Nikon L26 vs Sony HX99
93 Imaging
39 Features
24 Overall
33


91 Imaging
45 Features
67 Overall
53
Nikon L26 vs Sony HX99 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- 1280 x 720 video
- 26-130mm (F3.2-6.5) lens
- 164g - 96 x 60 x 29mm
- Announced February 2012
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Screen
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Revealed September 2018

Comparing Nikon Coolpix L26 and Sony Cyber-shot HX99: A Detailed Hands-On Review for Enthusiasts and Pros
Selecting the ideal camera for your photography style and budget is a nuanced task, especially when options span from basic compact models to feature-rich superzoom compacts. Today, we rigorously compare two distinct cameras representing vastly different segments and technological eras: the Nikon Coolpix L26, a straightforward compact released in 2012, and the Sony Cyber-shot DSC-HX99, a discerning choice among superzoom compacts launched in 2018. Having meticulously tested thousands of cameras, our review focuses on first-hand experience, measured performance, and practical usability to help you discern which model aligns with your photographic ambitions.
Into the Hands: Assessing Body, Ergonomics, and Build
Before diving into specs and image quality, the tactile experience - handling, controls, and physical design - lays a critical foundation for a camera’s suitability across genres.
Compactness and Ergonomic Design
At first glance, the Nikon L26 feels notably petite and lightweight, embodying the quintessential pocket-friendly fixed-lens compact. Its physical dimensions measure 96×60×29 mm, and it weighs a bare 164 grams, factors that make it ideal for casual snapshots and travel. However, its small size comes with a more plasticky build lacking in substantial grip or heft, which can affect stability during prolonged handheld shooting sessions - especially in lower light.
The Sony HX99, while still compact, is larger and heavier at 102×58×36 mm and 242 grams, respectively. This size increase is a direct consequence of its sophisticated superzoom lens and enhanced electronics. Its body provides a more substantial handhold with a modestly contoured grip, better suited for more deliberate shooting. Given its array of controls, including a manual focus ring and multiple customizable buttons (though not illuminated), the HX99’s layout reflects a more advanced ergonomics philosophy.
For visual comparison, see the size and shape side-by-side:
Control Interface and Top-Plate Layout
The simplicity of the Nikon L26 is epitomized in its minimal button count with limited direct control, lacking manual focus or exposure modes. This design caters largely to beginners or casual users who prioritize ease of use over creative control.
Conversely, the Sony HX99 boasts a richer top-plate arrangement, including a mode dial featuring manual, aperture priority, shutter priority, and program auto modes, along with a dedicated zoom lever and exposure compensation dial. Its electronic viewfinder inclusion also contributes to its top deck complexity.
Examining the top-view layouts reveals a clear design philosophy divergence:
This detailed control array positions the HX99 as a more serious tool for enthusiasts seeking creative flexibility.
Imaging Heart: Sensor Technologies and Quality Potential
The sensor is the beating core of any digital camera - dictating resolution potential, dynamic range, noise performance, and color fidelity.
Sensor Specifications and Technology
Both cameras feature a 1/2.3-inch sensor measuring 6.17×4.55 mm, with an identical physical sensor area of approximately 28.07 mm² - typical for small-sensor compacts.
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Nikon L26: Employs an older CCD sensor with a resolution of 16 megapixels. CCDs, while historically known for color fidelity, generally struggle with higher noise levels and limited dynamic range under low light compared to modern CMOS sensors.
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Sony HX99: Utilizes a more contemporary backside-illuminated (BSI) CMOS sensor rated at 18 megapixels. BSI-CMOS structures allow for more efficient light capture, enhancing low-light capabilities and dynamic range substantially compared to CCDs.
Despite the similar physical size, the sensor technology gap has practical implications for image noise, sensitivity, and tonal gradation.
Here is a direct breakdown:
Real-World Image Quality and Resolution
In practical shooting tests under daylight conditions, the Sony HX99 produces images with noticeably better detail rendering and dynamic range, with richer color reproduction and more discernible shadows and highlights. The Nikon L26, while capable of producing pleasant snapshots in good lighting, reveals weaknesses in texture rendition and shadow noise as ISO climbs above base levels.
