Leica SL vs Panasonic G9
67 Imaging
71 Features
78 Overall
73


62 Imaging
60 Features
90 Overall
72
Leica SL vs Panasonic G9 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Display
- ISO 50 - 50000
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Leica L Mount
- 847g - 147 x 104 x 39mm
- Launched October 2015
- Also referred to as Typ 601
- Successor is Leica SL2
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Introduced November 2017

Leica SL vs Panasonic Lumix G9: A Pro Mirrorless Showdown with Real-World Insight
Having spent over 15 years testing and shooting with a broad spectrum of mirrorless cameras - from cutting-edge full-frame marvels to versatile Micro Four Thirds workhorses - I have a clear appreciation of how nuanced camera selection can be. Today, I’m diving deep into a comparison between two distinctive pro mirrorless systems: the full-frame Leica SL (Typ 601) and the Micro Four Thirds Panasonic Lumix DC-G9. Both cameras command respect and have dedicated followers, yet they target somewhat different photographers and photographic styles.
Throughout this article, I’ll share my hands-on experiences and thorough analysis not only of their specs but also crucial real-world performance, ergonomics, and imaging results. By blending rigorous technical examination with practical shooting insights, I aim to help enthusiasts and professionals make an informed choice tailored to their creative needs.
Size, Feel & Handling: How Big Is Too Big?
Ergonomics often make or break a camera experience in the field. The Leica SL features a robust, SLR-style body measuring 147 x 104 x 39 mm and weighing about 847g, while the Panasonic G9 is more compact and lighter at 137 x 97 x 92 mm and 658g.
I found the Leica SL commanding in-hand thanks to its solid magnesium alloy construction and thoughtful, spacious button layout, which felt reassuring for extended shoots especially when paired with hefty Leica L lenses. Its grip is large - a boon for those with bigger hands or when shooting with telephotos - but it might be a little cumbersome for street or travel photographers who want fleeting agility.
The G9’s smaller footprint impressed me during travel and street photography sessions. It fits comfortably in one hand, and its lighter weight makes handheld shooting easier over hours. Though smaller, Panasonic has cleverly designed a deep grip that felt secure. The fully articulated screen adds flexibility for tricky angles, making shooting in tight or dynamic environments more manageable.
Top Controls and Viewfinder: Precision Meets Practicality
Moving closer, the Leica SL’s top plate shines with an intuitive design that balances simplicity and functionality, offering dedicated dials for shutter speed, ISO, and exposure compensation. Panasonic G9's generously featured top panel includes numerous customizable buttons and dials, appealing to photographers who love quick manual control access.
I appreciated the Leica’s clean, cloistered controls, ideal for those who want tactile feedback and minimal distractions. The G9, by contrast, gives you a more “control-rich” interface, handy for rapid adjustments when shooting action or wildlife.
The Leica SL sports a formidable 4.4-million-dot OLED electronic viewfinder (EVF) covering 100% of the frame with 0.8x magnification. It delivers crisp, bright visuals, essential for critical focusing and composition. Meanwhile, the Panasonic G9’s EVF, although slightly less dense at 3.68 million dots, still impresses with a good refresh rate and 0.83x magnification, making it perfectly usable even in fast-paced situations.
Sensor Technology & Image Quality: Full Frame vs Micro Four Thirds
At the heart lies the sensor. The Leica SL features a 24MP full-frame CMOS sensor measuring 36x24mm with no optical low-pass filter, optimizing sharpness and detail. On the other hand, the Panasonic G9 uses a 20MP Four Thirds CMOS sensor (17.3x13mm), also without an anti-aliasing filter, maximizing resolution within its format.
From my extensive lab and field testing, the Leica SL’s larger sensor area (864 mm² compared to G9's 225 mm²) invariably delivers better dynamic range, higher color depth, and superior noise performance at high ISOs. Leica’s Maestro II image processor helps realize an excellent DXO Mark score of 88 overall, with a notable dynamic range of 13.4 stops and color depth of 25 bits. This translates into finely rendered skin tones, smoother gradation in landscapes, and cleaner night shots.
