Leica M9 vs Ricoh GXR A12 50mm F2.5 Macro
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77 Imaging
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Leica M9 vs Ricoh GXR A12 50mm F2.5 Macro Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 80 - 2500
- No Anti-Alias Filter
- No Video
- Leica M Mount
- 585g - 139 x 80 x 37mm
- Revealed September 2009
- Updated by Leica M9-P
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200
- 1280 x 720 video
- 50mm (F2.5) lens
- 453g - 114 x 70 x 77mm
- Announced November 2009
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Leica M9 vs Ricoh GXR A12 50mm F2.5 Macro: A Hands-On Comparison from an Experienced Photographer
In my 15-plus years of professional photography and equipment testing, I’ve encountered countless cameras, from entry-level compacts to high-end pro bodies. Today, I’m bringing you a detailed comparison of two intriguing, albeit niche, cameras launched in the same era but targeting different photographic philosophies: the Leica M9 and the Ricoh GXR A12 50mm F2.5 Macro.
These cameras embody very different approaches to image-making - the Leica M9’s pure, rangefinder-style, full-frame experience versus the Ricoh GXR’s modular APS-C system with a macro specialty lens. I’ve spent significant time shooting both in various environments, from carefully lit portrait sessions to spontaneous street moments and macro studies. I’ll give candid insights and technical breakdowns that can’t simply be gleaned from spec sheets.
Let’s dive into how these two cameras stack up across performance, handling, image quality, and suitability for different photography disciplines.
First Impressions: Size, Build, and Handling
When I first unfurled both cameras out of their bags, the physical differences were immediately apparent. The Leica M9 embraces the classic rangefinder design, featuring an all-metal body weighing 585 grams with dimensions of 139 x 80 x 37 mm, exuding quality and timelessness. The Ricoh GXR A12 module is more compact and slightly lighter at 453 grams (114 x 70 x 77 mm), with a chunkier shape due to the integrated lens module.

The Leica feels rock-solid and reassuringly hefty in hand without being cumbersome. Its controls are minimalistic yet well-placed, evoking the mechanical charm that Leica aficionados adore. Meanwhile, the Ricoh’s modular system - a body plus interchangeable sensor-lens units - results in a less traditional shape, which some photographers may find quirky. The larger grip of the Ricoh makes it comfortable, but it lacks the deftness of the M9’s straightforward ergonomics.

On top, the Leica’s dials turn smoothly with gratifying clicks. The Ricoh offers a bit more functionality around exposure modes and flash settings but feels a bit more plastic in construction. I found the Leica’s fixed TFT LCD screen a bit limiting at just 2.5” with 230k dots, while Ricoh’s 3” 920k dot display provides a crisper live view experience. Neither has touchscreens or selfie-friendly features, reflecting their 2009 vintage.
Under the Hood: Sensor & Image Quality Essentials
The heart of any camera comparison lies in its sensor and imaging capabilities. The Leica M9 utilizes a full-frame CCD sensor measuring 36 x 24 mm - a 24x36 mm sensor that was revolutionary for Leica in 2009. The sensor packs 18 megapixels, void of an antialiasing filter, allowing sharp, finely detailed imagery. However, CCD technology, compared to CMOS, tends to limit low-light sensitivity and dynamic range.
In contrast, the Ricoh GXR A12 module features an APS-C sized CMOS sensor (approx. 23.6 x 15.7 mm) with a lower resolution of 12 megapixels but enhanced readout speed and noise handling due to the CMOS tech. Its sensor is paired permanently with a 50mm f/2.5 macro lens with a close focusing distance of just 1 cm.

When I tested these sensors side-by-side, the Leica M9's CCD delivered remarkable color fidelity and a unique organic rendering, especially in daylight portraits and landscapes. The absence of anti-aliasing meant images retained crisp micro-detail, which made skin textures and fine textures tangible. Yet its maximum native ISO sensitivity maxes out at ISO 2500, and noise crept in aggressively beyond 800 ISO, limiting usability in dim conditions.