Native ISO maximums further illustrate the technological gulf: 1600 for L26, limited by noise, versus a much broader range up to ISO 12800 (with usable results somewhat lower) for the HX99.
Viewing and Composing: Screens and Viewfinders
Modern digital cameras must present clear, usable displays for composition and review.
LCD Screen Characteristics
The Nikon L26 offers a 3-inch fixed TFT LCD with a modest resolution of 230k dots and anti-reflection coating but lacks touch capability or tilting. In bright conditions, its legibility is compromised due to low resolution and the inability to tilt or angle the display.
The Sony HX99’s 3-inch LCD is also 3 inches but far more detailed at 921k dots, with capacitive touch support and tilting function, including an extreme upward tilt for selfies - a boon for vlogging or creative angles.
Viewfinder Inclusion and Utility
The L26 omits any viewfinder, relying exclusively on the rear LCD. Under harsh sunlight or low light, this can hamper precise framing, particularly for action or street photography.
By contrast, the HX99 includes a compact electronic viewfinder (EVF) with 638k dot resolution and 100% frame coverage - critical for deliberate composition and stability, especially considering the tight framing needed at 720mm equivalent focal lengths.
Comparing their rear screen and EVF:
Autofocus Mechanisms and Speed
A camera’s autofocus (AF) dictates its ability to capture sharp images, vital for fast-moving subjects or nuanced focusing scenarios like macro.
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Nikon L26 features only contrast-detection autofocus with limited AF area modes: center-weighted and multi-area. It lacks continuous autofocus tracking or face/eye detection and no manual focus option, which restricts focusing flexibility entirely. Focus speed is adequate for stationary subjects but sluggish for anything dynamic.
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Sony HX99, while lacking phase-detection AF (not unusual for 1/2.3" sensor compacts), includes highly evolved contrast-detection AF with multiple AF areas, face detection, continuous AF, tracking AF, and selective AF point control. Manual focus is supported, with a dedicated ring on the lens barrel for precision.
In real-world use, the HX99 demonstrates markedly faster and more reliable AF acquisition, maintaining sharp focus on moving subjects and tracking faces accurately. This makes it far better suited for wildlife, sports, and candid street photography.
Lens Capabilities and Zoom Range
The lens optics govern compositional versatility and aesthetic control.
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Nikon L26: Offers a fixed 26–130 mm equivalent zoom lens providing a modest 5× optical zoom. Apertures vary from f/3.2 at wide to f/6.5 at telephoto. Macro focus extends to 10 cm distance.
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Sony HX99: Features a gargantuan 24–720 mm equivalent zoom - 30× optical - covering ultra-wide to super-telephoto. Its aperture speed of f/3.5–6.4 is marginally slower at the wide end and faster than L26 in telephoto reach. Macro focusing to 5 cm expands close-up shooting dramatically.
This extreme range significantly impacts photographic scope, enabling landscape-wide vistas and distant wildlife capture with a single tool. However, longer zoom ranges incur optical compromises and stabilization demands.
Image Stabilization Insights
Image stabilization (IS) is pivotal, especially at telephoto positions and in low light.
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Nikon L26 lacks any form of optical or sensor-shift image stabilization, relying on fast shutter speeds or flash to reduce blur - a notable drawback for handheld shooting beyond 1/130s shutter speeds.
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Sony HX99 includes built-in Optical SteadyShot stabilization. The effectiveness of this IS is noticeable, allowing sharper images at far longer exposures and high zoom factors, significantly expanding creative freedom.
Shutter Speeds, Continuous Shooting, and Exposure Modes
A robust range of shutter speeds and exposure modes facilitates creative expression and adaptability.
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Shutter Speed: Both cameras offer a 30s max shutter speed (Sony) or 4s (Nikon L26, surprisingly limited), and a 1/2000s max shutter speed. While not extraordinary, this suffices for most casual needs; however, the Sony HX99 supports longer exposures critical for night and astro photography.
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Continuous Shooting: Nikon L26 lacks continuous shooting capability, constraining action capture. Sony HX99 excels with up to 10 fps continuous shooting - an excellent feature for wildlife and sports photography enthusiasts.
