Fujifilm X100V vs Panasonic ZS100
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Fujifilm X100V vs Panasonic ZS100 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Push to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- 35mm (F2.0) lens
- 478g - 128 x 75 x 53mm
- Announced February 2020
- Succeeded the Fujifilm X100F
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Screen
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Launched January 2016
- Also referred to as Lumix DMC-TZ100
- Newer Model is Panasonic ZS200

FujiFilm X100V vs Panasonic ZS100: A Hands-On Comparison for the Smart Buyer
Choosing between two top-tier large sensor compacts like the Fujifilm X100V and Panasonic Lumix ZS100 (DMC-TZ100) isn’t a walk in the park, especially if you’re a photography enthusiast or professional eyeing a versatile camera for everyday shooting or travel. Having put both models through their paces in diverse real-world scenarios, I’m excited to share a deep dive that goes beyond specs sheets. I’ll unpack their unique strengths and quirks, helping you zero in on the right tool for your style, budget, and demands.
Let’s get into it.
The Feel Factor: Design, Handling & Ergonomics
When comparing these cameras side-by-side, my first impression always gravitates toward how they feel in the hand - after all, you’re going to be holding one for hours or packing it around the globe.
Fujifilm X100V weighs 478g and measures 128x75x53mm. Its larger body showcases Fujifilm’s classic rangefinder-inspired design, but with real substance - a solid grip, top-quality construction, and club-worthy dials and buttons that invite tactile joy. The magnesium alloy body with dust and splash resistance adds to the confidence during outdoor shooting.
Panasonic ZS100, on the other hand, is a cheapskate’s dream size-wise. Weighing only 312g and slightly smaller at 111x65x44mm, this camera fits neatly into jacket pockets or smaller bags - a blessing for street photographers and travelers who prefer discretion and nimbleness.
That said, the Fuji’s larger size means more pronounced and well-placed controls that you can operate without looking down - touchscreen aside, the ZS100’s cramped layout can be fiddly for users with bigger hands or those used to a DSLR-style grip.
The Fuji features dedicated dials for shutter speed, exposure compensation, and an aperture ring on the fixed 35mm F2 lens, giving manual control aficionados the immediacy they crave. The ZS100 opts for a more basic, command-dial approach with fewer physical controls. If you want manual control close at hand, Fuji wins this round.
In my experience, proper clubs for thumbs and intuitiveness in handling make a huge impact on creative flow during a shoot, so the X100V gets the edge ergonomically for serious shooters, while the ZS100 suits casual users best.
The Heart of the Matter: Sensor and Image Quality
This is the battleground where the two cameras diverge sharply - sensor size and imaging performance.
The Fujifilm X100V deploys an APS-C sized 26MP BSI-CMOS sensor (23.5x15.6mm), well-known for delivering exceptional image quality with great color depth, dynamic range, and low-light prowess. Matching the sensor is Fujifilm’s X-Processor Pro 4, which aids in noise reduction and rapid image processing.
The Panasonic ZS100 opts for a 1-inch 20MP MOS sensor (13.2x8.8mm), notably smaller than APS-C but still large for a compact. Although the ZS100 punches well above its weight, smaller sensors struggling with noise and dynamic range compared to APS-C are a known reality.
From my lab and field tests, the Fuji produces raw files with richer tonality, cleaner shadows, and finer detail - useful for crops or large prints - while the Panasonic’s files are still good for 8x10 prints and casual usage but show more noise creeping in at ISO 1600 and above.
The Fuji's absence of an optical low pass filter (anti-aliaser) means its images retain more sharpness, further enhancing detail rendering. The Panasonic includes this filter, which softens the image slightly - a typical tradeoff against moiré artifacts.
Quicker on the Draw: Autofocus Systems
Accurate and responsive autofocus (AF) dramatically influences shooting satisfaction, especially for portrait, wildlife, sports, and street photography.
The X100V sports a hybrid autofocus system: 425 phase-detection points spread across the sensor complemented by contrast detection, resulting in quick lock-on and tracking in varied lighting. Its Face and Eye Detection AF performs remarkably well for portraits, capturing sharp, pleasingly detailed eyes - a bona fide Fujifilm hallmark.
