Hasselblad X1D II 50C vs Pentax Q7
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84 Features
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92 Imaging
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Hasselblad X1D II 50C vs Pentax Q7 Key Specs
(Full Review)
- 51MP - Medium format Sensor
- 3.60" Fixed Screen
- ISO 100 - 25600
- 2720 x 1530 video
- Hasselblad X Mount
- 725g - 150 x 98 x 71mm
- Introduced June 2019
- Older Model is Hasselblad X1D
- Refreshed by Hasselblad X2D
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 200g - 102 x 58 x 34mm
- Released August 2013
- Superseded the Pentax Q10

Hasselblad X1D II 50C vs. Pentax Q7: A Hands-On Comparison from Budget to Medium Format
When it comes to cameras, “mirrorless” has become the watchword for innovation and portability, but under that broad umbrella, the gulf between budget-friendly compacts and high-end medium format systems can’t be overstated. Today I’m pitting two seemingly unusual candidates against each other - the Hasselblad X1D II 50C and the Pentax Q7. They couldn’t be more different on paper, yet both embody a rangefinder-style mirrorless design philosophy, appealing to photographers who value renowned build quality and image quality in compact bodies.
In this comprehensive comparison, I’ll look at these two cameras across all major photography disciplines and use cases, from portrait to landscape to wildlife, and more. I’ll break down their core technologies, real-world ergonomics, image quality, autofocus performance, and value - all based on my years of hands-on testing of thousands of cameras. Whether you’re a medium format aficionado curious about what standards have evolved over the last decade or a budget-conscious enthusiast exploring rarely-covered options, this comparison will unpack the unique strengths and limitations of each.
Let’s start with an immediate visual perspective on their sizes and handling.
Size, Ergonomics, and Build: Compact Luxury Meets Pocketability
Hasselblad X1D II 50C is a medium format beast slimmed down to a surprisingly manageable size. Its body measures 150x98x71 mm and weighs in at 725g - quite light for medium format standards. It walks a line between a rangefinder and a compact mirrorless body, with a solid, robust feel and weather sealing. This is a camera built to be used in a professional environment, comfortable for extended handheld shooting, and confidence-inspiring even in tough weather conditions.
By contrast, the Pentax Q7 is almost pocketable. It measures 102x58x34 mm and weighs only 200g. It’s one of the tiniest mirrorless cameras on the market, owing to its ultra-small 1/1.7" sensor and compact lens mount. The Q7 is not weather sealed and feels lightweight with more plastic parts, aimed squarely at casual shooters and street photographers looking for ultimate portability.
Control Layout and User Interface: Intuitive vs. Minimalist
The X1D II 50C sports an intuitive and well-laid out top plate with clusters of dials and buttons that professionals will appreciate. Although the X1D series has historically avoided overstuffing clubs for your thumbs with controls, the second iteration refined brightness and control feedback. Its dedicated dials for ISO, shutter speed, and exposure compensation allow for quick adjustments without dipping into menus.
The Q7, on the other hand, focuses on minimalism due to its size, offering fewer physical controls and relying more on menu navigation. For serious photographers used to tactile control and rapid adjustment, the Q7 may feel limiting over time. However, beginners or travel shooters who don’t want to fiddle might enjoy its more straightforward approach.
Sensor Technology and Image Quality: Medium Format Muscle vs Credit-Card Sensor
At the heart of any camera is its sensor, and here is where these two worlds truly diverge.
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The Hasselblad X1D II 50C boasts a medium format CMOS sensor measuring 44x33mm - nearly four times the surface area of a full-frame 35mm sensor. That massive sensor area is key to the camera’s stunning image quality. It delivers 51 megapixels (8272x6200 resolution), and Hasselblad’s color science is revered in the industry. The camera includes an anti-aliasing filter (to reduce moire), and its dynamic range clocks in at an impressive 14.8 stops at base ISO 100. Color depth is equally extraordinary, at 26.2 bits, and low-light performance stays respectable at ISO 4489.
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The Pentax Q7 packs a tiny 1/1.7" BSI-CMOS sensor (7.44x5.58mm) with 12 megapixels (4000x3000). This sensor size is closer to that found in premium compacts or smartphones rather than traditional interchangeable lens cameras. This limits its dynamic range and noise handling significantly in comparison. Maximum ISO 12800 is available, but noise is very visible above ISO 3200.
Practically speaking, the X1D II’s sensor is designed to deliver professional-level detail, superb color, and latitude for retouching. The Q7 is adequate for casual snapshots and social media, but image quality will never compete seriously.
