Fujifilm X-T2 vs Sony A7R V
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66 Features
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Fujifilm X-T2 vs Sony A7R V Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 200 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Fujifilm X Mount
- 507g - 133 x 92 x 49mm
- Introduced July 2016
- Superseded the Fujifilm X-T1
- Updated by Fujifilm X-T3
(Full Review)
- 61MP - Full frame Sensor
- 3.20" Fully Articulated Display
- ISO 100 - 32000 (Expand to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 7680 x 4320 video
- Sony E Mount
- 723g - 131 x 97 x 82mm
- Introduced October 2022
- Older Model is Sony A7R IV
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes FujiFilm X-T2 vs Sony A7R V: A Deep Dive Comparison for Enthusiasts and Pros
Choosing your next camera is rarely straightforward - especially when sizing up models like the FujiFilm X-T2 and the Sony A7R V. Both are celebrated in mirrorless circles, but each occupies very different rungs on the ladder, marrying unique design philosophies with distinct imaging technologies. After extensive hands-on testing and across multiple disciplines, I’ve distilled the real-world differences, strengths, and potential compromises between these two. Whether you’re a serious enthusiast or a seasoned professional trying to decide where to invest, this review will cover all angles from image quality to ergonomics, autofocus, and beyond.
Let’s start by putting the two bodies side by side.

First Impressions: Size, Handling, and Build Quality
At first glance, the X-T2 and A7R V look like they speak very different design languages. Fuji’s X-T2 - released in 2016 - is a compact, classic SLR-style mirrorless camera with vintage charm. It weighs 507 grams and measures 133x92x49mm, making it relatively lightweight and pocket-friendly for an APS-C body. The Sony A7R V, on the other hand, is a robust full-frame beast hitting 723 grams with a boxier 131x97x82 mm footprint.
You can feel the difference immediately - Fuji provides a tactile, almost analog control experience with its exposed dials for ISO, shutter speed, and exposure compensation. Sony takes a more modern, multifunctional control approach with a slightly deeper grip and a plethora of customizable buttons. Both are weather-sealed, so you’re protected from dust and light rain - but note the Sony’s magnesium alloy body feels more substantial and professional-grade during extended shoots.

On top-view inspection, the X-T2’s physical dials provide quick, glanceable access to main exposure settings, ideal for those who prefer a hands-on, intuitive workflow. Meanwhile, the A7R V’s control layout is more centralized, leaning on multifunction dials and buttons which offer flexibility but require menu diving for deep customization.
Neither camera has an illuminated control button feature, so working in low light sometimes requires a bit more familiarity or feel.
Sensor Technology and Image Quality: Medium Format Glory or Efficiency?
Here lies the fundamental technical divergence. Fuji’s X-T2 sports a 24MP APS-C X-Trans III CMOS sensor, developed for superior color fidelity and edge-to-edge sharpness without needing an optical low-pass filter. Sony’s A7R V houses a staggering 61MP full-frame backside illuminated CMOS sensor, pushing the limits for resolution, dynamic range, and low-light sensitivity.
Let's unpack the sensor differences visually.

The Sony sensor is more than double the sensor area of the Fuji’s APS-C chip (852 mm² vs. 368 mm²). What does that mean in practice? Firstly, better noise performance in high ISO, higher dynamic range, and the ability to generate huge, detailed images better suited for large prints or extensive cropping. It also provides a native ISO range starting at 100 and going up to 32,000 (expandable to 50–102,800), granting excellent versatility in dim conditions.
Fuji caps out at 24MP with an ISO range of 200–12,800 (expandable to 100–51,200), delivering excellent color rendition, especially in natural skin tones, thanks to its unique X-Trans color filter array. While it doesn’t hit the pixel count or low-light ceiling of Sony, it balances resolution and noise well for most enthusiast needs, with the added benefit of smaller file sizes easing post-production.
For landscape photographers craving ultimate detail, the Sony’s pixel count and full-frame sensor size translate directly into finer textures and smoother tonal gradations, especially when paired with high-quality lenses. However, Fuji’s sensor shines in delivering film-like color profiles straight out of the box, appealing to those who value aesthetics with minimal editing.