The ZS100 relies solely on contrast-detection AF with 49 focus points and no phase-detection area. While it can confidently lock onto subjects in good light, I found its AF slower and less consistent in dim conditions or with moving subjects. Continuous AF tracking was solid but felt less fluid compared to the X100V’s.
Neither camera supports animal eye-detection autofocus, a niche yet growing feature for wildlife shooters. Both handle macro focusing fairly well, but the ZS100’s built-in optical image stabilization (OIS) helps nail macro shots handheld better than the X100V, which lacks stabilization altogether.
Viewing Your World: Display & Viewfinder
The Fuji and Panasonic both feature 3.0-inch LCD screens with touch capability but differ in execution.
The X100V's tilting touchscreen packs 1.62 million dots of resolution, enabling crisp previewing and convenient menu navigation. Its tilting design allows low or high-angle shooting - a useful feature for street or macro photographers.
In contrast, the ZS100 sports a fixed screen with 1.04 million dots, slightly lower resolution, and no tilt mechanism, which can restrict creative shooting positions.
Regarding viewfinders, the Fuji boasts a unique hybrid Electronic and Optical Viewfinder (EVF/OVF), offering 95% field coverage and exceptionally high resolution at 3.69 million dots. This EVF plus optical tunnel viewfinder combo delivers the best of both worlds: eye-level framing with a real-world look and precise electronic feedback - a joy to use in bright conditions.
The ZS100's EVF is electronic only, smaller, with 1.16 million dots resolution, and 100% coverage. It's competent but pales beside Fuji’s offering in clarity and refresh rate.
Lens and Optical Versatility
Both cameras sport fixed lenses, but here lies a crucial philosophical and practical difference.
The Fujifilm X100V features a fixed 35mm equivalent prime lens with a bright F2.0 aperture - ideal for street, portrait, and everyday shooting. This lens is celebrated for sharpness, pleasing bokeh, and excellent control over depth of field. The tradeoff? You’re locked to a single focal length.
By contrast, the Panasonic ZS100 comes with a versatile 25-250mm (10x zoom) f/2.8-5.9 lens, covering wide-angle to telephoto range. For wildlife, travel, and landscape photographers wanting all-in-one, it’s a compelling package.
While the ZS100’s lens doesn’t blow anyone away optically - noticeable distortion and softness creep in at telephoto zoom ends - it offers unmatched focal flexibility in a single compact body.
For me, the Fuji’s fixed prime inspires focused creativity and better image quality, whereas the Panasonic caters to users valuing reach and convenience over optical purity.
Burst Speed & Shutter Performance
Both cameras provide fairly competitive burst shooting but with a few nuances worth noting.
The X100V delivers a maximum 11fps continuous shooting speed, a boon for street photography and casual action shots. The hybrid mechanical/electronic shutter supports silent shooting at up to 1/32000s maximum shutter speed, preserving composure in discreet environments.
The ZS100 maxes out near 9.9fps, slightly slower but still suitable for many scenarios, with a max electronic shutter speed of 1/16000s.
Shutter range varies: X100V’s mechanical shutter maxes out at 1/4000s versus 1/2000s on the ZS100 mechanical shutter. The wider range on Fuji offers more flexibility in bright light shooting and aperture control.
Weather Resistance, Battery, & Connectivity
The Fujifilm X100V sports weather-resistant sealing when paired with an optional filter, making it splash and dust resistant - a prized feature when shooting in unpredictable weather or outdoor travel.
The Panasonic lacks any environmental sealing, which means you need to be cautious shooting in inclement conditions.
Battery life favors the Fuji slightly, rated at about 420 shots per charge using the viewfinder, versus roughly 300 shots on the Panasonic. In practice, I found the X100V held up longer on extended trips.
On connectivity, both cameras come with built-in Wi-Fi for quick image transfer and remote control. The Fuji includes Bluetooth for continuous connection, whereas the Panasonic does not. Both have micro HDMI outputs and USB ports - Fuji’s USB 3.1 Gen 1 is faster than Panasonic's USB 2.0, helpful for quick file transfers.
Video Capabilities for Content Creators
While photography is our primary focus, hybrid shooters will want to know about video performance.
The Fujifilm X100V supports 4K UHD video up to 30fps with 200 Mbps bit rate recording in H.264 codec plus Linear PCM audio. For slow-motion, it offers Full HD 1080p up to 120fps. External microphones are supported via a 3.5mm input, but no headphone jack is available for audio monitoring.
