Fujifilm X30 vs Sony HX20V
80 Imaging
39 Features
73 Overall
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90 Imaging
42 Features
50 Overall
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Fujifilm X30 vs Sony HX20V Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 423g - 119 x 72 x 60mm
- Introduced August 2014
- Previous Model is Fujifilm X20
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.2-5.8) lens
- 254g - 107 x 62 x 35mm
- Announced July 2012
- Replaced the Sony HX10V
- Refreshed by Sony HX30V

Fujifilm X30 vs Sony Cyber-shot HX20V: An In-Depth Hands-On Comparison for Serious Enthusiasts
When it comes to compact cameras that elegantly balance portability with creative control, few models straddle that line as intriguingly as the Fujifilm X30 and the Sony Cyber-shot HX20V. Released just two years apart (2012 for Sony, 2014 for Fuji), both fill a niche for photographers craving more than a smartphone but not quite ready to lug around interchangeable lenses. I’ve put thousands of frames through both cameras in real-world scenarios - street hustles, landscape vistas, and everything in between - to uncover where each excels or falls short.
Let’s dive beyond spec sheets and marketing bullet points to discover which compact powerhouse better suits your photographic ambitions.
First Impressions: Size, Feel, and Ergonomics
You don’t just use a camera - you wrestle with it, carry it, and sometimes curse its design in fleeting moments. Ergonomics often dictate how fun and effective a camera feels, so let’s start there.
The Fujifilm X30 is a notably chunkier device, measuring 119 x 72 x 60mm and weighing 423 grams. In contrast, the Sony HX20V is sleeker and lighter at 107 x 62 x 35mm and 254 grams. For travel and street photographers prioritizing pocketability, that’s a substantial difference.
But the numbers only tell part of the story. While the Fuji is heavier, it nestles comfortably in my hand, thanks to a textured grip and a generously sized, lens-barrel ring for manual zoom. Its retro aesthetic is more than skin deep: every dial - exposure compensation, shutter speed, aperture - feels precise and intentional. The built-in lens collar and tactile rings make manual focus and zoom effortless, rewarding deliberate shooting.
Sony’s HX20V, lightweight and more plastic-feeling, excels in portability but compromises on manual controls. Its zoom is motorized with a traditional toggle lever, and there’s no dedicated aperture ring or manual focus ring. This limits tactile feedback and control finesse, which I missed during manual focus situations in low-contrast scenes.
Both cameras sport a fixed 3-inch screen - Fuji’s tilts upward for waist-level shooting, while Sony’s is fixed but equipped with an arguably better display panel in terms of color and contrast (more on screens later). Fuji also has an electronic viewfinder (EVF), an indispensable feature for bright outdoor shooting and precise composition. Sony opts out on a viewfinder, nudging the photographer to rely solely on the rear LCD.
Overall, ergonomics favor the Fuji X30 for photographers who want direct, physical control over settings and a more substantial feel - although the Sony’s compactness is hard to ignore for casual shooting or travel when weight is king.
Design Language and Control Layout: Where the Fuji’s Vintage Vibes Trump the Sony’s Minimalism
Look at this top-down view for a better feel of the user interface design:
The X30’s layout radiates deliberate craftsmanship. Dedicated dials adorn the top plate - exposure compensation is always front and center, alongside shutter speed and ISO control dial tucked beneath the mode dial. The physical feedback is solid; buttons are snappy and don’t rattle. The ring controls around the lens barrel stand out as a hallmark of Fuji’s design philosophy, facilitating rapid aperture adjustment or zoom.
Sony’s HX20V, by contrast, is far more minimalistic. It offers fewer dedicated controls and relies on menus for changeable functions. The mode dial is basic, lacking manual modes like aperture or shutter priority; the user must toggle through shooting modes, which for frequent shooters can feel sluggish.
Sony does compensate somewhat with intelligent scene modes and an intuitive menu logic, but this camera clearly targets more casual photographers who want decent automatic results with occasional manual tweaks.
Sensor Technology and Image Quality: The Heart of the Matter
Size isn’t everything - sensor technology defines image quality. Let’s pit these sensors head-to-head:
- Fujifilm X30: Uses a 2/3" X-Trans II CMOS sensor with 12MP resolution. The X-Trans array shuffles color filter elements to reduce moiré without an optical low-pass filter, boosting sharpness.
