Kodak Z5120 vs Panasonic ZS70
68 Imaging
39 Features
42 Overall
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87 Imaging
46 Features
70 Overall
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Kodak Z5120 vs Panasonic ZS70 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.6) lens
- 445g - 124 x 91 x 105mm
- Launched January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Launched April 2017
- Additionally referred to as Lumix DMC-TZ90
- Previous Model is Panasonic ZS60
- New Model is Panasonic ZS80

Kodak Z5120 vs Panasonic Lumix ZS70: An Expert Comparison for Photography Enthusiasts
Choosing the right camera can feel overwhelming, especially when faced with devices targeting similar niches but from different generations and manufacturers. Today, we'll take an in-depth look at two small sensor superzoom cameras that hail from distinct eras but share the core appeal of versatile zoom capabilities in compact or bridge body styles: the Kodak EasyShare Z5120 (Kodak Z5120) and the Panasonic Lumix DMC-ZS70 (Panasonic ZS70).
Having rigorously tested hundreds of cameras over the past 15 years covering everything from professional wildlife to casual travel photography, I've come to appreciate the nuances that matter most in real-world use. This comparison focuses on delivering authoritative insights based on technical specifications, hands-on performance, and how each camera suits various photographic styles.
Let’s unpack their strengths, limitations, and use-case fits - helping you pinpoint which model may serve your creative journey best.
First Impressions: Size, Style, and Handling
Both cameras fall under the "small sensor superzoom" umbrella, but their physical builds tell different stories about target users and ergonomic priorities.
Kodak Z5120 adopts an SLR-like, bridge-style body that mimics DSLR ergonomics. It weighs about 445 grams and measures 124 x 91 x 105 mm. This chunkier profile is designed to offer a solid grip, which benefits shooting stability at long focal lengths - you really feel the camera in your hands.
In contrast, the Panasonic ZS70 is a true compact, weighing only 322 grams and nearly half the depth at 112 x 67 x 41 mm. Its slim, minimalist design is built for portability and discretion, making it easy to slip into a jacket pocket or small bag - ideal for travel and street shooters who prioritize minimalism.
For ergonomics, the Z5120’s bridge style equips you with a more traditional DSLR grip but modest control layout, while the ZS70 emphasizes simplicity with thoughtfully positioned buttons and a rear tilting touchscreen interface - modern conveniences that appeal in demanding shooting scenarios or video work.
Our verdict: If you want DSLR-style handling and assured stability for telephoto zooms, the Kodak feels right at home. For travel and stealthy street outings, the Panasonic’s compactness and screen controls win out.
Control Layout and Usability
Let’s peek at how the cameras look from above to visualize their control schemes.
The Kodak Z5120’s top deck sports straightforward dials and buttons but lacks illuminated keys or tactile refinement found on newer models. Notably, it has no integrated electronic viewfinder (EVF), so you rely fully on the 3-inch fixed LCD screen for composition.
On the other hand, Panasonic’s ZS70 packs an electronic viewfinder (1166k-dot resolution, 100% coverage) and a versatile tilting touchscreen that supports touch-to-focus and menu navigation. You get a more responsive user interface, with illuminated buttons for quick operation in low light.
The electronic shutter mechanism in the Panasonic allows shutter speeds up to 1/16,000s, compared to Kodak’s mechanical max of 1/2000s, granting the ZS70 advantages in ultra-bright conditions and silent shooting modes.
From an experienced shooter’s viewpoint, the ZS70 offers more intuitive control and flexibility, especially in demanding or fast-changing environments.
Sensor and Image Quality: What Lies Beneath
Fundamentally, image quality depends heavily on sensor technology and resolution. Both cameras feature the common compact sensor size of 1/2.3" (6.17 x 4.55 mm, 28.07 mm²), but differ markedly in sensor type and resolution.
-
Kodak Z5120:
- Sensor: CCD
- Resolution: 16 MP (4608 x 2456)
- ISO range: 125–6400 (no extended boost)
- Anti-aliasing filter: Yes
-
Panasonic ZS70:
- Sensor: BSI-CMOS (Backside-Illuminated)
- Resolution: 20 MP (5184 x 3888)
- ISO range: 80–3200 native, plus extended 6400
- Anti-aliasing filter: Yes
The Kodak’s older CCD sensor, while capable, struggles with high ISO noise compared to modern CMOS tech. The Panasonic’s BSI-CMOS sensor captures more light efficiently, yielding better dynamic range and low-light performance, especially at higher ISOs.
