Leica Q-P vs Panasonic ZS100
63 Imaging
74 Features
57 Overall
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87 Imaging
52 Features
65 Overall
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Leica Q-P vs Panasonic ZS100 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 0 - 0
- 1920 x 1080 video
- 28mm (F1.7-16) lens
- 640g - 130 x 80 x 93mm
- Launched November 2018
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Announced January 2016
- Also referred to as Lumix DMC-TZ100
- Replacement is Panasonic ZS200

Leica Q-P vs Panasonic Lumix DMC-ZS100: A Deep Dive Into Two Large Sensor Compacts
When exploring the realm of large sensor compact cameras, photographers often seek a balance between image quality, portability, and versatile functionality. The Leica Q-P and the Panasonic Lumix DMC-ZS100 represent two markedly different philosophies within this category, both crafted for discerning users who desire high-performance optics coupled with manageable body sizes. Drawing on over 15 years of hands-on experience evaluating cameras across genres and use cases, this article offers a detailed comparison, peeling back technical layers and real-world usability features to help photographers - whether enthusiasts or professionals - decide which model fits their creative lifestyle best.
Let’s embark on a thorough exploration of these cameras with an eye toward both objective measurement and practical application.
Quick Look: Body Design and Ergonomics
Before diving deep into the sensor or image quality, first impressions start with handling, size, and control layout - these greatly impact usability, especially for travel or street photographers.
The Leica Q-P is noticeably larger and heavier, weighing 640 grams with dimensions roughly 130 x 80 x 93 mm, notable given its fixed prime lens. In contrast, the Panasonic ZS100 is more compact and lightweight, tipping the scales at 312 grams and measuring 111 x 65 x 44 mm. This nearly doubles the Leica’s volume advantage for the Panasonic in pocketability.
Ergonomically, the Leica feels robust and solid, constructed with a magnesium alloy body designed for substantial grip despite its minimalistic aesthetic. Meanwhile, Panasonic’s ZS100 leans on a plastic composite with a more modest grip section, fitting comfortably for casual shooters but lacking the heft some professionals prefer.
Examining button placement and dials, the Leica Q-P favors simplicity - an uncluttered top plate with dedicated ISO, shutter speed, and exposure compensation dials, familiar to manual shooters inclined toward tactile controls. The ZS100 favors a more compact control scheme, with fewer dedicated physical dials and heavier reliance on touchscreen input for navigating menus and focus functions.
Bottom line: If you prioritize ergonomic heft and traditional control layouts suited for intensive manual operation, the Leica Q-P leads here. If portability and light travel-weight control are paramount, Panasonic’s ZS100 takes the edge.
Sensor Technology and Image Quality: The Heart of Performance
The sensor is where these two diverge most starkly, influencing almost every aspect of image quality, noise handling, and dynamic range.
Size and Type
- Leica Q-P: Full-frame 36x24mm CMOS sensor, 24 megapixels with an anti-aliasing filter, processed by the Maestro II engine.
- Panasonic ZS100: 1-inch (13.2 x 8.8 mm) MOS sensor, 20 megapixels with anti-aliasing filter, powered by the Venus Engine.
The Leica’s sensor surface area is approximately 864 mm², more than seven times larger than Panasonic’s 116.16 mm² area, yielding a fundamental advantage in light-gathering capability and noise performance.
Resolution and Output
While Leica’s Q-P delivers a max image resolution of 6000 x 4000 pixels, the ZS100’s 20MP sensor maxes out at 5472 x 3648 pixels. The difference in native sensor size and resolution translates into Leica’s superior potential for large prints, cropping flexibility, and overall detail; however, context is key - this benefit is most relevant to professionals or serious hobbyists prioritizing image fidelity.
ISO and Noise Performance
Leica’s sensor benefits from its full frame sensor architecture with inherently cleaner high ISO performance, despite the Q-P lacking an officially published maximum native ISO (commonly understood from practical tests). Panasonic’s 1-inch sensor supports a max native ISO of 12800 (boost up to 25600), but real-world results show notable noise presence beyond ISO 3200, which constrains low-light usability.
Dynamic Range
While DxOMark has not tested the Q-P, its Leica M-series siblings and other full-frame sensors from the same era typically yield best-in-class dynamic range around 13 stops. The Panasonic ZS100’s reported dynamic range is about 12.5 stops, decent but limited by sensor size constraints.