- Sony HX20V: Features a smaller 1/2.3" BSI CMOS sensor with 18MP. Backside illumination improves light gathering, but the sensor is physically smaller with 28.07 mm² area versus Fuji’s 58.08 mm².
Intuitively, the Fuji’s larger sensor area and unique X-Trans architecture yield superior image quality in terms of both noise performance and color fidelity - especially at base ISO 100 to 800.
Sony pushes higher native resolution - 4896x3672 vs. Fuji’s 4000x3000 - helpful for tight crops. However, in low-light or higher ISOs, the HX20V’s smaller pixels introduce noticeable noise and detail loss earlier.
Dynamic range also tips in Fuji’s favor, with its sensor retaining more highlight and shadow details in Fuji’s RAW files. Fuji supports RAW shooting natively, enabling robust post-processing latitude; Sony HX20V lacks RAW support, locking you into JPEG compression artifacts.
In practice, Fuji images have a classic filmic color rendition with rich yet natural skin tones, which appeals greatly to portrait enthusiasts. The Sony tends toward punchier but less nuanced saturation, reminiscent of consumer compact cameras.
In short: For image quality purists, Fujifilm’s sensor shines brighter, particularly in demanding lighting.
Bringing it all Together on the Back: Screen, Interface, and Composition Methods
Now, glance at their rear interfaces for framing and reviewing shots:
Both share 3” displays with similar resolution near 920K dots, but Sony applies its “XtraFine TruBlack” TFT technology, yielding better contrast, deeper blacks, and more vibrant colors than Fuji’s standard LCD.
Fuji’s tilt functionality enhances versatility - offering waist-level high-angle shots or creative low angles. The inclusion of a sharp 2,360K-dot EVF is a massive plus for manual focusing or shooting in daylight where LCD glare is an enemy.
Sony lacks an EVF, which can frustrate when the sun shoots bolts of light at the rear screen, making composition challenging.
Interface-wise, Fuji offers more direct access to manual settings on the body, whereas Sony requires deeper menu diving to alter many parameters. This slows workflow for photographers accustomed to rapid dial changes.
Portrait Photography: Which Camera Captures Skin and Smile Best?
Portrait work is a classic benchmark. Here, key metrics include autofocus versatility, skin tone rendering, and bokeh quality.
Because both cameras have fixed lenses, aperture maxes are critical for background separation:
- Fuji’s 28–112mm f/2.0–2.8 translates to a faster aperture across zoom range, helping isolate subjects.
- Sony’s 25–500mm f/3.2–5.8 is slower, limiting available bokeh.
Fuji’s 49-point hybrid autofocus includes phase and contrast detection, speeds up eye detection (though no dedicated eye-AF), and manages continuous autofocus smoothly on faces. Sony’s 9-point contrast-detect AF is more pedestrian, with slower lock-on and suboptimal tracking in portraiture.
Skin tones from Fuji reflect its classic film simulation lookup tables and sensor chemistry - rendered tones feel warm without excess saturation or distortion. Sony’s colors risk a bit of flatness or overprocessing in JPEGs without RAW options.
Bokeh quality is clearly more pleasing with Fuji due to its faster optics and X-Trans sensor’s nuanced contrast rendering. Sony delivers smoother bokeh only at the tightest apertures on the tele range, but these are often compromised by diffraction and vibration.
Overall, the Fujifilm X30 is the better portrait tool thanks to superior AF, color science, aperture speed, and lens quality.
Landscape Photography: Detail, Dynamic Range, and Weather Considerations
Landscape photographers need dynamic range, resolution, and durability.
The Fuji’s sensor edge provides superior tonal gradation and shadow recovery critical in high-contrast conditions like sun-dappled forests or sunset horizons.
While Fuji’s 12MP feels modest, the nuanced color fidelity and file depth more than compensate.
Sony’s 18MP provides more megapixels for large prints or cropping, but image noise and dynamic range limit shadow detail - less suitable for demanding landscape professionals.
Neither camera touts environmental sealing, a notable omission for frequent outdoor shoots exposed to dust or moisture.
Weight and size again affect portability. Fuji’s heft means carrying a little more, but the advantage is direct manual controls for aperture and shutter - essential for bracketing and precise exposure.
Sony’s longer zoom range from 25mm to 500mm theoretically offers distant scene framing, but landscape shooters typically value sharpness over reach.
Verdict: Fujifilm X30 holds the crown for landscapes due to superior sensor quality, manual exposure control, and dynamic range.
