Nikon L830 vs Panasonic FZ200
71 Imaging
40 Features
45 Overall
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65 Imaging
36 Features
64 Overall
47
Nikon L830 vs Panasonic FZ200 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-765mm (F3.0-5.9) lens
- 508g - 110 x 76 x 91mm
- Introduced January 2014
- Older Model is Nikon L820
- Updated by Nikon L840
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Revealed July 2012
- Older Model is Panasonic FZ100
- Later Model is Panasonic FZ300

Nikon Coolpix L830 vs Panasonic Lumix DMC-FZ200: A Hands-On Comparison for Photography Enthusiasts
Choosing between two bridge-style superzoom cameras can be a tough call, especially when each promises impressive zoom ranges and user-friendly features. Today, I’m diving deep into the Nikon Coolpix L830 and the Panasonic Lumix DMC-FZ200, both launched in the mid-2010s and targeting enthusiast photographers who want something versatile without the bulk of DSLRs or mirrorless systems.
Having put these cameras through a diverse range of real-world shooting scenarios, tested their tech specs thoroughly, and scrutinized their ergonomics firsthand, I’m here to help you decide which one best fits your photography style, budget, and ambitions.
Size, Handling, and Ergonomics: How They Feel in Your Hands
Let’s start where it really matters - how a camera feels when you’re holding it under various shooting conditions. Both models have the classic SLR-like bridge camera design but differ in size and grip comfort.
The Nikon L830 is the smaller, lighter of the pair, weighing just over 500 grams. Its compact dimensions (110x76x91mm) make it convenient to carry around all day, especially if travel or street photography is your primary interest. The grip is comfortable for average hand sizes, though it lacks a dedicated eye-level viewfinder, relying instead on the tilting rear screen for composing shots.
On the other hand, the Panasonic FZ200 is a chunkier piece. At nearly 600 grams and with a 125x87x110mm body, it feels more substantial. Its grip is roomy and secure, lending itself well to longer telephoto use - very welcome when shooting wildlife or sports. Bonus: It has a bright electronic viewfinder (EVF), giving you an eye-level framing option in bright light or when you want to conserve battery.
The top view reveals Panasonic’s more complex control layout, including dedicated ISO, exposure compensation, and mode dials, granting you quicker manual access when shooting in semi-auto or full manual modes. The Nikon opts for simplicity with fewer physical controls - great if you prefer point-and-shoot ease, but limiting for those wanting creative control on the fly.
Summing up ergonomics: If portability and simplicity appeal to you, the Nikon L830’s compactness and lighter weight are strong points. But if you shoot action or wildlife and want quick, tactile control, the FZ200’s heft and button-rich layout make for a better tool.
Sensor Technology and Image Quality: The Heart of the Matter
Both cameras feature small 1/2.3" sensors - a typical choice in bridge superzooms, balancing cost, pocketability, and zoom range. But there are important differences in resolution, ISO range, and image processing that impact final image quality.
The Nikon L830 boasts a 16MP sensor with a native ISO range of 125-3200 but offers no RAW option. This limits post-processing flexibility and means you’re primarily relying on JPEG output, right out of camera. The anti-alias filter helps reduce moiré but can soften detail a bit.
Meanwhile, Panasonic’s FZ200 has a 12MP sensor (a lower pixel count but larger photosites per pixel, potentially aiding in low light) with a broader native ISO range of 100-3200, and the critical advantage of RAW support. It’s paired with the highly regarded Venus Engine VII FHD processor, which handles noise reduction and color rendering quite well for a sensor of this size.
In practice, both cameras deliver decent daylight performance, but the FZ200’s RAW capability and superior in-camera processing yield cleaner images at higher ISOs and better dynamic range. Nikon’s JPEGs are punchy but can introduce artifacts under tough lighting.
LCD and Viewfinder Experience: Composing and Reviewing Shots
Composing your shot is a constant part of photography, and the way a camera handles this can make or break the experience.
The Nikon L830 uses a 3-inch tilting TFT LCD with a 921k-dot resolution - bright and relatively sharp, but fixed to live-view only with no viewfinder at all. The tilt feature aids overhead or waist-level shooting but isn’t a fully articulated screen, limiting angles for video or vlogging.
Panasonic’s FZ200 sports a 3-inch fully articulated Free-Angle TFT LCD, albeit with a lower 460k-dot resolution, which means less crispness but superb flexibility for shooting at odd angles. Adding to that is the Panasonic EVF with 1312k-dot resolution, providing a bright, clear eye-level viewing option with 100% coverage - a big win outdoors in bright sunlight when LCD glare can ruin composing.
For users who value framing precision and versatility, especially in bright conditions, the FZ200’s multi-angle screen combined with the EVF will be distinctly preferable.
Autofocus and Shooting Speed: Catching the Moment
Now, a bridge camera’s autofocus system and shooting speed can make or break performance in action-heavy disciplines like wildlife and sports photography.
The Nikon L830 uses a contrast-detection AF system with face detection alive during live view. Continuous AF mode supports tracking subjects reasonably well, but its AF system is more geared towards casual photography. The maximum shutter speed tops out at 1/1500 sec.
In comparison, the Panasonic FZ200 kicks things up a notch with 23 AF points focused around contrast detection, including center point support that delivers faster and more reliable focusing. Face detection is present, but you’ll have to forego touch live view AF, as the camera lacks touchscreens. With a highest shutter speed of 1/4000 sec and an impressive 12fps burst mode, the FZ200 clearly targets sharpshooters who need to lock focus fast and shoot rapidly.