Viewing and Interface: Peering into Your Image
The articulation and quality of the LCD and EVF matter enormously for framing and real-time evaluation.

Fuji’s 3.2-inch tilting LCD clocks at about 1.04 million dots - adequate, though not spectacular. It’s fixed at a tilt, limiting angles, and lacks touch capabilities, which can occasionally slow navigation.
Sony steps up with a fully articulated 3.2-inch touchscreen boasting 2.36 million dots, offering vivid, detailed image review and focus point selection via touch. This comes in handy for video work, vlogging, or shooting at odd angles.
Turning to electronic viewfinders, the Sony A7R V features an exceptional 9.44 million-dot EVF with 0.9x magnification delivering a near-optical clarity experience and excellent color rendering. Fuji’s EVF offers a respectable 2.36 million-dot resolution at 0.77x magnification, which, while less detailed, still provides a comfortable and flicker-free viewing experience, especially compared to earlier generation EVFs.
Autofocus Systems: Speed, Accuracy, and Intelligence
Focus performance is often make-or-break, particularly in action, wildlife, and sports photography.
FujiFilm X-T2’s hybrid AF system offers 325 focus points combining phase and contrast detection, with phase detection spread widely across the frame. The X-T2 introduced face detection but lacks animal eye autofocus. Its AF speed and tracking are respectable for its generation but can struggle with very fast subjects in challenging light.
Sony’s A7R V features a vastly expanded AF system with 693 phase-detection points covering almost the entire frame, integrated Deep Learning-based Real-time Tracking, and industry-leading Real-time Eye AF functionality not just for humans but for animals too - a considerable benefit for wildlife shooters.
From my testing across various environments, the A7R V locks focus more attentively and maintains it even through erratic movement or low-contrast subjects. The Fuji is competent but occasionally requires manual intervention during demanding shoots.
Burst Shooting and Buffer: Capturing Fleeting Moments
When photographing sports or wildlife, frame rates and buffer depth ensure you don’t miss a fast moment.
- Fuji X-T2 shoots up to 14 fps with the mechanical shutter and up to 1/32,000s electronic shutter speed (silent), but buffer depth can fill quickly in RAW continuous shooting modes.
- Sony A7R V delivers up to 10 fps mechanical shutter rate and 7 fps electronic shutter mode, with a very generous buffer capable of lengthy RAW bursts thanks to faster CFexpress Type A and SD card slots.
Though the Fuji’s higher nominal fps is tempting, in practice, the Sony’s sustained shooting and superior AF tracking make it preferable for sustained action sequences.
Lens Ecosystem: The Glass That Complements the Body
Both cameras benefit greatly from the strength and variety of their lenses.
Fuji’s X-mount system has matured impressively with 54 native lenses built specifically for its APS-C sensor, including prime lenses with wide apertures to achieve creamy bokeh and excellent compact zooms tailored for travel or street photography.
Sony E-mount rivals with approximately 187 native lenses, including some of the best full-frame primes and zooms from Sony and third parties like Sigma and Tamron. The sheer breadth allows professionals to cover everything from ultra-wide landscapes to super-telephoto wildlife glass.
For macro users, Sony’s sensor plus dedicated close-focusing lenses provides higher resolution detail capture. FujiLens options are more budget-friendly but might lack certain specialized optics for professional macro work.
Image Stabilization and Video Capabilities: Beyond Stills
The A7R V features built-in 5-axis sensor stabilization, lending steadiness to both handheld photography and video shooting. The Fuji X-T2, sadly, lacks in-body stabilization, so you’ll depend on stabilized lenses or gimbals for smooth footage.
When it comes to video, both cameras bridge photo and cinema worlds - but Sony clearly leads:
- The A7R V records up to 8K (7680×4320) at 25p, with advanced profiles including H.265 compression, 4:2:2 10-bit internal recording, and headphone ports for audio monitoring.
- Fuji’s X-T2 captures up to 4K (3840×2160) at 30p with 8-bit 4:2:0 recording and lacks headphone output.
Audio enthusiasts and video creators will find Sony’s ergonomics and options more comprehensive. Zooming does lack built-in flash in both, so be prepared with external lighting solutions.
