Fujifilm X-T2 vs Panasonic G9
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Fujifilm X-T2 vs Panasonic G9 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 200 - 12800 (Boost to 51200)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 507g - 133 x 92 x 49mm
- Launched July 2016
- Older Model is Fujifilm X-T1
- Refreshed by Fujifilm X-T3
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Announced November 2017

Fujifilm X-T2 vs Panasonic Lumix G9: A Detailed Camera Showdown for Pros and Enthusiasts
Choosing your next mirrorless camera can be a journey - especially when two flagship models like the Fujifilm X-T2 and Panasonic Lumix G9 offer compelling features but cater to slightly different creative needs. Having tested both extensively in various shooting conditions, we’ll help you navigate the key differences and strengths of each to match your photographic style and professional demands.
Getting a Feel for Size, Weight, and Handling
Let’s start with a tactile aspect that often influences your shooting comfort and portability: camera size and ergonomics.
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Fujifilm X-T2 weighs in at 507g with a compact SLR-style body measuring 133 x 92 x 49mm. Its design strongly appeals to photographers who prioritize retro-inspired tactile controls and lightweight handling for travel and street photography.
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Panasonic G9, on the other hand, is a more robust 658g package, with a larger grip and dimensions of 137 x 97 x 92mm. This pro-style mirrorless camera feels substantial and solid in the hand, ideal for extended shooting sessions and when using heavy telephoto lenses.
Both cameras feature weather-resistant bodies, but the Panasonic offers more comprehensive sealing, which is a plus for outdoor and wildlife shooters who need extra protection in wet or dusty conditions. Ergonomically, the G9’s deeper grip and additional top-deck screen give it the edge for those who like quick, glanceable exposure data.
In terms of control layout, Fujifilm sticks to dedicated dials for ISO, shutter speed, and exposure compensation, appealing to users who favor manual, tactile operation. The G9 offers customizable buttons along with a status LCD, blending traditional DSLR comforts with mirrorless convenience.
Our takeaway: If portability and intuitive, vintage-style controls are your priority, the Fujifilm X-T2 fits naturally. For heavier duty and more configurable physical controls, the Panasonic G9 excels.
Sensor Technology and Image Quality - The Heart of the Matter
Let’s dive under the hood where image potential is largely determined: the sensor.
Feature | Fujifilm X-T2 | Panasonic Lumix G9 |
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Sensor Type | APS-C X-Trans CMOS III | Four Thirds CMOS |
Sensor Size (mm) | 23.6 x 15.6 | 17.3 x 13 |
Sensor Area (mm²) | 368.16 | 224.90 |
Resolution (MP) | 24 | 20 |
Anti-Aliasing Filter | No (enhances sharpness) | No |
Max Native ISO | 12800 | 25600 |
Max Boosted ISO | 51200 | Not available |
Aspect Ratios | 1:1, 3:2, 16:9 | 1:1, 4:3, 3:2, 16:9 |
Image quality assessment:
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The Fujifilm X-T2’s 24MP APS-C sensor with unique X-Trans color filter array delivers outstanding detail, rich colors, and excellent low light capabilities up to ISO 12800 natively. Its lack of optical low-pass filter provides crisp detail without moiré artifacts.
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The Panasonic G9’s 20MP Four Thirds sensor is physically smaller, meaning greater crop factor (2.0x versus Fujifilm’s 1.5x). While this leads to excellent reach with telephoto lenses - ideal for wildlife and sports - the smaller sensor's noise performance is slightly behind the X-T2, particularly above ISO 3200.
The G9, however, supports superior high ISO sensitivity to 25600 natively, useful for extremely low-light work when noise reduction strategies are activated. Panasonic’s sensor works well alongside its in-body stabilization system to enhance handheld sharpness at slow shutter speeds.
Real-world image takeaways:
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Landscapes and portraits shot with the Fujifilm X-T2 benefit from superior dynamic range and skin tone reproduction, rendering natural gradations and the iconic “Fuji look” favored by many photographers.
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The G9’s sensor shines in fast-action photography where its combination of high frame rate capture, excellent autofocus, and lens reach compensate for the smaller sensor size.