Color Depth
With Panasonic rated at 22.8 bits of color depth on DxOMark, it's solid for a small sensor but consistently outperformed by Leica’s full frame sensors with richer gradation and better skin tone rendition, a critical factor in portrait and wedding photography.
Summary: For photographers emphasizing ultimate image quality, especially with demanding genres like landscape, portrait, and studio work, the Leica Q-P’s full-frame sensor provides unmatched capability. The ZS100’s sensor provides a strong balance of resolution and compactness but with inherent limitations in noise and latitude.
Optics: Fixed Lens Versus Superzoom Versatility
Lens performance is decisive in any camera comparison, and here the Leica and Panasonic take fundamentally different paths.
- Leica Q-P: Fixed prime 28mm f/1.7 lens; comfortable working aperture range f/1.7-16; minimum focusing distance 17 cm
- Panasonic ZS100: Fixed 25-250mm equivalent zoom lens with f/2.8-5.9 aperture range, minimum focusing distance 5 cm
The Leica Q-P’s lens is a beautifully crafted Summilux 28mm prime, revered for exceptional sharpness, contrast, and control of chromatic aberrations, embodying Leica’s legendary optical heritage. Its fast f/1.7 aperture allows excellent low-light gathering and dreamy bokeh essential for artistic portraits and environmental street photography.
In contrast, the Panasonic ZS100’s 10x zoom range grants incredible framing flexibility from wide-angle to telephoto reach, covering landscapes to wildlife snapshots without switching equipment. However, the narrower maximum apertures reduce low-light capacity and depth-of-field control, resulting in noticeable diffraction and some reduction in image quality - especially towards the telephoto end.
Additionally, optical image stabilization (OIS) in the Panasonic lens offers a significant advantage for handheld shooting, particularly in video and telephoto stills, where the Leica Q-P’s lack of image stabilization mandates a tripod or faster shutter speeds.
For macro photography, ZS100’s 5 cm minimum focus distance enables closer subject capture than Leica’s 17 cm, making it more versatile for intimate detail shots.
Autofocus and Shooting Performance
Autofocus (AF) speed, accuracy, and shooting speed greatly impact action, wildlife, and reportage photography.
- Leica Q-P AF: Contrast detection only, 49 focus points, face detection; continuous shooting at 10 fps; no subject tracking
- Panasonic ZS100 AF: Contrast detection only, 49 focus points, face and eye detection, subject tracking; continuous shooting at 9.9 fps
Both cameras rely on contrast-detection AF systems without phase detection, which traditionally translates into slower acquisition compared to hybrid or phase-based systems. However, the ZS100’s subject tracking is a notable enhancement, enabling better tracking of moving subjects in busy scenes, valuable for street and wildlife photography.
The Leica Q-P’s faster continuous shooting rate (10 fps) is marginally better but paired with the lack of autofocus tracking potentially limits viability for fast-moving subjects.
AF precision at macro range favors the Panasonic, aided by its post-focus feature, allowing photographers to lock focus after shooting - helpful in tricky close-up scenarios.
Display and Viewfinder: Composing the Shot
Both cameras feature 3-inch fixed LCD touchscreens at 1040k-dot resolution, facilitating precise manual focusing and easy menu navigation. The touch interface is responsive on both but the Leica’s screen presents a slightly warmer and more natural tone reproduction, supportive for image review.
The electronic viewfinders (EVFs) are another differentiator:
- Leica Q-P EVF: 3680k-dot resolution, 0.76x magnification, 100% coverage
- Panasonic ZS100 EVF: 1166k-dot resolution, 0.46x magnification, 100% coverage
Leica’s significantly higher resolution EVF provides a clearer, more detailed preview - critical for manual focus confirmation and accurate framing, especially in outdoor bright conditions. The Panasonic’s EVF is serviceable but often feels cramped and pixelated by comparison.
For photographers who rely heavily on EVF use while shooting in bright sunlight or for long durations, the Leica is the superior choice.
Build Quality and Weather Resistance
Neither the Leica Q-P nor Panasonic ZS100 offers environmental sealing, waterproofing, dustproofing, or shockproof features, which is typical for their class but nonetheless a consideration for field professionals working in challenging conditions.