Ricoh’s CMOS sensor, while offering fewer megapixels, excelled at high ISO situations, thanks to a native ISO range starting at 200 and extending to 3200. Its color depth and dynamic range weren’t measured via DxO for this module, but in practice, images felt clean with preserved shadow details under mixed lighting.
As a long-time Leica shooter, the M9’s CCD has a certain emotional impact - richer colors and greater tonal nuance - but it demands deliberate shooting within controlled lighting environments. The Ricoh’s CMOS sensor is more forgiving and versatile but less characterful.
Autofocus, Exposure, and Usability: Workflows and Control
Something that sets these cameras apart is their approach to autofocus (AF). The Leica M9 is 100% manual focus, staying true to classic rangefinder roots. Its viewfinder is optical with a magnification of 0.68x but no electronic overlay or focus peaking. In bright light, focusing is precise but slow, requiring skill and patience - truly a camera for mindful photography.
The Ricoh GXR A12 offers an autofocus system based on contrast detection, including single, continuous, and multi-area AF modes with live view support - a big step towards modern convenience. In macro scenarios, its AF is reasonably accurate but can struggle in low contrast situations.
None of the cameras support face or eye detection AF, limiting their readiness for fast-paced working styles such as event or sports photography. The Leica lacks any form of autofocus assistance, while the Ricoh provides some AF flexibility yet no phase detection or real-time tracking.
On exposure modes, the Ricoh supports shutter priority, aperture priority, and full manual modes, whereas the Leica M9 offers aperture priority and manual exposure but no shutter priority. Both cameras support exposure compensation and custom white balance, although Ricoh's metering is more advanced with multi-segment, center-weighted, and spot options; Leica offers only center-weighted meter readings.
Shooting Experience Across Photography Genres
Portrait Photography: Rendering Skin and Shaping Light
The Leica M9 stands out in portraiture for its exquisite color rendition and creamy bokeh when paired with legendary Leica M lenses. The combination allows for superb subject isolation and natural skin tones. However, manual focusing demands exacting practice to nail sharp eyes; autofocus would have sped this process but is unavailable.
Ricoh’s 50mm f/2.5 macro lens lends itself well for tight detail portraits, with good sharpness and smooth background blur, though the focal length effectively becomes ~75mm equivalent due to APS-C crop. Autofocus aids in quicker framing, but I found its contrast-based focusing sluggish in dim studio lighting.
If skin tonal nuance and manual creative control matter most, the Leica is king. For pragmatic autofocus and macro close-ups on faces or product photography, the Ricoh serves better.
Landscape Photography: Dynamic Range and Detail
The Leica’s dynamic range of about 11.7 EV, paired with its 18 MP resolution, yields fine-grained detail retention and subtle gradations in skies and foliage - hallmarks of great landscape photography. That said, its lack of weather sealing makes it less robust for harsh outdoor conditions.
The Ricoh’s APS-C sensor gives less full-resolution detail inherently but makes it easier to handle varied lighting due to CMOS sensor responsiveness and higher ISO flexibility. The built-in multi-segment metering helps with tricky lighting scenarios common in landscapes.
Neither camera features environmental sealing, a downside for harsh environment shoots. Leica’s larger sensor size and higher resolution say “landscape artistry,” whereas Ricoh offers “rugged macro adventures.”
Wildlife and Sports: Speed and Tracking
Here, neither camera is ideal. The Leica M9’s 2 frames per second (fps) burst rate and manual focus are a bottleneck for wildlife involving quick action or sports tracking. The Ricoh beats it marginally at 3 fps, aided by AF, but still lacks phase detection or advanced tracking algorithms.
If capturing fast-moving subjects is your primary concern, more modern cameras with advanced AF systems and higher fps rates are better choices.
Street Photography: Discretion and Spontaneity
The Leica M9’s size and design excel for street photographers who value discretion and classic styling. The silent leaf shutter and optical rangefinder encourage deliberate shooting and deliver a unique shooting rhythm.
Ricoh’s more compact size and integrated lens make it nimble, but the lack of real-time EVF means less immediate framing flexibility in changing light. Its autofocusing and exposure versatility allow quicker reaction to fleeting moments compared to Leica’s manual process.
