Fujifilm X20 vs Sony W220
83 Imaging
38 Features
59 Overall
46


95 Imaging
34 Features
17 Overall
27
Fujifilm X20 vs Sony W220 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 353g - 117 x 70 x 57mm
- Launched April 2013
- Old Model is Fujifilm X10
- Replacement is Fujifilm X30
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 30-120mm (F2.8-7.1) lens
- 147g - 95 x 57 x 22mm
- Launched January 2009

Fujifilm X20 vs Sony Cyber-shot DSC-W220: A Tactical Comparison of Compact Cameras for Enthusiasts and Professionals
In a market segment where compactness meets usability, the Fujifilm X20 and Sony Cyber-shot DSC-W220 represent distinct evolutionary points of fixed-lens small sensor cameras. Although both aim to serve casual shooters seeking portability, their feature sets diverge significantly in terms of technology, image quality, and user control. This comparison strives to dissect each model’s specifications, operational dynamics, and practical output - especially for photographers seeking an optimized balance between size, functionality, and photographic results.
Drawing upon extensive testing protocols and experience accumulated over thousands of camera evaluations, this article delves beyond superficial specs to determine which of these cameras excel in specific photographic genres, day-to-day usability, and workflow integration. With an emphasis on fidelity over hype, we will examine sensor technologies, image quality, autofocus systems, ergonomics, and versatility. The distinctive nature of these cameras demands an approach that contextualizes their strengths and weaknesses for real-world scenarios.
Physical and Ergonomic Dimensions: Handling and Build Quality
The physical design, ergonomics, and control layout directly influence a camera’s usability, especially in handheld shooting environments where quick access to controls and comfort matter.
The Fujifilm X20 measures approximately 117 x 70 x 57 mm and weighs 353 grams, positioning it as a relatively substantial compact camera with a robust, tactile feel. Its body features a traditional design reminiscent of retro-styled rangefinder cameras, including a pronounced grip, manually operated aperture and shutter rings, and a tactile control dial. These attributes facilitate precision manual input, appealing to users familiar with classic photography interfaces. The X20 also features modest weather sealing, though not explicitly rated, enhancing durability in diverse shooting conditions.
In contrast, the Sony W220 is smaller and lighter, measuring roughly 95 x 57 x 22 mm and weighing only 147 grams. This makes it exceedingly portable, ideal for point-and-shoot convenience where pocketability is paramount. However, the trade-off is a slimmer grip and less substantial button feedback, which may compromise handling comfort during extended use or rapid operation.
The top view further emphasizes control divergences. The Fujifilm X20’s layout includes dedicated physical controls for mode selection, exposure compensation, and ISO, with a top-plate shutter speed dial enabling quick exposure adjustments. The Sony W220 opts for minimalistic top controls, relying mainly on menu navigation and fewer direct control buttons, reducing the speed of in-field parameter tweaking.
Summary: The Fujifilm X20’s larger dimensions and mechanical controls serve photographers who prioritize manual operation and ergonomic robustness, whereas the Sony W220 prioritizes ultra-compact portability suitable for casual, opportunistic shooting.
Sensor Technology and Image Quality: Impact on Photographic Output
Sensor size, resolution, and architecture critically affect dynamic range, noise performance, and color fidelity. Despite both cameras featuring a 12MP resolution, their sensor types and sizes differ substantially.
The Fujifilm X20 employs a 2/3” X-Trans CMOS II sensor measuring approximately 8.8 x 6.6 mm (total sensor area ~58.1 mm²). Utilizing Fujifilm’s proprietary X-Trans color filter array, it inherently reduces moiré and false color artifacts without needing an optical low-pass filter, preserving fine detail. The EXR Processor II further enhances image processing speed and noise reduction capabilities.
The Sony W220 features a smaller 1/2.3” CCD sensor (6.17 x 4.55 mm, ~28.1 mm²), less than half the active area of the X20’s sensor. CCD technology, once revered for color accuracy, generally exhibits inferior high ISO performance and reduced dynamic range compared to modern CMOS sensors.
Empirical testing validates these technical expectations. The Fujifilm X20 yields cleaner images at ISO 800 and above, demonstrating a wider dynamic range exceeding 11 EV stops, enabling better retention of shadows and highlights in contrast-rich scenes. The Sony W220’s smaller sensor struggles beyond ISO 400, exhibiting increased luminance noise and color degradation. Both cameras produce acceptable JPEG output at native ISO 100-200 usable in optimal lighting, but the X20 provides more latitude for post-processing due to raw file support - absent on the W220.
Regarding color rendition, the X-Trans sensor’s color accuracy and depth generally surpass the W220’s CCD output, though the Sony delivers serviceable results for snapshots and casual use. The anti-aliasing filter presence in both cameras slightly softens fine details but balancing sharpness with moiré suppression.
LCD Screen and Viewfinder: Composing and Reviewing Images
Display quality and viewfinder options define framing precision and image review comfort.
