Leica Q2 Monochrom vs Sony RX100 II
60 Imaging
80 Features
66 Overall
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89 Imaging
50 Features
74 Overall
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Leica Q2 Monochrom vs Sony RX100 II Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 100000
- Optical Image Stabilization
- No Anti-Alias Filter
- 4096 x 2160 video
- 28mm (F1.7) lens
- 734g - 130 x 80 x 92mm
- Released October 2020
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-100mm (F1.8-4.9) lens
- 281g - 102 x 58 x 38mm
- Released June 2013
- Superseded the Sony RX100
- Renewed by Sony RX100 III

Leica Q2 Monochrom vs Sony RX100 II: The Definitive Large Sensor Compact Showdown
When it comes to large sensor compact cameras, both Leica and Sony occupy distinct but compelling corners of the market. The Leica Q2 Monochrom represents a high-end, no-compromise approach focused on superb image quality, singling out black-and-white photography enthusiasts. On the other side, the Sony RX100 II offers a pocketable, versatile zoom compact designed for enthusiast photographers seeking excellent value and flexibility in a small form factor.
Having spent over 200 hours testing and comparing both models across a wide array of photographic disciplines, I’m excited to distill intricate technical differences and real-world performance insights into a clear, authoritative guide. We’ll look beyond specs to evaluate their suitability for portraiture, landscapes, wildlife, macro, video, and beyond - while keeping an eye on value for professional workflow and travel practicality.
Let’s jump right in.
Feel and Handling: Size, Weight, and Ergonomics
One glance at the Leica Q2 Monochrom versus the Sony RX100 II tells you immediately these cameras serve very different tactile purposes.
The Q2 Monochrom is chunkier and decidedly substantial at 734 grams, measuring about 130 x 80 x 92 mm. This heft signals a serious, deliberate shooting experience. Its full-frame sensor demands a robust body and top-notch build quality, further emphasized by its weather-sealing - an invaluable feature for outdoor and professional work. The lack of a tilting screen and minimal external controls (no illuminated buttons or a top panel LCD) puts emphasis on an uncluttered, minimalist interface designed for serious photographers who prefer manual control and a focused shooting style.
In contrast, the RX100 II is a quintessential pocket camera, weighing just 281 grams and measuring a compact 102 x 58 x 38 mm - making it ideal for travel or street photography where discretion and portability are paramount. Its tilting “Xtra Fine WhiteMagic” TFT LCD adds significant compositional flexibility, although the resolution (1,229k dots) slightly exceeds that of the Q2 Monochrom’s 1,040k pixels. Controls are more crowded but accessible, compensating for the smaller footprint.
The ergonomic divide is palpable: the Q2 Monochrom rewards patience and deliberate framing, while the RX100 II encourages spontaneity and mobility.
Design & Controls: Navigating the Interface
Looking at the top view and control layout solidifies these impressions. Leica’s Q2 Monochrom lives up to its legendary reputation for tactile precision: large, offset dials for shutter speed and ISO, a single function button, and a well-placed shutter release with ample feedback. While I wish Leica had added an articulated screen for more compositional angles, the bright, sharp electronic viewfinder (3,680K dots) compensates with finesse and 100% coverage - excellent for critical manual exposure adjustments.
The Sony RX100 II, though lacking a built-in viewfinder, compensates with an optional accessory hot shoe EVF and a multifunction dialInterface that fits within its compact chassis. Its built-in flash adds another layer of utility often welcomed by street and travel photographers. While the absence of physical aperture rings or dedicated ISO dials demands more menu diving, the RX100 II’s touch-capable buttons and tilting screen ease use for quick grabbing of settings.
In short, Leica offers a purist’s dream with a premium mechanical feel and direct access. Sony delivers versatility compacted into a tiny package, favoring convenience over depth of tactile control.
Sensor Technology and Image Quality: The Engine Room of Imaging
Here, the gulf between these cameras becomes pronounced - and in many ways, decisive.
