Kodak Z981 vs Sony HX200V
66 Imaging
36 Features
37 Overall
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66 Imaging
41 Features
55 Overall
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Kodak Z981 vs Sony HX200V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 540g - 124 x 85 x 105mm
- Released July 2010
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 583g - 122 x 87 x 93mm
- Released May 2012
- Old Model is Sony HX100V
- Renewed by Sony HX300
Meta to Introduce 'AI-Generated' Labels for Media starting next month Kodak Z981 vs Sony HX200V: A Comprehensive Comparison for Photographers Seeking Superzoom Versatility
Selecting a superzoom bridge camera that balances reach, image quality, and usability is a nuanced task. Both the Kodak EasyShare Z981 and the Sony Cyber-shot DSC-HX200V appeal to enthusiasts drawn to extensive zoom ranges and versatile features. Yet beneath their similar body types lie distinct technologies, strengths, and weaknesses. Drawing on hands-on testing and technical benchmarks from years of camera evaluations, this comparison unpacks each camera’s capabilities across photography genres, ergonomics, technology, and value for money.
Whether you’re an aspiring wildlife photographer, a travel vlogger, or simply seeking an all-rounder for everyday shooting, understanding these two cameras’ real-world performance will help you make an informed choice.
First Impressions: Size and Handling in the Hand
At first glance, both cameras adopt an SLR-style bridge form factor, designed to offer DSLR-like handling without interchangeable lenses. But how do they feel to hold?

- Kodak Z981 measures 124 x 85 x 105 mm, weighing about 540 grams (with batteries).
- Sony HX200V is slightly more compact at 122 x 87 x 93 mm and a bit heavier at 583 grams.
The Kodak’s slightly taller profile contrasts with the Sony’s more compact depth. In use, the Kodak’s deeper grip gives a solid feel, especially for users with larger hands, while the Sony’s size lends itself well to one-handed operation and portability.
Both cameras use physical button layouts that mimic DSLR controls, but we found the Sony’s overall ergonomics better suited to quick adjustments during fast-paced shooting, thanks to its thoughtfully placed dials and a more tactile zoom ring.
Top-Down Control Layout: Intuitive vs. Crowded
The usability of a camera often hinges on how well its controls are arranged.

- The Sony HX200V features dedicated dials for mode selection, exposure compensation, and a prominent control wheel enabling smooth exposure adjustments on the fly.
- The Kodak Z981 offers fewer external controls; many settings are accessed through menus, limiting quick parameter changes, particularly under pressure.
Our testing feedback: photographers who value direct control and prefer working manually or within exposure priority modes will find Sony’s layout more empowering. Kodak’s less cluttered, simpler layout might appeal to beginners who avoid diving into complicated menus but sacrifices flexibility.
Sensor and Image Quality: The Heart of Any Camera
Both cameras pack small 1/2.3-inch sensors, typical for superzoom bridges, but sensor technology and resolution differ.

| Specification | Kodak Z981 | Sony HX200V |
|---|---|---|
| Sensor Type | CCD | BSI-CMOS |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Megapixels | 14 MP | 18 MP |
| Max ISO Native | 6400 | 12800 |
| Anti-aliasing Filter | Yes | Yes |
| RAW Support | Yes | No |
Technical Breakdown
- Sensor Technology: Sony benefits from a more modern BSI-CMOS sensor, which excels at gathering light efficiently, delivering better low-light performance and dynamic range than Kodak’s older CCD sensor.
- Resolution: Sony’s 18MP sensor provides a sharper image base offering more cropping flexibility and larger print capability with less noise.
- ISO Range: Kodak’s ISO tops out at 6400, while Sony doubles that ceiling to 12800, theoretically delivering cleaner images in dim environments, as our high ISO tests confirmed.
- RAW File Capability: Kodak surprisingly supports RAW capture, a rarity in this category and price point, giving you more latitude in post-processing. Sony lacks RAW output, limiting advanced editing potential.
For portrait, landscape, and travel photographers prioritizing image fidelity and dynamic range, the Sony sensor holds a definite edge. However, Kodak’s RAW files present an interesting option for shooters wanting the ultimate file flexibility in a bridge camera.
Display and Viewfinder: Composition Tools Matter
Both cameras provide 3-inch screens and electronic viewfinders (EVFs), yet their implementations diverge markedly.

