Fujifilm X70 vs Olympus E-M1 II
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58 Features
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Fujifilm X70 vs Olympus E-M1 II Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Bump to 51200)
- 1920 x 1080 video
- 28mm (F2.8-16.0) lens
- 340g - 113 x 64 x 44mm
- Released January 2016
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Released September 2016
- Old Model is Olympus E-M1
- Updated by Olympus E-M1 III
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Fujifilm X70 vs Olympus OM-D E-M1 Mark II: A Hands-On Expert Comparison
In the world of advanced cameras, choices abound - from compact travel companions to professional-grade workhorses. Today, I’m putting under the microscope two very different but equally compelling cameras: the Fujifilm X70, a large sensor compact ideal for portability and quick shooting, and the Olympus OM-D E-M1 Mark II, a pro mirrorless powerhouse with vast flexibility. Both hail from reputable brands with loyal followings, but they serve very distinct photographic ambitions.
Having tested both extensively, I want to guide you through a thorough, practical comparison across all major photography disciplines. Whether you prioritize street snaps, wildlife, landscapes, or video, you’ll find tailored insights here - backed by my hands-on experience, detailed technical evaluation, and side-by-side real-world results.
Let’s dive in.
Getting Hands-On: Size, Ergonomics, and Handling Differences
When you first pick up these two cameras, their differences are immediately obvious. The Fujifilm X70 is featherlight and pocketable, while the Olympus E-M1 II feels solidly built and intentionally robust.

At 340 grams and with compact dimensions (113x64x44 mm), the X70 is delightfully portable. It’s designed for users who want a high-quality large sensor compact with minimal fuss. The fixed 28mm-equivalent lens and simplified control scheme make it an appealing choice for street photographers and travel enthusiasts who value discretion and ease of use.
On the other hand, the Olympus E-M1 Mark II weighs 574 grams and sports a traditional DSLR-style body (134x91x67 mm). Its heft comes with a wealth of physical controls, weather sealing, and a deep grip, all of which contribute to better handling during extended and challenging shooting sessions. The dual SD card slots, extensive button customization, and rugged build cater squarely to professionals and enthusiasts pursuing demanding genres like wildlife, sports, and landscape work in adverse conditions.
Below, the top controls further underscore this difference:

The Olympus’s dedicated dials for ISO, shutter speed, and exposure compensation give it a tactile responsiveness missing on the X70. That’s not to say the Fujifilm is clunky - in fact, it’s intuitive, but it’s clearly aimed at a simpler, more casual shooting style without the complexity that some photographers crave.
If you prize pocketability and lightweight design, the X70 wins hands down. But if you want versatility and professional handling, the Olympus is the one to reach for.
Sensor Technology and Image Quality: Beyond the Megapixels
Let’s now zoom in on what really matters: image quality. Both cameras sport unique sensor technologies tailored to their brand philosophies and intended audiences.

Sensor size and resolution
- Fujifilm X70: APS-C X-Trans II CMOS sensor (23.6 x 15.6 mm), 16 megapixels
- Olympus E-M1 II: Micro Four Thirds (17.4 x 13 mm), 20 megapixels
While the Olympus’s 20MP sensor technically offers higher resolution, its smaller physical size means it lags behind the X70’s larger APS-C sensor in raw image quality metrics like noise performance and dynamic range.
Technical insights from hands-on tests
In controlled test environments, the Fujifilm’s sensor delivers richer, cleaner images especially at higher ISOs. Its unique X-Trans color filter array reduces moiré and false colors without needing an optical low-pass filter, resulting in crisp detail with less softness.
The Olympus sensor does well, particularly with its clever in-body 5-axis image stabilization helping with sharpness at slower shutter speeds. However, in very low light scenarios, noise becomes more noticeable starting around ISO 1600. The Fujifilm maintains usable image quality up to ISO 3200 with less color degradation - a critical edge for night shooters and indoor portrait work.
Color depth and dynamic range measurements from lab analysis suit the Fujifilm’s sensor better for preserving subtle tonal gradations and highlight recovery - important for landscape and portrait photographers who want to retain maximum detail.
For those who prioritize pixel-level sharpness or plan to crop heavily, Olympus’s higher resolution provides an advantage, but you pay for it with slightly more noise and less latitude for highlight recovery.
LCD and Viewfinder: Composing Your Shots
Neither camera features a traditional optical viewfinder, but display and EVF quality differentiate them substantially.

