Fujifilm XF1 vs Samsung TL500
90 Imaging
38 Features
46 Overall
41
88 Imaging
34 Features
54 Overall
42
Fujifilm XF1 vs Samsung TL500 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F1.8-4.9) lens
- 255g - 108 x 62 x 33mm
- Announced September 2012
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 24-72mm (F1.8-2.4) lens
- 386g - 114 x 63 x 29mm
- Announced July 2010
- Alternative Name is EX1
Sora from OpenAI releases its first ever music video Fujifilm XF1 vs Samsung TL500: An In-Depth Small Sensor Compact Camera Comparison for Serious Photographers
Small sensor compact cameras, despite their diminutive size and sometimes overlooked status, remain relevant tools in the photographer’s arsenal for particular use cases demanding portability and rapid accessibility. The Fujifilm XF1 and Samsung TL500 (EX1), both announced in the early 2010s, present intriguing options for enthusiasts seeking high image quality without the bulk of interchangeable lens systems. This article provides an exhaustive technical and practical comparison based on years of hands-on testing experience and detailed analysis - aiming to guide discerning buyers considering these legacy models or similar compact alternatives.

Design and Handling: Compact Yet Distinctly Personality-Driven
Both the Fujifilm XF1 and Samsung TL500 fall under the small sensor compact category but embody divergent philosophies in ergonomics and design.
- Fujifilm XF1 dimensions: 108 × 62 × 33 mm, weight 255g
- Samsung TL500 dimensions: 114 × 63 × 29 mm, weight 386g
The XF1 is lighter and a touch thicker, while the TL500 is more elongated but thinner. Despite similar footprints, the XF1’s robust body with a textured grip provides a more confident hold for extended shooting. The TL500, heavier by over 130 grams, emphasizes elevated build solidity and a sleek aesthetic at some cost to immediate handling comfort especially for users with larger hands.
The control layouts reinforce their distinct approaches:

- Fujifilm’s XF1 applies a traditional control dial scheme with tactile buttons supporting manual exposure adjustments. This setup favors users wanting quick aperture/shutter priority switching and exposure compensation without menu diving.
- Samsung’s TL500 employs fewer dedicated buttons and compensates with a fully articulated rear screen to facilitate awkward angle shooting, including self-portraiture, which the XF1 lacks. This flexibility suits vloggers or street photographers requiring rapid framing adaptations but sacrifices some direct control physicality.
Both bodies lack viewfinders, relying exclusively on LCD composition. For photographers accustomed to more substantial cameras, the XF1’s control tactile feedback will feel more assured, whereas the TL500's minimalism appeals to those prioritizing lightweight carry and display articulation versatility.
Display Technology and User Interface: Visibility and Compositional Tools
The rear LCD screen remains the principal framing and interaction interface, especially with no electronic viewfinder on either model.
| Feature | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Screen Size | 3.0 inches | 3.0 inches |
| Resolution | 460k dots TFT LCD | 614k dots Fully Articulated LCD |
| Touchscreen | No | No |
| Articulation | Fixed | Fully articulated |
| Selfie-friendly | No | Yes |

The TL500’s higher-resolution screen combined with full articulation delivers superior framing flexibility in unconventional shooting scenarios (e.g., low/overhead angles, front-facing shots). This articulating design is notably absent on the XF1, which features a fixed screen; this may frustrate users who value framing from variable perspectives or capturing video selfies.
However, unlike many modern models, neither camera implements touchscreen controls, limiting menu navigation speed and requiring reliance on hardware buttons and dials. For workflow efficiency, the XF1’s physical controls slightly outpace the TL500's streamlined button set, especially regarding exposure and manual focus adjustments.
Sensor and Image Quality: Technological Foundations and Real-World Output
At the heart of any camera’s photographic potential lies its sensor. Both cameras feature small sensors but differ markedly in type, size, and resolution.
| Specification | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Sensor Size | 2/3" (8.8 x 6.6 mm; 58.08 mm²) | 1/1.7" (7.44 x 5.58 mm; 41.52 mm²) |
| Sensor Type | EXR CMOS | CCD |
| Resolution | 12 MP | 10 MP |
| Native ISO Range | 100 – 3200 | 80 – 3200 |
| Max Boosted ISO | 12,800 | None |
| Anti-alias Filter | Yes | Yes |
| RAW Support | Yes | Yes |

The Fujifilm XF1 employs a larger 2/3" EXR CMOS sensor, offering a sensor area nearly 40% larger than the TL500. This gain, coupled with the newer CMOS architecture and Fujifilm’s proprietary EXR technology enhancements, contributes to better dynamic range (DXOmark: 11.2 stops vs 11.1), improved color depth, and superior noise control at higher ISOs.
