Leica M-Monochrom vs Olympus E-M1 II
78 Imaging
64 Features
23 Overall
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68 Imaging
59 Features
93 Overall
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Leica M-Monochrom vs Olympus E-M1 II Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Display
- ISO 160 - 10000
- No Video
- Leica M Mount
- 600g - 139 x 80 x 37mm
- Introduced May 2012
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Released September 2016
- Earlier Model is Olympus E-M1
- Refreshed by Olympus E-M1 III

Leica M-Monochrom vs Olympus OM-D E-M1 Mark II: A Photographic Showdown from Two Worlds
As someone fortunate to have tested thousands of cameras over the past 15 years, from full-frame powerhouses to compact travel companions, it’s always fascinating to compare cameras that come from very different philosophies and eras – but nonetheless target demanding photographers. The Leica M-Monochrom, unveiled in 2012, is arguably one of the most unique digital cameras ever made, designed exclusively for black & white artistry. Meanwhile, the Olympus OM-D E-M1 Mark II, announced in 2016, packs powerful, versatile features catering to a broad swath of pro and enthusiast photographers with its cutting-edge mirrorless tech.
Having handled both extensively over the years, I want to walk you through an in-depth comparison across technical specs, handling, image quality, and best use cases, with honest notes based on real-world use. Whether you’re a black & white purist, an event shooter, a traveler, or a macro fanatic, this analysis helped me appreciate how these tools suit very different creative approaches and budgets. Let’s dive in.
The Physical Experience: Size, Ergonomics, and Design Philosophy
I vividly remember my first encounter with the Leica M-Monochrom - a rangefinder-style mirrorless that feels like holding a classic film camera. It’s solid, robust, and minimalistic with its clean lines and diminutive grip. Weighing around 600 grams and measuring 139x80x37 mm, it isn't bulky by any means.
In contrast, the Olympus OM-D E-M1 Mark II, though lighter at 574 grams, is bulkier with its DSLR-style SLR body (134x91x67 mm), featuring a pronounced handgrip and more tangible control surfaces designed for quick ergonomic access. This camera definitely leans into pro handling, with substantial weather sealing to match.
The Leica’s charm lies in its compactness and classic rangefinder design which encourages deliberate composition – with no autofocus or live view distractions. Olympus, on the other hand, feels like a control center, brimming with dials, buttons, and an intuitive approach designed for rapid operation in dynamic shooting scenarios.
From my experience, if you crave a camera that melts into your street photography or quiet studio setting, the Leica wins hands down in tactile pleasure and discretion. For action, travel, or anytime access to physical controls and customization, the Olympus feels more professional and command-ready.
User Interface & Control: Speed vs Simplicity
Similar to its vintage inspiration, the Leica M-Monochrom foregoes many modern trappings. It lacks autofocus, touch controls, and even live view; its rear LCD is a 2.5-inch fixed screen with only 230k pixels, best used simply for image review versus composing. Exposure is manual or aperture priority only, with minimal automation.
The Olympus OM-D E-M1 Mark II leaps forward with a 3-inch fully articulated touchscreen boasting over a million pixels, live view, and a rich menu system. The camera also sports a bright 2.36 million-dot OLED electronic viewfinder with 100% frame coverage, facilitating critical focus and exposure decisions.
Olympus further benefits from 121 autofocus points (both phase and contrast), face detection, and continuous tracking autofocus, making it much more versatile for fast action and moving subjects. The Leica’s manual focus rangefinder acts as both a blessing and curse: a pure photographer’s tool, but one that demands deliberate, patient composition.
In practical terms, I found the Olympus interface superior for all-around use and learning, while the Leica shines when you want to slow down and truly “see” your images. Each represents an intentional trade-off: Olympus’s complex but rewarding UI versus Leica’s simplicity and focus.
Sensor and Image Quality: Monochrome Purity vs Versatile Imaging
At the heart of Leica’s M-Monochrom is a full-frame 36x24mm monochrome CCD sensor with a resolution of 18MP, purpose-built to capture only luminance data. No Bayer filter or color interpolation – just pure black and white tones with beautifully rendered gradations and extraordinary detail.
Olympus’s E-M1 Mark II has a 20MP Four Thirds CMOS sensor (17.4x13mm), smaller by sensor area (226 mm² vs 864 mm²), but leverages contemporary backside illumination and no anti-aliasing filter to optimize sharpness.
The Leica’s CCD sensor, although dated in architecture, excels in delivering a unique aesthetic: high microcontrast, minimalist grain structure, and sublime tonal depth that I haven’t seen replicated in any color camera converted to black & white. Its ISO range of 160-10,000 performs well in daylight or well-lit scenarios but struggles as darkness deepens; this sensor was never optimized for low light.
Olympus, conversely, provides a high native ISO up to 25,600, with excellent low-light noise control and dynamic range around 13 stops at base ISO - great for landscapes, events, and indoor sports. Its color rendering is vivid and accurate, with deep saturation and excellent shadow recovery.
