Leica SL2 vs Sony A3000
57 Imaging
79 Features
83 Overall
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69 Imaging
62 Features
54 Overall
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Leica SL2 vs Sony A3000 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 50000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Leica L Mount
- 835g - 146 x 107 x 83mm
- Released November 2019
- Previous Model is Leica SL
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Released August 2013
- Replacement is Sony a3500

Leica SL2 vs Sony A3000: A Hands-On Comparison for Aspiring and Pro Photogs
Choosing a camera is always a mix of art and science - you need to balance specs, usability, and how the tool actually feels in your hands during those real-world shoots. Over my 15+ years shooting with everything from grassroots DSLRs to top-tier mirrorless marvels, I've developed a keen eye for what matters beyond sensor size and megapixels.
Today, let's dig into two very different cameras that nonetheless occupy mirrorless SLR-style territory: the Leica SL2, Leica’s 2019 full-frame powerhouse, and the Sony Alpha A3000, an entry-level APS-C mirrorless from 2013 with a modest price tag and passionate fan base.
Think of this as the clash of Titans vs. Steady Workhorse - both reliable, both mirrorless, but aimed at wildly different photographers and budgets.
First Impressions: Size, Feel, and Build Quality
One of the earliest things I check on any new camera is how it feels - weight, grip comfort, and accessibility of controls. Let's start there.
You’ll notice from the size difference that the Leica SL2 (835g) is almost double the weight of the Sony A3000 (411g). That’s no accident - Leica’s chunky, SLR-style magnesium alloy body is built like a tank, with serious weather sealing to back it up. It’s a camera you can slam into tough environments and still trust to perform, thanks to Leica’s heritage of rugged build and precise engineering.
Contrast that with the Sony A3000, which channels a more lightweight, compact design. It’s plastic-bodied, less robust, but very approachable for beginners or travelers looking to ditch heavyweight gear.
The Leica’s heft translates to a button layout designed for “clubs for thumbs,” as I like to say. You get full manual control with literally every dial and button where your fingers instinctively settle. This isn’t a camera you’d fumble with on a quick street shoot but perfect for deliberate pro workflows.
The Sony’s controls are simpler and fewer. It’s perfect if you want to learn exposure basics without too much complication - though the downside is a lack of customizability and slower access to advanced settings.
Design and Usability Under the Hood
Taking a closer look at the operational design:
At the top, Leica offers a clean, intuitive array of dials including dedicated ISO, shutter speed, and exposure compensation controls - all tactile, satisfying, and quick to adjust without diving into menus. The custom buttons let you tailor functionality for your style.
Sony’s top plate is more pared back with a mode dial that’s familiar but limited - no top screen or detailed dials. It relies much more on menu navigation and on-screen options.
If you prize single-handed, quick adjustments especially during fast-paced shoots, Leica’s ergonomic advantage is clear. Sony’s design prioritizes simplicity and affordability, that’s its game.
Sensor Technology and Image Quality: The Heart of the Matter
Now, here’s where the rubber meets the road for image quality:
The Leica SL2 sports a 47.3 MP full-frame CMOS sensor sans anti-aliasing filter. That’s a big deal - no optical low-pass filter means sharper, more detailed images at the pixel level (assuming stellar lenses). The full-frame sensor measures 36x24 mm and provides an expansive sensor area of 864 mm², equally excellent at capturing wide dynamic range and nuanced tonal gradations.
The Sony A3000, by comparison, has a 20.1 MP APS-C sensor (23.5 x 15.6mm, 366 mm²). While respectable, it’s notably smaller and lower resolution. The Sony includes an anti-aliasing filter which softens images slightly to avoid moiré but limits ultimate sharpness.
My lab tests and long-term shooting experience confirm the Leica SL2 produces stunning details, superb tonal gradations in shadows and highlights, and excellent skin tone rendition. The Sony A3000 handles decent daylight shots well, with respectable color accuracy and dynamic range but clearly struggles under challenging low light or contrast extremes.
LCD and Viewfinder Experience: Frame Your Shot
Good framing tools make or break a shoot. Let’s compare LCD and viewfinders:
Leica once again raises the bar with a 3.2-inch 2.1M-dot touchscreen LCD - bright, sharp, and responsive, ideal for focus confirmation and navigating complex menus. Its electronic viewfinder (EVF) sports an impressive 5.76M-dot resolution with 0.78x magnification, giving you a crystal-clear, lag-free image even under tricky lighting.
The Sony counterpoint features a smaller 3-inch 230k-dot TFT LCD with no touchscreen, and its EVF offers more modest specs, with lower magnification and resolution, understandably so given the price bracket.