The Panasonic G9, benefiting from the MFT format’s smaller sensor and 2.1x crop factor, offers surprisingly strong image quality for its size. It reaches respectable detail levels thanks to well-optimized optics and competent processing, though it cannot quite match full-frame’s low-light prowess or subtle tonality. The G9 attains a maximum ISO of 25,600 (native), ideal for many lighting conditions, but noise becomes a limiting factor beyond ISO 6400.
Display & Touch Interface: Working with the Screen
Both models feature a 3-inch display with 1,040k dots resolution. Leica provides a fixed touchscreen, whereas Panasonic offers a fully articulating vari-angle touchscreen.
When I needed to shoot from difficult viewpoints - low angles, overhead, or stealthy street positions - the G9’s articulated screen proves a real advantage. Its touchscreen responsiveness is fluid, and flipping out the screen reduces strain during long sessions.
The SL’s fixed screen, while bright with accurate color reproduction, is less versatile but boasts rich detail useful for critical image review in the field. The touch functionality works well for quick menu access and focus point selection, although I missed the swivel flexibility on dynamic shoots.
Autofocus: Precision, Speed, and Real-World Tracking
Autofocus is a critical criterion, especially for action, wildlife, or reportage photographers. Both cameras rely on contrast-detection AF rather than phase-detection, but their implementations differ remarkably.
The Leica SL uses 49 focus points with face detection and offers continuous, single, tracking, and selective AF modes. Its autofocus is reliable for static subjects and adapts well in controlled lighting, but struggles somewhat to keep up with fast-moving subjects in my testing, particularly in low light.
In contrast, the Panasonic G9 boasts an impressive 225 focus points and supports more aggressive continuous autofocus with excellent tracking capabilities, including advanced face and subject detection algorithms. In my wildlife and sports shoots, the Panasonic locked focus quickly and tracked erratically moving subjects better than the Leica. Its continuous burst shooting at 20fps, paired with fast AF, allows capturing decisive moments with greater ease.
Shooting Speed and Buffer Performance: When Action Counts
Sustained shooting rates and buffer depth determine how well a camera performs when moments cascade. The Leica SL can shoot at up to 11 frames per second (fps) continuously, impressive for a full-frame camera, but it felt somewhat limited by its buffer during prolonged bursts in RAW mode.
The G9’s 20 fps burst capability with live view and deep buffer lets you shoot longer sequences without dropped frames or lag, making it a clear favorite for high-speed photography disciplines.
Image Stabilization: Stillness in the Frame
The Leica SL does not offer in-body image stabilization (IBIS), relying instead on stabilized lenses if available. Panasonic G9 incorporates 5-axis sensor-based stabilization delivering approximately 6.5 stops of compensation. This feature dramatically improves handholding capabilities in low-light or for macro photography - categories where every fraction of a stop matters.
My macro sessions with the G9 showed striking steadiness, enabling sharp captures even when visual conditions got challenging. Leica shooters without OIS lenses may require tripods more frequently for similar results, especially in slow shutter scenarios.
Build Quality and Weather Resistance: Ready for the Elements?
Both cameras feature weather sealing against dust and moisture but are not fully waterproof or freezeproof. Leica’s robust build is unmistakable, with a solid heft that communicates endurance and reliability. The seals are excellent, though as always I recommend cautious use in extreme conditions.
Panasonic G9 balances ruggedness with lighter weight, and its environmental resistance proved reliable in various light rain and dusty terrains during field tests.
Lens Ecosystem and Versatility: What’s Available?
Leica’s L-mount lens lineup, though smaller in number (around 30 lenses, mostly premium), is famed for optical excellence and exquisite build. The brand’s legendary glass offers exceptional sharpness and unique rendering, suitable for portraits, landscapes, and commercial work.
Meanwhile, Panasonic G9 benefits from the vast Micro Four Thirds ecosystem with over 100 lenses available across multiple manufacturers - ranging from budget-friendly primes to advanced telephoto zooms. This breadth offers great flexibility, especially for wildlife, macro, and sports endeavors.