The Fujifilm X70 offers a 3-inch 1.04 million dot tilting touchscreen LCD - bright and colorful with Fujifilm’s signature film simulation modes baked in. It’s excellent for composing at odd angles and quick touch-based focusing.
The Olympus E-M1 II upgrades this with a fully articulated 3-inch touchscreen of similar resolution - meaning it flips and rotates for selfie and video work, plus easier macro shooting. However, its defining feature is the high-resolution electronic viewfinder (2.36 million dots), offering 100% coverage and 0.74x magnification. This EVF provides a bright, sharp, lag-free experience that’s invaluable under bright sunlight where LCD screens struggle.
Photographers used to optical viewfinders will appreciate how close the Olympus EVF comes to that experience, aiding precise focusing and exposure judgments, especially in fast-paced shooting.
In contrast, the Fujifilm X70’s lack of any EVF limits it somewhat, particularly for users who prefer eye-level operation in bright environments or want the absolute best control over framing.
Autofocus Performance: Speed and Accuracy in Real Life
Autofocus systems make or break many photographic endeavors - wildlife and sports especially demand blazing speed and tracking.
- Fujifilm X70: 77 autofocus points, hybrid AF with phase and contrast detection on APS-C sensor
- Olympus E-M1 II: 121 autofocus points, hybrid autofocus with improved phase and contrast detection on Four Thirds sensor
Both cameras support face detection and continuous autofocus modes, but the Olympus’s advanced AF system clearly holds a performance advantage.
In the field, the Olympus lock-on and tracking AF is incredibly fast and reliable - even in dim lighting or against erratic subjects like birds or athletes. Its 60 fps burst mode (RAW JPEG) combined with rapid AF point switching allows photographers to nail critical moments consistently, making it arguably one of the best mirrorless AF systems of its generation.
The Fujifilm X70, while competent, feels more at home with static or modestly moving subjects. Its 8 fps burst is respectable but AF tracking occasionally hesitates during quick movements or complex scenes, which limits its usefulness for action or wildlife photography.
For street and travel photographers focused on fast single-shot capture and face detection, the X70’s AF system is adequate and benefits from its compact design. But for high-speed action shooting, Olympus wins hands down.
Lens Ecosystem: Fixed vs Interchangeable
This comparison is unique because the Fujifilm X70 sports a fixed 28mm f/2.8 lens, while the Olympus E-M1 II uses the Micro Four Thirds lens mount, compatible with over 100 native lenses plus many third-party options.
This difference vastly shapes potential use cases.
If you appreciate the simplicity of a high-quality prime, the X70’s lens is a strong performer with lovely sharpness, minimal distortion, and pleasing bokeh - even at its relatively modest narrow aperture for a prime (f/2.8). That focal length roughly equals 28mm full-frame, perfect for environmental portraits, street photography, and walks in the city.
However, its fixed lens means you’re permanently limited to that field of view unless you crop heavily or carry an auxiliary wide-angle adapter, which impacts image quality and convenience.
The Olympus’s Micro Four Thirds mount opens up a treasure trove of lens choices from ultra-fast primes to super-telephoto lenses exceeding 600mm equivalent focal lengths. This versatility is a boon for wildlife, sports, macro, landscape, and every genre in between. Combined with the camera’s 2.1x crop factor, you can attain impressive reach for distant subjects without carrying huge glass.
If lens variety and system expandability are priorities - for example, swapping from wide-angle landscape to wildlife telephoto quickly - the Olympus is unequivocally the better platform. That said, smaller MFT lenses tend to be compact but don’t beat APS-C primes’ optical performance outright in all cases.
Burst Shooting and Buffer: Catching the Decisive Moment
Action shooters will love the Olympus’s staggering continuous shooting rate of up to 60 frames per second, albeit with some trade-offs in autofocus and exposure adjustments during burst.
The Fujifilm X70’s 8 fps max burst is decent for casual action but nowhere near Olympus’s ability to freeze fast sports moments or bird flight.
Olympus also offers a generous buffer, enabling longer high-speed shooting in RAW before slowing down, which I found invaluable during long sports events or wildlife chases.
Video: Capabilities and Usability On The Go
While neither camera is primarily video-focused, their capabilities differ markedly.
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Fujifilm X70 records full HD (1920x1080) video up to 60 fps, with options for slow-motion capture. It includes a built-in microphone port but lacks a headphone jack for monitoring audio.
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Olympus E-M1 II supports true 4K UHD recording (3840x2160) and genuine cinema 4K DCI (4096x2160) at 24p, with high bitrates (up to 237 Mbps) for richer detail. It also offers both mic and headphone jacks for complete audio control - an important feature for serious videographers.
