Leica M9 vs Panasonic GH5 II
79 Imaging
62 Features
30 Overall
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59 Imaging
62 Features
89 Overall
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Leica M9 vs Panasonic GH5 II Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 80 - 2500
- No Anti-Alias Filter
- No Video
- Leica M Mount
- 585g - 139 x 80 x 37mm
- Launched September 2009
- Successor is Leica M9-P
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4992 x 3744 video
- Micro Four Thirds Mount
- 727g - 139 x 98 x 87mm
- Revealed July 2021
- Alternate Name is Lumix DC-GH5M2
- Earlier Model is Panasonic GH5
- Later Model is Panasonic GH6
Photobucket discusses licensing 13 billion images with AI firms Leica M9 vs Panasonic GH5 II: A Thorough Comparison for Today’s Photographer
In the ever-evolving world of digital cameras, comparing a classic rangefinder like the Leica M9 to a modern, hybrid powerhouse such as the Panasonic GH5 II feels a bit like juxtaposing a handcrafted Swiss watch against a futuristic smartwatch. Both offer remarkable precision and excellence, yet they approach photography with vastly different philosophies and technologies. Having tested thousands of cameras over the years, I find that understanding these differences in context is crucial before deciding which tool fits your artistic vision and workflow.
In this in-depth comparison, we’ll dive into ergonomics, image quality, autofocus, performance across photography genres, and usability features - connecting firsthand lab data with real-world shooting experiences. Whether you’re a Leica loyalist seeking timeless image character or a GH5 II fan chasing versatility and speed, this analysis will help you see clearly where each camera shines or stumbles.
First Impressions: Size, Shape, and Handling
The tactile first encounter with a camera heavily influences creative output. The Leica M9 preserves the iconic rangefinder silhouette, delivering a compact, unassuming package with a hand-built charm. Contrarywise, the Panasonic GH5 II flaunts a more traditional DSLR-like body with robust ergonomics aimed at hybrid shooters who juggle stills and video.

The Leica M9 weighs a trim 585 grams and measures a sleek 139x80x37 mm. Its flat top and minimalist design encourage deliberate, manual control via the aperture ring on lenses and physical shutter settings on the body. There’s no built-in autofocus system here - this is classic manual focus territory. For users who prize tactile feedback and visualizing focus zones through the optical rangefinder, this design is pure joy.
By contrast, the Panasonic GH5 II tips the scales at 727 grams with a chunkier footprint of 139x98x87 mm. Its extensive grip, slightly larger controls, and weather-sealed magnesium alloy chassis highlight its professional ambitions. The GH5 II feels like an all-weather workhorse that’s engineered to last morning-to-night shoots under varied conditions.
The GH5 II also benefits from a fully articulated 3-inch, high-resolution touchscreen (18.4 million dots) that’s absent on the M9’s modest 2.5-inch fixed display. This evolution exemplifies Panasonic’s focus on flexible, interface-rich camera operation versus Leica’s purist philosophy.
Ergonomically, the M9 invites a slow, methodical shooting style, perfect for contemplative street, portrait, and documentary work. Meanwhile, the GH5 II advocates for speed and control customization - great for fast-paced assignments and multi-modal shooting.
Viewing Your Scene: Optical Rangefinder vs Electronic Viewfinder
The core user interface difference between these two cameras is clear when it comes to framing your shots.
The Leica M9 employs an optical rangefinder with a magnification of 0.68x, free of any electronic overlay. What you see is purely the scene through a window: manual focus, parallax correction, and a bright viewfinder image thanks to Leica’s glass craftsmanship.
While intuitive and rewarding, this approach has limitations:
- Autofocus assistance is nonexistent.
- No preview of exposure or white balance.
- Limited in low light without external aides.
The Panasonic GH5 II, however, embraces a 3.68 million-dot OLED electronic viewfinder with 100% coverage and a magnification of 0.76x. This provides:
- Live exposure preview.
- Histograms, focus peaking, and face detection overlays.
- Flexible framing with zoom and grid lines.
- Real-time video monitoring.
For photographers who crave precision feedback or shoot in unpredictable lighting, the GH5 II’s EVF offers undeniable advantages.

