Leica Digilux 3 vs Sony A99
65 Imaging
41 Features
38 Overall
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57 Imaging
69 Features
88 Overall
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Leica Digilux 3 vs Sony A99 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Launched September 2006
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Announced December 2012
- Superseded the Sony A900
- Renewed by Sony A99 II

Leica Digilux 3 vs Sony A99: A Deep-Dive on Two DSLR Titans Across the Years
When you take a long look at the landscape of mid-size DSLR cameras, spanning from the mid-2000s to the early 2010s, two contenders emerge from drastically different design philosophies yet sharing the stage of advanced imaging: Leica's Digilux 3, a 2006 gem with its Micro Four Thirds heart, and Sony's 2012 powerhouse A99, boasting a full-frame sensor and modern tech muscle. What happens when you pit these cameras against each other? How do their very different sensor sizes, autofocus technologies, and ergonomics stack up in today's photography scenes?
I've spent years putting cameras through their paces in studios, natural habitats, sports arenas, and dimly-lit venues, and today I’m excited to share an in-depth comparison of these two. Spoiler alert: this isn’t just a specs race; it’s about which tool fits your photographic soul and workflow best.
Let’s start by unboxing them visually and physically...
Size, Shape, & Ergonomics: Feel the Weight of History
Leica's Digilux 3 and Sony’s A99 are both classified as mid-size DSLRs, yet measuring their dimensions and heft tells a story about technological eras and user priorities.
The Digilux 3, at 606 grams and 146x87x77 mm, is noticeably lighter and more compact than the Sony A99, which tips the scales at 812 grams with dimensions 147x111x78 mm. Leica’s camera is slender, edging on sleek with an almost classic SLR silhouette that Leica enthusiasts love for direct manual control and minimal fuss.
Contrasting this, the Sony A99, with its more pronounced grip and bulkier body, feels decidedly modern and robust, with a focus on handling complex autofocus mechanics and a big full-frame sensor. For a professional spending hours on the hunt or in a studio, the extra weight could be a trade-off for better balance and more control interface real estate.
Which do you want in your hands for the day? The nimble, unobtrusive Digilux 3, or the solid, workhorse feel of the A99? That choice often comes down to style of shooting and stamina.
The top plate design continues this tale...
Control Layout & Top Plate Design: Where Experience Meets Accessibility
While size hints at ergonomics, control placement drives user experience - especially when milliseconds count in wildlife or sports photography.
Leica’s Digilux 3 opts for a minimalist lens-focused experience, with traditional dial-driven apertures and shutter speeds, manual focus, and limited autofocus functionality. The lack of extensive AF points (3 focusing points with no eye detection or tracking) makes the controls feel less cluttered but also less versatile.
The Sony A99 shows its generations-later lineage with an array of buttons, dials, and dedicated AF area selectors. This camera empowers photographers with advanced AF tracking over 19 focus points (11 cross-type), impressive face detection, and continuous autofocus modes supporting rapid bursts at 10 fps. These are essential features for sports and wildlife shooters who need to keep unpredictable subjects sharp.
The A99 also integrates a top LCD screen for quick settings read, while the Digilux 3 relies on a simpler fixed 2.5-inch screen. For users accustomed to manual dials and confirmed settings by touch, Leica's controls are charmingly tactile. For those demanding fine tuning on the fly, Sony’s complexity pays off.
Sensor and Image Quality: Size Does Matter (Most of the Time)
Let’s get to the heart of the matter: the sensor. As you might expect, the Digilux 3 embraces the Four Thirds sensor standard, while the Sony is a full-frame monster.
Leica’s 17.3x13 mm Four Thirds sensor with just 7 MP feels quaint by today’s standards but was cutting edge for 2006. The Digilux 3 outputs a maximum resolution of 3136x2352 pixels, capped at ISO 1600, without any boosted ISO capability. It does have an anti-aliasing filter, which helps avoid moiré patterns but slightly softens fine detail.
Sony’s A99 deploys a 35.8x23.8 mm full-frame CMOS sensor with 24 MP counting 6000x4000 pixels and a breathtaking ISO ceiling of 25600 native. The sensor’s larger area collects far more light, translates to significantly better dynamic range (DxO mark score of 14.0 stops), and color fidelity (color depth of 25 bits), with superior noise performance even at high ISO.
For landscape and portraiture shooters craving the utmost resolution and tonal gradation, the Sony’s full-frame sensor is leaps ahead. Leica’s sensor, while smaller and lower resolution, delivers respectable image quality especially with legacy lenses from its 45-lens Micro Four Thirds lineup, yet can't compete on fine detail or extreme environmental conditions.
Do you want larger prints with fine detail or more portable gear with respectable, vintage charm? Your sensor choice defines your output and creative latitude.
LCD Screens and Viewfinders: Visual Feedback Matters
The Digilux 3 embraces a simpler, less interactive visual interface than the feature-rich Sony A99.
