Fujifilm X100V vs Sony A7 II
79 Imaging
70 Features
75 Overall
72
69 Imaging
70 Features
84 Overall
75
Fujifilm X100V vs Sony A7 II Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Bump to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- 35mm (F2.0) lens
- 478g - 128 x 75 x 53mm
- Revealed February 2020
- Succeeded the Fujifilm X100F
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Introduced November 2014
- Replaced the Sony A7
- Newer Model is Sony A7 III
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Fujifilm X100V vs Sony A7 II: A Deep Dive Into Two Distinctive Cameras for Enthusiasts and Pros
Choosing your next camera can feel overwhelming, especially when faced with two very different yet appealing models: the Fujifilm X100V, a stylish large-sensor compact fixed-lens camera, and the Sony A7 II, a sturdy, full-frame mirrorless powerhouse with interchangeable lenses. Both come from renowned brands, but their designs, capabilities, and ideal use cases are fundamentally distinct. Having thoroughly tested these cameras side-by-side in numerous real-world scenarios, we’ll help you navigate their unique strengths and weaknesses, so you can find the best fit for your creative pursuits.
Getting Hands-On: Size, Ergonomics, and Build
The experience of holding and using a camera is more than just specs on a page. Ergonomics, physical size, and build quality shape how confidently and comfortably you shoot.

-
Fujifilm X100V: Compact and lightweight at 478g with dimensions 128x75x53mm, this pocketable camera is crafted for portability without sacrificing control. Its retro styling combined with solid metal construction makes it a joy to handle, especially for street, travel, and everyday photography. You’ll appreciate the tilting 3-inch touchscreen, aiding composition from unconventional angles.
-
Sony A7 II: Heavier and larger at 599g, measuring 127x96x60mm, the A7 II feels substantial and reassuring in hand. Designed as a pro-style mirrorless with a deeper grip and weather-sealed body, it’s built for demanding shoots and professional workflows. The tilting 3-inch LCD (lower resolution than the X100V) and electronic viewfinder offer versatility but at the cost of bulk.

Both cameras feature well-thought-out control layouts, but the X100V’s manual dials (aperture, shutter speed, exposure compensation) hark back to classic cameras, providing tactile joy for photographers who prefer analog-style operation. The A7 II’s buttons and dials echo traditional DSLRs, optimized for quick access during active shooting.
Sensor Technology and Image Quality: APS-C vs Full Frame
Sensor size and performance are often the heart of image quality and creative potential.

| Feature | Fujifilm X100V | Sony A7 II |
|---|---|---|
| Sensor Type | BSI-CMOS APS-C | CMOS Full Frame |
| Sensor Dimensions | 23.5 x 15.6 mm | 35.8 x 23.9 mm |
| Sensor Area | 366.60 mm² | 855.62 mm² |
| Resolution | 26 MP (6240x4160) | 24 MP (6000x4000) |
| ISO Range | 160-12800 (expandable 80-51200) | 100-25600 (expandable 50-51200) |
| No Anti-Alias Filter | Yes | Yes |
The Sony A7 II boasts a larger full-frame sensor, which generally translates to:
- Better low-light performance due to larger pixel size capturing more light
- Shallower depth of field for creative background separation
- Superior dynamic range allowing more detail retention in shadows and highlights
In contrast, the X100V’s APS-C sensor is smaller but employs a modern back-illuminated design for efficient light gathering. Its 26MP resolution is competitive, delivering crisp images with Fujifilm’s signature color science and film simulation modes that are beloved among portrait and street photographers.
Real-World Note: While the Sony’s larger sensor shines in low light and wide apertures, the X100V’s sensor provides sharp detail and excellent color rendition, especially with the fixed 35mm f/2 lens optimized for its sensor size.
Autofocus System and Speed: Precision Meets Responsiveness
Understanding autofocus (AF) capability is key for various photography types, from still portraits to fast-paced sports.
| Feature | Fujifilm X100V | Sony A7 II |
|---|---|---|
| AF Points | 425 (hybrid PDAF + CDAF) | 117 (hybrid PDAF + CDAF) |
| Face Detection | Yes | Yes |
| Eye Detection | Yes | Yes |
| Animal Eye AF | No | No |
| Continuous AF | Yes | Yes |
| Burst Rate | 11 fps | 5 fps |
The Fujifilm X100V impresses with a vast 425-point hybrid AF system that balances speed and accuracy. Its touch AF capability and face/eye detection make portraiture and street candid shots easier. The fast 11 fps burst rate also helps capture fleeting moments.
