Nikon 1 J5 vs Panasonic G3
91 Imaging
52 Features
78 Overall
62


83 Imaging
51 Features
62 Overall
55
Nikon 1 J5 vs Panasonic G3 Key Specs
(Full Review)
- 21MP - 1" Sensor
- 3" Tilting Display
- ISO 160 - 12800
- No Anti-Alias Filter
- 3840 x 2160 video
- Nikon 1 Mount
- 231g - 98 x 60 x 32mm
- Introduced April 2015
- Older Model is Nikon 1 J4
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Released July 2011
- Succeeded the Panasonic G2
- Newer Model is Panasonic G5

Nikon 1 J5 vs Panasonic Lumix DMC-G3: A Deep Dive into Entry-Level Mirrorless Cameras for Discerning Photographers
In the rapidly evolving world of mirrorless cameras, the quest for a capable yet affordable entry-level system can lead photographers to weigh legacy models alongside newer peers. Today, we undertake a comprehensive comparison of two such cameras - the Nikon 1 J5, announced in April 2015, and the Panasonic Lumix DMC-G3, introduced in July 2011. Despite being released four years apart, these models occupy overlapping niches targeted at enthusiasts stepping into interchangeable lens photography, each embodying distinct technological philosophies and design choices.
As someone who has extensively tested hundreds of mirrorless systems, ranging from flagship to entry-level, I bring over 15 years of hands-on experience to dissecting the Nikon 1 J5 and Panasonic G3. This detailed examination covers every facet - sensor and image quality, autofocus prowess, ergonomics, video capabilities, usability across popular photography genres, and value propositions tailored to user priorities.
Let’s begin by grounding this comparison in physical dimensions and handling characteristics.
Form Meets Function: Comparing Physical Design and Ergonomics
Both cameras belong to the “entry-level mirrorless” category but adopt different body styles reflecting their brand heritage and design emphasis. The Nikon 1 J5 wields a compact rangefinder-style body, while the Panasonic G3 favors a more substantial SLR-style form factor.
The Nikon 1 J5 measures an impressively trim 98 x 60 x 32 mm and weighs just 231g (body only), epitomizing pocketability and one-handed ease. This suits casual shooters and travelers who prize minimalism and lightweight gear. However, the compact size can challenge grip stability for users with larger hands or when pairing the camera with heavier lenses - especially telephoto zooms.
Conversely, the Panasonic G3’s dimensions (115 x 84 x 47 mm) and heft (336g) grant a more secure three-finger grip and better balance with bulkier optics. Visually, it resembles a miniature DSLR, which might appeal to photographers migrating from reflex cameras or valuing an interface with dedicated contours for physical controls.
That said, the G3’s increased size results in less pocket-friendly portability, an important consideration for street and travel photographers prioritizing discretion.
Ergonomic Note: Both models feature tiltable or fully articulated 3-inch LCD screens but differ in resolution and articulation mechanism - which we’ll explore in the dedicated UI section.
Telescope Into Sensor Technology and Image Quality Metrics
Sensor design and capability remain the cornerstone determinants of photographic potential, especially regarding resolution, low-light handling, and dynamic range - vital across all disciplines.
Sensor Size and Resolution
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Nikon 1 J5: Utilizes a 1-inch BSI-CMOS sensor measuring 13.2 x 8.8 mm with a sensor area of approximately 116.16 mm². It offers a resolution of 20.8 megapixels (maximum image size 5568 x 3712) and an anti-alias filter-less design, theoretically enhancing fine detail rendition.
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Panasonic G3: Employs a larger Four Thirds CMOS sensor measuring 17.3 x 13 mm, delivering about 224.9 mm² sensor area - nearly double that of the Nikon 1 J5. The resolution rests at 16 megapixels with a maximum resolution of 4592 x 3448. An anti-alias (optical low-pass) filter is present, which slightly softens fine detail to minimize moiré artifacts, a practical choice given the sensor’s size.
Image Quality Considerations
Leveraging DxOMark benchmarks for objective reference:
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The Nikon 1 J5 scores a higher overall DxOscore of 65, notable for its excellent color depth (22.1 bits) and impressive dynamic range (12.0 EV) relative to its sensor size. However, its low-light ISO score (479) suggests limited performance in dim conditions, constrained by smaller photosite area.
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The Panasonic G3, with a DxO overall of 56, delivers deeper noise performance in low-light (ISO 667 score) thanks to the larger sensor but sacrifices some dynamic range (10.6 EV) and color depth (21.0 bits) due to its older sensor tech and anti-aliasing filter.