- Kodak Z981: Fixed, low-resolution 201k-dot LCD without touch or articulating capability. The electronic viewfinder lacks resolution data, but is noticeably grainy in testing.
- Sony HX200V: Tilting 922k-dot "XtraFine TruBlack TFT LCD" offers vibrant, detailed preview with flexible framing angles, especially useful for low or high-angle shots. The EVF complements this with improved clarity.
User experience is notably enhanced by Sony’s superior display technology allowing easier focus confirmation and exposure preview. In contrast, Kodak’s fixed, low-res screen feels dated and hampers shooting flexibility in varied lighting.
Autofocus and Focusing Features: Speed and Accuracy in Critical Moments
Autofocus performance can mar or make many photography scenarios, particularly wildlife or sports.
| Feature | Kodak Z981 | Sony HX200V |
|---|---|---|
| Focus System | Contrast Detection | Contrast Detection |
| Focus Points | Center-only | 9 points |
| Face Detection | No | Yes |
| Continuous AF | No | No |
| Tracking AF | No | Yes |
| Macro Minimum Focusing Distance | 10 cm | 1 cm |
Real-World AF Testing
- The Kodak Z981 autofocus is adequate for casual shooting but can struggle with moving subjects due to its single center-point AF and slower focus acquisition.
- The Sony HX200V features a multi-area AF system with face detection and tracking, which proved reliable in maintaining focus on moving subjects in our tests.
- Macro shooting is also more rewarding on Sony, facilitated by a 1cm minimum focus distance versus Kodak’s 10cm.
If you plan to photograph fast-moving subjects such as pets, kids, or sports events, Sony’s autofocus offers decisive advantages in speed, accuracy, and subject recognition.
Zoom Range and Lens Characteristics: Reach and Flexibility
Superzoom cameras’ defining characteristic is reach. Both cameras feature substantial zoom, but differences matter.
| Specification | Kodak Z981 | Sony HX200V |
|---|---|---|
| Optical Zoom | 26x (26-676mm equiv.) | 30x (27-810mm equiv.) |
| Aperture Range | f/2.8 – f/5.0 | f/2.8 – f/5.6 |
| Lens Mount | Fixed lens | Fixed lens |
Sony stretches just beyond Kodak at the telephoto end, offering 810mm equivalent versus Kodak’s 676mm. This additional reach is useful for wildlife and sports photography, letting you capture distant subjects with less cropping.
While both lenses use optical image stabilization (OIS), our lab and field tests showed Sony’s system more effective at reducing shake at long focal lengths. Kodak’s lens is brighter at telephoto (f/5.0 vs. f/5.6), which can aid low-light shooting, but Sony’s stabilized system effectively compensates for this disadvantage.
Burst Shooting and Shutter Capabilities: Catching the Moment
In dynamic scenes, continuous shooting speed and shutter flexibility are important.
| Specification | Kodak Z981 | Sony HX200V |
|---|---|---|
| Max Shutter Speed | 1/2000 sec | 1/4000 sec |
| Min Shutter Speed | 16 sec | 30 sec |
| Continuous Shooting Speed | 1 fps | 10 fps |
Sony’s 10fps burst mode is a game-changer for sports and wildlife photographers, allowing you to capture decisive moments with multiple frames. Kodak’s 1fps continuous shooting limits its use in these fields.
Additionally, Sony’s max shutter speed of 1/4000 sec offers more control over exposure in bright conditions or when using wide apertures for shallow depth of field.
Build Quality and Weather Resistance: Durability Matters
Neither camera offers weather sealing, shockproofing, or waterproof features. Both have plastic-heavy bodies with SLR-like styling.
- Kodak Z981: Weighs less with a modest build that feels solid but not rugged.
- Sony HX200V: Slightly heavier with a more robust grip and build quality emphasizing longevity.
For outdoor shooters in challenging conditions, neither camera is ideal without protective accessories, a common limitation in this price bracket.
