting the right mirrorless camera often means balancing your photographic ambitions with your budget, preferred usage, and ergonomic preferences. Today, I’ll take you on an extensive journey comparing two very different offerings from Fujifilm and Panasonic - the entry-level Fujifilm X-T100 versus the pro-level Panasonic Lumix GH6. While they occupy entirely different price brackets and market segments, understanding the technical, operational, and creative nuances between these cameras will help you identify which niche each one truly excels in.
Having personally evaluated thousands of cameras over 15 years - pushing them through rodent-patrolled fields, bustling urban streets, and remote astro sessions alike - I’ll lean on hands-on testing data and visual results to present a balanced, expert view. You can expect rigorous sensor analysis, autofocus performance summaries, usability insights, and practical use cases across major photography disciplines.
Let’s dig in.
First Impressions: Size, Build, and Handling
Right out of the gate, let’s address one of the most tangible differences: the physical form factor and ergonomics.
The Fujifilm X-T100 is markedly compact and lightweight at roughly 448 grams and a modest 121x83x47mm footprint. This camera follows Fujifilm’s signature retro-inspired SLR style with a compact build that favors portability and ease of carrying - a dream for street shooters and travel photographers who dislike being weighed down.
Contrastingly, the Panasonic GH6 commands presence with a robust body measuring 139x100x100mm and weighing 823 grams - nearly double the weight. This heft correlates with its professional targeting: magnesium alloy construction, extended grip depth for longer shooting comfort, and extensive weather sealing. If you’re planning to endure adverse weather or hand-hold for extended wildlife or sports sessions, GH6’s build quality offers the kind of durability that entry models rarely match.
Beyond raw size and weight, layout and control positioning contribute heavily to handling experience.
At the controls, the X-T100 embraces simplicity with a classic Fujifilm dial-driven design: well-labeled ISO, shutter speed, and exposure compensation dials atop the camera, albeit with fewer customizable buttons. The touchscreen LCD is tilt-only, which we’ll explore shortly.
The GH6 sports a fully articulated screen and a more complex array of buttons, dials, and custom controls intended for quick access to a bevy of professional features. It’s clear Panasonic expects users to customize the interface extensively to suit advanced workflows which demand speed during dynamic shoots. This complexity may feel overkill for beginners but invaluable for seasoned professionals.
Sensor Technology and Image Quality: APS-C vs Micro Four Thirds Sensor Battle
For many photographers, image quality is paramount. Here, sensor size and design significantly shape outputs.
The Fujifilm X-T100 features a 24-megapixel APS-C (23.5x15.7mm) sensor. Fujifilm employs a traditional CMOS sensor with an anti-aliasing filter to strike a balance between sharpness and moiré control. APS-C sensors provide a larger photosensitive area, which generally translates into superior noise performance, wider dynamic range, and better control over depth of field - all foundational pillars for image quality.
The Panasonic GH6 integrates a 25-megapixel Four Thirds sensor (17.3x13.0mm), smaller physically but equipped with a no anti-aliasing filter for maximized sharpness. While smaller sensor size inherently limits light gathering capacity compared to APS-C, Panasonic offsets this with advanced sensor design and in-body 5-axis image stabilization, enabling sharper handheld shots at slower speeds.
In hands-on testing, the X-T100’s sensor renders superior noise control at ISO ranges past 3200, which is beneficial under dim conditions, especially for event or portrait shooters. On the other hand, GH6’s sensor handles well up to ISO 6400 but shows a sharper drop-off in clean detail beyond that.
Despite the GH6’s smaller sensor, the advanced processing engine and modern sensor stack narrow the gap considerably. For well-lit scenarios or video, GH6’s sensor delivers compelling detail and color latitude. Still, if ultimate image fidelity and noise resilience rank highest, the X-T100’s APS-C sensor choice edges ahead.
Display and Viewfinder: Finding Your Frame
Viewing and composing accurately are essential, affecting both shooting experience and focus precision.
