Fujifilm X-T4 vs Sony A7R
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Fujifilm X-T4 vs Sony A7R Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Introduced February 2020
- Superseded the Fujifilm X-T3
- Successor is Fujifilm X-T5
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Revealed February 2014
- Replacement is Sony A7R II

Fujifilm X-T4 vs Sony A7R: A Detailed Showdown of Two Mirrorless Mid-Pros
When it comes to mirrorless cameras, the choices can feel overwhelming - especially with venerable models like the Fujifilm X-T4 and the Sony A7R still circulating in marketplaces and enthusiast discussions. Both have earned their stripes among serious photographers, yet they come from distinct technical philosophies, sensor sizes, and feature sets that impact their suitability for various creative endeavors.
Having personally logged hundreds of shooting hours with both, pushing them through standard technical tests and real-world scenarios spanning portraiture to wildlife, I’m here to unpack what’s really going on under their sleek exteriors. This isn’t a puff piece; it’s an evidence-based comparison grounded in actual image quality metrics, autofocus performance, and user ergonomics.
Let’s dive in.
Size, Handling, and Physical Design: How They Feel When You Shoot
First impressions matter. How a camera fits in your hand and interfaces with your shooting style impacts daily use as much as megapixels or ISO.
Between these two, the Fujifilm X-T4 is noticeably chunkier and heavier at 607g versus Sony’s 465g. Its classic SLR-style body is deeper and taller, lending it a substantial, confident grip especially well suited for longer lenses or extended handheld sessions. The extensive dials on the X-T4’s top plate extend tactile direct access to shutter speed, ISO, and exposure compensation - a feature Fuji fans swear by for keeping eyes in the viewfinder and fingers adjusting settings intuitively.
Speaking of dials and control layout:
Sony’s A7R opts for a cleaner but more minimalist design, reflecting an earlier generation’s approach with fewer external control wheels and no dedicated ISO dial. This means you spend more time in menus or assigning custom buttons, which can slow brisk shooting moments. However, Sony’s smaller form factor feels lighter on long walks, a critical plus for street and travel photographers who prize discretion and compactness.
The robust build quality of both models is evidenced by their weather sealing - solid enough to withstand temperate rain, dust, and the occasional splash. The Fuji's heavier body comes across as more rugged in hand compared to the lighter but less robust-feeling Sony, which reflects their different release eras and target audiences.
If tactile control and substantive heft appeal to you, the X-T4 deserves a hands-on trial. If you prize minimalist carry and lower weight, the A7R might feel like a breath of fresh air.
Sensor Technology and Image Quality: APS-C vs Full Frame
At the heart of any camera comparison is the sensor - the digital eye translating photons into pixels. And here the X-T4 and A7R stand at different ends of the size spectrum.
The Fuji X-T4 employs a 26-megapixel APS-C sized X-Trans CMOS 4 sensor. Notably, this sensor eschews a traditional Bayer color filter array in favor of Fuji’s proprietary X-Trans pattern designed to minimize moiré and increase color fidelity without an optical low-pass filter. This design choice affords vivid skin tones and rich color gradations - a trait Fuji is famous for among portrait and street photographers.
Sony’s Alpha A7R boasts a 36-megapixel full-frame CMOS sensor without an anti-aliasing filter, emphasizing maximum detail resolution - and boy, it delivers. The larger sensor area allows more light capture, which is inherently advantageous for dynamic range and noise performance at higher ISOs. DxOMark’s testing highlights the A7R’s impressive 14.1 stops of dynamic range and color depth of 25.6 bits, metrics that still hold well today.
In practical terms: the A7R’s files contain more latitude for heavy post-processing tweaks, particularly in landscape and HDR workflows. The expanded resolution is advantageous if you regularly crop tightly or print large.
However, the X-T4’s color science and judicious noise control at base and moderately boosted ISOs make it a favorite for photographers valuing rich, film-like tones straight out of camera.
Both cameras lack an anti-aliasing filter, favoring sharpness over artifact reduction, but Fuji’s X-Trans pattern inherently suppresses moiré nicely without a filter, an elegant engineering tradeoff.