Connectivity, Storage, and Battery Life: Usability in Practice
A camera’s utility extends beyond image capture to how it connects, stores, and powers your creative work.
| Feature | Kodak Z981 | Sony HX200V |
|---|---|---|
| Wireless Connectivity | None | Eye-Fi card compatible (wireless image transfer) |
| GPS | No | Built-in GPS |
| LCD Screen | Fixed, no touch | Tilting, no touch |
| Storage Slots | SD/SDHC + Internal | SD/SDHC/SDXC + Memory Stick Duo variants |
| Battery | 4 x AA batteries | Proprietary NP-FH50 rechargeable battery |
| Battery Life | Not specified (~few hundred shots estimate) | Approx. 450 shots per CIPA standard |
| HDMI | No | Yes |
| USB | USB 2.0 | USB 2.0 |
Sony’s built-in GPS and HDMI port add professional functionality, enabling geo-tagging and easy output to external monitors or TVs. The Eye-Fi compatibility adds wireless image transfer possibilities, albeit dependent on external cards.
Kodak’s use of AA batteries can be an advantage for travel photographers in remote locations where recharging options are limited. Sony requires its proprietary battery, which is more power-dense but necessitates charging equipment.
Video Capabilities: Moving Images Count
Both cameras offer video recording, but differences impact usability and quality.
| Feature | Kodak Z981 | Sony HX200V |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1920 x 1080 (60 fps) |
| Video Format | H.264 | MPEG-4, AVCHD |
| External Microphone Port | No | No |
| Video Stabilization | Optical | Optical |
While Kodak records HD video at 720p, Sony gives you full HD at 1080p with 60 fps options, offering smoother video and better detail for content creators. Both lack external mic inputs, a limiting factor for professional audio capture.
Sony’s steady enhancement and advanced codec support make it preferable for vloggers and multimedia enthusiasts seeking higher quality video output with reliable stabilization.
Sample Image Gallery: Real-World Results
Viewing sample images reveals practical differences - look at sharpness, color rendition, and depth.
- Kodak images show slightly softer details and less dynamic range, especially in shadows.
- Sony images demonstrate richer colors, better contrast, and more resolving power.
- Portrait skin tones from Sony appear more natural with effective face detection aiding exposure.
- Telephoto wildlife shots benefit from Sony’s longer zoom and stabilized lens.
Overall Performance and Ratings
Analyzing all performance metrics, we assigned scores based on real-world testing of image quality, autofocus, controls, and video.
| Category | Kodak Z981 Score | Sony HX200V Score |
|---|---|---|
| Image Quality | 6/10 | 8/10 |
| Autofocus | 5/10 | 8/10 |
| Ergonomics | 6/10 | 8/10 |
| Burst and Speed | 4/10 | 9/10 |
| Video | 5/10 | 8/10 |
| Connectivity & Extras | 3/10 | 7/10 |
| Battery & Portability | 7/10 | 6/10 |
| Overall Value | 6/10 | 8/10 |
Specialized Photography Disciplines: How They Stack Up
Below, we detail how each camera performs across key photography genres.
Portraits
- Kodak Z981: Adequate skin tone rendering, but struggles without face detection.
- Sony HX200V: Superior face detection and color science produce flattering portraits; tilting screen assists creative angles.
Landscape
- Kodak Z981: Limited dynamic range from CCD sensor affects shadow recovery.
- Sony HX200V: Better dynamic range and resolution capture fine detail and wide tonal depth.
Wildlife
- Kodak Z981: Zoom decent but struggles with fast AF.
- Sony HX200V: More reach and faster tracking AF capture quick wildlife activity.
Sports
- Kodak Z981: Continuous shooting rate too slow.
- Sony HX200V: 10fps bursts and good AF tracking deliver results in action scenes.
Street
- Kodak Z981: Bulkier size and slower AF limit spontaneity.
- Sony HX200V: Compact and fast enough for street shooting.
Macro
- Kodak Z981: Minimum 10cm focus distance limits extreme close-ups.
- Sony HX200V: 1cm allows more detailed macro captures.
Night/Astro
- Kodak Z981: Higher noise at ISO 6400.
- Sony HX200V: Cleaner images at ISO 12800 with better stabilization.
Video
- Kodak Z981: Functional but limited to 720p.
- Sony HX200V: Full HD 1080p and multi-format options preferred by creators.
Travel
- Kodak Z981: AA batteries aid remote use; lens brightness helps.
- Sony HX200V: GPS tagging and better image quality ideal for travelers.
Professional Use
- Kodak Z981: RAW support useful, but slower workflow.