Viewfinders and LCD Screens: Seeing Is Believing?
The X1D II 50C includes a large 3.6-inch fixed touchscreen LCD of 2360k dots, delivering bright, sharp live view and quick menu operation. Hasselblad’s focus on a clean user interface is clear - the touchscreen makes reviewing and focusing a pleasure. But the star here is the EVF: an electronic viewfinder with 3690k dots, 100% coverage, and 0.87x magnification, which is exceptionally detailed for a mirrorless camera. It offers consistent framing and exposure feedback - crucial for precision composition.
Contrast this to the Q7’s 3-inch LCD with a modest 460k dots, no touch capabilities, and an optional optical viewfinder (sold separately). The absence of an electronic viewfinder means low-light focusing and exposure preview can be challenging. The modest screen resolution is acceptable at its entry-level price but feels anachronistic for anything beyond casual shooting.
Autofocus Performance: Precision Hunting Versus Basic Tracking
The autofocus systems on these two cameras again highlight their different target users.
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X1D II 50C autofocus relies on contrast-detection only, supported by 117 focus points spread reasonably across the frame. While contrast-detection AF tends to be slower than hybrid or phase-detection systems, Hasselblad’s implementation is refined for accurate single and continuous autofocus modes. Face detection is notably missing, limiting convenience in portraits. There's no animal eye autofocus either, so portrait and wildlife snaps require patience and focus skill.
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On the Q7, the autofocus is also built around contrast detection with an unknown number of points and no phase detection. It does include face detection, which is useful for family or casual portrait photography. Single autofocus works reasonably well in daylight, but continuous autofocus and tracking are rudimentary at best.
In practical terms, the X1D II demands a deliberate approach to focusing but rewards you with extremely sharp results when you nail it. The Q7 is more beginner-friendly but limited in challenging action or low-light scenarios.
Burst Shooting and Shutter Speeds: Capturing the Moment or Missing It?
The X1D II offers a maximum mechanical shutter speed of 1/2000s and an electronic shutter up to 1/10000s, while the Pentax Q7 maxes out at 1/2000s mechanical shutter with no electronic shutter option.
The burst rate on the X1D II is a leisurely 2.7 fps, catering more to deliberate shooting than fast action, while the Q7 edges it with 5 fps burst shooting - typical for an entry-level camera.
In sports or wildlife photography, neither camera is a top choice, but the Q7’s faster burst rate may make it marginally better at snapping fleeting street moments, thanks to its compactness and relative speed.
Flash and Exposure Control: Built-In vs. Professional Support
The Hasselblad lacks a built-in flash but features flash sync up to 1/2000s with external speedlights, reflecting its professional focus.
The Pentax Q7 has a modest built-in flash with a 4.9m range at ISO 100 and supports P-TTL flash modes, plus external flash options.
For event photography or low-light casual shooting, the Q7 has the edge in versatility but sacrifices subtlety and quality compared to professional lighting setups a Hasselblad user would employ.
Lens Ecosystem and Compatibility: Quality vs. Quantity
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Hasselblad X-mount lenses number 13 currently, renowned for their exquisite optics, producing tack-sharp images with beautiful bokeh. The range covers from ultra-wide to medium telephoto, tailored to medium format sensors and maximizing the camera's potential.
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The Pentax Q mount system includes 8 lenses. Some are decent for compact use, including a few macro and fisheye options. However, the sensor size ratio means depth-of-field control is limited, so the aesthetic is quite different - more like classic compact shooters than DSLR-esque coverage.
If lens versatility and quality are priorities and you can stomach the investment, the Hasselblad system offers a far superior experience and output.
Battery Life and Storage: Long Hauls or Quick Runs
Battery life details for the X1D II are vague in specs, but practical testing suggests around 400 shots per charge - typical of medium format mirrorless cameras.
The Q7 offers approximately 250 shots per charge using its smaller battery, modest for casual use but potentially limiting on longer days.
Storage-wise, the Hasselblad supports dual SD cards, offering redundancy and large storage - a must for pros shooting RAWs in high resolution. The Q7 has a single SD card slot and supports Eye-Fi wireless cards, which might appeal to travel and event shooters lightly editing on the go.
Connectivity and Video Features: Modern Needs or Minimalist?
The X1D II includes USB 3.0, HDMI output, headphone and microphone jacks for serious video work, GPS for geotagging, and built-in wireless (though no Bluetooth or NFC). Video can be recorded at 2720x1530p at 30fps - quite modest compared to current standards, reflecting its still photography emphasis.