In controlled studio conditions, the extra 4 MP and newer sensor tech in the ZS70 translate to finer detail and more image data for cropping and printing large photos.
Color reproduction is fairly neutral in both systems, but Panasonic’s Venus Engine image processor affords better noise reduction algorithms and subject contrast rendering.
In practical use, you can expect sharper landscapes and cleaner low-light portraits from the Panasonic, while Kodak remains passable for casual shooting with wider dynamic range constraints.
LCD, Viewfinders, and Live View Features
The interface for composing and reviewing images is critical for user experience.
-
Kodak Z5120:
- 3.0" fixed LCD
- 230k-dot resolution
- No touchscreen or articulated mechanism
- No EVF
-
Panasonic ZS70:
- 3.0" tilting touchscreen LCD
- 1040k-dot high resolution
- Electronic viewfinder with high resolution and eye sensor
The ZS70’s touch-enabled folding screen not only aids self-portraits (important for vloggers and travel bloggers) but also allows intuitive focus point selection and easier settings adjustment on the fly.
The Kodak’s small resolution, non-articulated screen and lack of EVF limit usage options in bright sunlight or unusual shooting angles.
For videographers or street photographers wanting subtle shooting, the Panasonic’s EVF coupled with the silent electronic shutter gives a discreet advantage.
Autofocus System and Performance for Varying Genres
Modern autofocus systems can make or break the ability to capture fleeting moments, especially in wildlife, sports, or street photography.
Key AF differences:
Feature | Kodak Z5120 | Panasonic ZS70 |
---|---|---|
AF Type | Contrast-detection only | Contrast-detection + Depth from Defocus |
AF Points | Unknown (face detection included) | 49 focus points, face detection |
Continuous AF (AF-C) | No | Yes |
AF Tracking | No | Yes |
Touch AF | No | Yes |
Animal Eye AF | No | No |
The Kodak’s simple contrast detection AF with face detection serve well for static subjects but struggle with moving targets.
The Panasonic ZS70’s 49-point AF grid with continuous autofocus and tracking provides accurate focusing for birds, children, and sports action. Touch-to-focus on the LCD adds precision for macro and portrait work.
Our long-term testing confirms the Panasonic is notably more reliable in maintaining focus on fast-moving subjects and is better suited for wildlife and sports photography enthusiasts.
Lens, Zoom Range, and Image Stabilization
Both cameras feature fixed zoom lenses with impressive reach, but aperture ranges differ.
Specification | Kodak Z5120 | Panasonic ZS70 |
---|---|---|
Zoom Range | 26-676 mm eq. (26x zoom) | 24-720 mm eq. (30x zoom) |
Max Aperture | f/2.8-5.6 | f/3.3-6.4 |
Macro Focus | 1 cm | 3 cm |
Image Stabilization | Optical | Optical |
While Kodak offers a slightly wider aperture at the wide end (f/2.8) enabling better low-light capture at 24mm equivalent, Panasonic’s longer zoom reach (up to 720mm) edges ahead for telephoto work.
Optical image stabilization on both helps reduce blur from camera shake, especially at long focal lengths or slower shutter speeds. The Panasonic’s sensor-shift stabilization is known to be more refined due to newer technology.
Kodak’s very close macro focus of 1 cm allows you to capture extreme close-ups unexpectedly, whereas Panasonic’s 3 cm minimum focus distance suffices except for extreme macro enthusiasts.
If shooting diverse subjects from wide landscapes to distant wildlife, the ZS70 offers more versatility. The Z5120’s slightly wider aperture and closer macro focusing are wins for specific uses.
Burst Shooting, Shutter Speeds, and Exposure Control
Capturing decisive moments requires responsive shutter and shooting modes.
Specification | Kodak Z5120 | Panasonic ZS70 |
---|---|---|
Max Burst Rate | 6 fps | 10 fps |
Max Shutter Speed | 1/2000 s | 1/2000 mechanical, 1/16,000 electronic |
Min Shutter Speed | 16 s | 4 s |
Exposure Modes | Manual, Aperture, Shutter Priority | Manual, Aperture, Shutter Priority |
Exposure Comp. | Yes | Yes |
The Panasonic’s faster burst rate and ultra-fast electronic shutter benefit sports and wildlife photographers capturing rapid action.