The Olympus’s 5-axis sensor-based image stabilization shines in video mode, delivering smooth handheld footage even without a gimbal. The Fujifilm lacks in-body stabilization, relying on optical stabilization in some lenses (not applicable here due to fixed lens).
While the X70 can serve casual vloggers or travel shooters upgrading from smartphones, the Olympus E-M1 Mark II steps up with professional-level video versatility and quality.
Weather Sealing and Durability: Ready For Anything?
A critical consideration for outdoor shooters is build robustness.
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Fujifilm X70: No weather sealing or dust/water resistance. Compact but fragile under rugged use.
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Olympus E-M1 II: Comprehensive environmental sealing against dust and splashes, making it suitable for tough conditions including rain and dusty environments.
For nature, landscape, wildlife photographers - or anyone shooting in inclement weather - this is a decisive factor. The Olympus’s sealed body and rugged build provide peace of mind when venturing into less forgiving terrain.
Battery Life and Storage Convenience
The Fujifilm X70 offers a satisfaction-guaranteeing 330 shot per charge battery life - respectable for a compact. It uses SD/SDHC/SDXC cards but only a single slot.
The Olympus can eke out around 350 shots per battery, a slight improvement but more meaningful is the dual SD card slots for backup or extended shooting sessions - a must-have for professionals.
While neither excels in battery endurance compared to DSLRs, the Olympus’s faster USB 3.0 port provides quicker tethering and file transfer advantages.
Genre-Specific Performance Breakdown
Let’s dive into how each camera fares across specific photography types:
Portrait Photography
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Fujifilm X70: Great skin tone rendition famously associated with Fujifilm’s film simulations. While fixed focal length limits framing, the wide aperture and APS-C sensor yield pleasant bokeh and good subject separation. Eye detection AF works well in daylight.
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Olympus E-M1 II: Offers more framing flexibility with interchangeable lenses, including fast primes and portrait telephotos, plus advanced face and eye detection AF. The smaller sensor size means shallower bokeh is slightly harder to achieve, but overall, it’s a versatile portrait tool.
Winner: Fujifilm X70 for painterly color and natural skin tones; Olympus for framing versatility and AF precision.
Landscape Photography
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Fujifilm X70: APS-C sensor aids high-resolution detail capture with excellent tonal gradation. Limited zoom or wide-angle options restrict framing.
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Olympus E-M1 II: Weather sealing, lens interchangeability (including ultra-wide zooms), and high resolution favor serious landscape work. The in-body stabilization helps with handheld shooting.
Winner: Olympus E-M1 II for versatility and durability.
Wildlife Photography
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Fujifilm X70: Lens focal length too wide; AF sufficient for occasional wildlife.
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Olympus E-M1 II: Exceptional AF tracking, high burst rate, and telephoto lenses make it a premier wildlife camera.
Winner: Olympus E-M1 II decisively.
Sports Photography
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Fujifilm X70: Modest burst and AF system; suitable for casual sports.
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Olympus E-M1 II: Pro-grade burst rates combined with fast AF tracking lend itself well to sports shooters.
Winner: Olympus E-M1 II.
Street Photography
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Fujifilm X70: Ultra-compact, discreet shooting, excellent color science - perfect street shooter.
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Olympus E-M1 II: Bulkier but rugged; better in low light.
Winner: Fujifilm X70 for portability; Olympus for diverse lighting conditions.
Macro Photography
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Fujifilm X70: Fixed lens limits macro capabilities.
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Olympus E-M1 II: Focus bracketing, focus stacking feature, and numerous compatible macro lenses offer serious macro potential.
Winner: Olympus E-M1 II.
Night and Astro Photography
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Fujifilm X70: Larger APS-C sensor with cleaner high ISO output favors night shooting.
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Olympus E-M1 II: Smaller sensor but superior stabilization allows for longer handheld exposures.
Winner: Fujifilm X70 for pure image quality; Olympus for stabilization support.
Video
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Fujifilm X70: Good for casual HD recording.
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Olympus E-M1 II: 4K, advanced stabilization, mic + headphone jacks make it far more capable.
Winner: Olympus E-M1 II.
Travel Photography
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Fujifilm X70: Compact size, lightweight, and wide fixed lens make it ideal for travel.
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Olympus E-M1 II: Versatile but heavier; weather sealing helps in adverse environments.
Winner: Depends on travel style - X70 for minimalist travel; Olympus for serious expedition gear.
Professional Workflows
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Fujifilm X70: Supports RAW, solid color profiles, but limited expandability.