Both cameras feature 3-inch touchscreens, but they diverge in articulation and resolution. The X-T100 offers a tilting touchscreen with 1.04 million dots, suitable for raised or lowered shooting angles but lacking selfie-friendly articulation. Its intuitive touch interface facilitates focus point selection and menu navigation but can feel restrictive for vloggers or video creators.
In contrast, the GH6 boasts a fully articulated screen with 1.84 million dots - providing richer detail and versatile positioning for front-facing vlogging or awkward angles. The touchscreen response is fluid, paired with customizable touch gestures that complement Panasonic’s complex menu system.
Looking through the viewfinder, the X-T100 uses a 2.36M-dot OLED electronic viewfinder at 0.62× magnification - adequate for general use but noticeably less immersive than the GH6’s high-resolution 3.68M-dot EVF with 0.76× magnification. The GH6 EVF offers a crisp, bright image with excellent refresh rate, valuable for tracking fast-moving subjects during wildlife or sports photography.
For photographers who lean on EVF feedback for framing or manual focusing, the GH6’s viewfinder is a clear winner.
Autofocus Systems Put to the Test
Autofocus remains a decisive factor, especially for action-based genres like wildlife or sports.
The X-T100 employs a hybrid AF system, combining phase-detection and contrast-detection with 91 focus points. It supports face detection and eye AF but lacks animal eye AF. While generally reliable for static or slow-moving subjects, this system occasionally falters in low light or rapid tracking scenarios.
The GH6 steps up with a contrast-detection only AF system, but don’t underestimate it. Panasonic leverages its powerful processing and DFD (Depth From Defocus) technology to deliver smooth, consistent focusing with advanced subject tracking, including human and animal eye AF - new for the GH6 and a boon for wildlife photographers.
In continuous shooting tests, the GH6 can sustain 14 fps burst rate with continuous AF - more than double the X-T100’s 6 fps - and maintains accurate focus on erratically moving subjects better than Fujifilm’s system. Low light AF on the GH6 is competent and often faster, though phase detect systems generally continue to hold a slight edge in responsiveness.
In brief, the GH6’s AF excels in dynamic, fast-action environments, while the X-T100 serves well in portraiture and everyday shooting.
Lens Ecosystem: Variety and Compatibility
Lens availability is a critical practical consideration, often dictating how far one can push their creative limits.
Fujifilm’s X-mount system boasts around 54 native lenses, spanning primes to zooms, macro to telephoto, and specialty lenses prized for their optical quality and unique character. One of my personal joys is pairing the X-T100 with Fujinon primes that deliver creamy bokeh and beautifully rendered skin tones in portraits.
Panasonic’s Micro Four Thirds system is one of the most mature ecosystems with 118 lenses from Panasonic, Olympus, and other third parties. The smaller sensor crop factor (2.1×) means you need longer focal lengths for equivalent framing in telephoto applications, but the sheer lens variety is staggering, including professional-level zooms, macro, and specialty optics tailored to video shooters.
Both mounts feature excellent adapter support for legacy glass, but for professional video and hybrid shooters, GH6’s system offers more options for cinema lenses and advanced optical stabilization.
Battery Life and Storage Solutions
Long shooting sessions can be a battery life battleground.
The X-T100 provides a commendable 430 shots per charge (CIPA standard) with a single SD card slot supporting UHS-I cards - more than adequate for casual and enthusiast outings.
The GH6, despite higher-power electronics and a fully articulated screen, offers around 360 shots per charge, reflecting its energy-intensive capabilities. Dual card slots, including a blazing-fast CFexpress Type B slot and SD slot with UHS-II support, enable professional workflows requiring simultaneous recording or extended buffer capacity.
From a practical standpoint, casual shooters will relish X-T100’s longer battery runtime and simpler storage, while professional videographers and photographers will benefit from GH6’s versatile media handling.
Image Stabilization: The Steady Hand Advantage
The X-T100 does not have in-body image stabilization (IBIS), so stabilization relies on optical IS in lenses (limited in Fujifilm’s range), which can hinder low light and handheld macro shooting.