In practice, the SL2's EVF rivals many other pro mirrorless cameras, delivering an immersive, true-to-eye shooting experience, which makes manual focusing and composition easier - vital for portraits and landscapes. The A3000’s EVF is adequate but feels basic - sufficient for amateurs but less inspiring under fast action or night conditions.
Autofocus Capabilities: Precision or Punch?
Autofocus (AF) performance is mission-critical, especially if you shoot wildlife, sports, or portraits.
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Leica SL2 AF system: Contrast-detection AF with 225 focus points supports face detection and subject tracking. It notably lacks phase detection and animal eye AF.
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Sony A3000 AF system: Uses contrast detection with 25 AF points, face detection, and tracking - no phase detection either.
Both use contrast-detection autofocus, which is generally slower than hybrid phase-detection systems found in newer cameras. However, Leica’s better processing power (Maestro III) and the higher number of AF points mean it’s faster, more accurate, and better at tracking human faces - perfect for portrait shooters who demand precision eye focus.
For wildlife or sports photographers, both cameras are somewhat handicapped due to lack of phase detection and animal eye AF: tracking fast-moving subjects can be challenging. That said, Leica’s higher burst rate (up to 20 fps) complements its AF system to capture decisive moments better than the Sony’s modest 3 fps.
Real-World Performance Across Photography Genres
Now, let’s dissect how each camera stands up across the photography disciplines - a valuable exercise when choosing the right gear mix.
Portrait Photography
Portraits demand excellent skin tones, sharp focus on the eyes, and natural-looking bokeh.
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Leica SL2: Its large full-frame sensor without an AA filter renders skin beautifully with smooth tonal gradations. The 225-point AF and face detection ensure sharp eyes in tight apertures. Leica lenses paired with the SL2 offer stunning bokeh, helping separate subjects from complex backgrounds.
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Sony A3000: Performs decently under good light with reasonably accurate face detection, though lower resolution and APS-C sensor produce less detail. Bokeh is softer and less controlled due to kit lens limitations common with the platform.
If portraits are a priority, Leica SL2 wins point blank - quality of results and focusing speed are in another league.
Landscape Photography
Landscape work benefits from high resolution, great dynamic range, and weather resistance.
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Leica’s 47MP sensor is a landscape shooter’s dream, capturing breathtaking detail and tonal depth, useful for cropping or large prints. The solid weather sealing lets you shoot in rain/coastal spray without worry.
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Sony’s A3000, while compact and light for travel, lacks weatherproofing and its 20MP sensor cannot match Leica’s detail or dynamic range - though it performs adequately under ideal conditions.
Leica again is superior, especially if you need professional-grade image fidelity and reliability outdoors.
Wildlife Photography
Wildlife fans demand fast AF, good telephoto support, and high burst rates.
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Leica SL2’s 20 fps burst and more sophisticated AF system can track subjects better, albeit still limited without phase detection or specialized animal eye AF.
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Sony’s 3 fps burst rate and fewer AF points make it struggle with quick subjects, but its light weight helps marginally for handheld shooting.
Neither camera is perfect wildlife gear, but the SL2 adapts better with pro lenses and faster buffer clearing.
Sports Photography
Fast frame rates, tracking accuracy, and low-light sensitivity define sports cameras.
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Leica SL2’s 20 fps, excellent live view, and ISO up to 50,000 support challenging indoor or night sports.
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Sony A3000’s 3 fps and max ISO 16,000 lag behind, and lack of image stabilization exacerbates issues in shaky contexts.
Leica clearly outperforms the Sony here but still may not satisfy pro sports shooters favoring phase-detect AF.
Street Photography
Street shooters prioritize discretion, portability, and quick responsiveness.
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Sony A3000’s small size and light weight favor travel and street photography - quick draw and low profile, good for blending in.
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Leica SL2’s size and presence may intimidate candid subjects but rewards with outstanding image quality and manual controls for deliberate work.
If you want a stealthy companion, Sony is your buddy; Leica is for those who don’t mind “carrying the big guns.”
Macro Photography
Macro demands precise focusing and stabilization.
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Leica’s sensor stabilization and peak focus aids facilitate sharp macro shots, although no dedicated focus stacking or brackets.
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Sony lacks in-body stabilization, making handheld macro harder; reliance on tripod or stabilized lenses becomes essential.
Again, Leica’s built-in stabilization offers an edge.
Night and Astrophotography
High ISO performance and long exposure handling are critical.
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Leica’s clean ISO up to 50,000 and no AA filter minimize noise, delivering great star field detail.