Practical Outcome
In daylight or well-lit scenarios - landscape or studio portraits - the Nikon’s higher resolution combined with a modern Expeed 5A processor can yield sharper images with excellent tonal gradation. However, for low-light situations - indoor events or evening street photography - the Panasonic G3’s larger sensor area offers more usable ISO headroom, producing cleaner images with better shadow preservation.
Navigating Autofocus Systems and Performance
Autofocus (AF) systems are crucial for decisive capture - especially in demanding genres like wildlife and sports photography.
Nikon 1 J5’s Hybrid AF System
Boasting a robust 171 focus points, including phase-detection pixels on the sensor, the J5 leverages contrast detection complemented by phase detection for speed and accuracy. It supports face detection, tracking, single, continuous, and selective AF modes. Eye detection is present but limited - no animal eye tracking, which is understandable given its entry-level position.
The maximum shutter speed of 1/16000s with an electronic shutter allows freezing of ultra-fast motion, paired with the camera’s 20 fps continuous shooting speed, ideal for rapid action capture.
Panasonic G3’s Contrast-Detection AF
The older G3 relies on 23 contrast-detection AF points, which, combined with the less sophisticated Venus FHD Engine processor, results in slower and less precise autofocus compared to the Nikon. It supports face detection, continuous AF, and selective focus areas, but lacks phase-detection or eye tracking.
Continuous shooting maxes at 4 fps - adequate for casual subjects but suboptimal for sports or wildlife.
Real-World AF Comparison
Field tests reveal the Nikon 1 J5’s AF system locks swiftly even under challenging lighting and tracks moving subjects reliably, thanks to phase detection and higher AF point density. Photographers shooting children, pets, or action scenes would gain from this advantage. The G3 can confirm focus nicely in static conditions but struggles with rapid or erratic movement, occasionally hunting visibly before locking.
Ergonomics, Interface, and Control Ergonomics: A Look At Usability
Interface design directly impacts how comfortable and confident photographers feel, especially when transitioning from smartphone or compact cameras to more complex systems.
Nikon 1 J5
- Controls are minimalist, with limited physical dials but illuminated and accessible buttons.
- The 3-inch tilting touchscreen offers enhanced compositional flexibility but lacks full articulation.
- No electronic viewfinder (EVF), so relying solely on the rear screen in bright conditions can be challenging.
- Built-in flash with various sync modes is integrated, but no hot shoe for external flash units.
- Wireless features include NFC for near-field connectivity but no Wi-Fi or Bluetooth, limiting remote control options.
Panasonic G3
- A more traditional DSLR-like layout with multiple dedicated dials and buttons, fostering tactile familiarity for experienced users.
- Fully articulated 3-inch TFT LCD screen with 460k resolution supports touch operation.
- Includes a 1.44 million-dot electronic viewfinder with near 100% coverage and 0.7x magnification - a significant advantage for shooting in bright light or when priority is on precision framing.
- A built-in pop-up flash plus a hot shoe for external flashes, expanding lighting versatility.
- No wireless connectivity features, requiring direct cable connection for image transfer.
From an ergonomics standpoint, the G3’s EVF and more comprehensive controls give it a clear edge for professionals looking to use manual settings confidently. The J5’s touchscreen and compactness better serve casual or vlog-style shooters embracing simplicity.
Lens Ecosystem and Compatibility: Key to Long-Term Flexibility
A camera's utility inevitably revolves around lenses; here the systems diverge significantly.
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Nikon 1 J5: Employs the Nikon 1 mount with 13 native lens options. These include compact primes and zooms designed to harness the 1-inch sensor format's smaller image circle. However, due to the 2.7x crop factor, wide-angle capabilities are more limited. The lineup covers basics but lacks the breadth favored by enthusiasts seeking specialty lenses.
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Panasonic G3: Uses the Micro Four Thirds (MFT) mount - arguably the richest and most mature mirrorless lens ecosystem available, boasting over 107 native lenses spanning from Panasonic and Olympus, plus numerous third-party options. A more manageable 2.1x crop factor preserves wider angles better than Nikon 1.
For photographers anticipating system growth and lens versatility, the G3 platform offers markedly superior flexibility and access to macro, fisheye, ultra-wide, and outstanding telephoto optics at various price points.
Assessing Video Capabilities for Content Creators
Video performance plays an increasingly critical role for hybrid shooters; a balance between recording specs, stabilization, and audio is vital.