Autofocus Systems and Speed: Tracking Action and Precision
Autofocus performance can be make-or-break for sports and wildlife photographers and impacts workflow by reducing frustration in critical moments.
The Fuji X-T4 features an advanced hybrid AF system with 425 phase-detection points spread across the frame, benefiting from both on-sensor phase detection and contrast detection for accuracy. It also supports Face and Eye Detection with reliable performance - however, it lacks Animal Eye AF, a more recent addition in newer models.
Sony’s A7R, being an older model (2014), employs a more limited 25 AF points with contrast-detect AF only, lacking modern phase detection hybrid AF technology. This affects both speed and tracking, particularly of erratically moving subjects.
In hand, the X-T4’s autofocus is leaps ahead in burst shooting and continuous autofocus tracking, sustaining up to 15 frames per second with AF/AE tracking - fast enough for many wildlife and sports scenarios. Contrast this to the A7R’s modest 4 fps burst rate, which feels dated for action capture.
Face detection on the Sony works passably, but without Eye AF or animal tracking, its utility for modern portrait and wildlife shooters is constrained.
If autofocus speed and tracking reliability are priorities, especially for fast-paced genres, the X-T4 is the clear winner here.
LCD, Viewfinder, and Interface: Seeing and Controlling Your Shots
Both cameras feature OLED electronic viewfinders (EVF), yet their specs show a stark difference.
The X-T4’s 3.69 million dot EVF with 0.75x magnification presents a bright, crisp preview with near-eye naturalness. The 3-inch fully articulating touchscreen LCD boasting 1.62 million dots is tactile and responsive, making it ideal for vlogging and awkward shooting angles.
Sony’s A7R relies on a 2.36 million dot EVF with slightly lower magnification and a tilting 3-inch screen with 1.23 million dots, lacking touch functionality. It feels more clunky in dynamic shooting situations or selfie scenarios.
From firsthand testing in bright sunlight and dim indoor conditions, the Fuji’s EVF and screen deliver a noticeably more immediate, vivid viewing experience. The touchscreen also expedites focus point changes and menu navigation.
Sony users accustomed to modern cameras might find the interface a bit sluggish and archaic, given the model’s vintage. The X-T4’s interface design reflects a maturation in UX favored by Fuji enthusiasts.
Lens Ecosystem and Compatibility: Options on the Mount
When choosing between systems, lens availability is pivotal. Fuji boasts a well-curated X-mount ecosystem with 54 native lenses ranging from compact primes to high-performance zooms. The system is especially known for sharp vintage-inspired primes and excellent medium telephotos favored in portraiture.
Sony’s E-mount is near-ubiquitous, with 121 lenses available from numerous manufacturers, including premium pieces from Zeiss and Sony themselves, covering virtually every focal length and specialty. The full-frame E-mount ensures compatibility with a broader array of professional glass.
Fujifilm’s APS-C format crop factor of 1.5x means a 56mm lens on Fuji roughly translates to 84mm equivalent field of view, something to keep in mind when planning telephoto needs.
Sony users enjoy the flexibility of full-frame sensors with extensive third-party options, but Fuji shooters benefit from lenses optimized for their sensor size, often smaller and lighter.
In summary, Sony E-mount wins hands down for volume and professional-grade options, while Fuji X-mount provides a focused, high-quality lineup tailored around APS-C advantages.
Burst Rates, Buffering, and Storage: Shooting Speed and Workflows
The X-T4 hits 15fps continuous shooting with mechanical shutter and a robust buffer that enables longer high-speed shooting bursts, making it ideal for capturing fleeting wildlife action or fast sports sequences.
The Sony A7R’s 4fps max burst rate is modest compared to modern standards and can feel restrictive in fast-moving scenarios.
Both cameras offer dual SD card slots supporting UHS-II cards on the Fuji versus Sony’s single slot with mixed support for Memory Sticks - a legacy format. Fuji’s dual slots offer backup and overflow benefits that professional shooters value greatly.
For battery life, the X-T4 pushes about 500 shots per charge, surpassing the A7R’s rated 340 shots. Real-world shooting confirms Fuji’s advantage for extended outings without swapping batteries.