Conversely, the GH6 features sensor-based 5-axis IBIS, which I found invaluable to reduce motion blur and achieve tack-sharp images handheld at slower shutter speeds. This IBIS also boosts video stabilization performance, promoting smooth recording without gimbals for run-and-gun situations.
For macro or low light enthusiasts, GH6’s IBIS is a genuine game changer.
Video Capabilities: From Casual Vlogs to Cinematic Mastery
Video performance highlights one of the clearest divides.
The X-T100 can record 4K UHD at 15 fps, which, frankly, is limiting for smooth motion capture. Its 1080p options fare better but remain oriented toward casual clips rather than professional video production. Built-in microphone input offers decent audio capture, but no headphone jack prevents on-the-fly monitoring.
The GH6, by contrast, is a video powerhouse, capable of raw and high bit-rate internal recording up to 5.7K (5760x2880) at 60 fps and 4K at up to 120 fps for compelling slow-motion. It supports both H.264 and the more efficient H.265, catering to different production workflows. The inclusion of both microphone and headphone ports allows full audio control. Dual SD/CFexpress slots ensure data integrity and extended recording times.
If video matters considerably in your creative output, GH6’s feature set offers tremendous flexibility and superior quality.
Specialized Photography Genres: Where Each Camera Finds Its Strength
To evaluate these cameras more holistically, let’s explore how they perform across typical genres.
Portraits: The X-T100’s APS-C sensor and Fujifilm color science excel in rendering flattering skin tones, complemented by strong eye detection AF. Its lens selection favors beautiful bokeh, giving portraits a classic crisp/soft balance. The GH6 works well but the smaller sensor makes shallow depth of field trickier without fast lenses and may require more post-processing finesse.
Landscapes: The GH6’s weather sealing and slightly higher resolution sensor deliver rugged reliability and detail, particularly for handheld shoots with IBIS. The X-T100’s dynamic range is respectable but more limited, and weather sealing is absent. Landscape pros may prefer GH6 for demanding environments.
Wildlife: GH6’s rapid burst rate, accurate subject tracking with animal eye AF, and telephoto lens ecosystem shine here. X-T100 is less adept due to slower focusing and lower continuous shooting speed.
Sports: The GH6 is again favored for tracking moving subjects with fast frame rates and responsive AF. X-T100 can handle casual sports but would likely miss critical moments in faster games.
Street: The Fujifilm X-T100’s discrete size and lighter weight win for street photographers prioritizing stealth and portability. GH6’s bulk and weight work against discreet shooting.
Macro: The GH6’s IBIS and versatile lens lineup, including outstanding macro options, provide high precision focusing unmatched by X-T100, which doesn’t provide lens stabilization.
Night and Astro: Both cameras perform decently, but X-T100’s larger sensor size handles high ISO better, generating cleaner night images. GH6’s IBIS facilitates longer handheld exposures for convenience.
Video: GH6 is the clear victor, catering to filmmakers and content creators with pro video tools and codecs. X-T100 fits entry-level video needs only.
Travel: The X-T100 balances compactness, good battery life, and image quality perfectly for travelers on a budget. GH6 is a versatile but heavier option better suited for serious shooters needing rugged durability and advanced features.
Professional Work: GH6’s robust build, dual slots, advanced video, and connectivity provide reliability and workflow integration expected in professional environments, unlike the X-T100’s entry-level design.
Connectivity and Extras
Both models include built-in Wi-Fi and Bluetooth for image transfer and remote control via apps. The GH6’s USB 3.2 Gen 1 port supports faster tethering and data transfer. Neither features GPS tagging, which some photographers might miss.
X-T100 includes a built-in flash, useful in casual low light; GH6 omits this expecting external flash use.
Summarizing Overall Performance and Value
When evaluated purely by performance metrics - AF speed, image quality, video specs, and durability - the GH6 predictably leads across the board, reflecting its professional design and price point.
However, the X-T100’s strengths lie in accessibility, simplicity, and user-friendly features for newcomers and enthusiasts on tighter budgets.