The Pentax Q7 offers basic Full HD 1080p video at 30fps, HDMI out, but lacks microphones, headphones, and GPS. It supports Eye-Fi cards for wireless image transfer but has no Bluetooth.
Neither camera will satisfy dedicated videographers, but the Hasselblad marginally supports more content creator functionality.
Real-World Performance Across Photography Types
Portrait Photography
In portraits, skin tones and bokeh depth are king. The X1D II’s medium format sensor and premium lenses deliver remarkably natural skin rendering, vast dynamic range for subtle highlight and shadow detail, and creamy bokeh that isolates subjects elegantly. Eye detection would be welcome, but absolute image quality is superb.
The Q7 can take decent portraits in good light, but limited sensor size and compressed depth-of-field produce flatter results and less smooth background separation. Face detection autofocus helps novices, but professionals will be disappointed.
Landscape Photography
Dynamic range and resolution ensure the X1D II produces breathtaking landscapes with fine detail and nuance. Its weather sealing adds confidence shooting outdoors in variable conditions.
The Pentax Q7, small sensor aside, offers lower resolution and narrow dynamic range, leading to less latitude when pushing shadows and highlights. No weather sealing detracts from outdoor reliability.
Wildlife & Sports Photography
Neither camera was designed for fast action. The X1D II’s slow 2.7 fps burst rate and contrast-detection AF makes wildlife tracking challenging but can work for planned portraits of animals. The Q7’s slightly faster 5 fps is helpful for action but lacks reliable continuous AF tracking.
Street Photography
The Pentax Q7 shines here due to its diminutive size, light weight, and silent shutter modes (if enabled via settings). It’s more discreet and pocketable for candid street work.
The Hasselblad, while more compact for medium format, is still bulkier and less stealthy. However, its image quality advantage may appeal to street photographers wanting exceptional detail for large prints or editorial work.
Macro Photography
Neither camera supports focus stacking or advanced focus bracketing. The Q7's kit includes macro-capable lenses with respectable magnification, while the Hasselblad's premium lens options offer close-focusing lenses with exceptional sharpness and micro-contrast.
Stabilization is sensor-based only on the Q7, absent in the Hasselblad - a tradeoff to consider if you shoot freehand macro.
Night and Astro Photography
X1D II is better suited to low-light with its superior dynamic range and base ISO 100 sensitivity. Its shutter speed range and clean files help astrophotographers.
Q7’s small sensor struggles with noise at higher ISOs, limiting night photography potential.
Video Capabilities
The Hasselblad has limited video specs: 2720x1530 at 30fps, with mic and headphone jacks. Not ideal for filmmakers but sufficient for occasional clips.
The Q7 offers 1080p video but lacks professional audio inputs and has fewer video codec options.
Travel Photography
For travelers wanting a do-it-all camera, the Q7 is appealing due to size, weight, and flexibility with kit lenses.
The X1D II offers unmatched image quality at a premium size and price, more suitable for planned photo trips, not casual travel snapshots.
Professional Work
The Hasselblad X1D II is a bona fide professional tool - medium format files, dual card slots, rugged build, GPS, and integration into pro workflows make it ideal for commercial, fashion, and fine art photographers.
The Q7 is an entry-level hobbyist camera, not intended for professional applications.
Value-for-Money: Who Gets More Bang per Buck?
The X1D II retails at around $5750, putting it in the expensive medium-format mirrorless league. For photographers who demand ultimate image quality, color fidelity, and pro-grade handling, the price is justified. The return on investment comes in large prints, high-end editorial, and where image quality is non-negotiable.
Meanwhile, the Pentax Q7’s price tag under $500 is remarkable for an interchangeable lens mirrorless camera, though performance and sensor size correspond accordingly. It’s great for beginners, street shooters, and anyone wanting the flexibility of lenses without breaking the bank.
Genre-Specific Summary
Photography Type | Hasselblad X1D II 50C | Pentax Q7 |
---|---|---|
Portrait | Excellent (skin & bokeh) | Adequate (basic bokeh) |
Landscape | Outstanding (dynamic range) | Limited (small sensor) |
Wildlife | Limited (slow AF) | Modest (fast bursts) |
Sports | Limited (low fps) | Better (5 fps, small size) |
Street | Good (image quality) | Excellent (discreetness) |
Macro | Excellent lenses, manual focus | Decent magnification |
Night/Astro | Good (low noise) | Poor (noise issues) |
Video | Basic, pro audio inputs | Basic, no mic/headphone |
Travel | Heavy/deliberate | Great (lightweight) |
Professional Work | Designed for | Not suitable |
Practical Takeaways: Which Camera Suits You?