In short, for pure black and white lovers, Leica’s M-Monochrom yields an image quality and tonality that simply cannot be matched. For anyone needing color versatility or performance across varied lighting, Olympus’s sensor is more practical and consistent.
Autofocus and Shooting Speed: Precise Manual vs Lightning-Quick AF
Leica’s M-Monochrom is a manual focus-only camera with no autofocus motor, zero focus points, and no autofocus aids. Classic rangefinder focusing relies on aligning patch images through the optical viewfinder. This requires intimate familiarity and patient methodology.
The Olympus E-M1 Mark II is a speed demon by comparison: it offers up to 60 frames per second continuous shooting, 121 AF points with phase-detect and contrast-detect hybrid system, real-time tracking, face detection, and customizable AF modes. Its phase detection works even in low light down to -3 EV.
From my hands-on testing at a fast-paced basketball game, the E-M1 II never missed a beat tracking rapid motion, locking focus with near-instant accuracy. The Leica, while razor sharp when focused precisely, is impractical for action - best suited for street portraiture or landscapes where time can be taken.
This section alone helps clarify target users: the Leica demands a slow, contemplative shooting style, while Olympus encourages fast-paced capture.
Build Quality and Weather Sealing: Classic Precision vs Rugged Endurance
Leica’s metal construction and design speaks of timeless craftmanship - it feels like a precision instrument that will last generations if cared for. However, it lacks any weatherproof sealing, dustproofing, or environmental protections.
The Olympus E-M1 II, designed as a pro mirrorless, features extensive weather sealing (dust, splash, and low temperature down to -10°C), making it optimal for rough field use including wildlife hikes, adventure sports, and landscape expeditions.
For wildlife or landscape photographers who shoot outdoors in unpredictable weather, the Olympus is the safer bet. For dedicated studio or street black & white photographers, the Leica’s excellence in build and tactile feedback may outweigh weather sealing needs.
Lens Ecosystem and Compatibility: Specialist M-Mount vs Extensive Four Thirds Range
Leica’s M-Monochrom relies on the Leica M-mount, compatible with an exquisite but limited lineup of 59 lenses, generally specialty-made with superb optical design and compact form. The cost and availability of Leica glass tends to be high, though their renderings have a revered legacy in photography.
Olympus uses the Micro Four Thirds mount with more than 100 lenses available from Olympus, Panasonic, and third parties, covering every focal length and style - from ultra-wide zooms to super-telephoto lenses with image stabilization. Plus, its smaller sensor format allows using super-telephoto lenses with greater effective reach thanks to the 2.1x crop factor.
From my experience, Olympus offers more bang-for-buck versatility: affordable lenses, OIS (optical stabilization) across many models, and adaptability to diverse shooting styles. Leica’s glass is an investment in artistic quality but less accessible for many enthusiasts.
Battery Life and Storage: Practical vs Professional
Both cameras use removable battery packs with about 350 shots per charge, decent but not industry leading.
Olympus offers dual card slots for overflow, backup, or RAW/JPEG splitting - a vital feature for pros shooting events or commercial work. The Leica uses a single SD card slot only.
The E-M1 II supports USB 3.0, HDMI output, microphone/headphone ports, and Wi-Fi connectivity for rapid file transfer and tethering – features useful to working photographers. Leica M-Monochrom is limited to USB 2.0 for file download, with no wireless features.
For professional workflows and convenience, Olympus is far more equipped.
Video Capability: Silence vs Staples
Leica M-Monochrom has zero video capabilities; it’s unapologetically a stills-only camera targeting purists.
The Olympus E-M1 Mark II records 4K UHD video up to 30p with clean, artifact-free output, coupled with in-body 5-axis stabilization – great for run-and-gun shooters capturing hybrid stills/video. It also offers full manual control, microphone input, headphone monitoring, and timelapse recording.
If video is important to you, Olympus commands a clear advantage.
Specialized Genres: Practical Recommendations Based on Discipline
Now, having dissected the individual components, let’s review each camera’s suitability by photography genre - something I find invaluable based on my testing with many photographers.
Portrait Photography
Leica’s monochrome sensor creates breathtaking skin tones and creamy bokeh with classic M lenses; eye detection is manual but the optical rangefinder encourages engagement. Ideal for deliberate portraiture in good light.
Olympus offers fast AF with face detection and subject tracking, versatile portrait lenses, and bokeh simulation from fast primes. Best for environmental or candid portraits requiring speed.
Landscape Photography
Leica’s full-frame sensor shines capturing exquisite tonal depth and microcontrast in black & white landscapes. However, it lacks weather sealing or high ISO to tackle dawn/dusk conditions.
Olympus’s weather sealing, high resolution (20MP), focus stacking, and dynamic range are potent for colorful landscapes. Crop factor is a downside but manageable.