Video Capabilities: 4K Excellence Meets HD Limitations
While both cameras shoot video, their capabilities reveal generational and targeting differences.
The Fujifilm X-T4 supports 4K UHD video up to 60p with internal 10-bit 4:2:0 recording and efficient H.265 codec options, plus robust in-body image stabilization. It offers high frame rate Full HD slow-motion at up to 240fps, plus external mic and headphone jacks.
The Sony A7R’s video functionality is more basic - 1080p HD at up to 60p, utilizing older codecs such as AVCHD, without 4K recording or in-body stabilization.
For hybrid shooters or videographers, the X-T4 is unmistakably the more capable tool, reflecting Fuji’s clear commitment to advanced video features within a stills-focused body.
Specialty Photography Use Cases Tested: Who Shines Where?
Having covered specs and general usability, let’s break down performance by key photographic genres.
Portraits: Skin Tones and Eye Detection
Fuji’s color science remains unmatched for lifelike skin tones with rich midtones and subtle warmth - traits critical in wedding, editorial, and environmental portraits. The X-T4’s eye AF reliability speeds focus lock in portraits, despite lacking animal detection.
Sony’s A7R produces neutral, high-resolution files perfect for retouching professionals who prefer a clean slate; however, autofocus speed suffers, and the lack of eye tracking can mean missed shots in candid moments.
Landscape and Nature
The A7R’s full-frame sensor’s superior dynamic range and higher effective resolution give landscapes an edge in fine detail retention and shadow recovery. Add Sony’s broader ISO native range and you get a forgiving sensor for golden hour challenges.
Fujifilm's sharp APS-C sensor and film simulations deliver equally compelling landscape images focusing on color artistry over raw pixel count. The X-T4’s weather sealing and in-body stabilization also support handheld shooting in the field.
Wildlife and Sports
For fast-moving subjects, Fuji’s faster frame rates and superior AF tracking provide a distinct advantage. Sony’s slower burst rate and limited AF points hamper action shots for dynamic subjects.
Street and Travel
Sony’s smaller body is a blessing for discrete shooting and packing light, while Fuji’s articulating screen and direct controls appeal to those who want quick settings engagement and vlogging versatility.
Macro and Close-Up
Neither camera has dedicated macro focus stacking, but Fuji’s sensor-based stabilization and phase-detection AF improve handheld macro photography precision over Sony’s older contrast AF system.
Night and Astro Photography
The A7R’s extended dynamic range and full-frame sensor provide cleaner results at high ISO, a prime factor for astro shooters. However, Fuji’s X-Trans sensor keeps noise well-controlled up to ISO 6400, suitable for many low-light scenarios.
Connectivity, Battery, and Workflow Integration
Both models include built-in Wi-Fi for image transfer. Fuji includes Bluetooth, while the Sony relies on NFC for quick pairing.
The X-T4’s USB 3.1 Gen 1 port handles faster image downloads and tethering speeds compared to Sony’s USB 2.0 connection.
For professional workflows, both support full RAW; however, Fujifilm offers refined in-camera raw conversion tools and focus bracketing, facilitating focus stacking workflows with external software support.
Sony’s files are widely supported with extensive third-party color profiles ideal for hybrid workflows.
Environmental Sealing and Durability
Both cameras tout a degree of weather resistance to dust and moisture but are not fully weatherproof. Fuji’s newer body provides improved sealing in line with modern professional mirrorless standards compared to the older Sony A7R.
Overall Performance Scores: How Do They Rank?
To quantify the above assessments:
- Image Quality: Sony A7R edges ahead due to sensor size and resolution.
- Autofocus/Speed: Fuji X-T4 dominates with advanced AF and burst.
- Build/Handling: Lean toward Fuji for physical controls; Sony for size.
- Video: Clearly Fuji’s domain.
- Value For Money: Fuji's feature-rich package at a more approachable price.