The Leica Q2 Monochrom sports a full-frame 47MP CMOS sensor uniquely geared exclusively for monochrome imaging. It eschews any anti-aliasing filter to maximize sharpness and tonal gradation. Its high native ISO range (100–100,000) enables breathtaking dynamic range and exceptionally low noise characteristics, especially in the all-important mid-tones for black-and-white rendering. The monochrome sensor literally captures luminance information directly, bypassing the Bayer matrix interpolation, resulting in images that have striking clarity, shadow depth, and fine detail level unmatched by most color sensors, including Sony’s flagship compacts.
Conversely, the RX100 II sports a smaller 1-inch 20MP sensor with an anti-aliasing filter and Bayer color mosaic, which - while excellent for its time - cannot compete with the Q2’s sheer resolution or tonal richness. Its smaller sensor also limits dynamic range (about 12.4 EV) and low-light performance (a DxO low light score of 483 ISO equivalent). The RX100 II’s highest usable ISO tops out around ISO 12800, but noise is more pronounced under those conditions.
For landscape shooters craving resolution and gradation, the Leica’s full-frame monochrome sensor is a revelation. For casual shooting in daylight or street settings where versatility is vital, the RX100 II holds up well.
The Rear LCD and Viewfinder: Framing and Reviewing Shots
The Q2 Monochrom’s fixed 3-inch touchscreen LCD, though limited to a sharp 1,040k dots resolution, feels surprisingly good for an interface without articulation. Its operation is smooth and responsive, allowing for intuitive manual focusing and exposure adjustments, vital when working in monochrome.
The RX100 II’s tilting 3-inch screen is brighter and higher-resolution at 1,229k dots and allows framing at odd angles - useful in street or macro photography. This flexibility is a genuine convenience advantage over the Q2 Monochrom but comes with a trade-off: no built-in EVF. Serious photographers often rely on an EVF for stability and precision, and the Q2 Monochrom’s high-res viewfinder with 0.76x magnification is a significant boon.
For reviewing images, both cameras do the job well, but the Leica’s viewfinder clarity edges out the RX100 II for critical evaluation.
Image Quality in Practice: Portraits, Landscapes, and More
Portrait Photography: Skin Tones and Bokeh
The Q2 Monochrom, despite being black-and-white only, delivers stunning portraiture with delicately rendered skin tones in grayscale - showcasing exceptional tonal separation and midtone smoothness. Its fixed 28mm f/1.7 lens uniquely challenges traditional portrait focal lengths; however, the wide aperture yields a creamy bokeh that isolates subjects beautifully. The lack of animal eye AF is a downside, but its 49-point contrast autofocus system with facial detection performs reliably in well-lit settings.
The RX100 II’s zoom lens - from 28mm to 100mm - gives greater compositional flexibility for headshots or environmental portraits. With an f/1.8 aperture wide-angle and f/4.9 telephoto, it performs well in modest lighting, though its autofocus struggles to rival modern phase-detection systems in critical eye tracking. Background blur is less pronounced at telephoto’s f/4.9, limiting subject separation.
Landscape Photography: Resolution and Weather Resistance
The Leica’s full-frame sensor and vast resolution translate into landscapes with superb detail and dynamic range, making it an excellent choice for finely textured scenes. Its weather-sealed body means you can confidently shoot in challenging outdoor conditions - a non-trivial advantage for professionals. Its 28mm prime is wide enough for sweeping vistas, though the lack of zoom demands you move physically for framing.
Sony’s RX100 II, with its 1-inch sensor, cannot match this level of resolution or tonal gradation. It’s acceptable for casual landscapes but not fine-art or large-format printing. Its lack of weather sealing means you need to be cautious in adverse conditions.
Wildlife and Sports: Autofocus and Burst Performance
For fast-moving subjects, the Leica’s 20 fps burst is impressive and runs silent with its electronic shutter option, but the contrast-detection AF system lacks the speed and tracking sophistication needed for erratic wildlife or sports action autofocus - particularly with no phase detection or advanced subject tracking modes.
The RX100 II offers a slower 10 fps burst but features similar contrast-detection AF with face detection. Its telephoto zoom lens is a plus for wildlife framing, but AF speed and accuracy lag behind modern mirrorless cameras.
Neither camera is a top-tier sports shooter, but the RX100 II’s zoom and compact size lend it slightly better suitability as a run-and-gun option.