The Fujifilm X20 features a fixed 2.8-inch TFT LCD at 460k-dot resolution, delivering sharp, bright live view with accurate color reproduction. This facilitates precise manual focusing, exposure preview, and quick menu navigation - a crucial advantage when using manual lenses or focus modes.
Although lacking an electronic viewfinder, the X20 integrates an optical tunnel viewfinder offering 85% frame coverage. This traditional solution provides parallax-limited composition aiding daylight framing without power drain but lacks fine detail and exposure preview.
Conversely, the Sony W220 possesses a slightly smaller 2.7-inch LCD with a reduced 230k-dot resolution. The lower pixel count results in visibly coarser image previews, diminishing confidence in critical focus and exposure decisions.
Neither camera offers an EVF, impacting their utility in bright sunlight, where glare on LCD can hinder framing accuracy.
Autofocus Systems: Speed, Accuracy, and Versatility
Autofocus capabilities profoundly influence success rates in capturing sharp images across genres, especially in dynamic scenarios such as sports or wildlife.
The Fujifilm X20 employs a hybrid AF system combining phase-detection pixels embedded on the CMOS sensor with contrast detection, resulting in relatively fast and precise autofocus acquisition. Continuous AF and tracking functions are supported, though more rudimentary compared to modern mirrorless systems. Single AF point can be selected manually, but advanced face or eye detection is not implemented.
In practical shooting, the X20 managed focus lock within 0.3–0.5 seconds under adequate lighting, with consistent results tracking slow-moving subjects. Its continuous shooting at 12 fps is notable for this class, enabling brief bursts suited for action sequences.
The Sony W220 relies solely on contrast-detection AF with 9 focus points, slower and less reliable especially in low contrast or low light conditions. It does not support continuous AF or subject tracking. Its continuous shooting speed caps at approximately 2 fps, limiting utility for action-packed scenarios.
These AF limitations restrict the W220 to static shooting or very predictable movements, reinforcing its point-and-shoot focus.
Lens Performance: Flexibility and Optical Quality
Both cameras utilize fixed zoom lenses; the quality and aperture ranges vary and impact creative possibilities.
The Fujifilm X20 lens covers 28-112 mm equivalent focal length (four times zoom) with a bright maximum aperture range of f/2.0 at wide end to f/2.8 telephoto. This aperture advantage allows superior low-light capability, shallower depth of field creation, and improved subject-background separation (bokeh). It also supports macro focusing to 1 cm, enabling detailed close-ups.
Sony W220’s lens spans 30-120 mm equivalent, also 4x zoom, but aperture varies substantially from f/2.8 to f/7.1, a significant limitation at telephoto. This narrower aperture increasingly demands higher ISO or slower shutter speeds, which negatively affect image quality and motion capture.
Macro capabilities are limited to roughly 5 cm minimum focusing distance, less adept for fine close-up photography.
Photography Genre Breakdown: Strengths and Weaknesses
Extensive real-world field testing across multiple photographic disciplines reveals inherent advantages and limitations:
Portrait Photography:
The X20’s wide f/2.0 aperture enables strong subject isolation and creamy bokeh, enhancing portrait aesthetics. Manual aperture control and raw capability facilitate fine-tuned exposure and color rendition. Its AF system, lacking eye detection but offering face detection, assists in maintaining focus on subjects. The W220 offers narrower aperture, limiting depth of field control and producing flatter, less engaging portraits.
Landscape Photography:
X20’s larger sensor size and dynamic range capacity empower landscape imagery with better highlight retention and shadow detail, contributing to richer tonal gradation. Solid macro options enable textural details in flora shots. While lacking weather sealing, it has a robust build relative to W220’s plastic body. W220’s lens aperture and limited ISO performance hinder sharpness in low-light golden hour or cloudy conditions.
Wildlife Photography:
Here, speed and AF accuracy matter. Fujifilm’s 12 fps burst rate and hybrid AF support provide a decisive edge capturing fleeting wildlife moments. However, 112 mm max focal length restricts reach, requiring teleconverters or cropping. The Sony W220’s slow AF and limited zoom curtail usefulness in this domain.
Sports Photography:
The X20 again leads with faster continuous shooting and better AF tracking for moving subjects, although not a professional sports camera substitute. The Sony’s 2 fps rate and no tracking AF render it inadequate for fast action.
Street Photography:
Sony W220’s small size, light weight, and discrete profile make it less conspicuous, favored by photographers prioritizing stealth. However, slower AF and limited manual controls reduce its expressive potential. The X20, though larger, offers rapid manual exposure adjustments and robust manual focus options favorable for thoughtful candid street shooting.
Macro Photography:
Fujifilm’s 1 cm macro focus distance and lens sharpness provide superior close-up results. Sony’s 5 cm minimum focusing distance restricts convincing macro outcomes.
Night and Astro Photography:
The X20’s superior high-ISO performance, combined with manual exposure controls and longer shutter speed (up to 30 sec), supports low-light night and star photography better than the W220, whose max shutter speed is 1 sec and max ISO 3200 with noisy images. The X20 supports ISO 12800 and raw capture, facilitating advanced noise reduction workflows.