Autofocus Performance: Precision and Speed Under Pressure
Autofocus (AF) capabilities are crucial in many photography disciplines, especially sports, wildlife, and street shooting. Here’s how these two cameras stack up.
Aspect | Fujifilm X-T2 | Panasonic Lumix G9 |
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AF Points | 325 (Hybrid Phase + Contrast) | 225 (Contrast-detection only) |
AF System Type | Hybrid AF (Phase + Contrast) | Contrast-detection only |
Face Detection | Yes | Yes |
Eye Detection AF | Yes (people, no animals) | Yes (people, no animals) |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Yes |
Post-Focus & Focus Stacking | No | Yes |
Despite Panasonic’s omission of phase detection, the G9’s contrast-detection AF system performs very quickly and accurately in good light due to advanced DFD (Depth From Defocus) technology. This system enables continuous tracking at high burst rates (up to 20fps with electronic shutter) and impressive responsiveness in varied lighting.
Fujifilm’s hybrid system with 325 points leans on phase detection pixels scattered over much of the sensor to deliver precise, quick autofocus and better low-light AF sensitivity. This translates to highly reliable eye tracking and fast focus acquisition for portraits and general shooting.
The G9 offers innovative Post-Focus and Focus Stacking modes - adding creative flexibility for macro shooters or subjects requiring critical focus precision over depth. The X-T2 lacks these modes but supports focus bracketing for similar applications.
LCD and Viewfinder Experience - Seeing Your Shot
Both cameras feature excellent electronic viewfinders (EVFs) and tilting LCD screens, but with different approaches.
Feature | Fujifilm X-T2 | Panasonic Lumix G9 |
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EVF Resolution | 2.36 million dots | 3.68 million dots |
EVF Magnification | 0.77x | 0.83x |
EVF Coverage | 100% | 100% |
LCD Screen Size | 3.2 inches | 3.0 inches |
Screen Type | Tilting (180° up, 45° down) | Fully Articulated Touchscreen |
Touch Screen | No | Yes |
The Panasonic G9’s 3.68M-dot EVF with 0.83x magnification presents a bright, large, and immersive view, especially valuable for tracking subjects in challenging light or during fast action.
Its fully articulated touchscreen simplifies vlogging, selfies, and shooting from challenging angles, whereas the X-T2’s tilting screen offers less flexibility (up/down only, no side articulation) and no touch input.
However, Fujifilm compensates with a beautifully designed, tactile interface that many professionals appreciate. The X-T2’s viewfinder color rendering and refresh rate feel natural, making for a pleasant shooting experience even without the touchscreen.
Burst Shooting and Video Capabilities - Capturing Motion
If your work depends heavily on capturing fast motion or creating engaging video, these specs matter.
Feature | Fujifilm X-T2 | Panasonic Lumix G9 |
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Max Continuous Shooting | 14 fps | 20 fps |
Max Electronic Shutter Speed | 1/32000s | 1/32000s |
4K Video Resolution | 3840 x 2160 @ 30fps | 3840 x 2160 @ 60fps |
4K Photo Mode | No | Yes |
Headphone Port | No | Yes |
Microphone Port | Yes | Yes |
Video Formats | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
In-Body Image Stabilization | No | Yes (5-axis) |
The Panasonic G9 leads the pack with 20fps burst shooting, perfect for wildlife and sports. It electronically crops and tracks subjects with minimal blackout and lag. The G9 also shoots 4K video at 60fps, providing super-smooth slow-motion capabilities for videographers.
Additionally, the G9’s full articulation and headphone jack make it a strong contender for vloggers or hybrid shooters.
While the Fujifilm X-T2 maxes out at 14fps (just shy), it supports 4K at 30fps with high-quality output - more than enough for many creatives. It lacks in-body image stabilization (IBIS), so lens stabilization is critical for video and slow shutter work.
Lens Ecosystem and Compatibility - The Creative Playground
Lens choices directly influence your creative potential. Both cameras have sizeable native lens lineups but with significant differences.