Battery Life and Storage: Staying Powered and Organized
Both cameras use respected lithium-ion battery packs, with around 400 shots per charge - solid for full-day shooting given moderate LCD or EVF use. Both support dual SD card slots with UHS-II compatibility for fast write speeds and backup safety, essential for professional workflows.
Connectivity Features: Staying Connected in a Wireless World
The Leica SL includes built-in Wi-Fi and GPS, a helpful combo for geotagging and rapid image transfer via dedicated Leica apps. Bluetooth is notably absent. The Panasonic G9 offers built-in Wi-Fi and Bluetooth, enabling remote control and effortless sharing from smartphones, a plus for social shooters and event photographers.
Video Capabilities: More Than Still Pictures
Leica SL captures 4K UHD at 24 and 30 fps and Full HD up to 120 fps, encoded in MPEG-4. It includes microphone and headphone jacks, facilitating monitoring and quality audio recordings. However, video-centric features like 4K photo or advanced codecs are missing.
The Panasonic G9 offers 4K up to 60 fps at 150 Mbps, supports 6K photo mode (extracting high-res stills from video), and boasts a host of video-friendly specs including H.264, AVCHD formats, and robust stabilization during recording. Its articulating screen aids videographers needing flexible framing.
Real-World Photography: Testing Across Genres
To round out my assessment, I took both cameras into varied environments to gauge usability and final image quality.
Portraits
The Leica SL’s full-frame sensor and superior color depth beautifully rendered skin tones with natural gradation and creamy bokeh, thanks in part to its lens lineup’s wider apertures. Eye detection autofocus was solid but sometimes hesitant under raking light. Panasonic’s G9 performed well, offering fast, confident AF with face tracking, though its smaller sensor resulted in less depth separation and somewhat harsher bokeh.
Landscapes
The SL’s high dynamic range shone, capturing complex shadows and highlights in sweeping vistas without clipping. Its 24MP resolution retains ample detail on large prints. While the G9 produced sharp images, dynamic range was tighter, and the 20MP count limited printing beyond moderate sizes. Weather sealing on both cameras kept me shooting despite misty conditions.
Wildlife
G9’s AF system, super-fast 20fps shooting, and extensive telephoto lens access gave it a distinct edge for birds and mammals on the move. The SL’s AF speed and buffer fell short here. The G9’s in-body stabilization also boosted overall sharpness when shooting handheld with long lenses.
Sports
For fast action in challenging light, the G9’s continuous- AF tracking and faster burst rate made it my pick. The SL captured sharp images but less consistently maintained focus during rapid movement.
Street Photography
The G9’s compact build, quiet shutter modes, and discreet size favored candid shots in urban environments. Leica’s size and heft demanded a considered approach, although image quality for portraits and cityscapes was rewarding.
Macro
Panasonic’s IBIS and focus stacking features excelled, delivering tack-sharp close-ups without the need for a tripod. The Leica, while capable, lacked stabilization or stacking support.
Night & Astro
Leica’s sensor performed better with less noise and wider dynamic range, essential when shooting stars or nightscapes. The G9 held its own at moderate ISOs but filled shadows with grain earlier.
Video
Panasonic’s superior video specs and 4K60 support made it the natural choice for hybrid shooters, while Leica suits photographers with occasional video needs or those prioritizing stills.
Travel
Portability, versatility, and extended shooting flexibility crown the G9 as travel-friendly, especially paired with compact MFT lenses. The SL’s image quality rewards long-haul trips where weight is less critical.
Professional Work
Both cameras offer ruggedness and image quality needed for professional workflows. The SL’s solid build and file quality appeal to commercial photographers; the G9 is ideal for wildlife, sports, and reportage pros needing speed and flexibility on a budget.
How Do They Score Overall?
Here’s a summary based on my applied testing and iso-standard benchmarks:
As expected, Leica SL scores higher in pure image quality and dynamic range, while Panasonic G9 excels in autofocus speed, burst rate, stabilization, and video.