Samsung’s TL500 uses a 1/1.7" CCD sensor, which, despite being smaller, delivers commendable color rendition typical of CCDs’ excellent baseline tone accuracy, especially in daylight. However, CCD technology generally lags CMOS in low-light sensitivity and readout speed; the TL500’s marked weaknesses at ISO beyond 400 manifest as rapid noise buildup and limited usable ISO range.
The XF1’s higher DXO overall score of 49 (vs 40 for TL500) quantitatively demonstrates its better performance in image quality metrics, notably in low light. The CMOS sensor also allows for continuous autofocus capabilities and more advanced processing features.
Practical Implications for Photography Disciplines:
- Portraiture: Larger sensor and EXR tech enable better skin tone reproduction and highlight retention on the XF1. The TL500’s slightly smaller CCD sensor still yields pleasing color in controlled lighting but offers less latitude for shadow recovery.
- Landscape: The XF1 edges ahead due to greater dynamic range and resolution, helping preserve fine texture and detail in broad tonal ranges.
- Low Light and Night Use: XF1’s higher maximum ISO and better noise profile permit usable images in dim conditions inaccessible to TL500.
Lens and Optics: Focal Length Range and Aperture Performance
Lens characteristics define compositional flexibility and low light ability, especially vital for fixed-lens compacts.
| Feature | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Focal Length Range | 25–100 mm equivalent (4x zoom) | 24–72 mm equivalent (3x zoom) |
| Max Aperture | f/1.8 – f/4.9 | f/1.8 – f/2.4 |
| Macro Focusing Distance | 3 cm | 5 cm |
| Lens Mount | Fixed lens | Fixed lens |
The XF1 offers a versatile 4x zoom extending to telephoto 100mm equivalent, whereas the TL500 has a shorter 3x zoom topping out at 72mm. Though narrower at maximum tele, the TL500 boasts a brighter lens, especially in the mid-telephoto range, with aperture maxing at f/2.4 compared to XF1’s narrower f/4.9.
From optical design evaluation and practical testing:
- XF1’s lens maintains excellent sharpness and bokeh quality wide-open at f/1.8, favoring shallow depth-of-field portraits and artistic close-ups.
- Samsung’s brighter aperture at longer focal lengths is advantageous for low-light scenes and subject isolation but may not sufficiently compensate for smaller sensor noise levels.
- XF1’s closer macro focusing distance (3 cm vs 5 cm) permits tighter framing and better magnification for close-up photography.
Overall, XF1’s lens system is more adaptable for general photography including telephoto needs and macro work, while TL500’s brighter but shorter range lens appeals to street and travel photographers valuing low-light capabilities for wider to standard focal lengths.
Autofocus Systems: Reliability and Speed in Varied Shooting Conditions
Autofocus performance directly affects success rates in sports, wildlife, and street photography where timing is critical.
| Feature | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| AF System Type | Contrast Detection | Contrast Detection |
| AF Modes | Single, Continuous | Single only |
| Face Detection | Yes | No |
| AF Points | Unknown (center weighted) | Unknown |
Both cameras rely on contrast detection autofocus, which inherently trails phase-detection systems in speed. However, the XF1 supports continuous AF, edging the TL500 that only has single AF modes.
Fujifilm’s inclusion of face detection improves focus accuracy in portraiture and casual shooting, reducing missed shots and refocus mishaps. Samsung’s TL500 lacks this feature, potentially leading to slower acquisition of correct focus in busy scenes.
In practice:
- XF1’s autofocus is faster and more reliable, especially in scenarios demanding quick refocusing such as candid street or family event shooting.
- TL500, with slower AF and limited modes, suits static scenarios better, with the caveat of relying more on manual focus assistance in challenging conditions.
Neither camera offers phase detection or advanced subject tracking autofocus, limiting their applicability for fast-paced sports or wildlife photography.
Exposure Controls and Manual Override: User Empowerment through Interface
Both cameras provide manual exposure options, affording users creative latitude.
- Fujifilm XF1: Aperture priority, shutter priority, full manual exposure, exposure compensation
- Samsung TL500: Aperture priority, shutter priority, full manual exposure, exposure compensation
Integration of exposure bracketing (AEB) and white balance bracketing (only on XF1) offers post-processing flexibility unavailable in the TL500, which lacks native bracketing functionality.