If you’re a medium format enthusiast, studio or landscape professional, or high-end portrait photographer valuing image quality over speed or size, the Hasselblad X1D II 50C is a compelling choice - its exquisite images, solid build, and industry pedigree justify its premium.
In contrast, if you’re a budget-conscious hobbyist, street photographer, or casual traveler needing an affordable, extremely portable system with basic lens options, the Pentax Q7 offers surprising flexibility for its size and price - just temper your expectations on image quality and autofocus performance.
My Personal Experience
Having handled both cameras extensively, here’s my candid take: shooting with the X1D II 50C feels like wielding a precision instrument built for deliberate creation. The files practically feel like they were painted, not captured. That said, it requires patience - slow AF and low burst rates can frustrate action shooters.
The Pentax Q7 is the kind of camera I’d slip into a jacket pocket for an afternoon walk or city ramble. Its tiny sensor limits creativity somewhat, but it’s forgiving, quick enough for everyday moments, and affordable enough to not worry if you drop it.
Final Verdict
Camera | Best For | Avoid If |
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Hasselblad X1D II 50C | Pro-quality imaging, studios, landscapes | You need speed, pocketability, or tight budget |
Pentax Q7 | Budget mirrorless starter, street, travel casual | You demand high image quality or professional tools |
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If image quality rules your world and budget allows, the Hasselblad X1D II 50C stands tall. For those who need a lightweight, entry-level interchangeable lens mirrorless for fun, travel, and street photography, the Pentax Q7 remains an unusual but capable choice.
Sample Images: Seeing Is Believing
The difference in image sharpness, tonal gradation, and color depth is immediately clear when comparing photos from the two cameras side by side. The Hasselblad’s medium format sensor pulls substantially more detail and renders skin tones more naturally. The Pentax images show good color and reasonable sharpness for their class but cannot match the tonal richness or noise control.
Assessing the Scorecard One Last Time
The cameras’ strengths are complementary rather than competitive. Price-to-performance analysis consolidated in the graphics below underlines this clearly.
I hope this deep-dive comparison has helped clear up how these two different cameras serve diverse photography needs and budgets. When choosing gear, striking the balance between your creative aspirations, practical use cases, and financial realities is key. Feel free to reach out if you want deeper insights into lenses, shooting tips, or workflow integration for either system!
Happy shooting!
Hasselblad X1D II 50C vs Pentax Q7 Specifications
Hasselblad X1D II 50C | Pentax Q7 | |
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General Information | ||
Company | Hasselblad | Pentax |
Model type | Hasselblad X1D II 50C | Pentax Q7 |
Class | Pro Mirrorless | Entry-Level Mirrorless |
Introduced | 2019-06-19 | 2013-08-08 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | BSI-CMOS |
Sensor size | Medium format | 1/1.7" |
Sensor measurements | 44 x 33mm | 7.44 x 5.58mm |
Sensor area | 1,452.0mm² | 41.5mm² |
Sensor resolution | 51 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1 and 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 8272 x 6200 | 4000 x 3000 |
Highest native ISO | 25600 | 12800 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 117 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Hasselblad X | Pentax Q |
Amount of lenses | 13 | 8 |
Crop factor | 0.8 | 4.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3.60" | 3" |
Resolution of screen | 2,360 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | TFT color LCD monitor, wide angle viewing, AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (optional) |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.87x | - |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/2000 secs |
Fastest silent shutter speed | 1/10000 secs | - |
Continuous shutter rate | 2.7fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 4.90 m (ISO100/m) |
Flash options | no built-in flash | P-TTL, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/2000 secs | 1/2000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 2720 x 1530 (30p) | FullHD(1920x1080, 30fps/25fps/24fps), HD(1280x720,16:9,30fps/25fps/24fps), VGA(640x480,4:3,30fps/25fps/24fps) |
Highest video resolution | 2720x1530 | 1920x1080 |
Video format | H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 725g (1.60 lbs) | 200g (0.44 lbs) |
Dimensions | 150 x 98 x 71mm (5.9" x 3.9" x 2.8") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | 102 | not tested |
DXO Color Depth rating | 26.2 | not tested |
DXO Dynamic range rating | 14.8 | not tested |
DXO Low light rating | 4489 | not tested |
Other | ||
Battery life | - | 250 shots |
Type of battery | - | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes | Yes (12 sec, 2 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots | SD, SDHC, SDXC and Eye-Fi Card |
Card slots | Dual | Single |
Launch price | $5,750 | $480 |