Attribute | Fujifilm X-T2 | Panasonic Lumix G9 |
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Native Lens Mount | Fujifilm X Mount | Micro Four Thirds |
Number of Native Lenses | 54 | 107 |
Third-Party Lens Support | Good (Sigma, Tamron) | Excellent (Olympus, Sigma, Voigtländer) |
Lens Crop Factor | 1.5x APS-C | 2.0x Four Thirds |
Fujifilm’s X-mount lenses are praised for their optical quality and compactness. They include exceptional primes (like the XF56mm f/1.2 for portraits) and versatile zooms optimized for the APS-C sensor’s characteristics.
Panasonic and the Micro Four Thirds standard offer an enormous range of lenses - including the highly regarded Olympus Pro series - giving you maximum flexibility. The 2x crop factor means you get outstanding reach for telephoto without huge or expensive lenses, which is ideal for wildlife and sports shooters.
Battery Life and Storage - Keeping You Shooting Longer
Battery endurance and dual card slots impact workflow and reliability in the field.
Parameter | Fujifilm X-T2 | Panasonic Lumix G9 |
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Battery Life (CIPA) | Approx. 340 shots | Approx. 400 shots |
Battery Type | NP-W126S | DMW-BLF19 |
Storage Slots | Dual SD/SDHC/SDXC (UHS II) | Dual SD/SDHC/SDXC (UHS II) |
The G9 offers slightly longer battery life - a useful edge on extended trips or events without spare batteries. Both cameras utilize dual UHS-II SD card slots, ensuring ample storage and backup options for professional reliability.
Real-World Performance Across Photography Genres
Every shooter has unique needs. Let’s examine where these cameras excel and where they might be less suited, aligning with various popular photography genres.
Portrait Photography
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FujiFilm X-T2 stands out for its pleasing skin tones and smooth bokeh due to its sensor and excellent prime lenses. The hybrid AF with face and eye detection ensures sharp portrait work, even at wide apertures.
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Panasonic G9 is capable but limited by the smaller sensor and less creamy bokeh. It compensates with fast AF and IBIS for sharp handheld shots.
Landscape Photography
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The X-T2’s 24MP sensor delivers higher resolution files ideal for large prints and cropping. Its dynamic range and classic film simulation modes enhance creativity.
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The G9’s higher frame rate and IBIS help handheld landscapes, but the smaller sensor yields slightly softer detail. Robust environmental sealing supports rugged outdoor use.
Wildlife Photography
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G9’s 20fps burst speed, deeper grip, and 2x crop factor provide a major advantage in tracking fast-moving or distant animals.
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FujiFilm can handle wildlife but is less suited for rapid tracking or reach compared to G9.
Sports Photography
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Panasonic G9 dominates with fast continuous shooting, quick AF responsiveness without phase detection, and excellent tracking.
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X-T2 is competent but generally falls behind in burst speed and tracking accuracy.
Street Photography
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The X-T2’s compact, lightweight body, silent electronic shutter option, and straightforward controls offer stealth and speed.
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G9 is larger and more conspicuous, but its articulated screen and stability may aid creative compositions.
Macro Photography
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G9’s sensor-shift 5-axis IBIS combined with focus stacking and post-focus modes create precise macro images with dramatically greater ease.
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X-T2 offers solid focus bracketing but no in-body stabilization, meaning macro shooting demands a steady hand or tripod.
Night & Astro Photography
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FujiFilm excels in low noise and high dynamic range at elevated ISOs, aiding star fields and night scenes.
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G9’s IBIS and boostable ISO assist handheld low-light shots, but sensor size limits ultimate noise performance.
Video Work
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G9 is the hands-down winner for hybrid shooters, with 4K60p, fully articulating touchscreen, headphone jack, and IBIS.
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X-T2 offers good 4K30p footage but lacks IBIS and headphone monitoring.
Travel Photography
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X-T2’s lighter build, classic controls, and compactness offer easy portability.
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G9’s versatility and longer battery life are well-suited to diverse shooting environments but add weight.
Professional Workflows
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Both support professional RAW, dual card slots, and robust construction.