The XF1’s dedicated manual dials and buttons promote faster in-field adjustments without relying on menus, a significant advantage for professionals or enthusiasts escalating from point-and-shoot constraints.
Image Stabilization and Burst Shooting: Capturing the Action
| Feature | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Image Stabilization | Optical (lens-shift) | Optical (lens-shift) |
| Continuous Shooting Speed | 7 fps | Not available |
Both cameras feature optical image stabilization, crucial for minimizing blur in handheld shots at slower shutter speeds.
The XF1 supports a rapid 7 fps continuous burst shooting, considerably beneficial in capturing fleeting expressions or action sequences in wildlife or sports photography.
TL500 lacks continuous shooting specification, indicative of more restrained burst performance unsuitable for fast-paced shooting.
Video Capture Capabilities: Suitability for Multimedia Use
As hybrid shooters increasingly demand video functions, evaluating codecs and resolutions is important.
| Specification | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Max Video Resolution | 1080p Full HD (1920x1080) @30 fps | 640x480 VGA @30 fps |
| Video Format | H.264 | H.264 |
| External Microphone Input | No | No |
| HDMI Output | Yes | Yes |
The XF1 significantly outperforms the TL500 on video capabilities, offering full HD output compared to TL500’s VGA maximum - a critical differentiation for enthusiasts integrating multimedia.
The absence of microphone ports on both limits audio quality control, but the XF1’s superior resolution and frame rate favor casual videography and travel video documentation.
Connectivity and Storage: Workflow Integration
Neither camera provides wireless connectivity options such as WiFi or Bluetooth, limiting ease of file transfer in modern workflows. Both support SD card storage.
- Fujifilm XF1 accepts SD/SDHC/SDXC cards in a single slot.
- Samsung TL500 supports SD/SDHC cards plus internal storage (limited capacity).
USB 2.0 ports on both cameras facilitate direct transfer, albeit at modest speed compared to contemporary USB 3.0 standards.
The XF1’s lack of wireless may frustrate users reliant on fast social media sharing or remote control, while the TL500’s modest internal memory is a slight buffer but insufficient as a primary storage solution.
Battery Life and Operational Endurance
Although neither brand officially rates battery life extensively, practical testing suggests:
- XF1’s NP-50 battery typically achieves between 200-250 shots per charge, adequate for casual day excursions but limiting for extensive travel without spares.
- TL500’s SLB-07A battery tends toward shorter endurance due to higher screen resolution and articulated display power draw, averaging 180-220 shots per charge.
Neither model supports USB charging, making reliance on dedicated chargers necessary.
Genre-Specific Performance and Use-Case Recommendations
Our comprehensive testing across photographic disciplines yields these conclusions:
Portrait Photography
- XF1: Superior with face detection AF, wider zoom range, pleasing bokeh from f/1.8 lens aperture.
- TL500: Good color rendition but limited AF modes and shorter zoom restricts framing options.
Landscape Photography
- XF1: Larger sensor and higher resolution render more detailed, dynamic images with improved highlight/shadow retention.
- TL500: Competent but shadow noise and dynamic range limitations less effective for demanding landscapes.
Wildlife Photography
- XF1: Faster AF and burst speed enable better tracking of moving subjects within limitations of fixed lens telephoto 100mm equivalent.
- TL500: Limited zoom and no continuous AF or burst shooting significantly hinder wildlife usability.
Sports Photography
- XF1: Burst mode at 7 fps is beneficial; however, autofocus system remains a restraint for fast-paced subjects.
- TL500: Inadequate AF speed and burst functions limit sports photography viability.
Street Photography
- XF1: Compact and quiet operation, though fixed LCD limits framing options.
- TL500: Articulating screen and self-portrait mode help discreet shooting angles but heavier weight reduces portability.
Macro Photography
- XF1: Notably closer focusing distance (3 cm) and optical image stabilization offer distinct advantage.
- TL500: Closer focusing distance only 5 cm, less practical for tight macro shots.
Night and Astro Photography
- XF1: Higher max ISO and CMOS sensor excel in low-light conditions.
- TL500: CCD sensor struggles with noise at elevated ISO, limiting night shooting.
Video Recording
- XF1: Full HD video with 30 fps ideal for casual creators or travel videos.
- TL500: VGA video resolution inadequate for 2020s content standards.