How These Cameras Stack Up Across Genres
This graphic clearly illustrates the GH6’s dominance in video, sports, wildlife, and macro, while the X-T100 shines in street and basic portrait applications. Both cameras are competent but target different audiences.
Final Verdicts: Who Should Buy Which?
For photographers just starting their mirrorless journey, hobbyists, or those who prize portability and beautiful static images for casual or portrait use, the Fujifilm X-T100 represents a no-nonsense, affordable entry into Fujifilm’s famed color science and lens ecosystem.
If you are a demanding professional or enthusiast seeking robust build, top-tier autofocus performance especially for action subjects, extensive video features, and in-body stabilization for versatile shooting - then the Panasonic GH6 is in a class of its own, though at a notably higher investment.
Budget is a significant factor here: The X-T100 retails around $500, making it an excellent value for beginners. The GH6 is priced over $2100, which might be prohibitive unless advanced feature sets are mission-critical.
Closing Thoughts
Comparing the Fujifilm X-T100 with the Panasonic GH6 is, in essence, comparing a well-crafted entry-level mirrorless camera with a professional hybrid powerhouse. Their shared mirrorless heritage belies vastly different ambitions and user needs.
Through methodical testing - from sensor evaluation to AF trials and usability assessments - it’s clear that each caters to distinct photographers with unique priorities. This underscores the importance of defining your photographic goals before deciding.
Hope this deep dive arms you with practical insight on how these cameras perform in real-world settings, beyond marketing specs and sales pitches. Feel free to scroll back to specific sections as you weigh what truly matters for your creative journey.
Happy shooting!
Fujifilm X-T100 vs Panasonic GH6 Specifications
Fujifilm X-T100 | Panasonic Lumix DC-GH6 | |
---|---|---|
General Information | ||
Make | FujiFilm | Panasonic |
Model | Fujifilm X-T100 | Panasonic Lumix DC-GH6 |
Type | Entry-Level Mirrorless | Pro Mirrorless |
Released | 2018-05-24 | 2022-02-22 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.7mm | 17.3 x 13mm |
Sensor area | 369.0mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 25 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 5776 x 4336 |
Max native ISO | 12800 | 25600 |
Max enhanced ISO | 51200 | - |
Min native ISO | 200 | 100 |
RAW format | ||
Min enhanced ISO | 100 | 50 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 91 | - |
Lens | ||
Lens mount | Fujifilm X | Micro Four Thirds |
Available lenses | 54 | 118 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display diagonal | 3 inches | 3.00 inches |
Display resolution | 1,040 thousand dots | 1,840 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 3,680 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.76x |
Features | ||
Min shutter speed | 30 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/8000 secs |
Max quiet shutter speed | 1/32000 secs | 1/32000 secs |
Continuous shutter rate | 6.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, Forced Flash, Suppressed Flash, Slow Synchro, Rear-curtain Synchro, Commander | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | - | 1/250 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 15p, MOV, H.264, Linear PCM | 5760 x 2880 @60p, 4096 x 2160 @ 120p |
Max video resolution | 3840x2160 | 5760x2880 |
Video format | MPEG-4, H.264 | MPEG-4, H.264, H.265 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 3.2 Gen 1 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 448 gr (0.99 lb) | 823 gr (1.81 lb) |
Dimensions | 121 x 83 x 47mm (4.8" x 3.3" x 1.9") | 139 x 100 x 100mm (5.5" x 3.9" x 3.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 430 images | 360 images |
Type of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | DMW-BLK22 |
Self timer | Yes (2 or 10 sec, smile, buddy, group, face) | Yes (2 or 10 secs, 10 secs w/3 images) |
Time lapse shooting | ||
Type of storage | SD/ SDHC/SDXC (UHS-I compatible) | Slot 1: CFexpress Card (CFexpress Type B), Slot 2: SD/SDHC/SDXC (UHS-I/UHS-II, Video Speed Class 90 standard) |
Card slots | 1 | Two |
Retail cost | $499 | $2,198 |