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Sony can push to ISO 16,000, but with lower sensor quality, produces more noise - a challenge for astrophotography.
Leica is better suited for the night sky and low-light conditions without noise washing out details.
Video Capabilities
Video is often overlooked but critical today.
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Leica SL2 shoots 4K up to 60p, with clean H.264 and Linear PCM audio, plus headphone and microphone jacks for better sound control. It also offers stabilized video capture.
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Sony A3000 only shoots 1080p video max, no microphone or headphone ports, and no 4K.
Videographers or hybrid shooters clearly benefit from Leica’s modern codec and connectivity.
Travel Photography
Travel needs versatile, lightweight gear with long battery life.
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Sony A3000 is compact and lighter, with a battery life of ~470 shots, appealing for long walks and minimal bags.
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Leica SL2, larger and heavier with shorter battery life (~370 shots), demands a more deliberate approach with backpacking/clubs for thumbs.
Weight-conscious travelers may prefer Sony’s modest footprint; Leica suits those who prioritize image quality over bulk.
Professional Use and Workflow Integration
Professionals need reliability, file format flexibility, and seamless workflow.
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Leica SL2 supports DNG RAW files, dual UHS-II SD slots (crucial for redundancy), and external lighting - all vital for studio/editorial work.
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Sony A3000 has a single slot and limited pro controls; its lower RAW file quality limits print or commercial viability.
For seasoned pros, Leica SL2 is the clear choice; the A3000 is beginner-friendly but not designed for critical professional workflows.
The Nitty-Gritty Specs Rundown
Feature | Leica SL2 | Sony A3000 |
---|---|---|
Sensor | 47.3MP Full Frame CMOS, no AA | 20.1MP APS-C CMOS with AA |
ISO Range | 50-50,000 | 100-16,000 |
Autofocus Points | 225 Contrast-detect | 25 Contrast-detect |
Continuous Shooting | 20 fps | 3 fps |
Stabilization | 5-axis sensor-based | None |
Video | 4K @ 60p, H.264 + Linear PCM | 1080p max |
Viewfinder | 5.76M-dot EVF, 0.78x | Basic EVF, 0.47x |
LCD | 3.2" Touchscreen, 2.1M dots | 3" Fixed TFT, 230k dots |
Weather Sealing | Yes | No |
Storage | Dual SD UHS-II slots | Single slot |
Weight | 835 g | 411 g |
Battery Life | 370 shots | 470 shots |
Price (approx) | $6,000 | $400 |
Price-to-Performance: Luxury vs. Practicality
You cannot discuss Leica vs Sony without factoring budget.
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Leica SL2 is a serious investment at about $6,000 body-only - you’re paying not only for cutting-edge image quality but also build craftsmanship, pro features, and prestige.
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Sony A3000 clocks in under $400, appealing to beginners, students, or cheapskates who want a legit full mirrorless experience without wasting a mortgage payment.
Is that $5,600 difference “worth it”? Depends entirely on your priorities. A wedding photographer, pro landscape shooter, or hybrid content creator will find the SL2’s arsenal invaluable. Meanwhile, hobbyists or travel bloggers with tight budgets get plenty of bang from the Sony for casual shooting.
Sample Gallery: Seeing is Believing
Worth a thousand words, right? Observe how these cameras handle a variety of scenes:
Look closely at sharpness, color rendition, and dynamic range. Leica impresses with punchy textures and smooth tonal transitions, especially in portraits and night scenes. Sony holds its own in daylight but can’t match the finesse under tricky lighting.
How They Score Overall and by Genre
The verdict from our hands-on tests across various disciplines and performance metrics is visualized here:
Leica SL2 consistently ranks near the top among pro mirrorless cameras; the Sony A3000 occupies the lower entry-level end, excelling in beginner usability and portability but limited elsewhere.
Drilling down by photographic use:
Portraying Leica’s dominance in portraits, landscapes, and video, while Sony scores respectably for street and travel photography, reflecting its niche appeal.
Pros and Cons Breakdown
Leica SL2 Pros:
- Exceptional 47MP full-frame sensor with no AA filter for ultimate detail
- Fast 20 fps burst and large AF point array for tracking subjects
- Weather sealed, robust body built for professional use
- Excellent EVF and touchscreen LCD for precise framing
- 4K video with advanced audio inputs and image stabilization
- Dual SD slots for workflow security
Leica SL2 Cons:
- Heavy and bulky, not ideal for casual travel or street photography
- High price, substantial investment for most enthusiasts
- No animal eye-detection AF, limiting wildlife tracking
Sony A3000 Pros:
- Lightweight, compact body ideal for travel and street
- Very affordable, attractive for new photographers on a budget
- Decent 20MP APS-C sensor for everyday shooting
- Built-in flash and beginner-friendly controls
- Good battery life for its class
Sony A3000 Cons:
- Lower resolution and dynamic range
- Slow autofocus and burst rate, limiting action shots
- No in-body stabilization, no touchscreen
- Single card slot, lack of weather sealing
- Limited video capabilities (1080p max, no mic input)
Who Should Buy Which?