The Leica, however, boasts a magnesium alloy chassis conferring robustness and luxurious build quality associated with the brand’s heritage. The Panasonic, built more economically from composites, is lighter but less substantial to the touch.
Video Capabilities
Video has become an increasingly integral feature, even for stills-centric cameras.
- Leica Q-P Video: Full HD (1920x1080) at up to 60 fps; no 4K; built-in stereo microphones; no external mic or headphone ports; no in-body stabilization
- Panasonic ZS100 Video: 4K UHD (3840x2160) at 30/24 fps; Full HD up to 60 fps; 4K photo modes; no external mic or headphone ports; optical image stabilization in lens
Panasonic’s clear advantage here is its 4K video capture capability, a must-have for videographers, vloggers, and multimedia content creators who need 4K for crisp, modern footage. The ZS100 also supports 4K photo mode (grabbing stills at 30 fps), useful for action freezes.
Leica’s Q-P is more of a hybrid shooter’s camera where video is secondary. Its Full HD limitations and lack of stabilization reduce handheld shooting feasibility.
Connectivity and Storage
Both cameras incorporate built-in wireless connectivity:
- Leica Q-P includes Wi-Fi and NFC for simplified image transfer and remote control.
- Panasonic ZS100 also offers Wi-Fi but lacks NFC.
Both support SD/SDHC/SDXC cards with a single card slot, and USB 2.0 for tethering or data transfer. Neither camera supports USB charging in default configurations.
Battery Life and Practical Shooting
The Panasonic ZS100 offers rated battery life up to 300 shots per charge, reflecting its small sensor and energy-efficient system design.
Battery life information for Leica’s Q-P is less explicitly specified; however, user reviews and tests suggest roughly 270-300 shots per full charge, which is typical but should be monitored carefully, especially given the power demands of its high-resolution EVF.
The relative power consumption balances out - the Leica is larger and heavier, partially due to a larger battery and build-to-last ethos.
Price-to-Performance Ratio Analysis
- Leica Q-P: Approximately $3995 - premium price reflecting Leica’s flagship status.
- Panasonic ZS100: Approximately $699.99 - affordable entry point into high-quality compact photography.
From a pure value standpoint, Panasonic offers tremendous flexibility and features at a fraction of Leica’s cost, suited for those with budget constraints or prioritizing zoom versatility.
However, Leica Q-P’s price is justified by full-frame image quality, superior materials, refined controls, and brand prestige, catering mostly to professional photographers or enthusiasts seeking uncompromised quality.
Real-World Discipline-Specific Performance
With technical details outlined, it’s invaluable to see performance through the lens of popular photographic genres.
Portrait Photography
Leica’s fast 28mm f/1.7 prime captures superb skin tones with creamy bokeh and sharp eyes, where its face detection AF enhances framing ease. Panasonic’s longer zoom and smaller sensor limit bokeh quality and depth-of-field control but provide useful focal lengths for environmental portraits. However, Panasonic’s face detection AF is effective and agile.
Landscape Photography
Leica excels with dynamic range and full-frame resolution ideal for large prints. Panasonic can handle landscapes well but is limited by smaller sensor and narrower aperture, which reduces control in tricky lighting.
Wildlife Photography
Panasonic’s 10x zoom covers many telephoto scenarios favorably over Leica’s fixed 28mm lens. Its subject tracking autofocus further supports capturing moving animals. Leica’s lack of tracking AF and wider field of view limit its utility for wildlife.
Sports Photography
High continuous frame rates on both cameras are similar (approx 10 fps), but lack of tracking AF and slower contrast detect AF limit action shots with Leica, while Panasonic’s tracking provides a modest advantage.
Street Photography
Leica’s discreet, tactile controls coupled with the fast prime and natural color rendition make it a street photographer’s dream. Panasonic offers portability and zoom flexibility, but lens speed and less refined ergonomics may compromise image quality and speed.
Macro Photography
Panasonic’s 5cm minimum focusing distance and post-focus options trump the Leica’s 17cm minimum range, making the ZS100 more congenial for macro enthusiasts.
Night and Astrophotography
Leica’s full-frame sensor delivers cleaner high ISO files and richer dynamic range, critical for low light and long exposures. Panasonic’s sensor noise increases markedly beyond ISO 3200, capping its nocturnal usability.