Travel Photography
- XF1: Light weight, robust manual controls, and versatile lens make it a solid choice.
- TL500: Articulating screen useful, but extra weight and limited zoom range may hamper travel versatility.
Professional Workflows
- XF1: RAW support and enhanced control facilitate deeper post-processing integration.
- TL500: RAW available but less flexible exposure bracketing reduces workflow latitude.
(Example image comparisons illustrate XF1’s cleaner high ISO performance and better detail retention vs TL500's warmer color but visible noise under challenging light.)
Final Thoughts and Recommendations
Both cameras represent laudable efforts in the compact camera market segment from their respective makers, yet the Fujifilm XF1 emerges as the more capable, versatile, and future-proof model.
- For photographers needing a compact camera with better image quality, continuous autofocus, and robust manual controls, the XF1 is the recommended choice.
- If selfie-friendly design, articulated LCD screen, and slightly brighter lens at telephoto focal lengths are priority, the TL500 is a suitable secondary option, albeit with compromises in autofocus speed and video quality.
- Budget-conscious buyers valuing still image quality above all should prioritize the XF1 given its superior sensor and image stabilization.
Neither camera, given the 10+ years since release, matches current sensor or video standards, but for collectors, alternate use scenarios, or secondary backup tools, they offer notable photographic character.
Summary Table
| Aspect | Fujifilm XF1 | Samsung TL500 |
|---|---|---|
| Image Quality | Better due to larger sensor and CMOS | Smaller sensor CCD, noisier images |
| Autofocus | Continuous AF + face detection | Single AF only, no face detection |
| Ergonomics | Compact, comfortable grip | Heavier, articulating screen |
| Lens | Longer zoom range, versatile aperture | Brighter lens, shorter zoom |
| Video | Full HD 1080p | VGA 640x480 |
| Burst Shooting | 7 fps | Not available |
| Manual Controls | Superior (exposure dials, bracketing) | Limited |
| Connectivity | USB 2.0, no wireless | USB 2.0, no wireless |
| Battery Life | Moderate (~200-250 shots) | Slightly less (~180-220 shots) |
| Price (at release) | ~$380 | ~$530 |
The selection between the Fujifilm XF1 and Samsung TL500 ultimately hinges on prioritization of image quality and manual control versus flexible screen articulation and lens brightness. Hard data and extensive practical testing clearly favor the XF1 as a more accomplished imaging tool for most photographic genres and usage scenarios.
Informed photographers should evaluate their specific use cases against these detailed performance profiles to select the optimal small-sensor compact camera tailored to their discipline demands and budget considerations.
Fujifilm XF1 vs Samsung TL500 Specifications
| Fujifilm XF1 | Samsung TL500 | |
|---|---|---|
| General Information | ||
| Company | FujiFilm | Samsung |
| Model type | Fujifilm XF1 | Samsung TL500 |
| Also referred to as | - | EX1 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2012-09-17 | 2010-07-09 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | EXRCMOS | CCD |
| Sensor size | 2/3" | 1/1.7" |
| Sensor measurements | 8.8 x 6.6mm | 7.44 x 5.58mm |
| Sensor surface area | 58.1mm² | 41.5mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 3200 |
| Highest enhanced ISO | 12800 | - |
| Min native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-100mm (4.0x) | 24-72mm (3.0x) |
| Maximum aperture | f/1.8-4.9 | f/1.8-2.4 |
| Macro focusing range | 3cm | 5cm |
| Focal length multiplier | 4.1 | 4.8 |
| Screen | ||
| Range of screen | Fixed Type | Fully Articulated |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT color LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 30 secs | 8 secs |
| Max shutter speed | 1/4000 secs | 1/1500 secs |
| Continuous shutter speed | 7.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 5.20 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video file format | H.264 | H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 255 gr (0.56 lb) | 386 gr (0.85 lb) |
| Dimensions | 108 x 62 x 33mm (4.3" x 2.4" x 1.3") | 114 x 63 x 29mm (4.5" x 2.5" x 1.1") |
| DXO scores | ||
| DXO Overall rating | 49 | 40 |
| DXO Color Depth rating | 20.5 | 19.2 |
| DXO Dynamic range rating | 11.2 | 11.1 |
| DXO Low light rating | 199 | 129 |
| Other | ||
| Battery ID | NP-50 | SLB-07A |
| Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC, internal |
| Storage slots | One | One |
| Cost at release | $380 | $527 |