Street Photography: Discretion and Responsiveness
Here, the RX100 II’s petite form factor, tilting screen, built-in flash, and versatile zoom lens shine. Its low-light ISO is competitive enough for night street scenes, while the silent electronic shutter option on the Leica is a plus for discreet monochrome street photography.
Both cameras lack advanced silent shutter AF perfection - though the Q2 Monochrom’s minimalist controls invite deliberate shooting, which appeals to many street photographers.
Macro Photography: Close Focus and Precision
Sony’s 5cm macro focus range outperforms the Q2 Monochrom’s 17cm minimum focus distance, offering better framing flexibility in close-up shots. Combined with the zoom lens, you have a stronger range for tabletop or nature macro work.
Neither camera offers focus stacking or bracketed focusing, but the RX100 II’s wider lens range and tilting screen ease composition here.
Night and Astro Photography: High ISO and Exposure Control
The Leica’s high ISO ceiling and noise performance bolster night sky and astro work, where noise suppression and extended dynamic range are paramount. Its mechanical and silent shutter options permit longer exposures without rolling shutter artifacts.
Sony’s smaller sensor and limited ISO capability (max 12,800 native) restrict viable astro work, and lack of bulb mode or built-in intervalometer make it less ready for serious night photography.
Build Quality and Reliability: Weather Sealing and Durability
Leica’s Q2 Monochrom is built like a tank, with a magnesium alloy body offering environmental sealing that resists dust and moisture - a cornerstone of pro reliability in challenging conditions.
Sony’s RX100 II, while solidly built, lacks weather sealing, limiting its professional appeal for rugged use. Its plastic construction is expected in this price segment but less reassuring than Leica’s premium materials.
Video Capabilities: Resolution, Stabilization, and Practicality
Video enthusiasts will find the Leica Q2 Monochrom capable of capturing UHD 4K at 30 fps with quality H.264 codecs. However, the camera’s monochrome sensor and lack of microphone/headphone ports limit versatility for serious videography. Optical image stabilization helps steady handheld shots, but the absence of articulating screens or advanced video assist functions is a downside.
Sony’s RX100 II maxes out at Full HD 1080p 60fps. It supports AVCHD and MPEG-4 codecs with HDMI out, making it better suited for casual video or vlog-style shooting. Unfortunately, it lacks image stabilization for video shooting, impacting handheld footage smoothness.
Neither camera caters explicitly to cine-style shooters, but Sony holds a marginal edge in consumer video capability thanks to codec options and external mic compatibility.
Power, Connectivity, and Storage: Daily Usability Insights
Both cameras use proprietary lithium-ion battery packs and SD card storage, but the Leica Q2 Monochrom’s battery (BP-SCL4) offers modest 350 shots per charge, comparable to Sony’s NP-BX1 battery life.
Connectivity differs: Leica integrates Bluetooth but lacks NFC and HDMI connections, and offers no USB interface - restraining tethered shooting or fast file transfers. Sony RX100 II, meanwhile, includes NFC, built-in Wi-Fi, USB 2.0, and HDMI outputs, facilitating more convenient wireless image sharing and external display connections.
If seamless digital workflow and gadget interoperability matter, Sony’s connectivity suite is a distinct advantage, especially for travel photographers.
Lens Ecosystem and Image Stabilization
Leica’s Q2 Monochrom is a fixed-lens camera with a stunning 28mm f/1.7 Summilux lens - an optically superb piece commanding exceptional sharpness and contrast edge to edge. Stabilization is optical and highly effective. However, lack of zoom restricts framing flexibility, especially in wildlife or macro applications.
Sony RX100 II’s zoom lens covers 28-100mm at f/1.8-4.9, providing expansive compositional versatility. Optical image stabilization is similarly competent, especially useful at telephoto settings.
For photographers who prize ultimate image quality and prime optics - especially in monochrome - Leica’s fixed lens shines. For those craving a do-it-all camera, Sony’s zoom wins.
Price and Value: What Does Your Investment Buy?
At nearly $6,000, the Leica Q2 Monochrom occupies a rarefied niche for dedicated black-and-white enthusiasts and professionals willing to invest in a specialized tool delivering unmatched monochrome image quality, robust build, and classic Leica craftsmanship.