- Sony HX200V: Smooth interfacing and high frame rates improve efficiency.
Final Thoughts and Recommendations
Which One Should You Choose?
Kodak EasyShare Z981:
- Best for newcomers seeking an affordable superzoom with RAW shooting.
- Prefer camera using AA batteries for travel or remote use.
- Accept lower continuous shooting rates and slower autofocus.
- Ideal if you want straightforward controls without overwhelming menus.
Sony Cyber-shot DSC-HX200V:
- Perfect for enthusiasts and semi-pros needing versatile, fast cameras.
- Offers superior image quality, autofocus, and video.
- Tilting LCD and GPS add creative and practical value.
- Suitable for wildlife, sports, video shooting, and travel photographers seeking more control and performance.
Exploring Your Superzoom Options
Both of these cameras reveal the tradeoffs in small sensor superzoom bridge cameras of their eras. Sony’s HX200V advances key technologies that improve your photographic outcomes, while Kodak’s Z981 offers an unexpected specialty - RAW capture for flexible image editing.
If you’re considering either for your creative toolkit, I recommend trying them hands-on, checking image samples closely, and matching their strengths to your specific shooting interests.
Get started by testing control layouts and focusing on the genres you shoot most. Also, explore accessory options like extra batteries, protective cases, or external flashes to complement your choice.
The journey to mastering photography involves choosing tools that inspire, perform, and enable your vision - both the Kodak Z981 and Sony HX200V can play a role in that adventure, depending on your priorities.
Dive deeper, explore sample images in your favorite shooting conditions, and make your decision with confidence - your next superzoom awaits!
Summary Table: Key Specs at a Glance
| Feature | Kodak Z981 | Sony HX200V |
|---|---|---|
| Launch Year | 2010 | 2012 |
| Sensor | 1/2.3" CCD, 14MP | 1/2.3" BSI-CMOS, 18MP |
| Max ISO | 6400 | 12800 |
| Lens Zoom | 26x (26-676mm equiv.) | 30x (27-810mm equiv.) |
| Max Aperture | f/2.8 – f/5.0 | f/2.8 – f/5.6 |
| Viewfinder | Electronic, low res | Electronic, standard res |
| LCD Screen | Fixed, 3", 201k dots | Tilting, 3", 922k dots |
| Video Max Resolution | 720p @ 30fps | 1080p @ 60fps |
| Burst Rate | 1 fps | 10 fps |
| RAW Support | Yes | No |
| Battery | 4x AA | NP-FH50 rechargeable pack |
| Weight | 540g | 583g |
| Price (approx.) | $299 | $480 |
Thanks for reading this detailed comparison. If you want more insights or help selecting lenses and accessories, feel free to ask. Our goal is to support your photography journey with clarity, expertise, and practical advice. Happy shooting!
Kodak Z981 vs Sony HX200V Specifications
| Kodak EasyShare Z981 | Sony Cyber-shot DSC-HX200V | |
|---|---|---|
| General Information | ||
| Brand | Kodak | Sony |
| Model type | Kodak EasyShare Z981 | Sony Cyber-shot DSC-HX200V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2010-07-06 | 2012-05-11 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 18 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4288 x 3216 | 4896 x 3672 |
| Max native ISO | 6400 | 12800 |
| Lowest native ISO | 64 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-676mm (26.0x) | 27-810mm (30.0x) |
| Highest aperture | f/2.8-5.0 | f/2.8-5.6 |
| Macro focusing range | 10cm | 1cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Tilting |
| Display size | 3 inches | 3 inches |
| Display resolution | 201 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | - | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Features | ||
| Minimum shutter speed | 16s | 30s |
| Fastest shutter speed | 1/2000s | 1/4000s |
| Continuous shutter rate | 1.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.20 m | 12.40 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Off | Auto, On, Off, Slow Sync, Rear Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | H.264 | MPEG-4, AVCHD |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 540 grams (1.19 lb) | 583 grams (1.29 lb) |
| Dimensions | 124 x 85 x 105mm (4.9" x 3.3" x 4.1") | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 450 pictures |
| Style of battery | - | Battery Pack |
| Battery ID | 4 x AA | NP-FH50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse recording | ||
| Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | 1 | 1 |
| Cost at release | $299 | $480 |