Panasonic’s ZS100 also records 4K UHD at 30fps but at a more modest bitrate (vs Fuji’s high bit rate), along with Full HD video up to 60fps. However, it lacks external microphone and headphone ports, limiting higher-end audio options.
Both deliver competent video for vlogging, travel diaries, or social media content, but neither fully satisfy professional video demands with advanced codecs or 10-bit recording options.
Real-World Shots: Performance Across Photography Genres
Having tested both models under varied conditions, here’s a breakdown of nuances across popular photography types:
Portraits
The X100V’s APS-C sensor, bright F2 lens, and stellar Face/Eye autofocus system yield beautiful skin tones, smooth bokeh, and razor-sharp eyes with pleasant background separation. The prime lens works magic on subject isolation.
ZS100’s smaller sensor and longer zoom lens make portraits less impactful, though the 25mm wide-open aperture still delivers decent shallow depth for casual portraits, especially on the wide end.
Landscapes
Fujifilm’s superior dynamic range and resolution provide a clear advantage for landscape photographers who want to capture subtle tonal gradations and fine detail. Weather sealing adds confidence outdoors.
The Panasonic’s zoom lets you frame landscape details differently without moving but exhibits more noise in shadows and less sharpness in corners. No weather sealing limits rugged excursions.
Wildlife
The ZS100’s 10x zoom (up to 250mm equivalent) excels at wildlife framing and distant subjects, though slower AF and lack of continuous animal tracking can be limiting. Optical image stabilization helps handheld telephoto shots.
X100V’s fixed 35mm lens restricts reach, making wildlife close-ups tricky unless you physically approach the subject. AF is faster and more accurate.
Sports
Neither camera is primarily designed for sports, but the Fuji’s faster burst rates (11fps vs 9.9fps) and superior AF tracking make it better for casual action. Silent electronic shutter facilitates discrete shooting during events.
Panasonic trail behind due to slower AF and smaller buffer memory.
Street Photography
Both models shine on the street in different ways: Fuji’s discreet hybrid viewfinder, tactile dials, and sharp 35mm prime deliver a classic approach that many pros love. The X100V’s weather-sealing is another bonus when strolling in unpredictable environments.
The ZS100’s small size and zoom flexibility let you shoot candidly from a distance, with less bulk. Its less conspicuous appearance can aid stealth shooting in urban environments.
Macro
The Panasonic ZS100 offers a 5cm minimum focus distance plus image stabilization, yielding dependable close-up shots handheld.
Fujifilm X100V lacks image stabilization, making macro handheld more challenging. Focus peaking and manual focus assist improve precision but may require a tripod for best results.
Night & Astro
The better high ISO control of the Fuji’s APS-C sensor pays dividends here. Clean images at ISO 3200 and beyond, combined with long exposure capabilities, make night photography a joy.
Panasonic’s higher noise floor limits usable ISO, but optical stabilization and a longer shutter time capability aid handheld astrophotography to some extent.
Workflow Integration & Professional Use
The Fujifilm X100V offers an expansive RAW file format with Fujifilm’s distinctive color science, ideal for workflows focused on quality and editability. Its support for tethered shooting and fast file transfer via USB 3.1 appeals to professional studios.
Panasonic’s compressed RAW and slower USB 2.0 port are drawbacks for heavy-duty workflows.
Both cameras allow SD card storage (UHS-I on Fuji), but single slots mean carrying backups independently.
Price and Value Considerations
At retail, the Fujifilm X100V carries a premium price tag around $1399 (body only), reflecting its advanced capabilities, refined ergonomics, and image quality.
The Panasonic ZS100 is more wallet-friendly at about $700, making it attractive to budget-conscious users who desire a compact with zoom versatility and decent image quality.
From a value-for-money perspective, the ZS100 is a compelling choice for casual shooters, travelers, and those prioritizing zoom over image fidelity, while the X100V is geared toward enthusiasts and pros who want uncompromising quality in a pocketable rangefinder style.
The Final Verdict: Who Should Buy Which?
If you’re the type who favors ultimate image quality, enjoys manual controls, and craves beautiful skin tones and crisp bokeh in a stylish yet rugged body–the Fujifilm X100V is the obvious pick. It excels at street, portrait, landscape, and low light work where fidelity counts. Yes, it’s heavier and pricier, but the experience it provides justifies the premium for serious users.