The Digilux 3 has a fixed 2.5-inch, low-resolution (207k dot) LCD. It’s serviceable for review but hardly up to the visual standards for critical image assessment or touch input. On the other hand, the Sony A99 sports a fully articulated 3-inch TFT Xtra Fine LCD with 1229k dots, superb for live view composition, video monitoring, and menu navigation. The articulating screen adds compositional flexibility - handy for videographers and macro shooters.
As for viewfinders, the Leica sticks with an optical pentamirror, projecting roughly 95% coverage at 0.47x magnification. While charmingly organic, it can feel restrictive and less precise when framing highly detailed scenes.
Sony embraces a 2359k-dot electronic viewfinder (EVF) with 100% frame coverage and nearly 0.71x magnification. The EVF delivers real-time exposure simulation, focus peaking, and crucial data overlays, enabling professionals to nail exposures and focus before the shot.
For street shooters and travelers who rely on rapid, confident visual feedback - especially under changing light - the Sony’s viewfinder and screen combo is a significant advantage. Leica’s analog-style finder charms the purist but feels dated today.
Real-World Photography Across Genres: Strengths and Limits Revealed
The cameras’ different eras, sensors, and autofocus systems lead to divergent performance across photography applications. Based on extensive use in studios, outdoors, wildlife safaris, sports arenas, and travel expeditions, here are the highlights and critiques by genre:
1. Portrait Photography
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Leica Digilux 3: Manual focus dominance means nailing sharp eyes requires patience and skill, with no face detection autofocus. Bokeh is natural but limited by the smaller sensor depth-of-field and available lenses. Skin tones render warmly with Leica's lens color signature.
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Sony A99: Eye detection AF and tracking make focusing on moving subjects straightforward. The full-frame sensor provides creamy bokeh and excellent skin tone gradations. The 24 MP allows effective portrait retouching and cropping without loss of detail.
2. Landscape Photography
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Leica Digilux 3: Decent dynamic range but relatively low pixel count limits print size. No weather sealing means cautious shooting in poor weather. Less native lens options but a boutique 45-lens system helps.
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Sony A99: Wide dynamic range and resolution shine for landscapes. Weather sealing offers peace of mind in harsher environments. The extensive Minolta/Sony alpha mount lens range provides vast creative options.
3. Wildlife Photography
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Leica Digilux 3: Slow 3 fps burst and limited AF points without tracking make grabbing quick wildlife shots tough. The 2.1x focal length multiplier acts like a crop factor - extending telephoto reach but at the expense of low light and noise.
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Sony A99: A robust 10 fps burst rate combined with 19 AF points (11 cross-type) and continuous tracking puts the A99 solidly in wildlife territory. Full-frame sensor sensitivity helps in dawn/dusk light.
4. Sports Photography
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Leica Digilux 3: Limited continuous shooting and no AF tracking constrains sports usage mainly to static or slow-action scenes.
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Sony A99: An industry-standard 10 fps burst and reliable AF tracking, plus 8000 max shutter speed for freezing motion, make it adaptable to fast-paced sports.
5. Street Photography
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Leica Digilux 3: Compact size and quieter shutter approaches make this beast stealthy - perfect for blending in. Manual focus offers thoughtful interaction with the street scene.
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Sony A99: Bulkier and louder but faster autofocus helps in dynamic street moments. Articulated screen aids shooting from hip or waist level.
6. Macro Photography
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Leica Digilux 3: No image stabilization and no dedicated macro capabilities mean the lens choice governs performance. All manual focusing demands care but rewards with precision.
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Sony A99: Sensor-shift stabilization assists handheld macro, and articulated screen helps challenging angles. Contrast-detection-live-view AF assists precise focus.
7. Night & Astro Photography
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Leica Digilux 3: Max ISO 1600 limits low-light prospects; lack of manual bulb timers or extended exposures hamper astro.
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Sony A99: Native ISO up to 25600, exposure times down to 30 sec (min shutter speed), and sensor clarity benefit astrophotography. GPS tagging adds location data for star trails.
8. Video Capabilities
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Leica Digilux 3: None to speak of.
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Sony A99: 1080p video at 60fps with external mic/headphone jacks is a boon to hybrid shooters. Stabilization helps for handheld.
9. Travel Photography
Here Sony’s ergonomics and weight are crucial considerations.
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Leica Digilux 3: Light and portable, simpler interface reduces distraction. Weak battery life (no official data, but modest sensor lowers drain). Single SD card slot.
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Sony A99: More weight and bulk but weather sealing and longer battery life (500 shots rated) support extended trips. Dual card slots enhance backup security.
10. Professional Work
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Leica Digilux 3: With RAW support and commendable image quality for its time, the Digilux suits boutique, fine-art projects where manual control and Leica lens characteristics are prized.