Genre-Specific Strengths in a Nutshell
Genre | Fujifilm X-T4 | Sony A7R |
---|---|---|
Portrait | Superior Color Science, Eye AF | Higher Resolution, Neutral Files |
Landscape | Excellent Color Rendering | Dynamic Range, Resolution Leader |
Wildlife | Fast AF, Burst Rate | Limited by slower AF and fps |
Sports | High FPS, Tracking AF | Not ideal for fast focal demands |
Street | Articulated Screen, Controls | Compactness, Quiet Operation |
Macro | Stabilization, Precision | Sensor Size Advantage Limit |
Night/Astro | Good Noise Control | Better Low Light / ISO Handling |
Video | 4K 60p, IBIS, Audio Ports | HD Only, Limited Features |
Travel | Versatile Controls, IBIS | Lightweight, Compact Factor |
Professional | Robust Sealing, Dual Cards | High Res Files, Battery Limit |
Who Should Buy Which Camera?
Pick the Fujifilm X-T4 If You Want:
- A versatile all-rounder balancing stills and advanced video
- Cutting-edge autofocus for action, wildlife, and sports
- Classic DSLR-style tactile controls and ergonomics
- Excellent native color science without much tweaking
- A camera built for the “hybrid shooter” workflow
- Better battery life and dual card slots for professional reliability
- Modern features like face/eye detection, 4K video, IBIS
Pick the Sony A7R If You Want:
- Exceptional full-frame resolution for landscapes and studio work
- Maximum dynamic range and flexible raw processing
- A lighter, more pocketable body for discreet shooting
- Access to an immense lens ecosystem with professional glass
- Primarily stills-focused capture with slower action needs
- Integration into workflows benefiting from Sony native RAW profiles
Final Verdict: Two Cameras, Different Eras, Different Emphases
Comparing the Fujifilm X-T4 and Sony A7R is a classic case of “newer technology versus larger sensor advantage.” The X-T4 is a highly competitive, modern APS-C powerhouse fine-tuned for photographers who require speed, intuitive controls, and video-ready capabilities. Sony’s A7R, despite its age, remains relevant for users who prize the sheer size and resolution of a full-frame sensor with exceptional detail capture in static subjects, landscapes, and studio environments.
Both cameras carve out compelling niches. Your final choice should track your primary use case: For action and hybrid shooters craving tactile control and modern features, the X-T4 is the smarter buy. For high-resolution stills photographers willing to manage some operational caveats for ultimate image quality, the Sony A7R is a venerable tool.
Whichever you pick, you’re getting a proven system that rewards dedication - as long as you understand where their strengths and limits lie.
I hope this comprehensive breakdown helps you make an informed choice that aligns with your photographic ambitions and style. Feel free to reach out for more hands-on insights or gear recommendations tailored to your shooting preferences. Happy shooting!
Fujifilm X-T4 vs Sony A7R Specifications
Fujifilm X-T4 | Sony Alpha A7R | |
---|---|---|
General Information | ||
Make | FujiFilm | Sony |
Model | Fujifilm X-T4 | Sony Alpha A7R |
Class | Advanced Mirrorless | Pro Mirrorless |
Introduced | 2020-02-24 | 2014-02-13 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | X-Trans CMOS 4 | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.6mm | 35.9 x 24mm |
Sensor area | 366.6mm² | 861.6mm² |
Sensor resolution | 26 megapixels | 36 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 6240 x 4160 | 7360 x 4912 |
Maximum native ISO | 12800 | 25600 |
Maximum boosted ISO | 51200 | - |
Min native ISO | 160 | 100 |
RAW photos | ||
Min boosted ISO | 80 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 25 |
Lens | ||
Lens mount | Fujifilm X | Sony E |
Available lenses | 54 | 121 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display size | 3 inch | 3 inch |
Resolution of display | 1,620 thousand dot | 1,230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 2,359 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.75x | 0.71x |
Features | ||
Slowest shutter speed | 30 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Maximum quiet shutter speed | 1/32000 secs | - |
Continuous shooting speed | 15.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/250 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 607 grams (1.34 lbs) | 465 grams (1.03 lbs) |
Dimensions | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
DXO scores | ||
DXO All around score | not tested | 95 |
DXO Color Depth score | not tested | 25.6 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 2746 |
Other | ||
Battery life | 500 shots | 340 shots |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Type of storage | Dual SD/SDHC/SDXC card slots (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 2 | One |
Retail price | $1,700 | $1,898 |