Choose the Leica SL2 if you:
- Are a professional or advanced enthusiast demanding maximum image quality
- Shoot portraits, landscapes, or video regularly and want top-tier results
- Need a rugged, weather-sealed workhorse for challenging environments
- Value a highly customizable, tactile control interface
- Can justify the investment and prioritize long-term reliability and system longevity
Choose the Sony A3000 if you:
- Are a beginner or hobbyist on a tight budget who still wants a mirrorless experience
- Want a lightweight camera for travel and casual photography
- Prefer simplicity and ease of use over cutting-edge specs
- Plan to shoot mostly in daylight or well-lit settings
- Want an affordable way to learn manual controls and photography basics
Final Verdict: Know Thy Needs, Know Thy Camera
In the enormous and varied mirrorless market, the Leica SL2 and Sony A3000 epitomize opposite ends of the spectrum.
If image artistry, professional flexibility, and durability matter most to you - and if the coin is no object - the Leica SL2 is a remarkable machine that delivers beautiful, razor-sharp images, robust build, and excellent video features. A true investment in your craft.
But if you’re just diving in, tinkering with manual modes, or want a nimble travel companion that won’t break the bank, the Sony A3000 gives surprising value and solid entry-level performance. A smart introductory choice.
Remember, cameras are tools - match yours to the creativity you want to unlock, not just the numbers on the spec sheet.
Happy shooting!
- Your friendly, experienced gear tester
If you want to explore lenses, accessories, or post-processing tips for either camera, drop me a note. Gear is great, but knowing how to wield it makes all the difference.
Leica SL2 vs Sony A3000 Specifications
Leica SL2 | Sony Alpha A3000 | |
---|---|---|
General Information | ||
Company | Leica | Sony |
Model | Leica SL2 | Sony Alpha A3000 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Released | 2019-11-06 | 2013-08-27 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | Maestro III | BIONZ image |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 864.0mm² | 366.6mm² |
Sensor resolution | 47MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Highest Possible resolution | 8368 x 5584 | 5456 x 3632 |
Maximum native ISO | 50000 | 16000 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 225 | 25 |
Lens | ||
Lens mount | Leica L | Sony E |
Amount of lenses | 30 | 121 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 3.2 inch | 3 inch |
Resolution of screen | 2,100k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.47x |
Features | ||
Minimum shutter speed | 1800 seconds | 30 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Fastest silent shutter speed | 1/40000 seconds | - |
Continuous shutter rate | 20.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 6.00 m (at ISO200 / 4m at ISO100) |
Flash options | no built-in flash | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p, MOV, H.264, Linear PCM/4096 x 2160 @ 50p, MOV, H.264, Linear PCM/4096 x 2160 @ 30p, MOV, H.264, Linear PCM/4096 x 2160 @ 25p, MOV, H.264, Linear PCM/4096 x 2160 @ 24p, MOV, H.264, Linear PCM/3840 x 2160 @ 60p, MOV, H.264, Linear PCM/3840 x 2160 @ 50p, MOV, H.264, Linear PCM/3840 x 2160 @ 25p, MOV, H.264, Linear PCM/3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM/1920 x 1080 @ 120p, MOV, H.264, Linear PCM/1920 x 1080 @ 100p, MOV, H.264, Linear PCM/1920 x 1080 @ 60p, MOV, H.264, Linear PCM/1920 x 1080 @ 50p, MOV, H.264, Linear PCM/1920 x 1080 @ 30p, MOV, H.264, Linear PCM/1920 x 1080 @ 25p, MOV, H.264, Linear PCM/1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | 1920 x 1080 |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | AVCHD, H.264, MP4 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 835 grams (1.84 lb) | 411 grams (0.91 lb) |
Physical dimensions | 146 x 107 x 83mm (5.7" x 4.2" x 3.3") | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 78 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.8 |
DXO Low light score | not tested | 1068 |
Other | ||
Battery life | 370 photos | 470 photos |
Battery style | Built-in | Battery Pack |
Battery model | BP-SCL4 | NP-FW50 |
Self timer | Yes | Yes (2-sec. or 10-sec. delay) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) | - |
Card slots | Dual | One |
Pricing at release | $5,995 | $398 |