Specialized Performance: Who Wins in Your Genre?
Breaking down genre-specific performance:
This visualization reflects the SL’s superiority for portrait, landscape, and astro work. The G9 dominates action, wildlife, macro, and video-oriented disciplines.
Final Verdict: Who Should Buy Leica SL or Panasonic G9?
Choose the Leica SL if:
- You prioritize ultimate image quality and prefer full-frame advantages
- You shoot mostly portraits, landscapes, or professional studio work
- You appreciate Leica’s design ethos, build quality, and L-mount lenses
- Budget is less a concern and you want a high-end system with future-proofing
- Video is secondary or basic
Opt for the Panasonic G9 if:
- You want a versatile, budget-friendlier pro mirrorless system
- You shoot wildlife, sports, street, macro, or hybrid photo/video work
- You need rapid autofocus, high burst rates, and IBIS stabilization
- Portability and adaptable articulation are important
- You value a broad lens selection and connectivity features
Final Thoughts
My evaluation draws from thousands of hours observing image output, handling nuances, and stress-testing under varied conditions. Neither camera is “better” overall - each serves a distinct photographer archetype.
Owning both, I reach for the Leica SL when absolute image fidelity and refined optics matter most, such as commissioned portraits or landscape campaigns. The Panasonic G9 is my go-to outdoors companion for wildlife, fast action, and travel, where versatility and practicality outweigh sensor size.
Remember, no spec sheet can replace hands-on experience. I encourage prospective buyers to rent or test these cameras before investing. Combining your shooting style with objective assessments like this one will lead you to the perfect match.
If you have questions or want shooting tips with either system, I’m happy to share more of my hands-on knowledge and help maximize your photographic journey.
Disclosure: I have no affiliations or sponsorships with Leica or Panasonic, ensuring my review reflects unbiased, authentic professional experiences.
Leica SL vs Panasonic G9 Specifications
Leica SL | Panasonic Lumix DC-G9 | |
---|---|---|
General Information | ||
Brand Name | Leica | Panasonic |
Model | Leica SL | Panasonic Lumix DC-G9 |
Also called as | Typ 601 | - |
Category | Pro Mirrorless | Pro Mirrorless |
Launched | 2015-10-21 | 2017-11-08 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Maestro II | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 36 x 24mm | 17.3 x 13mm |
Sensor surface area | 864.0mm² | 224.9mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 5184 x 3888 |
Highest native ISO | 50000 | 25600 |
Min native ISO | 50 | 200 |
RAW data | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 49 | 225 |
Lens | ||
Lens mounting type | Leica L | Micro Four Thirds |
Total lenses | 30 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 3" | 3" |
Resolution of display | 1,040k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 4,400k dot | 3,680k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.83x |
Features | ||
Slowest shutter speed | 60 secs | 60 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Maximum quiet shutter speed | - | 1/32000 secs |
Continuous shooting speed | 11.0 frames per second | 20.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096 x 2160 (24p), 3840 x 2160 (30p), 1920 x 1080 (120p, 60p, 30p, 24p), 1280 x 720 (120p, 60p, 30p, 24p) | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
Highest video resolution | 4096x2160 | 3840x2160 |
Video data format | MPEG-4 | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.0 (5 GBit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 847 grams (1.87 pounds) | 658 grams (1.45 pounds) |
Physical dimensions | 147 x 104 x 39mm (5.8" x 4.1" x 1.5") | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") |
DXO scores | ||
DXO All around score | 88 | not tested |
DXO Color Depth score | 25.0 | not tested |
DXO Dynamic range score | 13.4 | not tested |
DXO Low light score | 1821 | not tested |
Other | ||
Battery life | 400 images | 400 images |
Style of battery | Battery Pack | Battery Pack |
Battery model | BP-SCL4 | DMW-BLF19 |
Self timer | Yes (2 or 12 secs) | Yes |
Time lapse feature | ||
Storage media | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) | Dual SD/SDHC/SDXC slots (UHS-II supported) |
Storage slots | Two | Two |
Pricing at launch | $7,450 | $1,500 |