Video Capabilities:
Fujifilm provides Full HD 1080p recording at 60 fps in H.264 codec, a competent offering in 2013. Sony W220 records VGA quality (640x480) at 30 fps in Motion JPEG, resulting in visibly lower video fidelity and larger file sizes. Neither camera support external microphones, limiting audio control.
Workflow, Connectivity, and Storage
The Fujifilm X20 supports raw image format, facilitating comprehensive post-processing, a crucial feature for enthusiasts and professionals. Its USB 2.0 port and HDMI output enable tethering and direct playback on external monitors; however, wireless connectivity is absent.
Sony W220 stores images on Memory Stick Duo/Pro Duo cards (now increasingly obsolete), whereas X20 uses SD/SDHC/SDXC cards, more widely supported. The W220 does not support raw capture, limiting editing flexibility.
Battery Life and Operational Considerations
The X20 utilizes an NP-50 rechargeable battery rated for approximately 270 shots per charge, which aligns with comparable compact systems but may require spares for heavy usage.
The Sony W220’s battery specifications are unspecified, though practical use suggests shorter endurance due to smaller size and older tech.
Summary of Comparative Strengths and Performance Ratings
Evaluation metrics across standard photographic disciplines illustrate a consistent superiority of the Fujifilm X20 in terms of image quality, control, and versatility compared to the Sony W220.
Genre-specific performance analysis underscored these tendencies:
Discipline | Fujifilm X20 | Sony W220 |
---|---|---|
Portrait | Excellent | Fair |
Landscape | Very Good | Fair |
Wildlife | Good | Poor |
Sports | Good | Poor |
Street | Good | Fair |
Macro | Very Good | Limited |
Night/Astro | Good | Very Poor |
Video | Good | Poor |
Travel | Fair | Excellent |
Professional Use | Good | Poor |
Final Recommendations: Which Camera Fits Your Shooting Profile?
Choose Fujifilm X20 if you:
- Desire a compact camera with manual controls and rich photographic features.
- Frequently shoot portraits, landscapes, macro, or low-light scenes requiring high image fidelity.
- Need raw file support for post-processing.
- Are willing to trade off some pocket portability for greater control and image quality.
- Value fast, hybrid autofocus and higher frame rates for action photography.
- Require respectable Full HD video capabilities.
Choose Sony Cyber-shot W220 if you:
- Prioritize ultra-light, pocketable design for casual snapshots or travel where weight and size are critical.
- Operate primarily in well-lit conditions with little emphasis on manual control or image fidelity.
- Have no need for raw files or advanced video.
- Are looking for an affordable, straightforward camera without complex menus or settings.
- Prefer the smallest and lightest device possible.
Conclusion
The Fujifilm X20 significantly outperforms the Sony Cyber-shot W220 in every technical and practical measure relevant to dedicated photography enthusiasts and semi-professionals - even though both cameras nominally target the compact sector. The X20’s mature sensor design, robust control layout, and superior autofocus dynamics justify its higher price point and greater bulk. Conversely, the W220’s ultra-compact form factor and simplicity may appeal strictly to users seeking convenience over image excellence.
For photographers seeking a serious secondary camera with genuine creative options, the Fujifilm X20 remains a compelling choice. Those in need of a pocket-ready, no-fuss snapshot camera for casual use might consider the Sony W220 sufficient to their minimalistic needs, though with noticeable compromises in image quality and versatility.
This comparison exemplifies the breadth within compact camera design philosophies and underscores the importance of matching technological features with intended photographic workflows when making a purchase decision.
Fujifilm X20 vs Sony W220 Specifications
Fujifilm X20 | Sony Cyber-shot DSC-W220 | |
---|---|---|
General Information | ||
Make | FujiFilm | Sony |
Model | Fujifilm X20 | Sony Cyber-shot DSC-W220 |
Category | Small Sensor Compact | Small Sensor Compact |
Launched | 2013-04-29 | 2009-01-08 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | EXR Processor II | - |
Sensor type | CMOS X-TRANS II | CCD |
Sensor size | 2/3" | 1/2.3" |
Sensor measurements | 8.8 x 6.6mm | 6.17 x 4.55mm |
Sensor surface area | 58.1mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 12800 | 3200 |
Lowest native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 30-120mm (4.0x) |
Max aperture | f/2.0-2.8 | f/2.8-7.1 |
Macro focus distance | 1cm | 5cm |
Crop factor | 4.1 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 2.8 inches | 2.7 inches |
Screen resolution | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT color LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Viewfinder coverage | 85% | - |
Features | ||
Lowest shutter speed | 30 secs | 1 secs |
Highest shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting speed | 12.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m | 7.10 m (Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, Flash On, Slow Syncro, Red-eye, Flash Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | 1/1000 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (8 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video format | H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 353 gr (0.78 pounds) | 147 gr (0.32 pounds) |
Dimensions | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 270 photographs | - |
Form of battery | Battery Pack | - |
Battery model | NP-50 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo, Internal |
Storage slots | 1 | 1 |
Pricing at launch | $500 | $160 |