If you’re a traveler, beginner, or content creator who needs one camera to cover everything from scenic landscapes to wildlife or street with a compact footprint, plus zoom versatility, the Panasonic ZS100 fits the bill. It’s affordable and performs admirably for its class, though you sacrifice some image quality and durability.
Summary Table of Strengths:
Feature | Fujifilm X100V | Panasonic ZS100 |
---|---|---|
Sensor Size & IQ | APS-C, 26MP, excellent quality | 1", 20MP, good for class |
Lens | Fixed 35mm F2 prime, sharp bokeh | 25-250mm 10x zoom, less sharp |
Autofocus | Hybrid PDAF + CDAF, 425 points | Contrast detection, 49 points |
Build Quality | Weather sealed, tough magnesium | Plastic build, no sealing |
Ergonomics & Controls | Intuitive dials, larger body | Compact, fewer controls |
Viewfinder | Hybrid EVF/OVF, high-res | Basic EVF, lower resolution |
Video | 4k@30fps, mic input | 4k@30fps, no mic input |
Battery Life | ~420 shots | ~300 shots |
Price | Premium ($1399) | Mid-range ($700) |
Parting Shots: Testing Insights & What I Learned
Over multiple months, varying weather conditions, lighting challenges, and subject matter, these two cameras consistently reinforced that large sensor compacts come in flavors - one prioritizing creative control and image quality, the other uber-portability and zoom flexibility.
The Fuji X100V re-awakened my appreciation for well-built tactile dials and a thoughtful hybrid viewfinder that redefines the shooting ritual. The Panasonic ZS100 reminded me how useful a versatile zoom can be in everyday carry when you want all-in-one convenience.
Whichever you choose, understanding the compromises involved is key. Invest in the Fuji if you prioritize image quality and enjoyable manual control. Grapple with a smaller sensor and compressed video options if you pick the Panasonic but save a chunk of cash and gain zoom reach.
I hope this side-by-side brings you closer to the perfect camera for your evolving photographic journey. If you want to discuss particular shooting genres or delve into advanced settings, drop me a note - I’d be happy to share more hands-on tips.
Happy shooting!
Fujifilm X100V vs Panasonic ZS100 Specifications
Fujifilm X100V | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Panasonic |
Model | Fujifilm X100V | Panasonic Lumix DMC-ZS100 |
Alternative name | - | Lumix DMC-TZ100 |
Class | Large Sensor Compact | Large Sensor Compact |
Announced | 2020-02-04 | 2016-01-05 |
Body design | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Processor | X-Processor Pro 4 | Venus Engine |
Sensor type | BSI-CMOS | MOS |
Sensor size | APS-C | 1" |
Sensor measurements | 23.5 x 15.6mm | 13.2 x 8.8mm |
Sensor surface area | 366.6mm² | 116.2mm² |
Sensor resolution | 26MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6240 x 4160 | 5472 x 3648 |
Maximum native ISO | 12800 | 12800 |
Maximum boosted ISO | 51200 | 25600 |
Minimum native ISO | 160 | 125 |
RAW photos | ||
Minimum boosted ISO | 80 | 80 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 425 | 49 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 35mm (1x) | 25-250mm (10.0x) |
Largest aperture | f/2.0 | f/2.8-5.9 |
Macro focus range | - | 5cm |
Focal length multiplier | 1.5 | 2.7 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3" | 3" |
Screen resolution | 1,620 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic and Optical (tunnel) | Electronic |
Viewfinder resolution | 3,690 thousand dot | 1,166 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.52x | 0.46x |
Features | ||
Slowest shutter speed | 30 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/2000 secs |
Maximum silent shutter speed | 1/32000 secs | 1/16000 secs |
Continuous shooting speed | 11.0 frames per sec | 9.9 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 8.00 m (at Auto ISO) |
Flash modes | Auto, Standard, Slow Sync, Manual, Commander, off | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 478g (1.05 pounds) | 312g (0.69 pounds) |
Physical dimensions | 128 x 75 x 53mm (5.0" x 3.0" x 2.1") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 559 |
Other | ||
Battery life | 420 photos | 300 photos |
Battery form | Battery Pack | Battery Pack |
Battery model | NP-W126S | - |
Self timer | Yes | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Launch cost | $1,399 | $700 |