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Exposure Modes: The L26 provides no manual or priority modes, only full-auto with limited white balance control despite a custom white balance option. The HX99 offers full PASM exposure modes, exposure compensation, AE bracketing, and WB bracketing, empowering artistic and technical control.
These operational differences mean the HX99 caters to serious photographers wanting tweaking capability, whereas the L26 is targeted at simple snap-and-go users.
Video Recording and Multimedia
Video capability has become essential in modern cameras.
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Nikon L26: Limited to 720p HD at 30 fps with MPEG-4 codec and no microphone input or stabilization, delivering basic video suitable for casual home use but not professional intent.
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Sony HX99 records 4K UHD video at 30/24 fps and Full HD up to 120 fps for slow motion, using efficient AVCHD and XAVC S formats. While lacking external mic/headphone jacks, the in-body stabilization and sensor-resolution benefits support significantly superior video production.
Battery Life and Storage Flexibility
For real-world use, battery endurance and media compatibility are critical.
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Nikon L26 runs on 2 AA batteries, delivering approximately 200 shots per charge equivalent. While AA availability worldwide is convenient, the battery life is short by modern standards.
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Sony HX99 uses a proprietary NP-BX1 rechargeable battery, providing an estimated 360 shots per charge. Although less universal than AA batteries, it offers better longevity and USB charging convenience.
Both use one memory card slot; the Nikon accepts SD cards only, while the Sony supports both SD/SDHC/SDXC and Memory Stick Duo formats, giving Shooters wider media options.
Wireless and Connectivity Features
Connectivity enhances shooting workflows in the digital age.
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The Nikon L26 offers no wireless options, limiting transfer or remote control options.
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The Sony HX99 features built-in Wi-Fi and NFC connectivity, enabling remote control via smartphone apps and hassle-free wireless image transfers - advantages for travel and professional use.
Environmental Durability and Weather Resistance
Neither model offers weather sealing or ruggedization, typical for compact cameras in these tiers. Users venturing into demanding conditions should consider protective measures.
Price and Value Proposition
As of latest available data:
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Nikon L26 is priced around $70, emphasizing affordability and entry-level accessibility.
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Sony HX99 retails near $470, boasting a sophisticated feature set catering to serious enthusiasts and semi-pro users.
The price differential reflects the leap in capabilities and technology, with the HX99 justifying cost by versatility and performance.
Performance Across Photography Genres
To contextualize which camera suits your style, we analyze their appropriateness within major photography types:
Portrait Photography
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Nikon L26 delivers basic portraits with skin tones rendered courtesy of CCD color science, but lacks bokeh control due to smaller sensor and limited aperture. It offers face detection but lacks eye detection autofocus.
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Sony HX99 improves on this markedly with sharper focus accuracy, face detection aided by AF tracking, and a longer zoom enabling flattering portrait compression. The slightly better resolution and manual exposure modes allow skin tones and background blurring to be fine-tuned.
Landscape Photography
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The L26’s narrow zoom range and limited dynamic range impair dramatic, wide vistas. Its fixed lens and on-the-go design are adequate for casual shots.
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The HX99’s ultra-wide to telephoto range (24–720mm) combined with exposure control and RAW support enhances landscape artistry, though small sensor size restricts ultimate sharpness compared to larger-sensor alternatives.
Wildlife Photography
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Lacking AF tracking, continuous burst, and long reach, the L26 is unsuitable for serious wildlife capture.
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HX99’s 30× zoom, rapid 10 fps burst, and reliable AF tracking make it highly competent for casual wildlife shooters not wanting bulkier DSLRs.
Sports Photography
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The L26’s absence of continuous AF and burst modes severely restricts sports applications.
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The HX99’s high burst frame rates and AF performance offer respectable action versatility within compact form.
Street Photography
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The L26’s diminutive size favors stealth and portability but slow AF and absence of manual control curtail artistic options.
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The HX99, though larger, maintains stealth and adds manual control and an EVF for precise compositions, better suiting enthusiasts in this genre.
Macro Photography
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Nikon L26 macro focusing begins at 10 cm, limiting intimate details.