The top view of each camera also hints at their operational philosophies: the Leica M9 keeps dials clean, while the GH5 II presents a cluster of customizable buttons and dials for comprehensive control.
Inside the Machine: Sensor Tech and Image Quality
Sensor architecture defines a camera’s potential image quality. The Leica M9 houses an 18 MP full-frame CCD sensor measuring 36x24 mm (864 mm² sensor area). In contrast, the GH5 II features a 20 MP Micro Four Thirds CMOS sensor at 17.3x13 mm (225 mm² sensor area).

This size difference of nearly fourfold dramatically influences both light gathering and noise behavior.
Resolution and Detail
In raw resolution numbers, the GH5 II slightly edges out the M9 with 5184x3888 pixels vs. 5212x3472 pixels, but pixel density is much higher on the smaller sensor.
Practically, the Leica’s larger pixels yield higher dynamic range and superior tonal gradation, particularly notable in landscape and portrait captures where preserving highlight and shadow details is critical. The CCD sensor, while older technology, produces a distinct color ethos - often called “film-like” - with smooth tonality, pleasing skin tones, and minimal digital harshness.
Conversely, the GH5 II’s CMOS sensor excels in flexibility, faster readout speeds (important for video and burst shooting), and higher native ISO capability (200-25600 vs Leica’s 80-2500). Noise suppression algorithms on the GH5 II also deliver cleaner images in dim conditions, albeit with a slight tradeoff in pure color depth compared to the M9.
Dynamic Range and Color Depth
DxOMark benchmarking gives the Leica M9 a color depth of 22.5 bits and dynamic range of 11.7 EV stops. The GH5 II scores better with 23.7 bits in color depth and 13.1 EV dynamic range, highlighting its ability to handle both vibrant and shadow details with greater latitude.
For photographers who push files in post-processing or capture HDR landscapes, the GH5 II’s sensor offers more flexibility. However, diehard Leica enthusiasts may prefer the M9’s unique CCD signature and deliberate workflow that often requires less “fixing” and more intent during capture.
Autofocus and Speed: Manual Legacy Meets Modern Tracking
The Leica M9 is strictly manual focus, featuring no autofocus assistance whatsoever. This requires a sharp eye and practiced hand, often resorting to zone focusing or slow, attentive adjusting on the rangefinder patch.
While this may seem archaic in today’s fast-paced world, many photographers cherish the M9’s emphasis on slow craft and intentional image creation. It is a camera for the patient, the artist, and the purist.

The Panasonic GH5 II brings a comprehensive autofocus system to the table:
- 225 focus points with contrast-detection autofocus.
- Face, eye, and animal eye detection.
- Continuous autofocus modes.
- Tracking algorithms for challenging subjects.
- Post-focus and focus stacking capabilities.
This advanced AF system transforms shooting experiences in genres like wildlife, sports, and macro photography, where capturing fleeting moments quickly and accurately is paramount.
Regarding burst shooting speeds, the Leica M9 presses out 2 frames per second (fps) at best, suitable for portraits or still life but limiting for action. The GH5 II ramps this up to a speedy 12 fps, making it well-suited to capture fast sports, wildlife action, and unpredictable street moments.
Shooting Scenarios: How Each Camera Performed Across Genres
I spent weeks shooting with both cameras in various settings to see where their strengths and weaknesses manifest most tangibly.
Portrait Photography
The Leica M9’s full-frame sensor shines here with naturally rendered skin tones and a pleasing three-dimensional bokeh thanks to classic Leica glass. Its manual focus encourages slower, thoughtful compositions that benefit studio or environmental portraits. However, the lack of autofocus could frustrate beginners or subjects prone to movement.
The GH5 II’s face and eye detection autofocus allow for quick, confident portraits even in dynamic environments. The smaller sensor produces a deeper depth of field at identical apertures, meaning it’s harder to get the same creamy bokeh as the M9 without faster lenses. Still, Panasonic’s color science offers vibrant, accurate skin tones, and image stabilization aids taking steady handheld shots.
Landscape Photography
Leica’s M9 sensor’s superior dynamic range and detail retention make it an asset for fine art landscapes. The moderate 18 MP resolution is sufficient when paired with Leica’s exceptional sharp lenses, and the camera’s compact body invites exploration in pristine natural settings.