In contrast, Sony’s A7 II, despite being a generation older, still offers reliable and accurate AF with 117 points and excellent face and eye detection. However, its 5 fps continuous shooting and slightly slower AF tracking make it less ideal for fast action like sports or wildlife, though suitable for general-purpose and professional use.
Lens Ecosystem and Versatility
Your choice between a fixed-lens compact and an interchangeable lens system dramatically affects your creative flexibility.
-
Fujifilm X100V: Features a unique, fixed 23mm f/2 lens (equivalent to 35mm on full frame). This classic focal length suits street, travel, and documentary style photography. While you can’t swap lenses, the lens is incredibly sharp, versatile, and primes you to refine your composition skills. It also has a leaf shutter and built-in ND filter, beneficial for wide-aperture shooting in bright light.
-
Sony A7 II: Supports the extensive Sony E-mount lens lineup - over 120 lenses ranging from ultra-wide, telephoto, macro to specialty optics. This flexibility makes it a powerhouse for any genre: wildlife telephoto lenses, fast primes for portraits, macro lenses for close-up work, and wide-angle zooms for landscapes.
If lens interchangeability, future upgrade paths, or shooting diverse subjects is important, the A7 II offers unmatched adaptability.
Viewfinder and LCD Screen Experience
Composing images instinctively depends on the quality and usability of your viewfinder and screen.

-
Fujifilm X100V: Offers a hybrid viewfinder - both electronic (3.69 million dots) and optical tunnel. This innovative design lets you switch between a traditional optical view for natural viewing and an electronic overlay for composition aid. Its 3.0-inch tilting touchscreen with 1.62 million dots responds well to taps for AF point selection and menu navigation.
-
Sony A7 II: Comes with a 2.36 million-dot electronic viewfinder with 100% coverage and 0.71x magnification, providing a clear, real-time preview of exposure and focus. The 3.0-inch tilting LCD is less sharp at 1.23 million dots and lacks touchscreen functionality, which may slow workflow for some.
The X100V’s hybrid finder is a joy for photographers who appreciate manual-style framing alongside digital assistance, especially in bright outdoor conditions. Sony’s EVF excels in accuracy but may feel cramped for users who value high resolution and tactile feedback.
Burst Shooting, Buffer, and Low-Light Performance
Capturing decisive moments in dynamic environments demands strong burst capabilities and high ISO performance.
| Feature | Fujifilm X100V | Sony A7 II |
|---|---|---|
| Max Burst Rate | 11 fps | 5 fps |
| Max ISO | 51200 (boosted) | 51200 (boosted) |
| Image Stabilization | None | 5-axis in-body sensor shift |
| Buffer Depth | Moderate (varies by card) | Larger (better for RAW) |
While the X100V impresses with a fast 11 fps burst, it lacks in-body image stabilization (IBIS), making handheld low-light or telephoto shots more challenging. Meanwhile, the A7 II’s 5-axis IBIS compensates for camera shake effectively, crucial for sharper images in dim conditions and when using slower lenses.
Testing in low light shows the A7 II produces cleaner, less noisy images at ISO 3200 and above, taking advantage of its full-frame sensor and IBIS. The Fuji handles up to ISO 1600 very gracefully, with acceptable noise at 3200 but less detail retention compared to Sony at higher ISOs.
Video Capabilities: 4K vs Full HD
If video is a significant part of your multimedia work, consider:
| Feature | Fujifilm X100V | Sony A7 II |
|---|---|---|
| Max Resolution | 4K UHD up to 30fps | Full HD 1080p up to 60fps |
| Video Codec | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Mic Input | Yes | Yes |
| Headphone Jack | No | Yes |
| IBIS | No | Yes |
The Fujifilm X100V supports 4K UHD video capture at 30 fps with excellent color profiles and Fujifilm’s renowned film simulations giving footage a cinematic look straight out of the camera. However, it lacks in-body stabilization, making handheld shooting tricky without a gimbal.