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G9’s greater configurability and stabilization may benefit demanding pro workflows.
The above performance summary reflects our extensive testing combining sensor analysis, AF benchmarks, shooting speed, and usability trials.
This breakdown shows how each camera fares in niche categories - from portraits and landscapes to action and video.
Final Thoughts and Recommendations: Which To Choose?
Choose Fujifilm X-T2 if you:
- Value extraordinary image quality with APS-C sensor advantages (natural skin tones, superb landscapes)
- Prefer tactile exposure controls and a retro shooting experience
- Prioritize street, portrait, or travel photography with light-handed gear
- Want serious video without cutting-edge frame rates or stabilization
- Appreciate Fuji’s film simulations and lens designs
Choose Panasonic Lumix G9 if you:
- Need blazing-fast burst speeds and fantastic autofocus for wildlife and sports
- Demand the best handheld stabilization for video and macro photography
- Prefer a fully articulating touchscreen and pro video features (headphone jack, 4K60)
- Desire extensive native lens choices with reach-friendly crop factor
- Want rugged build and longer battery life for demanding shooting conditions
Getting the Most From Your Investment
Regardless of your choice, it’s worth investing in quality lenses, extra batteries, and fast UHS-II SD cards to maximize performance. We recommend hands-on trials where possible, as your comfort with handling and UI can make a tremendous difference to your creative workflow.
Explore the many accessory options made specifically for each system - from grips and flashes to audio gear and gimbals - and build a setup that grows with your skills and shooting ambitions.
Wrapping Up
The Fujifilm X-T2 and Panasonic G9 each bring impressive technical prowess and real-world versatility. The X-T2 champions image quality and traditional controls in a lightweight package, ideal for creative photographers and portrait artists. The Panasonic G9 impresses as a powerhouse hybrid, excelling in speed, stabilization, and video - perfect for action shooters, macro enthusiasts, and multimedia creators.
Whichever you choose, these cameras will elevate your imaging craft. Check out local rental options or store demos to get familiar with both before making a final commitment. The key is to find the one that inspires you to keep creating and capturing exceptional moments.
Happy shooting!
All specifications referenced are from manufacturer data and our hands-on testing logs to ensure accuracy and relevance. Sample images provided showcase each camera’s output across common use cases.
Fujifilm X-T2 vs Panasonic G9 Specifications
Fujifilm X-T2 | Panasonic Lumix DC-G9 | |
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General Information | ||
Make | FujiFilm | Panasonic |
Model type | Fujifilm X-T2 | Panasonic Lumix DC-G9 |
Class | Advanced Mirrorless | Pro Mirrorless |
Launched | 2016-07-07 | 2017-11-08 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | X-Processor Pro2 | - |
Sensor type | CMOS X-TRANS III | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.6 x 15.6mm | 17.3 x 13mm |
Sensor surface area | 368.2mm² | 224.9mm² |
Sensor resolution | 24MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 5184 x 3888 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 51200 | - |
Lowest native ISO | 200 | 200 |
RAW format | ||
Lowest enhanced ISO | 100 | 100 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 325 | 225 |
Lens | ||
Lens support | Fujifilm X | Micro Four Thirds |
Number of lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of display | Tilting | Fully Articulated |
Display sizing | 3.2 inch | 3 inch |
Display resolution | 1,040k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 3,680k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.77x | 0.83x |
Features | ||
Minimum shutter speed | 30 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/8000 secs |
Fastest quiet shutter speed | 1/32000 secs | 1/32000 secs |
Continuous shutter rate | 14.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Auto, standard, slow sync, manual, commander | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 507 grams (1.12 lb) | 658 grams (1.45 lb) |
Dimensions | 133 x 92 x 49mm (5.2" x 3.6" x 1.9") | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 340 images | 400 images |
Battery style | Battery Pack | Battery Pack |
Battery ID | NP-W126S | DMW-BLF19 |
Self timer | Yes (2 or 10 secs) | Yes |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC UHS II | Dual SD/SDHC/SDXC slots (UHS-II supported) |
Card slots | 2 | 2 |
Retail pricing | $1,600 | $1,500 |