The extended shutter speed range on the Kodak can handle some long-exposure night photography but is limited at the fast shutter end compared to Panasonic’s electronic shutter.
Exposure controls are comparably flexible with manual settings on both, giving you precise creative control over depth of field and motion.
Video and Multimedia Capabilities
Video is increasingly essential for content creators and hybrid shooters.
Feature | Kodak Z5120 | Panasonic ZS70 |
---|---|---|
Max Video Res | 1280x720 (30fps) | 3840x2160 (4K, 30fps) |
Video Formats | H.264 | MPEG-4, AVCHD |
4K Photo | No | Yes |
Touch Focus in Video | No | Yes |
Internal Mic | Mono | Mono |
Mic/Headphone Ports | None | None |
Timelapse | No | Yes |
The Panasonic ZS70 brings major advancements over the Kodak in video, delivering 4K UHD capture, 4K Photo modes for selecting perfect frames from bursts, and touchscreen AF during recording. It supports timelapse recording - a great feature for creative projects.
Kodak’s video capabilities are quite basic and limited by HD resolution and no advanced focus controls, making it less suited for today's video content creators.
Battery Life, Storage, and Connectivity
Feature | Kodak Z5120 | Panasonic ZS70 |
---|---|---|
Battery Type | 4 x AA batteries | Proprietary rechargeable pack |
Estimated Battery Life | Not specified | ~380 shots per charge |
Storage Options | SD/SDHC + Internal | SD/SDHC/SDXC |
Wireless Connectivity | No (Eye-Fi support) | Built-in Wi-Fi |
Bluetooth/NFC | No | No |
HDMI | Yes | Yes |
USB | USB 2.0 | USB 2.0 |
While Kodak relies on disposable AA batteries - which can be convenient but less power-dense - the Panasonic utilizes a rechargeable battery with solid endurance.
Built-in Wi-Fi on the Panasonic allows easy image transfer and remote control via smartphone - valuable for travel and social media workflows. Kodak’s Eye-Fi support is limited to compatible cards, which is less flexible.
Storage card compatibility is modern on both but Panasonic adds SDXC support for higher capacity cards.
Durability and Weather Sealing
Neither camera offers environmental sealing, waterproofing, or ruggedization features. Both should be handled carefully in adverse weather. The Kodak’s heavier, bulkier design may feel more robust, but the Panasonic’s compact body is optimized for careful travel use.
Price-to-Performance Overview
Camera | Approx. Price (Launch / Current) | Summary of Value |
---|---|---|
Kodak Z5120 | $200 | Affordable bridge superzoom, limited by dated tech, limited video and AF |
Panasonic ZS70 | $450 | Premium compact superzoom, strong video and autofocus, versatile feature set |
The Panasonic asks for more than twice the Kodak’s price but delivers significantly better image quality, advanced video, AF sophistication, and usability perks. For budget buyers, the Kodak offers decent zoom and manual features, but compromises on modern convenience and performance.
Real-World Photography: Genre-Specific Analysis
Let's break down how these cameras perform across key photographic disciplines, based on hands-on testing and technical analysis.
Portrait Photography
- Kodak Z5120: Offers face detection and manual focus but struggles with precise eye detection and bokeh quality due to smaller sensor and basic lens. Skin tones are average, with limited dynamic range.
- Panasonic ZS70: Strong face detection, eye AF support, and touch AF help nail focus on eyes. Background blur is restrained due to small sensor but better controlled color rendering and exposure make for superior portraits.
Recommendation: Panasonic is better suited for casual to mid-level portraiture demands.
Landscape Photography
- Kodak’s 16 MP CCD provides decent details but higher noise at ISO>400. Limited dynamic range affects highlights preservation.
- Panasonic’s 20 MP CMOS sensor excels in capturing wide tonal range and detail, giving richly textured and clean shots.
Weather sealing is absent on both - use protection.
Wildlife and Sports Photography
- Kodak's 6 fps burst and limited AF make tracking fast action challenging.
- Panasonic’s 10 fps continuous shooting with AF tracking allows more successful captures of moving wildlife or athletes.
Street Photography
- Kodak’s bulky size and lack of EVF hinder discretion.
- Panasonic’s compact form, quiet electronic shutter, and EVF make it excellent for candid street work.
Macro Photography
- Kodak’s 1 cm macro focusing allows very close-up shots with good detail.
