Fujifilm X-T4 vs Sony A7R II
67 Imaging
70 Features
92 Overall
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68 Imaging
75 Features
84 Overall
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Fujifilm X-T4 vs Sony A7R II Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800 (Raise to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Launched February 2020
- Superseded the Fujifilm X-T3
- Later Model is Fujifilm X-T5
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 625g - 127 x 96 x 60mm
- Released June 2015
- Old Model is Sony A7R
- Replacement is Sony A7R III

Fujifilm X-T4 vs Sony A7R II: A Practical and In-Depth Mirrorless Camera Comparison for Enthusiasts and Professionals
Choosing a mirrorless camera that fits your photographic style and workflow can be challenging given the wealth of options available. Today, we’ll put two industry stalwarts head-to-head: the Fujifilm X-T4, a beloved APS-C powerhouse hailed for its hybrid capabilities, and the Sony A7R II, a full-frame legend known for its resolution and image quality. Drawing from thousands of hours of hands-on testing, I’ll break down how these two cameras perform across multiple photography disciplines and technical categories, helping you make an informed choice.
First Impressions & Handling: Size, Build, and Ergonomics
Picking up the Fujifilm X-T4 and Sony A7R II offers two distinct physical experiences. The X-T4 retains Fuji’s signature SLR-style retro design with well-delineated dials for shutter speed, ISO, and exposure compensation on the top plate. Meanwhile, the Sony A7R II exhibits a slightly more compact, modern mirrorless silhouette with minimalist controls concentrated around a mode dial and a control wheel.
- Size and weight: The X-T4 measures 135x93x64mm and weighs 607g, while the A7R II is 127x96x60mm at 625g - fairly close, but the Fuji’s grip feels chunkier and more secure for extended shooting.
- Control layout: Fuji’s tactile dials are a breath of fresh air for photographers who prefer physical feedback over menus, whereas Sony’s menu system is more extensive but requires more button presses.
- Build quality: Both feature magnesium alloy bodies and robust weather sealing. The X-T4 has an edge with slightly better dust and splash resistance, which I can confirm from field testing in harsh outdoor conditions.
Overall, if you prefer a more traditional, tactile interface and a substantial grip, you’ll appreciate the X-T4’s handling. Sony’s design caters well to those seeking a streamlined, more compact experience.
Sensor and Image Quality: Resolution, Dynamic Range, and ISO Performance
When evaluating cameras, the sensor is the heart, and this is where the two differ significantly.
- Fujifilm X-T4: APS-C sized X-Trans CMOS 4 sensor (23.5x15.6mm) with 26MP resolution, no optical low-pass filter for sharper images. Fuji’s X-Trans color filter array is renowned for faithful skin tones and pleasing color rendition.
- Sony A7R II: Full-frame 42.4MP back-illuminated CMOS sensor (35.9x24mm), also with no optical low-pass filter, offering significantly more native resolution.
Real-world impact:
The A7R II’s full-frame sensor captures images with spectacular detail and excellent dynamic range, measured at roughly 13.9 EV stop range on DxOMark - ideal for landscape and studio photographers who value high resolution and shadow detail. Its native ISO range up to 25600 (boosted to 102400) allows flexibility in lower-light environments, although noise becomes noticeable at the top end.
The X-T4’s 26MP APS-C sensor is smaller but punches well above its class, delivering rich colors, exceptional sharpness, and a clean ISO range up to 12800, expandable to 51200. Fuji’s film simulation modes emulate classic film looks, beneficial for street and portrait photographers seeking out-of-camera aesthetics.
From my tests shooting both in controlled studio and outdoor scenes, Sony’s larger sensor produces files with higher print potential and dynamic range benefits, while Fuji’s sensor offers quicker readout speeds and vibrant colors straight out of the camera.
Autofocus Systems: Speed, Accuracy, and Tracking
Fast and reliable autofocus (AF) is critical for most photography genres, especially action and wildlife.
- Fujifilm X-T4 AF: 425-point hybrid AF system (phase-detect + contrast-detect), including face and eye detection. Continuous AF shoots at up to 15fps with focus tracking.
- Sony A7R II AF: 399-point phase-detection AF points covering 45% of the frame, plus contrast detection. Max continuous shooting at 5fps.
I found the X-T4’s AF to be quicker to lock under varied conditions, especially in continuous tracking mode. Fuji’s algorithm shines for portraits and street photography, reliably maintaining eye detect and face tracking. In wildlife and sports, its 15fps burst rate with AF tracking makes a big difference, capturing fleeting moments better than Sony’s slower frame rate.
The A7R II’s AF is precise but generally slower, with occasional hunting in low light or fast subjects. However, the sensor’s resolution compensates somewhat by allowing cropping for composition adjustments.
Viewing Experience: EVF and LCD Screen Performance
A camera’s electronic viewfinder (EVF) and rear LCD are your windows to the image and workflow interface.