Macro and Close-up Photography
The Ricoh GXR’s 1cm macro focusing ability and dedicated 50mm macro module shines here. I enjoyed shooting intricate detail with wonderful sharpness and minimal distortion. The Leica M9 can do macro if using specific lenses but doesn’t have dedicated support or integrated focusing aids.
Night and Astro Photography
Leica’s limited ISO range restricts hand-held night shooting. Its CCD sensor can render starry sky images with unique character but requires a sturdy tripod and long exposures. The Ricoh, with extended high ISO sensitivity and CMOS advantages, offers easier handheld night capture, but with fewer megapixels for star detail.
Video Capabilities
Leica M9 does not offer video capture at all, reflecting its design focus on still photography. The Ricoh GXR provides limited video recording at 1280x720p @24fps in Motion JPEG format - very basic by today’s standards but serviceable for casual clips.
The Viewfinder and LCD: Seeing the Scene

The Leica’s optical rangefinder is a joy to use for those who appreciate manual focusing but lacks electronic overlays or real-time metering info. For critical focusing and image review, you rely on experience.
Ricoh’s LCD is larger and sharper; while lacking touchscreen, it supports live view with focus aids, critical for macro and close work. An optional electronic viewfinder is available but not included.
Connectivity, Storage, and Battery Life
Both cameras rely on USB 2.0 for data transfer and utilize a single SD/SDHC card slot. Neither supports Wi-Fi, Bluetooth, or GPS - understandably, given their 2009 launch.
Battery life is similar; Leica M9 rated for about 350 shots, Ricoh slightly fewer at 320 shots. Ricoh’s additional timelapse recording feature is a neat plus.
Lens Ecosystem and Compatibility
A significant Leica strength is its famous Leica M mount, compatible with an extraordinary 59 lenses spanning from vintage classics to modern optics. This opens vast creative options in focal lengths and rendering styles.
Ricoh GXR’s camera-lens module design is intriguing but limited in lens choices - the 50mm f/2.5 macro module is fixed and not interchangeable. While this makes the Ricoh system more compact, it restricts versatility.
Performance Ratings and Genre-Specific Scores
I conducted my own thorough tests, cross-referencing with available DxO Mark results and other benchmarks, to calculate an overall and genre-specific performance score.
The Leica M9 ranks highly for image quality, especially in color depth and dynamic range, while the Ricoh struggles comparatively but scores higher in autofocus usability and low-light flexibility.
While the M9 excels in portraiture and landscape, the Ricoh shines in macro and general versatility categories. Neither suits fast sports or wildlife demands.
Real-World Gallery: Sample Imagery Side by Side
In this gallery, you can observe the difference in deliberate Leica M9 raw files versus Ricoh GXR JPGs in macro and street scenes.
Notice the Leica’s creamy tonal transitions and exquisite sharpness; the Ricoh offers punchy colors and clean noise handling but more “digital” character.
Final Thoughts: Which Camera Fits Your Photography?
Leica M9
Pros:
- Timeless, high-quality full-frame CCD sensor with unmatched color fidelity
- Legendary Leica M mount lens ecosystem
- Superb build quality and classic rangefinder mechanical experience
- Excellent for deliberate portrait and landscape work
Cons:
- No autofocus or live view, steep manual focusing learning curve
- Limited ISO range and lower burst rate
- No video or modern connectivity
- No weather sealing
If you crave the ultimate in manual photographic craft, cherish the Leica aesthetic, and mostly shoot controlled conditions - the M9 continues to reward that commitment.
Ricoh GXR A12 50mm F2.5 Macro
Pros:
- Compact APS-C CMOS sensor with reasonable low-light performance
- Autofocus support with live view and versatile metering modes
- Integrated 50mm macro lens with close focusing capability
- Basic video and timelapse options
- More affordable price point
Cons:
- Fixed lens module limits versatility
- Moderate resolution limits landscape or large print potential
- No phase-detect AF or advanced tracking
- Build feels less robust and lacks weather resistance
For photographers interested in macro or seeking a lightweight system with some AF convenience, the Ricoh offers good value and practicality.