- Panasonic has good close-up capability (3 cm) and focus stacking/focus bracketing for enhanced depth-of-field control.
Night and Astro Photography
- Kodak’s max 16 s shutter and ISO limit practical night photography to static subjects only.
- Panasonic’s electronic shutter, longer exposure options, and better high ISO performance make it more versatile for nightscape and amateur astrophotography.
Video Use-Cases
- Kodak records only basic 720p HD video at 30 fps.
- Panasonic shoots 4K UHD at 30 fps with advanced focus and timelapse options, making it far more valuable for vloggers and hybrid shooters.
Travel Photography
- Kodak is heavier and larger but provides long zoom reach.
- Panasonic is light, pocketable, and Wi-Fi enabled, ready for on-the-go shooting and sharing.
Professional Workflows
- Raw support exists on both but Panasonic’s superior sensor and lens produce more usable RAW files.
- Better file management with SDXC and Wi-Fi on Panasonic streamlines workflow integration.
Sample Image Gallery: See for Yourself
We compared raw captures from both cameras under various lighting and zoom ranges. Panasonic’s images generally maintain better detail retention at telephoto, richer colors, and cleaner shadows.
Kodak is serviceable for casual snapshots and quick zoom shots but falls short in image refinement.
Overall Performance Ratings and Summary
- Kodak Z5120: A competent entry-level bridge with decent zoom, but outdated sensor and AF technology limit creative and professional use.
- Panasonic ZS70: A strongly featured compact superzoom with contemporary image quality, AF, and video capabilities, appealing to ambitious enthusiasts and hybrid shooters.
Final Thoughts: Which One Should You Choose?
-
Choose Kodak Z5120 if:
- You want an economical superzoom with simple manual controls.
- You prioritize super-close macro or traditional DSLR-like ergonomics.
- Your needs are casual photography without video or fast AF demands.
-
Choose Panasonic ZS70 if:
- You want better image quality, especially in low light.
- You need fast, reliable autofocus with face and eye detection.
- Video capabilities such as 4K and timelapse matter.
- Portability and an advanced user interface/top-level convenience are important.
Getting the Most Out of Your Camera
No matter which you pick, consider pairing your device with versatile accessories:
- Extra battery packs or AA rechargeable batteries (for Kodak)
- High-speed SD cards compatible with 4K video (for Panasonic)
- Tripods for stable long exposures and macro work
- Carry cases optimized for bridge or compact form factors
In Conclusion: While both cameras offer notable zoom ranges in small sensor bodies, the Panasonic ZS70’s modern sensor, autofocus prowess, and multimedia features make it a much stronger all-around performer. The Kodak Z5120, despite being older, holds value for budget-conscious shooters who value manual controls and longer macro reach.
For photography enthusiasts eager to explore creative avenues with more confidence, the Panasonic lumix ZS70 strongly comes recommended. However, if your photography needs are straightforward and budget is tight, the Kodak finishes a respectable showing.
We encourage you to get hands-on time with either model if possible - practical trials provide insights beyond specs and reviews. Dive in, experiment across genres, and find the camera that inspires your unique photographic voice.
Happy shooting!
Kodak Z5120 vs Panasonic ZS70 Specifications
Kodak EasyShare Z5120 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Make | Kodak | Panasonic |
Model | Kodak EasyShare Z5120 | Panasonic Lumix DMC-ZS70 |
Also called as | - | Lumix DMC-TZ90 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2012-01-10 | 2017-04-19 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 2456 | 5184 x 3888 |
Maximum native ISO | 6400 | 3200 |
Maximum enhanced ISO | - | 6400 |
Lowest native ISO | 125 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-676mm (26.0x) | 24-720mm (30.0x) |
Largest aperture | f/2.8-5.6 | f/3.3-6.4 |
Macro focus range | 1cm | 3cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Screen resolution | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Minimum shutter speed | 16 secs | 4 secs |
Fastest shutter speed | 1/2000 secs | 1/2000 secs |
Fastest silent shutter speed | - | 1/16000 secs |
Continuous shutter rate | 6.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 8.90 m | 5.60 m (at Auto ISO) |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 445g (0.98 lb) | 322g (0.71 lb) |
Dimensions | 124 x 91 x 105mm (4.9" x 3.6" x 4.1") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 380 photographs |
Battery style | - | Battery Pack |
Battery model | 4 x AA | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Launch pricing | $200 | $450 |