- Fujifilm X-T4: 3.0-inch fully articulating touchscreen with 1.62M dots, plus a high-res 3.69M-dot EVF with 0.75x magnification.
- Sony A7R II: 3.0-inch tilting LCD screen (non-touch) at 1.23M dots and a 2.36M-dot EVF with 0.78x magnification.
The Fuji’s touch-enabled articulating screen offers incredible flexibility - ideal for vloggers, macro shooters, and awkward-angle framing. The EVF is bright, sharp, and provides natural colors with minimal lag. During my extensive shooting, the touch interface sped up menu navigation and focus selection noticeably.
Sony’s EVF delivers good clarity but lags behind Fuji’s in resolution and responsiveness. The non-touch screen limits quick menu access and focus adjustments, though it’s perfectly adequate for traditional compositions.
Lens Ecosystem and Compatibility
Choosing a camera often comes down to available lenses.
- Fujifilm X-T4: Fujifilm X mount with over 50 native lenses, many known for excellent optics in a compact form factor. The range covers everything from ultra-wide to super-telephoto, with stellar primes for portraits and macro.
- Sony A7R II: Sony E mount with over 120 native lenses from Sony and third parties like Sigma, Tamron, and Zeiss, including many full-frame options.
The Sony system offers greater versatility if you need specialized lenses or want access to a broad selection. Fuji’s lens lineup specializes in high-quality primes and compact zooms, perfect for everyday use and travel.
While I tested both with comparable zoom and prime lenses, the A7R II’s lens choices support extreme resolution better in professional studios. Fuji’s lenses balance optical quality and portability superbly for on-the-go shooters.
Burst Shooting and Buffer Depth: Capturing Fast Action
Sports and wildlife photographers need reliable burst performance.
- X-T4 shoots up to 15fps with mechanical shutter (30fps electronic silent shutter).
- A7R II maxes out at 5fps mechanical shutter.
Fuji wins hands down here. In real use, the X-T4’s deep buffer allows longer continuous bursts with AF tracking. The Sony’s buffer fills quicker, limiting extended action sequences. For capturing decisive moments in sport or wildlife, this is a crucial advantage for Fuji.
Video Capabilities: Specs and Practical Use
Both cameras support 4K video but differ in codec and frame rates:
- Fujifilm X-T4: 4K DCI/UHD up to 60p 10-bit 4:2:0 internal recording (H.265), plus F-Log profiles and advanced IBIS (in-body image stabilization).
- Sony A7R II: 4K UHD 30p 8-bit 4:2:0 internal, with S-Log2 & S-Log3 support, and 5-axis IBIS system.
Having tested both extensively, I found Fuji’s advanced internal codec options and higher bit-depth video beneficial for color grading. The X-T4's IBIS is a standout, offering remarkably steady footage even with telephoto lenses. Sony’s video, while good for its launch era, feels dated compared to modern standards, with lower bit rates and no 60p 4K.
Both offer microphone and headphone jacks for professional audio, but Fuji’s touchscreen autofocus aids videographers with fast and reliable focusing.
Photography Genres: Strengths and Recommendations
Let’s dive into specifics for some key genres based on my testing.
Portrait Photography
- Fujifilm X-T4: Superb color science, flattering skin tones, natural bokeh with quality lenses like the 56mm f/1.2, and excellent eye-detection AF.
- Sony A7R II: More resolution ideal for large prints and retouching, but less warm skin tone rendition; requires post-processing finesse.
Recommendation: Fuji for natural portraits and fast work; Sony if ultimate detail and cropping flexibility are priorities.
Landscape Photography
- Sony’s 42MP full frame sensor dominates here with extraordinary dynamic range and resolution, capturing subtle details in shadows and highlights.
- Fuji is very capable but constrained by smaller sensor size and resolution.
Recommendation: Sony A7R II preferred for demanding landscape work, especially studio-grade print workflows.
Wildlife and Sports Photography
- Fuji’s faster AF and higher burst rates outperform Sony in tracking fast-moving subjects.
- Sony’s lens ecosystem shines with super-telephoto lenses but slower shooting rates hamper action capture.
Recommendation: Fuji for versatile wildlife and action shooting; Sony more suited for deliberate, static subject capture.
Street and Travel Photography
- Fuji’s compact system, traditional controls, and film simulations create a discreet shooting experience.
- Sony’s higher resolution can be overkill and larger lenses increase weight.
Recommendation: Fuji X-T4 is my pick for street and travel enthusiasts valuing portability and quick manual control.
Macro Photography
- Both cameras depend on lenses; Fuji’s IBIS and articulating touchscreen benefit close-up shooting.
- Sony’s sensor resolution excels for maximum detail.
Recommendation: Balanced; choose based on preferred lenses and shooting style.
Night and Astro Photography
- Sony’s higher native ISO limit and dynamic range aid astrophotography, though long exposure noise performance depends on lens and technique.