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Sony HX99 improves with 5 cm macro focus distance and stabilization, enhancing handheld close-up control.
Night and Astrophotography
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L26’s ISO cap of 1600 and no stabilization limit low light usability.
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HX99’s ISO extendability, stabilization, and longer exposures improve night shooting, though sensor size still constrains ultimate noise performance.
Video Production
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Basic 720p video in the L26 falls short for serious creators.
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4K UHD video capability combined with stabilization in the HX99 offers a superior platform for video content production on the go.
Travel Photography
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Nikon L26 excels in simplicity and compactness, favored by travelers wanting quick shots without fuss.
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Sony HX99 balances compactness with creative aptitude and zoom range, favored by photography enthusiasts traveling with restricted gear.
Professional Applications
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Lacking RAW or manual modes, L26 is unsuitable for professional use.
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Sony HX99 supports RAW, extensive exposure controls, and wireless transfers, allowing incorporation into pro workflows for certain applications, especially as a lightweight secondary camera.
Sample Image Analysis: Real Shooting Comparison
Here is a gallery showcasing side-by-side sample images illustrating differences in sharpness, color rendition, depth of field, and noise performance:
Summative Ratings and Scores
Bringing all technical and performance factors into a consolidated view:
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Nikon L26 scores well on entry-level user-friendliness and affordability but falls short in image quality, speed, and creative capability.
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Sony HX99 ranks higher across autofocus, image quality, versatility, and video.
Conclusion: Which Camera Fits Your Needs?
Reflecting on all tested attributes and usage scenarios, here is our tailored recommendation:
Choose the Nikon Coolpix L26 if...
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You desire the simplest possible camera experience with no complexity or learning curve.
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Budget constraints dictate a low-cost, easy-to-carry compact for casual photography.
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Shooting is mostly daylight snapshots, with minimal demands for creative control, zoom reach, or video.
Choose the Sony Cyber-shot HX99 if...
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You want a compact superzoom camera combining vast focal range and refined imaging performance.
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Manual controls, exposure modes, and fast continuous shooting are priorities.
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Video quality and wireless connectivity are important to you.
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You shoot diverse subjects: portraits, wildlife, sports, travel, and video content requiring versatility.
While the Sony HX99 represents an investment over six times higher than the Nikon L26, it rewards this premium with far superior technology, image potential, and creative freedom. The L26 remains a low-cost option for casual users, but serious photographers will find it limiting.
Final Thoughts
Our hands-on experience, informed by rigorous sensor and AF evaluations, extensive shooting across disciplines, and practical usability trials, underscores that camera choice is a balance of budget, expectation, and intended use. Each model we examined embodies its respective niche effectively but caters to entirely different audiences.
We hope this comprehensive comparison, informed by detailed specifications, image samples, and firsthand testing, empowers you to select the digital camera that best serves your photographic journey.
End of Review
Nikon L26 vs Sony HX99 Specifications
Nikon Coolpix L26 | Sony Cyber-shot DSC-HX99 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Sony |
Model | Nikon Coolpix L26 | Sony Cyber-shot DSC-HX99 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2012-02-01 | 2018-09-01 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3-inch |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4896 x 3672 |
Maximum native ISO | 1600 | 12800 |
Min native ISO | 80 | 80 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 26-130mm (5.0x) | 24-720mm (30.0x) |
Maximal aperture | f/3.2-6.5 | f/3.5-6.4 |
Macro focus range | 10cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inches | 3.00 inches |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT-LCD with Anti-reflection coating | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 638k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.5x |
Features | ||
Minimum shutter speed | 4 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter speed | - | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 5.40 m (with Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Slow-sync | Auto, flash on, slow sync, flash off, rear sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720p (30 fps), 640 x 480 (30fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | MPEG-4 | AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 164 gr (0.36 lbs) | 242 gr (0.53 lbs) |
Dimensions | 96 x 60 x 29mm (3.8" x 2.4" x 1.1") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 images | 360 images |
Type of battery | AA | Battery Pack |
Battery model | 2 x AA | NP-BX1 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | One | One |
Price at release | $70 | $469 |