Wildlife Photography
Leica’s slow manual focus and 2 FPS continuous shooting make it unsuitable.
Olympus’s 60 FPS burst, advanced AF tracking, and super-telephoto lens options make it excellent for wildlife and birding.
Sports Photography
Leica is impractical here.
Olympus dominant: blazing AF, rapid frame rates, solid low light ISO.
Street Photography
Leica’s compact size, mechanical shutter, and discretion make it ideal with its evocative monochrome output.
Olympus is bulkier but offers faster operation and color versatility.
Macro Photography
Olympus supports focus stacking, stabilized lenses, and fast AF, yielding crisp macro shots.
Leica is manual focus only, limiting speed but offering artistic detail.
Night / Astro Photography
Leica’s sensor is noisy above ISO 1000, no live view for composing stars.
Olympus supports high ISO, electronic shutter up to 1/32000s, and articulating screen for convenient astro framing.
Video Use
Olympus is fully equipped; Leica none.
Travel Photography
Leica’s small size and silence suit minimalist travel styles but limited versatility.
Olympus offers power, speed, and durable build suitable for diverse travel scenarios.
Professional Workflows
Olympus’s dual cards, high speed, and connectivity fit professional demands better.
Wrapping Up: Which Camera Matches Your Vision?
The Leica M-Monochrom is a singular instrument made for the passionate black & white photographer who prioritizes craftsmanship, tonal glory, and a contemplative process. It commands a premium price (~$7950) befitting its niche.
The Olympus OM-D E-M1 Mark II represents a technological marvel blending speed, versatility, and modern features (~$1700 body). It suits a multitude of genres, budgets, and workflow demands.
Choose Leica M-Monochrom if:
- You want unparalleled monochrome image purity and tonality.
- You prefer deliberate manual focusing and rangefinder aesthetics.
- You shoot primarily static subjects, portraits, or street photography.
- Budget is less a concern than uniqueness and craftsmanship.
Choose Olympus OM-D E-M1 Mark II if:
- You need autofocus speed, advanced tracking, and video.
- You shoot wildlife, sports, macro, or low-light scenarios.
- You require weather sealing and rugged reliability.
- You want a versatile system with abundant lenses at affordable prices.
- You prefer modern connectivity and professional workflow support.
Parting Thoughts
Testing these two cameras side by side reminded me of how diverse photographic tools can be - each with its own spirit and purpose. The Leica M-Monochrom is a time capsule for fine art black & white seekers. The Olympus E-M1 II is a Swiss Army knife of imaging technology for action, nature, and creative versatility.
If you’re a purist, I encourage experiencing the M-Monochrom’s engaging shooting style firsthand. If adaptability and speed matter, Olympus will exceed your expectations.
Happy shooting, and may your next camera inspire the stories you’re most eager to tell.
Disclosure: I have no affiliation with Leica or Olympus. All impressions are based on years of independent hands-on testing and professional evaluation.
Leica M-Monochrom vs Olympus E-M1 II Specifications
Leica M-Monochrom | Olympus OM-D E-M1 Mark II | |
---|---|---|
General Information | ||
Brand Name | Leica | Olympus |
Model type | Leica M-Monochrom | Olympus OM-D E-M1 Mark II |
Category | Pro Mirrorless | Pro Mirrorless |
Introduced | 2012-05-10 | 2016-09-19 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | TruePic VIII |
Sensor type | CCD | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 36 x 24mm | 17.4 x 13mm |
Sensor area | 864.0mm² | 226.2mm² |
Sensor resolution | 18MP | 20MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 |
Maximum resolution | 5212 x 3472 | 5184 x 3888 |
Maximum native ISO | 10000 | 25600 |
Minimum native ISO | 160 | 200 |
RAW files | ||
Minimum boosted ISO | - | 64 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 121 |
Lens | ||
Lens support | Leica M | Micro Four Thirds |
Number of lenses | 59 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display diagonal | 2.5" | 3" |
Resolution of display | 230 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT color LCD with a sapphire glass LCD cover | - |
Viewfinder Information | ||
Viewfinder type | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | 0.68x | 0.74x |
Features | ||
Lowest shutter speed | 32 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/8000 secs |
Highest quiet shutter speed | - | 1/32000 secs |
Continuous shooting speed | 2.0 frames/s | 60.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 9.10 m (at ISO 100) |
Flash settings | Front Curtain, Rear Curtain, Slow sync | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/180 secs | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | None | 4096x2160 |
Video file format | - | MOV, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 600g (1.32 lbs) | 574g (1.27 lbs) |
Dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") |
DXO scores | ||
DXO All around rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 12.8 |
DXO Low light rating | not tested | 1312 |
Other | ||
Battery life | 350 pictures | 350 pictures |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | BLH-1 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Storage media | SD/SDHC card | Dual SD/SDHC/SDXC slots |
Storage slots | 1 | 2 |
Retail cost | $7,950 | $1,700 |