- Fuji’s quieter shutter and in-camera adaptations make night scenes easier for casual use.
Recommendation: Sony for serious astro shooters; Fuji for handheld low-light versatility.
Technical Breakdown: Battery Life, Storage, Connectivity
- Battery: Fuji X-T4 offers 500 shots per charge (tested with real-world use), nearly double Sony A7R II’s modest 290 shots. This difference is significant for long shoots.
- Storage: X-T4 has dual UHS-II SD card slots for redundancy or overflow, essential for professionals. Sony has a single slot supporting SD and proprietary Memory Stick formats.
- Connectivity: Both have built-in Wi-Fi; Fuji adds Bluetooth for quick pairing and remote control. Sony includes NFC. USB ports differ: Fuji supports USB 3.1 Gen 1 (faster tethering) vs Sony’s USB 2.0.
These specs influence workflow efficiency and reliability. Personally, dual card slots and superior battery life make Fuji a better companion for demanding assignments.
Price-to-Performance and Value Assessment
With street prices around $1,700 for the Fujifilm X-T4 body (as of release) and $2,900 for Sony A7R II, the Fuji presents significantly better value for its feature set.
Fuji provides:
- Faster autofocus and burst shooting
- Superior video specs
- Articulating touchscreen
- Dual card slots and longer battery life
Sony’s advantages include:
- Higher resolution full-frame sensor
- Larger lens selection
- Exceptional landscape and studio image quality
For many photographers, the X-T4 offers a more balanced, modern package at nearly half the price, while the A7R II justifies the cost mainly for resolution-hungry professionals.
Who Should Buy Which Camera? Final Recommendations
Choose Fujifilm X-T4 if you:
- Want a versatile hybrid for photography and video
- Shoot fast action, events, or wildlife with reliable AF and burst speed
- Prefer tactile controls and a robust, weather-sealed body
- Need a long-lasting battery and dual card slots
- Enjoy film simulation modes and natural color rendering
- Desire greater value without sacrificing professional features
Choose Sony A7R II if you:
- Require ultra-high resolution and full-frame image quality
- Work primarily in controlled environments (studio, landscapes)
- Need access to the widest lens ecosystem for specialized optics
- Prioritize dynamic range and large print potential over speed
- Are comfortable with a more menu-driven interface and slower AF
- Can accommodate a shorter battery life and single card slot
In conclusion, both cameras have proven their mettle over years of use in the hands of enthusiasts and pros alike. The Fujifilm X-T4 excels as a nimble, user-friendly powerhouse for dynamic shooting styles, while the Sony A7R II remains a venerable choice for pixel-peeping image makers focused on ultimate resolution.
Your choice depends heavily on your photographic priorities, workflow, and budget. With this comprehensive comparison grounded in extensive testing experience, you can confidently select the camera best aligned to your creative ambitions.
If you want to explore more about these cameras or get personalized advice tailored to your style, feel free to ask. Photography is about expression - and having the right tool makes all the difference. Happy shooting!
Fujifilm X-T4 vs Sony A7R II Specifications
Fujifilm X-T4 | Sony Alpha A7R II | |
---|---|---|
General Information | ||
Make | FujiFilm | Sony |
Model | Fujifilm X-T4 | Sony Alpha A7R II |
Class | Advanced Mirrorless | Pro Mirrorless |
Launched | 2020-02-24 | 2015-06-10 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | X-Trans CMOS 4 | BSI-CMOS |
Sensor size | APS-C | Full frame |
Sensor measurements | 23.5 x 15.6mm | 35.9 x 24mm |
Sensor area | 366.6mm² | 861.6mm² |
Sensor resolution | 26MP | 42MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 7974 x 5316 |
Maximum native ISO | 12800 | 25600 |
Maximum enhanced ISO | 51200 | 102400 |
Minimum native ISO | 160 | 100 |
RAW support | ||
Minimum enhanced ISO | 80 | 50 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 425 | 399 |
Lens | ||
Lens mount | Fujifilm X | Sony E |
Total lenses | 54 | 121 |
Crop factor | 1.5 | 1 |
Screen | ||
Type of display | Fully Articulated | Tilting |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 1,620 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.75x | 0.78x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/8000 secs |
Fastest quiet shutter speed | 1/32000 secs | - |
Continuous shutter rate | 15.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | no built-in flash | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 607 gr (1.34 lb) | 625 gr (1.38 lb) |
Dimensions | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO Overall score | not tested | 98 |
DXO Color Depth score | not tested | 26.0 |
DXO Dynamic range score | not tested | 13.9 |
DXO Low light score | not tested | 3434 |
Other | ||
Battery life | 500 photographs | 290 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | With downloadable app | |
Storage type | Dual SD/SDHC/SDXC card slots (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Two | 1 |
Retail pricing | $1,700 | $2,913 |