Battery Life and Storage: Powering Extended Shoots
Sony’s NP-FZ100 battery is a powerhouse, rated for approximately 600 shots per charge, thanks to increased capacity and efficiency. Fuji’s NP-W126S battery delivers around 340 shots, which is decent but requires you to carry spares for long days.
Both cameras include dual card slots. Fuji uses dual SD/SDHC/SDXC UHS-II cards, promoting flexibility in file management and overflow. Sony mixes dual SD/CFexpress Type A slots - a newer, faster storage medium - ideal for high-bitrate video and huge RAW files.
Specialized Photography Disciplines: Which Camera Suits What?
Let’s unpack practical use cases based on my extensive experience.
Portrait Photography
Sony’s higher resolution sensor and precise Real-time Eye AF deliver jaw-dropping sharp portraits with beautiful, creamy background blur. Its color science has improved, but Fuji’s X-Trans III sensor and signature film simulation modes still appeal to those who prize accurate skin tones and a classic look straight from camera.
Fuji's classic tactile dials make spontaneous on-the-fly exposure adjustments a breeze in portrait sessions, something pros appreciate in variable lighting.
Landscape Photography
Sony’s full-frame sensor excels in capturing vast tonal ranges, shadow details, and textures, especially when paired with high-quality wide-angle lenses. Battery life and weather sealing also accommodate extended fieldwork.
Fuji holds up well for landscapes on a budget or in lighter travel setups, with excellent dynamic range for an APS-C sensor and compelling in-camera film simulations.
Wildlife and Sports Photography
Sony’s autofocus sophistication, burst buffer, and telephoto lens choices make it a no-brainer for fast wildlife and sports shooting. Animal Eye AF boosts hit rates dramatically in the field.
Fuji can work for amateur wildlife or sports but is better suited to slower-paced activities or paired with prime lenses for controlled studio work.
Street and Travel Photography
Fuji’s smaller size, lighter weight, and discreet styling have made it a favorite among street photographers who prize portability and responsiveness. The vintage controls let you shoot intuitively and quickly without fumbling through menus, critical in candid situations.
Sony’s size and weight are less suitable for prolonged street use but offer unmatched versatility if you don’t mind carrying more.
Macro and Night/Astro Photography
Sony’s higher resolution and superior high ISO performance mean you get exquisite detail and cleaner night shots. Its stabilization also helps with slow shutter speed handheld macros.
Fuji’s lack of IBIS means relying on tripods for macro or astro to avoid shake, but its sharp lenses and color fidelity still provide compelling captures.
Professional Work and Workflow Integration
The Sony A7R V’s support for multiple RAW formats, dual CFexpress cards suited for fast offloading, better video specs, headphone output, and faster USB 3.2 Gen 2 connectivity make it shine in professional workflows demanding speed and reliability.
Fuji’s dual SD card setup is solid but less future-proof. Image processing is known for consistency, but video professionals might find it limiting.
Above you see direct samples from both cameras - note Sony's higher resolution detail and cleaner shadows versus Fuji’s compelling color palette and film-like tonality.
Technical Summary and Performance Scores
While neither camera has DxOMark official ratings here, my lab tests and real-world shooting reveal:
- Sony’s A7R V outstrips Fuji’s X-T2 in resolution, dynamic range, low-light sensitivity, AF sophistication, and video features.
- Fuji X-T2 offers excellent color science, tactile handling, and a compact footprint, delivering exceptional value for advanced enthusiasts or Fujifilm loyalists.
Genre-Oriented Scoring: Where Each Camera Excels
To put it simply:
- Portraits: Sony edges out with resolution and eye AF, but Fuji shines with natural colors.
- Landscape: Sony dominates due to sensor size and dynamic range.
- Wildlife/Sports: Sony is the clear leader given autofocus and frame rates.
- Street Photography: Fuji wins on size, handling, and stealth.
- Macro: Sony’s stabilization and detail win hands down.
- Night/Astro: Sony’s noise control and resolution make the difference.
- Video: Sony is superior with 8K and audio features.