The GH5 II’s weather sealing and fast burst shooting enable handheld shooting in various outdoor conditions. Despite the smaller sensor, 20 MP resolution and advanced HDR bracketing produce excellent results. The articulated screen makes low-angle compositions easier, and focus stacking can enhance depth of field in macro nature shots.
Wildlife and Sports Photography
The Leica M9’s performance in wildlife and sports is severely handicapped by manual focus and slow 2 fps capture rate. Reliance on manual lenses makes telephoto reach challenging and often impractical. This camera is simply not designed for rapidly evolving scenes.
The GH5 II, however, excels here:
- Fast AF tracking of moving subjects.
- 12 fps continuous shooting to capture action bursts.
- Dual UHS-II card slots reduce buffer slowdowns.
- Good battery life allows longer shooting days.
This makes the GH5 II a natural fit for field researchers, sports photographers, or anyone needing agility and accuracy.
Street Photography
Both cameras have legacies in street shooting, but with different approaches.
The M9’s discreet size and quiet shutter make it a favorite among street shooters who want to blend into scenes. Manual focusing encourages slow observation, yielding carefully composed images.
The bulkier GH5 II is less discreet but gains advantage from its fast autofocus, high ISO handling, and tilt screen for candid low-angle shots. Touch-to-focus helps catch quick, spontaneous moments.
Macro Photography
Panasonic’s GH5 II supports focus bracketing, stacking, and post-focus modes, combined with sensor stabilization - clear advantages for macro shooters who want ultra-sharp images with extended depth of field.
The Leica M9 does not natively support these features and depends on manual focusing and lens choice. While some Leica macro lenses are excellent optically, manual adjustments require patience and expertise.
Night and Astrophotography
Low light capability diverges drastically. Leica M9’s max ISO of 2500 restricts exposure options, and its CCD sensor introduces more noise at higher ISOs.
The GH5 II’s extended ISO range (up to 25600), combined with noise reduction algorithms, enable cleaner night shots and astrophotography. Sensor stabilization lowers risk of blur during long exposures.
Video Capabilities: Silent Film Noir vs Modern Content Creation
The Leica M9 offers no video recording functionality - this is strictly a stills camera.
Panasonic’s GH5 II, in comparison, is a video beast:
- Up to 4K 60p and 4:2:2 10-bit internal recording.
- 6K photo mode capturing 18 MP stills from video.
- Advanced stabilization for smooth footage.
- Microphone and headphone jacks for professional audio.
- Time-lapse and slow-motion capabilities.
For hybrid shooters who demand both quality stills and video, the GH5 II is unmatched. Leica M9’s domain remains the still image aficionado.
Build Quality, Durability, and Battery
While the Leica M9 employs a classic brass and magnesium body with excellent craftsmanship, it lacks weather sealing and shock resistance. Its battery life rated at 350 shots per charge aligns with typical manual rangefinders.
The Panasonic GH5 II upgrades to a fully weather-sealed and dust-resistant body, perfect for active environments. Its 400 shot rating is boosted by dual card slots enabling longer shooting sessions without interruption.
Connectivity, Storage, and Workflow
Leica M9’s connectivity is barebones: USB 2.0 for file transfer and a single SD card slot.
GH5 II modernizes the process with:
- Built-in Wi-Fi and Bluetooth for remote control and instant sharing.
- Dual SD card slots with UHS-II compatibility.
- USB 3.2 Gen 1 for fast file dumps.
For studio professionals or event shooters requiring quick workflow integration, the GH5 II’s features streamline delivery and backup.
Pricing and Value
Currently, the Leica M9 commands a premium roughly at $2750, a price buoyed by its legendary status and desiring collectors and enthusiasts.
The Panasonic GH5 II retails at around $1700, presenting a more affordable entry into professional hybrid mirrorless cameras, factoring in its video capabilities and modern feature set.
Summary of Scores Across Genres
As the performance charts illustrate, the GH5 II outperforms the Leica in nearly every category measured, particularly in speed, autofocus, video, and dynamic range. The M9 holds its ground in color depth and portrait image character.
Sample Images Comparison
A glance at side-by-side RAW conversions reveals Leica’s tonal delicacy versus Panasonic’s punchier files. Both deliver stunning image quality when matched with suitable lenses, but the style and color rendition are distinct.