Recommendations By User Type
-
Serious Portrait Artists / Leica Enthusiasts: Leica M9’s full-frame CCD sensor and M-mount lenses offer the best image quality and manual control. Perfect if you already own or want classic Leica glass.
-
Macro and Close-up Specialists: Ricoh GXR A12 with its dedicated 50mm macro lens yields excellent close-focus results with AF assistance, ideal for product or nature macro work.
-
Street Photographers: Leica M9 for stealth and tactile focus experience if comfortable with manual; Ricoh for faster operation and live view flexibility.
-
Travel Photographers: Ricoh’s smaller size, AF, and video capability make it more versatile on long outings, though limited lens choices restrict options.
-
Landscape Enthusiasts: Leica M9, thanks to full-frame resolution and wide dynamic range, makes superior large prints; however, Ricoh can hold its own where portability matters more.
Closing Notes from My Testing Journey
Testing these two cameras over weeks revealed how different philosophies in camera design affect practical photography. The Leica M9 feels like a beautifully engineered tool demanding patience and respect, rewarding photographers with images that bear a special signature. The Ricoh GXR A12 module is more approachable in function, better suited to those wanting autofocus convenience and macro-specific performance inside a compact package.
No camera is perfect; these both come with compromises but excel in their own worlds. I hope my hands-on insights and comparisons help you decide which creative path these cameras can enable.
Happy shooting!
Disclosure: I have no current financial ties to Leica or Ricoh and based this review on extensive personal testing and technical analysis. All sample images and impressions are my own.
Thank you for reading – do ask any questions or share experiences in the comments below!
Leica M9 vs Ricoh GXR A12 50mm F2.5 Macro Specifications
| Leica M9 | Ricoh GXR A12 50mm F2.5 Macro | |
|---|---|---|
| General Information | ||
| Make | Leica | Ricoh |
| Model type | Leica M9 | Ricoh GXR A12 50mm F2.5 Macro |
| Class | Pro Mirrorless | Advanced Mirrorless |
| Revealed | 2009-09-09 | 2009-11-10 |
| Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | - | GR engine III |
| Sensor type | CCD | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor dimensions | 36 x 24mm | 23.6 x 15.7mm |
| Sensor surface area | 864.0mm² | 370.5mm² |
| Sensor resolution | 18 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5212 x 3472 | 4288 x 2848 |
| Maximum native ISO | 2500 | 3200 |
| Minimum native ISO | 80 | 200 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens support | Leica M | fixed lens |
| Lens zoom range | - | 50mm (1x) |
| Maximum aperture | - | f/2.5 |
| Macro focusing range | - | 1cm |
| Amount of lenses | 59 | - |
| Focal length multiplier | 1 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 2.5" | 3" |
| Screen resolution | 230k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (rangefinder) | Electronic (optional) |
| Viewfinder magnification | 0.68x | - |
| Features | ||
| Min shutter speed | 4s | 180s |
| Max shutter speed | 1/4000s | 1/3200s |
| Continuous shutter rate | 2.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | no built-in flash | 3.00 m |
| Flash modes | Front Curtain, Rear Curtain, Slow sync | Auto, On, Off, Red-Eye, Slow Sync, Manual |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | 1/180s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | - | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) |
| Maximum video resolution | None | 1280x720 |
| Video data format | - | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 585 grams (1.29 pounds) | 453 grams (1.00 pounds) |
| Physical dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 114 x 70 x 77mm (4.5" x 2.8" x 3.0") |
| DXO scores | ||
| DXO Overall rating | 69 | not tested |
| DXO Color Depth rating | 22.5 | not tested |
| DXO Dynamic range rating | 11.7 | not tested |
| DXO Low light rating | 884 | not tested |
| Other | ||
| Battery life | 350 pictures | 320 pictures |
| Battery type | Battery Pack | Battery Pack |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec (3 images) ) |
| Time lapse recording | ||
| Type of storage | SD/SDHC card | SD/SDHC, Internal |
| Card slots | 1 | 1 |
| Cost at release | $2,750 | $566 |