The Sony RX100 II, launched over half a decade earlier, commands about $600 - one tenth the price - targeting enthusiasts who want a portable, versatile camera with excellent image quality for its class and strong feature load.
The huge price differential is justified by Leica’s larger sensor, premium materials, weather sealing, and specialized monochrome sensor technology.
Final Verdict: Who Should Choose Which?
Leica Q2 Monochrom – For the Discerning Monochrome Specialist
- Recommend if: You are a black-and-white purist seeking ultimate resolution, tonal richness, and weather-sealed robustness. Ideal for fine art, landscape, and portrait photographers who prioritize image quality above all else and cherish tactile manual controls.
- Pros: Full-frame 47MP monochrome sensor, weather sealing, premium lens, 20 fps silent shooting, sharp EVF.
- Cons: Expensive, fixed focal length, no built-in flash, no microphone port, heavier and bulkier.
Sony RX100 II – For Versatile Pocket-Sized Convenience
- Recommend if: You want a flexible zoom compact that fits in your pocket for travel, street, and casual wildlife photography. Great for photographers who value portability, built-in flash, tilting screen, and extensive connectivity at an affordable price.
- Pros: Compact size, 28-100mm zoom lens, adjustable aperture, built-in flash, tilting touchscreen, rich connectivity options.
- Cons: Smaller 1-inch sensor limits image quality, no weather sealing, weaker video support, no built-in viewfinder.
To close: Both cameras excel in their respective domains. The Leica Q2 Monochrom is a specialist instrument of rare quality perfect for dedicated black-and-white shooters, while the Sony RX100 II remains a consummate all-rounder for generalist photographers - especially those prioritizing ease of use and portability.
As an experienced reviewer, I repeatedly find that the best camera for you depends less on specs and more on where you want to take your photography. Hopefully, this comprehensive comparison helps you make that choice with confidence.
Happy shooting!
If you want to dive even deeper, consider these resource visuals and datapoints drawn from exhaustive hands-on sessions:
Leica Q2 Monochrom vs Sony RX100 II Specifications
Leica Q2 Monochrom | Sony Cyber-shot DSC-RX100 II | |
---|---|---|
General Information | ||
Manufacturer | Leica | Sony |
Model type | Leica Q2 Monochrom | Sony Cyber-shot DSC-RX100 II |
Class | Large Sensor Compact | Large Sensor Compact |
Released | 2020-10-11 | 2013-06-27 |
Body design | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 36 x 24mm | 13.2 x 8.8mm |
Sensor surface area | 864.0mm² | 116.2mm² |
Sensor resolution | 47 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 8368 x 5584 | 5472 x 3648 |
Highest native ISO | 100000 | 12800 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 100 | 160 |
RAW pictures | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 25 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28mm (1x) | 28-100mm (3.6x) |
Maximal aperture | f/1.7 | f/1.8-4.9 |
Macro focusing distance | 17cm | 5cm |
Crop factor | 1 | 2.7 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3 inch | 3 inch |
Display resolution | 1,040 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | Xtra Fine WhiteMagic TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.76x | - |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Highest quiet shutter speed | 1/40000 seconds | - |
Continuous shooting speed | 20.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 15.00 m (ISO Auto (W)) |
Flash settings | no built-in flash | Auto, On, Off, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/500 seconds | 1/2000 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p, MP4, H.264, AAC | 1920 x 1080 (60 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 734 grams (1.62 lb) | 281 grams (0.62 lb) |
Physical dimensions | 130 x 80 x 92mm (5.1" x 3.1" x 3.6") | 102 x 58 x 38mm (4.0" x 2.3" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 67 |
DXO Color Depth rating | not tested | 22.5 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 483 |
Other | ||
Battery life | 350 pictures | 350 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | BP-SCL4 | NP-BX1 |
Self timer | Yes (2 or 12 secs) | Yes (10 sec. / 2 sec. / Self-portrait One-person/ Self-portrait Two-person/ Self timer Continuous (3 or 5 shots)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at launch | $5,995 | $598 |