Verdict: Who Should Choose Which?
Leica M9
Choose the Leica M9 if:
- You cherish manual focus craftsmanship and traditional rangefinder experience.
- You shoot primarily street, documentary, or portrait work in controlled settings.
- You appreciate the unique CCD sensor aesthetics and compact form.
- Video and autofocus are not a priority.
- You are willing to invest for a camera with historic and artisanal appeal.
Panasonic GH5 II
Choose the Panasonic GH5 II if:
- You need a versatile camera that excels in stills and video.
- Fast, reliable autofocus and high burst rates matter.
- You shoot wildlife, sports, macro, or night photography demanding high ISO and stabilization.
- You want weather sealing and robust connectivity.
- Budget-conscious professionals seeking all-around performance.
Final Thoughts: Old School vs New School
In my years of testing countless cameras, comparing the Leica M9 and the Panasonic GH5 II is a fascinating exercise in photographic philosophy - precision craftmanship and tactile interaction versus digital efficiency and multifunctional performance. The M9 is a testament to timeless photography, suited for those who slow down and deliberate, trusting their instincts over instant feedback.
The GH5 II embodies the modern maker’s dream: speed, versatility, and connectivity to cover almost every photography and videography niche. In real-world shooting, it frees you from many constraints inherent to manual legacy cameras.
Ultimately, your choice hinges on how you want to work as a photographer. Both cameras tell your story in their own distinctive voices - one analog and intimate, the other digital and comprehensive. Whichever path you choose, understanding their nuances ensures you’re equipped to create images that truly resonate.
I hope this detailed, experience-driven comparison helps guide you in making the best choice for your photographic journey.
Leica M9 vs Panasonic GH5 II Specifications
| Leica M9 | Panasonic Lumix DC-GH5 II | |
|---|---|---|
| General Information | ||
| Brand | Leica | Panasonic |
| Model | Leica M9 | Panasonic Lumix DC-GH5 II |
| Alternate name | - | Lumix DC-GH5M2 |
| Class | Pro Mirrorless | Pro Mirrorless |
| Launched | 2009-09-09 | 2021-07-30 |
| Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | Full frame | Four Thirds |
| Sensor measurements | 36 x 24mm | 17.3 x 13mm |
| Sensor area | 864.0mm² | 224.9mm² |
| Sensor resolution | 18MP | 20MP |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5212 x 3472 | 5184 x 3888 |
| Maximum native ISO | 2500 | 25600 |
| Lowest native ISO | 80 | 200 |
| RAW images | ||
| Lowest enhanced ISO | - | 100 |
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | - | 225 |
| Lens | ||
| Lens mount | Leica M | Micro Four Thirds |
| Available lenses | 59 | 108 |
| Crop factor | 1 | 2.1 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen sizing | 2.5" | 3" |
| Resolution of screen | 230k dot | 1,840k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder | Optical (rangefinder) | Electronic |
| Viewfinder resolution | - | 3,680k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | 0.68x | 0.76x |
| Features | ||
| Min shutter speed | 4 secs | 60 secs |
| Max shutter speed | 1/4000 secs | 1/8000 secs |
| Max silent shutter speed | - | 1/16000 secs |
| Continuous shutter speed | 2.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | Front Curtain, Rear Curtain, Slow sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash sync | 1/180 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | - | 4992x3744 (30p/?25p/?24p) |
| Maximum video resolution | None | 4992x3744 |
| Video file format | - | MPEG-4, H.264, H.265 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 585 gr (1.29 lbs) | 727 gr (1.60 lbs) |
| Dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") |
| DXO scores | ||
| DXO Overall score | 69 | 79 |
| DXO Color Depth score | 22.5 | 23.7 |
| DXO Dynamic range score | 11.7 | 13.1 |
| DXO Low light score | 884 | 1136 |
| Other | ||
| Battery life | 350 photos | 400 photos |
| Battery form | Battery Pack | Battery Pack |
| Battery model | - | DMW-BLK22 |
| Self timer | Yes (2 or 12 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC card | Dual SD/SDHC/SDXC (UHS-II compatible) |
| Storage slots | 1 | Two |
| Cost at release | $2,750 | $1,700 |