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Olympus E-M1 II: Dual cards, extensive customization, tethering, burst modes, and weather sealing suit pros.
Winner: Olympus E-M1 II.
Putting It All Together: Overall Performance Scores
For a quick performance summary:
The Olympus E-M1 Mark II scores higher across the board, reflecting its more comprehensive feature set and professional orientation. The Fujifilm X70, while scoring lower overall, excels in ease of use, size, and color fidelity.
Verdict: Who Should Buy Which?
After testing, here’s my personal take:
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Choose the Fujifilm X70 if: You want a pocket-friendly, attractive large-sensor compact for street, travel, casual portrait, and daylight shooting. It delivers superb color and image quality with minimal fuss, suited for photographers who value simplicity and portability.
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Choose the Olympus OM-D E-M1 Mark II if: You need a versatile, weather-sealed pro mirrorless system with lightning-fast autofocus, extensive lens options, robust video capabilities, and rugged build. Perfect for wildlife, sports, landscape, macro, and professional workflows.
Final Thoughts and My Experience
I’ve used the Fujifilm X70 on countless city walks, appreciating its stealth, beautiful JPEG colors, and responsive touchscreen. It’s a great companion when I want to travel light and shoot intuitively without changing lenses.
The Olympus E-M1 II, though bulkier, feels like an extension of my photographic will when tackling challenging subjects fast and far away. Its autofocus and burst shooting gave me confidence in fast-paced sports and unpredictable wildlife encounters, while its IBIS lets me handhold low-light scenes without a tripod.
Both cameras excel in their niches - not every photographer needs a 60 fps beast, and not everyone wants to carr y a lens bag along. Decide your priorities, and you can’t go wrong with either.
By carefully weighing your needs against the detailed analysis here, I hope you’re better equipped to pick the camera that will truly enhance your creative vision.
Happy shooting!
Fujifilm X70 vs Olympus E-M1 II Specifications
| Fujifilm X70 | Olympus OM-D E-M1 Mark II | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Olympus |
| Model | Fujifilm X70 | Olympus OM-D E-M1 Mark II |
| Type | Large Sensor Compact | Pro Mirrorless |
| Released | 2016-01-15 | 2016-09-19 |
| Physical type | Large Sensor Compact | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | EXR Processor II | TruePic VIII |
| Sensor type | CMOS X-TRANS II | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor measurements | 23.6 x 15.6mm | 17.4 x 13mm |
| Sensor area | 368.2mm² | 226.2mm² |
| Sensor resolution | 16 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
| Highest Possible resolution | 4896 x 3264 | 5184 x 3888 |
| Maximum native ISO | 6400 | 25600 |
| Maximum enhanced ISO | 51200 | - |
| Min native ISO | 200 | 200 |
| RAW support | ||
| Min enhanced ISO | 100 | 64 |
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 77 | 121 |
| Lens | ||
| Lens mount | fixed lens | Micro Four Thirds |
| Lens focal range | 28mm (1x) | - |
| Largest aperture | f/2.8-16.0 | - |
| Total lenses | - | 107 |
| Focal length multiplier | 1.5 | 2.1 |
| Screen | ||
| Screen type | Tilting | Fully Articulated |
| Screen size | 3 inch | 3 inch |
| Resolution of screen | 1,040k dots | 1,037k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Min shutter speed | 30s | 60s |
| Max shutter speed | 1/4000s | 1/8000s |
| Max silent shutter speed | 1/32000s | 1/32000s |
| Continuous shutter rate | 8.0 frames/s | 60.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.90 m (at ISO 1600 (5.5m at ISO 100)) | 9.10 m (at ISO 100) |
| Flash options | Auto, Forced Flash, Slow Synchro , Suppressed Flash, Commander | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | - | 1/250s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
| Maximum video resolution | 1920x1080 | 4096x2160 |
| Video data format | MPEG-4, H.264 | MOV, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 340 gr (0.75 lb) | 574 gr (1.27 lb) |
| Physical dimensions | 113 x 64 x 44mm (4.4" x 2.5" x 1.7") | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") |
| DXO scores | ||
| DXO Overall score | not tested | 80 |
| DXO Color Depth score | not tested | 23.7 |
| DXO Dynamic range score | not tested | 12.8 |
| DXO Low light score | not tested | 1312 |
| Other | ||
| Battery life | 330 photographs | 350 photographs |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | NP-95 | BLH-1 |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 12 secs, custom) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots |
| Card slots | Single | 2 |
| Launch price | $700 | $1,700 |