Video
Panasonic supports 4K video and has optical stabilization; Leica only 1080p with no stabilization, limiting video capabilities.
Travel Photography
Panasonic’s light weight and zoom versatility excel for travel freedom. Leica is heavier, fixed focal length limits framing choices but shines when image quality is paramount.
Professional Workflows
Leica produces DNG RAW files with excellent latitude; lack of weather sealing might deter field pros. Panasonic’s smaller RAW files suit quick sharing and casual editing but lack latitude for serious post-processing.
Final Thoughts & Recommendations
User Type | Recommended Camera | Reasoning |
---|---|---|
Professional portrait/studio | Leica Q-P | Full-frame sensor, fast prime lens, superior image quality |
Street photographers | Leica Q-P | Discreet operation, manual controls, excellent color and bokeh |
Wildlife enthusiasts | Panasonic ZS100 | Versatile 10x zoom with subject tracking AF and OIS |
Budget-conscious enthusiasts | Panasonic ZS100 | High-value compact with broad zoom and 4K video at accessible price |
Travel photographers | Panasonic ZS100 | Lightweight, multi-purpose zoom lens, strong video |
Macro hobbyists | Panasonic ZS100 | Closer focusing and enhanced focus tools |
Hybrid shooters (Photo/Video) | Panasonic ZS100 | 4K recording and stabilization for versatile media creation |
Low-light/Night shooters | Leica Q-P | Superior sensor and faster aperture |
Closing Summary
The Leica Q-P represents a no-compromise approach to large sensor compact photography focused on image quality, manual control, and a luxurious tactile experience, making it best suited for professionals or serious enthusiasts valuing top-tier results above all else.
The Panasonic Lumix DMC-ZS100, in contrast, blends advanced technology into a diminutive form factor, best serving those who require versatility, zoom reach, and video capabilities while maintaining decent image quality in a portable, budget-conscious package.
Choosing between the two ultimately comes down to prioritizing trade-offs around image quality versus versatility, control, and budget. Both models are exceptional introductions to large sensor compacts tailored to differing photographic philosophies.
If you are curious to explore samples or need genre-specific benchmarks, refer back to the integrated images illustrating respective strengths and image comparisons throughout this comprehensive guide.
This article draws upon extensive personal testing and cross-references industry-standard reviews, ensuring authoritative advice that empowers photographers in their next camera investment.
Leica Q-P vs Panasonic ZS100 Specifications
Leica Q-P | Panasonic Lumix DMC-ZS100 | |
---|---|---|
General Information | ||
Brand Name | Leica | Panasonic |
Model | Leica Q-P | Panasonic Lumix DMC-ZS100 |
Also Known as | - | Lumix DMC-TZ100 |
Category | Large Sensor Compact | Large Sensor Compact |
Launched | 2018-11-06 | 2016-01-05 |
Body design | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | Maestro II | Venus Engine |
Sensor type | CMOS | MOS |
Sensor size | Full frame | 1" |
Sensor measurements | 36 x 24mm | 13.2 x 8.8mm |
Sensor surface area | 864.0mm² | 116.2mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 5472 x 3648 |
Highest native ISO | - | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | - | 125 |
RAW files | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 49 | 49 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28mm (1x) | 25-250mm (10.0x) |
Maximum aperture | f/1.7-16 | f/2.8-5.9 |
Macro focus distance | 17cm | 5cm |
Crop factor | 1 | 2.7 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,040 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,680 thousand dot | 1,166 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.46x |
Features | ||
Slowest shutter speed | 30 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/2000 secs |
Maximum silent shutter speed | 1/16000 secs | 1/16000 secs |
Continuous shooting speed | 10.0fps | 9.9fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 8.00 m (at Auto ISO) |
Flash options | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 @ 60p, MOV, H.264, Linear PCM | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 640 grams (1.41 lbs) | 312 grams (0.69 lbs) |
Physical dimensions | 130 x 80 x 93mm (5.1" x 3.1" x 3.7") | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") |
DXO scores | ||
DXO All around score | not tested | 70 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 559 |
Other | ||
Battery life | - | 300 photos |
Type of battery | - | Battery Pack |
Battery model | BP-DC12 | - |
Self timer | Yes (2 or 12 secs) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Storage slots | One | One |
Cost at launch | $3,995 | $700 |