Feature | Nikon 1 J5 | Panasonic Lumix G3 |
---|---|---|
Max video resolution | 4K UHD (3840 x 2160) at 15p | Full HD 1080p at 60fps |
Frame rates (1080p) | 60p, 30p | 60p, 30p |
Slow motion | 720p @ up to 120 fps | None |
Video formats | MPEG-4, H.264 | AVCHD, Motion JPEG |
Stabilization | No in-body stabilization | No in-body stabilization |
Microphone/Headphone | No ports | No ports |
HDMI output | Yes | Yes |
While the Nikon 1 J5’s early adoption of 4K recording at 15p is more a novelty (slow frame rate limiting practical use), it does position the camera ahead of the G3 in raw resolution potential. The impressive 120 fps at 720p enables slow-motion capture unavailable on the G3.
Neither camera offers in-body image stabilization (IBIS), so video steadiness depends on lens-based stabilization or external gimbals. The lack of microphone inputs on either chassis restricts advanced audio capture, positioning both as casual video tools rather than professional rigs.
Shooting Across Photography Genres: Strengths and Weaknesses
An ideal camera should perform well across various real-world applications. Drawing on multi-genre testing, here are nuanced observations:
Portrait Photography
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Nikon 1 J5: High resolution sensor combined with phase-based eye detection and face tracking delivers accurate, attractive rendering of skin tones and sharp eyes. The 1-inch sensor diminishes natural background bokeh due to smaller sensor depth of field; however, fast lenses mitigate this somewhat.
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Panasonic G3: Larger sensor area provides smoother background separation and better dynamic range, advantageous for natural skin tone gradation in mixed lighting. Slower AF can disrupt candid portrait sessions.
Landscape Photography
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Nikon 1 J5: The superior dynamic range and color depth allow the capture of rich tonal gradations in skies and foliage. Its compact size encourages handheld shooting.
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Panasonic G3: Four Thirds sensor with wider lens options and higher ISO flexibility enhances low-light landscapes and shadow detail, but older sensor technology yields less vibrant colors.
Wildlife and Sports Photography
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Nikon 1 J5: 20 fps burst and extensive AF points make it suitable for fast-moving subjects; crop factor increases telephoto reach for distant wildlife. However, limited lens selection and lack of weather sealing constrain outdoor robustness.
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Panasonic G3: Lower burst speed and slower autofocus hinder tracking action; superior lens availability and better handling lend some advantages for varied shooting conditions.
Street Photography
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Nikon 1 J5: Compact and quiet - with electronic shutter options up to 1/16000s - ideal for discreet street captures. Touchscreen facilitates rapid focusing and shooting.
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Panasonic G3: Bulkier and noisier shutter make it less discreet; full articulating screen aids creative angles.
Macro Photography
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Nikon 1 J5: Limited native macro lenses; lack of in-body stabilization demands tripod or lens OSS.
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Panasonic G3: Access to dedicated macro lenses and tilt screen enhances close-up composition.
Night and Astrophotography
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Panasonic G3’s larger sensor yields better high ISO usability and lower noise, crucial for star fields.
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Nikon 1 J5’s smaller sensor struggles with noise at ISO above 1600.
Travel Photography
The Nikon 1 J5’s compact body and lighter weight offer clear advantages over the Panasonic G3’s chunkier form for travelers valuing portability.
Professional Workflows
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Nikon J5’s newer image processor supports faster JPEG rendering and connectivity features (NFC), but limited lens selection and no weather sealing can be a liability.
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Panasonic G3 integrates better with established MFT workflows, offers hot shoe connectivity for pro flash systems, and superior EVF usability for manual-focused acquisition.
Durability, Build Quality, and Battery Life Considerations
Neither camera features weather sealing, dustproofing, or shock resistance, making them optimally suited for controlled or cautious outdoor use rather than rugged fieldwork.
Battery life favors the Panasonic G3 slightly with rated 270 shots per charge versus Nikon J5’s 250, a marginal difference but noteworthy as the G3’s larger body can host bigger power cells.
Both cameras utilize proprietary battery packs, and storage relies on single SD/microSD card slots.
Connectivity and Storage: Managing Images in the Digital Age
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Nikon 1 J5: Supports NFC connectivity but lacks built-in Wi-Fi or Bluetooth, constraining wireless transfer and remote shooting capabilities. USB 2.0 and micro HDMI are present.
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Panasonic G3: No wireless features but offers full-size HDMI and USB 2.0 ports.
In a modern context, Nikon’s partial wireless integration edges out the G3, although later models offer vastly superior Wi-Fi implementations.
Price and Value Proposition: What Will Your Investment Buy?
Both cameras sit around the $500 price point on the used market, with the Nikon 1 J5 occasionally commanding a slight premium due to newer tech and sensor resolution. The Panasonic G3, widely available, often sees discounts due to age but packs a deeper system potential via Micro Four Thirds lens compatibility.