The Sony A7 II, while limited to 1080p recording, excels with its sensor stabilization, headphone jack for audio monitoring, and compatibility with numerous professional video lenses. If immersive 4K isn’t a priority and you want reliable full HD with smooth footage, the A7 II still holds considerable value.
Durability, Weather Sealing, and Battery Life
Practical considerations impact day-to-day usability as much as specs.
| Aspect | Fujifilm X100V | Sony A7 II |
|---|---|---|
| Weather Sealing | Yes | Yes |
| Weight | 478g | 599g |
| Battery Life (CIPA) | ~420 shots | ~350 shots |
| Storage Slots | 1 SD (UHS-I) | 1 SD / Memory Stick Dual |
Both cameras feature weather resistance but are not fully waterproof or shockproof. The X100V’s battery endurance feels a bit more generous, an advantage for travel and street shooters who prefer going light without spare batteries weighing them down. The A7 II’s slightly shorter battery life can be extended with additional grips but involves more bulk.
Sony’s dual-format storage options are versatile for professional workflows, though the single card slot in both cameras reinforces the importance of reliable memory cards and backups.
Lens and Accessory Ecosystem: How Far Can You Go?
-
Fujifilm X100V: Limited to the fast 35mm f/2 lens, but supports wide, tele, and macro conversion lenses adding versatility. The X100V’s extensive compatible accessories, like external flashes and grip add-ons, enhance the user experience, although it’s primarily for photographers who embrace the “one good lens” philosophy.
-
Sony A7 II: With over 120 native E-mount lenses plus third-party options, your system can grow alongside your ambitions. Whether you need a 400mm super-telephoto wildlife lens, ultra-fast primes for portraits, or specialty macro lenses, the A7 II’s ecosystem supports those creative directions.
Exploring lenses and accessories is a vital part of mastering the Sony system, while Fuji encourages mastery of a fixed perspective, perfect for honing your photographic eye.
Performance in Various Photography Disciplines
We evaluated these two cameras across major photography genres to help you find your match:
![Photography-type-cameras-scores.jpg]
Portrait Photography
-
Fujifilm X100V: Naturally excels with skin tone rendition, thanks to Fujifilm’s renowned color science. The f/2 aperture and 35mm focal length create beautiful subject isolation and pleasing bokeh. Eye AF works reliably but can’t match the precision of later models.
-
Sony A7 II: Larger sensor delivers shallower depth of field potential. Paired with fast portrait lenses, it offers more control over background blur. Eye AF is good but less effective on animals or in very low light.
Landscape
-
Sony A7 II: Wins due to full-frame dynamic range, resolution, and flexibility in focal lengths. Weather sealing lets you brave harsher conditions. IBIS complements hand-held shooting.
-
X100V: Offers brilliant color rendering and sharp fixed-lens wide frame. Limited zoom flexibility but great for hikers and casual landscape shooters.
Wildlife and Sports
-
Sony A7 II: Lower burst rate and older AF make this a second choice compared to modern cameras but still sufficient for beginners in action shooting.
-
X100V: Limited by fixed 35mm lens and lack of stabilization.
Street and Travel Photography
-
X100V: Compact, quiet leaf shutter, and classic focal length make this ideal for stealthy, unobtrusive shooting. Fantastic for street photography enthusiasts.
-
A7 II: Bulkier setup but adaptable lens choices for versatility on the road.
Macro and Close-Up
-
Sony A7 II: Flexible with dedicated macro lenses and sensor stabilization.
-
X100V: Limited macro capability, but close focusing helps in casual scenarios.
Night and Astro
-
Sony A7 II: Performs better in high ISOs and long exposures thanks to sensor size and stabilization.
-
X100V: Good noise control at mid ISO but struggles beyond ISO 3200.
Video
-
X100V: 4K video with beautiful color, ideal for casual video creators.
-
A7 II: Full HD with steady footage via IBIS and professional audio support.
Overall Performance and Value
| Category | Fujifilm X100V | Sony A7 II |
|---|---|---|
| Overall Image Quality | Excellent for APS-C | Excellent full frame |
| Autofocus Speed | Fast and reliable | Good but slower |
| Handling and Ergonomics | Compact, intuitive dials | Larger, professional feel |
| Video | 4K UHD quality | HD with stabilization |
| Battery Life | Longer | Moderate |
| Price (at launch) | $1399 | $1455 |
Both cameras offer compelling value. The X100V gives exceptional image quality and portability with creative stimulus imposed by its fixed lens. The A7 II remains a professional-grade full-frame with flexible system advantages, better low-light performance, and lens choices but is larger and older technology wise.