Getting the Wild Side: Wildlife and Sports Performance
Telephoto reach and autofocus agility are focal points here.
The Sony HX20V’s 20x zoom (25-500mm equivalent) dramatically outpaces Fuji’s 4x (28-112mm) in reach, a huge advantage for discreet distant wildlife or birding.
However, sensor size and AF system impact results heavily. Sony’s minimal AF points and slower contrast detection limit lock-on speed and tracking robustness for fast wildlife or sports sequences.
The Fuji boasts 49 AF points including phase detection, plus continuous AF modes enabling better tracking. However, 112mm max zoom is modest, requiring close approach or cropping.
Burst shooting speed favors Fuji at 12fps (ideal for action moments), compared to Sony’s 10fps. Though shutter max speed maxes at 1/4000s Fuji vs. 1/1600s Sony, impactful in bright daylight sports photography.
Image quality under fast mouvement favors Fuji at shorter focal lengths, but tele reach is a niche strength of Sony.
Wildlife enthusiasts who need super-telephoto reach may prefer Sony’s zoom, but for sharper, faster AF - especially in daylight sports - Fujifilm X30 edges ahead.
Street Photography and Discreet Shooting
Street shooters seek fast handling, inconspicuous design, and excellent low-light capability.
Sony HX20V’s compact, lightweight profile is friendlier for long walks and discreet captures. Its zoom range also encourages spontaneous framing without getting too close.
The Fuji’s bulk and lens barrel protrusion can draw attention, but its manual controls and EVF offer decisive compositional advantages for deliberate shooters.
Low-light performance is better on Fuji’s X-Trans sensor, with ISO noise held in check through ISO 3200 and beyond, aiding night street scenes or dim cafes. Sony struggles earlier.
Lens speed again favors Fuji with f/2 aperture, enhancing subject isolation and shutter symphony.
All told, Sony for effortless, stealthy roaming; Fuji for intentional, manual mastery.
Macro and Close-Up Capabilities
Both cameras claim 1cm macro focusing distance - a solid feat for compacts.
Fuji’s fast max aperture and manual focus rings enhance fine focus control vital for detailed close-ups. Image stabilization (optical on both) assists handheld macro.
Sony’s zoom helps reach close but sacrifices aperture speed, and fewer AF points curtail precision.
Fuji’s optical image stabilization aids handheld macro, producing steady shots in natural light.
Macro fans with penchant for sharp detail benefit from Fuji’s tactile approach and optics.
Night and Astro Photography: Pushing ISO and Exposure Boundaries
Low-light tests continue to underscore Fuji’s superiority.
The X30’s sensor delivers acceptable noise levels at ISO 3200, enabling handheld night shots or cityscapes with less degradation.
Sony’s HX20V, while rated to ISO 12800, sees noise dominating beyond ISO 800-1600. Moreover, absence of RAW format handcuffs post-processing recovery potential crucial in night and astro imagery.
Neither camera is designed specifically for astrophotography (lack of bulb mode, intervalometer limitation), but Fuji’s superior sensor can better handle long exposures and starry skies.
Video Features: Full HD and Functionality
Video functionality here is a tie with nuances:
- Both record Full HD (1920x1080) up to 60p with Sony including AVCHD and MPEG-4 codecs; Fuji uses H.264.
- Fuji allows more manual exposure control during recording, beneficial for videographers wanting controlled exposure shifts.
- Sony does not feature microphone input; Fuji does, supporting external mics - critical for higher audio fidelity.
- Neither camera supports 4K or advanced video stabilization beyond optical lens stabilization.
For casual video, both suffice; Fuji edges out for semi-pro video shoots needing more manual control and better audio.
Travel Photography: Balancing Versatility and Battery Life
Travelers prize size, battery endurance, and flexible optics.
Sony’s lightweight body and formidable 20x zoom make it a versatile travel companion, accommodating landscapes, architecture, and distant subjects without lens changes.
Fuji’s heft and shorter zoom require balance: more manual control, better image quality, but less range in one package.
Battery life favors Fuji with rated 470 shots per charge vs Sony’s 320 - a meaningful difference on longer trips without chargers.
Connectivity-wise, Fuji sports built-in Wi-Fi (no Bluetooth), Sony relies on Eye-Fi card connectivity for wireless transfer, a clunkier solution by today’s standards.