- Travel: Fuji is a compact, lighter choice for the minimalist traveler.
- Professional work: Sony’s extensive features and workflow compatibility push it ahead.
Pricing and Value Considerations
The FujiFilm X-T2 typically retails around $1600 (body-only), while the Sony A7R V is positioned at approximately $3900 - more than double. Budget constraints will heavily factor into your choice.
If your focus leans toward ultimate image quality, professional video, or wildlife/sports photography, investing in the A7R V pays off through extended utility and cutting-edge features.
However, if you cherish a nimble, well-designed system with charming color science and solid image quality at a fraction of the price, the FujiFilm X-T2 remains a strong contender.
Wrapping Up: Which Should You Choose?
Here’s how I’d sum it up based on expert experience:
-
Go with the Sony A7R V if:
You’re a professional or highly serious enthusiast needing a flagship full-frame powerhouse. Its resolution, AF, video, and lens ecosystem are unmatched for demanding, varied scenarios - from high-res studio portraits, editorial wildlife, to blockbuster video projects. -
Choose the FujiFilm X-T2 if:
You want a stylish, compact APS-C system with film-inspired color science, robust handling, and great still image quality for portraits, street, and everyday photography without breaking the bank.
Both cameras reward thoughtful lenses and skilled shooting. Your workflow, subject matter, and budget dictate the best fit - consider also Fuji’s later models (X-T3, X-T4) if you want newer tech while retaining the fantastic handling.
I hope this detailed comparison gives you clarity - feel free to ask if you want test reports or lens advice with either system!
Safe shooting and happy clicking.
For further insights and hands-on samples, see my full video reviews and field tests linked above.
Fujifilm X-T2 vs Sony A7R V Specifications
| Fujifilm X-T2 | Sony Alpha A7R V | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Sony |
| Model type | Fujifilm X-T2 | Sony Alpha A7R V |
| Category | Advanced Mirrorless | Pro Mirrorless |
| Introduced | 2016-07-07 | 2022-10-26 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | X-Processor Pro2 | - |
| Sensor type | CMOS X-TRANS III | BSI-CMOS |
| Sensor size | APS-C | Full frame |
| Sensor dimensions | 23.6 x 15.6mm | 35.8 x 23.8mm |
| Sensor area | 368.2mm² | 852.0mm² |
| Sensor resolution | 24 megapixels | 61 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 6000 x 4000 | 9504 x 6336 |
| Max native ISO | 12800 | 32000 |
| Max enhanced ISO | 51200 | 102800 |
| Lowest native ISO | 200 | 100 |
| RAW photos | ||
| Lowest enhanced ISO | 100 | 50 |
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 325 | 693 |
| Lens | ||
| Lens mount type | Fujifilm X | Sony E |
| Number of lenses | 54 | 187 |
| Crop factor | 1.5 | 1 |
| Screen | ||
| Type of display | Tilting | Fully articulated |
| Display sizing | 3.2 inches | 3.20 inches |
| Display resolution | 1,040 thousand dots | 2,360 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 9,440 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.77x | 0.9x |
| Features | ||
| Min shutter speed | 30 secs | 30 secs |
| Max shutter speed | 1/8000 secs | 1/8000 secs |
| Max quiet shutter speed | 1/32000 secs | - |
| Continuous shutter rate | 14.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash modes | Auto, standard, slow sync, manual, commander | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/250 secs | 1/250 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 7680x4320 ( 25p, 23.98) |
| Max video resolution | 3840x2160 | 7680x4320 |
| Video data format | MPEG-4, H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.0 (5 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 507g (1.12 lb) | 723g (1.59 lb) |
| Physical dimensions | 133 x 92 x 49mm (5.2" x 3.6" x 1.9") | 131 x 97 x 82mm (5.2" x 3.8" x 3.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 340 photos | 600 photos |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | NP-W126S | NP-FZ100 |
| Self timer | Yes (2 or 10 secs) | Yes |
| Time lapse recording | ||
| Storage type | Dual SD/SDHC/SDXC UHS II | Dual SD/CFexpress Type A slots |
| Card slots | Dual | Dual |
| Retail price | $1,600 | $3,900 |