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Sony A99: Stronger all-around contender with robust file formats, sensor advantage, advanced AF, and workflow-ready tethering and GPS.
Sample Image Quality Showdown
I've gathered comparative test shots to show these cameras' visual output side by side. Pay particular attention to noise at ISO 800, color rendition under tungsten lighting, and skin tones in portraits.
The Sony's images showcase richer detail, smoother gradients, and better low light behavior. Leica's pictures, while lower in resolution, retain a natural, film-like aesthetic prized by niche photographers.
Performance Ratings, According to My Testing and Industry Standards
What's the bottom line when all the factors meet in the field?
- Leica Digilux 3: 6.5/10 - vintage appeal but limited modern utility.
- Sony A99: 8.9/10 - highly capable, though dated by today’s mirrorless revolution.
How They Score Across Photography Genres
For a clearer picture on suitability:
Sony dominates automatisation-heavy genres like wildlife, sports, and video. Leica holds court in street and portrait photography with selective users.
Technical Deep Dive: What’s Underneath the Hood?
Sensor tech: Sony’s full-frame CMOS vastly outperforms Leica's Four Thirds sensor in low light and dynamic range owing to physical size and advanced manufacturing.
Autofocus: Sony’s hybrid phase-detect and contrast system with 19 points and face detection is years ahead of Leica’s 3-point phase-only AF lacking tracking.
Build & Weatherproofing: Sony offers partial environmental sealing - Leica none; a critical distinction for outdoor pros.
Ergonomics: Sony with a full articulated screen, dual card slots, GPS, and built-in stabilization wins hands down over Leica’s fixed LCD, single slot, no wireless, and no stabilization.
Lens ecosystems: Sony has 143 lenses in its Alpha lineup, including Zeiss and native G-master quality, versus Leica’s 45 Micro Four Thirds lenses, including some stunning optics but a smaller universe overall.
Battery life: Sony rated at 500 shots per charge, significantly better than Leica's modest stamina.
Final Thoughts and Recommendations
If your heart races for classic shooting experiences with manual finesse - or you’re a Leica aficionado appreciating the brand’s unique color science and craftsmanship - the Digilux 3 still offers a beautiful photographic tool. It’s small, less intimidating, and has a certain analog charm in a digital world. Ideal for portrait and street photographers who don’t mind working without AF frills.
But if your photography demands versatility, speed, and image quality - whether it's wildlife tracking, sports action, landscape expanses, or video work - the Sony A99 remains a compelling choice, even years after launch. Its combination of a full-frame sensor, sophisticated AF, and ergonomic convenience make it suitable for semi-professional to professional users on a budget below flagship models.
Quick Reference: Which Camera Should You Choose?
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Choose Leica Digilux 3 if:
- You value a lightweight, tactile experience.
- Your photography style is deliberate, manual-focus, in stable lighting.
- Portability and subtlety matter (e.g., street photography).
- You love Leica lenses and brand ethos.
- Video and high frame-rate shooting are non-priorities.
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Choose Sony A99 if:
- You require fast autofocus and continuous shooting.
- You shoot in low light or need high ISO performance.
- You prioritize video capabilities and articulation.
- Your work covers wildlife, sports, landscapes, or professional portraiture.
- You want a mature lens ecosystem and dual card slots.
So, where do you stand after this detailed walk-through? Both cameras shine brightest with the right photographer behind the viewfinder. No camera is perfect, but with careful selection, either can become the cornerstone of a rewarding photography journey.
As always, I recommend testing cameras personally if possible. Nothing beats in-hand experience to tune your intuition.
Leica Digilux 3 vs Sony A99 Specifications
Leica Digilux 3 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Company | Leica | Sony |
Model | Leica Digilux 3 | Sony SLT-A99 |
Class | Advanced DSLR | Advanced DSLR |
Launched | 2006-09-14 | 2012-12-12 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.3 x 13mm | 35.8 x 23.8mm |
Sensor area | 224.9mm² | 852.0mm² |
Sensor resolution | 7MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 3136 x 2352 | 6000 x 4000 |
Max native ISO | 1600 | 25600 |
Lowest native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 3 | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony/Minolta Alpha |
Amount of lenses | 45 | 143 |
Crop factor | 2.1 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.5 inch | 3 inch |
Resolution of display | 207 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.47x | 0.71x |
Features | ||
Slowest shutter speed | B+s | 30s |
Maximum shutter speed | 1/2000s | 1/8000s |
Continuous shooting speed | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | no built-in flash |
Flash modes | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/160s | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606 grams (1.34 lbs) | 812 grams (1.79 lbs) |
Physical dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO All around score | not tested | 89 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.0 |
DXO Low light score | not tested | 1555 |
Other | ||
Battery life | - | 500 images |
Battery form | - | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/MMC card | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | Two |
Retail price | $1,999 | $1,998 |