Summary and Final Recommendations
To encapsulate:
Aspect | Nikon 1 J5 | Panasonic Lumix G3 |
---|---|---|
Sensor | 1” BSI-CMOS, 20.8 MP, high res | Four Thirds CMOS, 16 MP, larger sensor |
Autofocus | Hybrid phase + contrast, 171 points, 20 fps | Contrast detection, 23 points, 4 fps |
Body Design | Rangefinder-style, compact & lightweight | DSLR-style, larger, dedicated controls |
Lens Ecosystem | Limited Nikon 1 lenses (13 options) | Vast Micro Four Thirds (100+ lenses) |
Viewfinder | None | EVF 1.44M dots, 100% coverage |
Video | 4K @ 15p, 720p slow-motion | 1080p @ 60 fps, no 4K |
Wireless Connectivity | NFC only | None |
Battery Life | 250 shots | 270 shots |
Price | ~$497 new (discontinued) | ~$500 (discontinued, used market) |
Who Should Choose the Nikon 1 J5?
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Photographers seeking a compact, modern-feeling camera with excellent autofocus and resolution for daylight and action, targeting street, travel, and casual portrait photography.
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Enthusiasts desiring 4K video recording albeit at limited frame rates and slow-motion capture in 720p.
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Users valuing touchscreen controls, NFC connectivity, and a minimalistic design.
Limitations: Small sensor compromises low-light and shallow depth-of-field performance; limited lens options and lack of EVF may frustrate more demanding users.
Who Should Choose the Panasonic G3?
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Users placing a premium on larger sensor size for improved dynamic range, ISO performance, and adaptability across genres, including low light, landscapes, and portraits.
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Photographers needing a comprehensive lens ecosystem for system expansion and specialized work like macro or telephoto wildlife.
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Those preferring an electronic viewfinder and a DSLR-style ergonomic experience, supporting manual focus precision.
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Video enthusiasts satisfied with solid 1080p 60fps recording and more traditional codec options.
Limitations: Slower autofocus, bulkier body, no wireless connectivity, and no 4K video.
Closing Thoughts
The Nikon 1 J5 and Panasonic G3 remain compelling considerations for entry-level mirrorless buyers who prioritize different strengths. The Nikon favors speed, compactness, and resolution with newer sensor technology, while the Panasonic delivers a larger sensor, versatile lens choices, and a more traditional shooting experience.
I recommend evaluating your primary photography style, video needs, and system growth plans carefully. For travel and street-focused creatives valuing portability, the Nikon 1 J5 remains a strong contender. For those prioritizing image quality and lens flexibility on a budget, the Panasonic G3 offers a proven and adaptable platform.
Either way, both cameras represent a stepping stone into mirrorless photography, offering the foundational tools to unleash your creative potential.
Happy shooting!
Nikon 1 J5 vs Panasonic G3 Specifications
Nikon 1 J5 | Panasonic Lumix DMC-G3 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon 1 J5 | Panasonic Lumix DMC-G3 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Introduced | 2015-04-03 | 2011-07-11 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Expeed 5A | Venus Engine FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1" | Four Thirds |
Sensor dimensions | 13.2 x 8.8mm | 17.3 x 13mm |
Sensor area | 116.2mm² | 224.9mm² |
Sensor resolution | 21 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5568 x 3712 | 4592 x 3448 |
Highest native ISO | 12800 | 6400 |
Minimum native ISO | 160 | 160 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 171 | 23 |
Lens | ||
Lens support | Nikon 1 | Micro Four Thirds |
Total lenses | 13 | 107 |
Focal length multiplier | 2.7 | 2.1 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Resolution of display | 1,037k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 30s | 60s |
Fastest shutter speed | 1/4000s | 1/4000s |
Fastest quiet shutter speed | 1/16000s | - |
Continuous shutter speed | 20.0 frames per sec | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.00 m (ISO 100) | 11.00 m |
Flash modes | Auto, auto + red-eye reduction, fill-flash, fill-flash w/slow sync, rear curtain sync, rear curtain w/slow sync, redeye reduction, redeye reduction w/slow sync, off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4K (15p), 1920 x 1080 (60p, 30p), 1280 x 720 (120p/60p/30p) | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | AVCHD, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 231 gr (0.51 lb) | 336 gr (0.74 lb) |
Dimensions | 98 x 60 x 32mm (3.9" x 2.4" x 1.3") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO Overall rating | 65 | 56 |
DXO Color Depth rating | 22.1 | 21.0 |
DXO Dynamic range rating | 12.0 | 10.6 |
DXO Low light rating | 479 | 667 |
Other | ||
Battery life | 250 photos | 270 photos |
Battery form | Battery Pack | Battery Pack |
Battery ID | EN-EL24 | - |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | microSD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | One | One |
Retail cost | $497 | $500 |