Who Should Choose the Fujifilm X100V?
- You want a pocketable, beautiful camera that sparks creativity.
- Street, travel, portrait, and documentary photography are your main interests.
- You appreciate tactile manual controls and classic design.
- 4K video capability matters to you, along with top-notch color rendition.
- You prefer a fixed lens and prefer not to carry multiple lenses.
- Budget-conscious but want high image quality, excellent build, and modern AF.
Who Should Choose the Sony A7 II?
- You need a full-frame sensor with superb low-light capability and dynamic range.
- You require lens versatility for diverse photographic genres - portraits, landscapes, macro, wildlife.
- You want in-body stabilization and professional video audio controls.
- You prioritize a camera designed for heavier use and professional workflows.
- You are okay with a larger body and older video specs but want a solid, proven full-frame.
Getting Started: Test and Explore to See What Fits You Best
We always recommend hands-on experience to truly feel which camera fits your style and workflow. Renting or visiting a store for a trial session will quickly reveal your preference for size, controls, and image rendering. For ultimate control, combine the Sony A7 II with a range of lenses to push your creativity. For simplicity and instant inspiration, dive into the Fujifilm X100V’s compact universe.
Both cameras represent milestones in their classes - embracing either will enhance your photographic journey and help you create meaningful, beautiful images.
Happy shooting!
If you want to deep dive on specific topics or explore accessories and lenses tailored for either option, feel free to reach out or browse more detailed reviews and photo galleries online.
Fujifilm X100V vs Sony A7 II Specifications
| Fujifilm X100V | Sony Alpha A7 II | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Sony |
| Model | Fujifilm X100V | Sony Alpha A7 II |
| Type | Large Sensor Compact | Pro Mirrorless |
| Revealed | 2020-02-04 | 2014-11-20 |
| Body design | Large Sensor Compact | SLR-style mirrorless |
| Sensor Information | ||
| Chip | X-Processor Pro 4 | Bionz X |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | APS-C | Full frame |
| Sensor measurements | 23.5 x 15.6mm | 35.8 x 23.9mm |
| Sensor surface area | 366.6mm² | 855.6mm² |
| Sensor resolution | 26MP | 24MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 6240 x 4160 | 6000 x 4000 |
| Maximum native ISO | 12800 | 25600 |
| Maximum enhanced ISO | 51200 | 51200 |
| Lowest native ISO | 160 | 100 |
| RAW photos | ||
| Lowest enhanced ISO | 80 | 50 |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 425 | 117 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 35mm (1x) | - |
| Largest aperture | f/2.0 | - |
| Amount of lenses | - | 121 |
| Focal length multiplier | 1.5 | 1 |
| Screen | ||
| Display type | Tilting | Tilting |
| Display size | 3 inch | 3 inch |
| Display resolution | 1,620k dot | 1,230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | Electronic and Optical (tunnel) | Electronic |
| Viewfinder resolution | 3,690k dot | 2,359k dot |
| Viewfinder coverage | 95 percent | 100 percent |
| Viewfinder magnification | 0.52x | 0.71x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/8000 seconds |
| Max quiet shutter speed | 1/32000 seconds | - |
| Continuous shutter speed | 11.0 frames/s | 5.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | no built-in flash |
| Flash modes | Auto, Standard, Slow Sync, Manual, Commander, off | no built-in flash |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Maximum video resolution | 4096x2160 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 478 grams (1.05 pounds) | 599 grams (1.32 pounds) |
| Physical dimensions | 128 x 75 x 53mm (5.0" x 3.0" x 2.1") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
| DXO scores | ||
| DXO Overall score | not tested | 90 |
| DXO Color Depth score | not tested | 24.9 |
| DXO Dynamic range score | not tested | 13.6 |
| DXO Low light score | not tested | 2449 |
| Other | ||
| Battery life | 420 photos | 350 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NP-W126S | NP-FW50 |
| Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | With downloadable app | |
| Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | 1 | 1 |
| Cost at release | $1,399 | $1,456 |