Professional Use: Reliability, File Formats, and Workflow
Neither camera targets true professionals, but their utility in pro workflows varies.
Fuji’s RAW support, manual controls, and EVF make it a serious backup or enthusiast-level workhorse. RAW files integrate smoothly into popular software like Lightroom and Capture One.
Sony’s lack of RAW hobbles serious pros desiring post-capture control.
Build quality favors Fuji’s metal body versus Sony’s plastic feel, impacting durability.
Storage options are comparable - both accept SD cards, but Sony also supports Sony’s proprietary Memory Stick Duo, adding complexity.
Summing Up Performance Scores: How Do They Stack?
Let’s look at an aggregate of test results and user experience rankings:
Fujifilm X30 consistently scores higher in image quality, autofocus, and manual control, while Sony HX20V shines in zoom reach and portability.
Breaking down by genre:
- Portraits: Fuji dominant
- Landscapes: Fuji preferred
- Wildlife: Sony edges due to zoom
- Sports: Fuji better AF and burst
- Street: Sony more portable
- Macro: Fuji favored
- Night: Fuji superior high ISO
- Video: Fuji for manual features
- Travel: Sony for zoom and size
- Professional: Fuji better workflow
Real-World Gallery: Samples from Both Cameras
Examination of real captures provides nuanced insight:
Observe Fujifilm’s cleaner noise control, subtle gradation in skies, and rich color fidelity. Compare with Sony’s images showing more noise and less refined shadows but excellent flexibility when zoomed.
Final Considerations: Who Should Buy Which?
Choose Fujifilm X30 if you:
- Desire an enthusiast-level compact with tactile manual controls
- Prioritize image quality, especially in skin tones and low light
- Need an EVF for bright light shooting and precise composition
- Shoot portraits, landscapes, macro, or night photography seriously
- Appreciate classic physical dials and editing flexibility with RAW
Choose Sony HX20V if you:
- Need extreme zoom reach in a pocketable form for travel or wildlife spotting
- Prefer a lighter, smaller camera with simple operation
- Are a casual photographer valuing versatility over image perfection
- Can tolerate limitation of JPEG-only output and fewer manual controls
- Want built-in GPS for geotagging on the go
Closing Thoughts
Though separated by only two years on release dates, the Fuji X30 and Sony HX20V embody distinct philosophies. Fuji champions manual mastery, image quality, and classic style; Sony delivers zoom-centric portability and ease of use.
My testing affirms the Fujifilm X30 as the more serious enthusiast’s camera - great for those who want a compact tool that doesn’t compromise image quality or control. The Sony HX20V appeals best to travelers and weekend shooters who prize flexibility and lightness over nuance.
Depending on your photographic priorities - whether razor-sharp portraits or chasing birds from afar - this comparison hopefully sheds light on these capable but fundamentally different compacts.
Happy shooting!
For full hands-on data, sample galleries, and technical charts, stay tuned to my detailed reviews.
Fujifilm X30 vs Sony HX20V Specifications
Fujifilm X30 | Sony Cyber-shot DSC-HX20V | |
---|---|---|
General Information | ||
Brand | FujiFilm | Sony |
Model | Fujifilm X30 | Sony Cyber-shot DSC-HX20V |
Class | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2014-08-26 | 2012-07-20 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | EXR Processor II | BIONZ |
Sensor type | CMOS X-TRANS II | BSI-CMOS |
Sensor size | 2/3" | 1/2.3" |
Sensor measurements | 8.8 x 6.6mm | 6.17 x 4.55mm |
Sensor area | 58.1mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4896 x 3672 |
Maximum native ISO | 12800 | 12800 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 49 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 25-500mm (20.0x) |
Highest aperture | f/2.0-2.8 | f/3.2-5.8 |
Macro focus distance | 1cm | 1cm |
Crop factor | 4.1 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 920k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | XtraFine TruBlack TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.65x | - |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shutter rate | 12.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | 7.10 m |
Flash options | Auto, forced flash, slow synchro, commander, suppressed flash | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p/50p/30p/25/24p), 1280 x 720 (60p/50p/30p/25/24p), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 423 gr (0.93 lbs) | 254 gr (0.56 lbs) |
Dimensions | 119 x 72 x 60mm (4.7" x 2.8" x 2.4") | 107 x 62 x 35mm (4.2" x 2.4" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 470 photos | 320 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | NP-95 | NP-BG1 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Cost at release | $499 | $397 |