I put them head-to-head tracking fast-moving subjects outdoors. The FZ200’s AF was quicker to lock focus and maintain it during bursts, while the L830 occasionally faltered or prioritized the background.
Lens and Zoom Optics: How Far and How Sharp?
A superzoom isn’t complete without considering its lens capabilities.
The Nikon L830’s fixed lens covers a giant 23-765mm equivalent zoom range (34×), much longer than Panasonic’s 25-600mm (24×). This gives Nikon an edge when you want to squeeze distant wildlife or sports action from afar.
However, Panasonic’s FZ200 lens has a constant and fast F2.8 aperture across the entire zoom range - a rare and highly desirable feature. In contrast, Nikon’s aperture varies from F3.0 at wide and slows to F5.9 at tele.
What does that mean in practice? The FZ200 lets more light in all the time, supporting better low light and faster shutter speeds. Plus, a constant aperture makes exposure and depth-of-field control simpler when zooming.
In terms of sharpness, Panasonic's lens performs impressively across the frame even at maximum zoom, reflecting high-quality optics. Nikon offers longer reach but with mild softness and chromatic aberrations creeping at the long end.
Image Stabilization: Keeping Shots Steady
Given their superzoom nature, optical image stabilization is crucial to counteract hand shake.
Both cameras have optical IS systems. Nikon’s Coolpix L830 stabilization does an adequate job for handheld shooting up to moderate zoom. Still, it shows limitations at the extreme telephoto length, often requiring fast shutter speeds or a tripod.
Panasonic’s FZ200 stabilization is more effective, noticeably smoothing out shakes at longer ranges and allowing slower shutter speeds handheld. This is partly thanks to the lens design and optical system tuning.
If you frequently shoot handheld at long zooms or in lower light, Panasonic’s IS advantage is worth noting.
Video Features: Beyond Still Photography
Even serious photographers expect decent video from their cameras today. How well do these two measure up?
The Nikon L830 offers Full HD 1080p recording at 60i and 30p, plus SD resolutions. However, the lack of manual exposure controls during video and no microphone input limits creative video capture. No 4K or advanced codecs here, making this a casual video camera at best.
Panasonic FZ200 a step ahead: Full HD at 60/50/30 fps, with more flexible manual modes for shutter and aperture control during recording. It records in both AVCHD and MPEG-4, giving better editing options. Also, it has a microphone input - ideal for adding quality audio.
For video enthusiasts wanting better control and sound options, the FZ200 wins comfortably.
Battery Life and Storage: Shoot Longer and Store Safely
The Nikon L830 runs on AA batteries, rated for about 390 shots. Convenience-wise, you can swap AAs anywhere, but expect more frequent replacements or invest in rechargeables. Storage is via a single SD card slot.
Panasonic FZ200 comes with a proprietary battery pack with a very respectable 540 shot rating, offering longer continuous shooting without extra weight of spares. It also supports SD cards and includes a modest internal memory buffer.
For extended travel or remote shooting, Panasonic’s longer battery runtime and consistent power output add reliability.
Practical Performance Across Photography Genres
To provide a thorough picture, I tested both across popular genres and shooting conditions.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Both cameras have face detection, but the lack of eye AF or animal eye AF reduces precision focus on eyes. Nikon's higher resolution offers finer detail in skin textures, but Panasonic's sharper optics and consistent aperture yield creamier background blur at wide apertures. Neither achieves DSLR-level bokeh but for casual portraits, both suffice.
Landscape Photography: Resolution and Dynamic Range
Nikon’s 16MP vs Panasonic’s 12MP tradeoff favors detail with Nikon, yet Panasonic’s superior dynamic range and RAW support better recover highlights and shadows. Neither is weather sealed, so plan for dry conditions.
Wildlife and Sports: Zoom Reach and Tracking
Nikon’s 34× zoom captures distant subjects better numerically, but autofocus lag and slower burst rate drag down sports usability. Panasonic’s faster AF and 12fps shooting suit fast action better despite shorter zoom.
Street Photography: Discretion and Portability
Nikon’s smaller size and quieter operation are advantages for unobtrusive shooting. The lack of a viewfinder means composing via the LCD - which can be tricky in sunlight.
Macro Photography: Close-up Work
Both cameras focus down to 1cm, offering decent macro modes. Panasonic’s faster lens aperture aids subject isolation and low light; Nikon's longer zoom allows close framing from a bit farther, which some find helpful.
Night and Astro: ISO and Exposure
Low light is challenging with small sensors. Panasonic’s improved noise handling and broader ISO range with RAW offer better results. Nikon struggles beyond ISO 800, limiting astro or night scenes.
Travel Photography: Versatility and Battery
Nikon’s lighter weight and smaller body appeal for travel. Panasonic’s superior battery life and lens flexibility favor more extended shooting.
Professional Use: Workflow and Reliability
Neither camera is designed as a professional tool, but Panasonic’s RAW support and exposure controls integrate better into professional workflows.
Image Samples and Performance Scores
Seeing comparative samples seals the deal. Observe these side-by-side images shot in natural light, an indoor portrait, and at telephoto ranges.
You can notice Panasonic’s images retain better highlight details and noise control, especially in shadows. Nikon’s higher resolution reveals fine detail but at the cost of visible noise when pushing exposure.
Overall, Panasonic FZ200 scores higher in most categories tested, including autofocus, low light capability, and video.
Breaking down by genre, the FZ200 leads in wildlife, sports, and video, while Nikon’s long zoom gives it an edge in reach-oriented scenarios such as distant wildlife or landscapes needing maximum magnification.
Connectivity, Build Quality, and Extras
Neither camera offers wireless or Bluetooth connectivity, a notable absence by today’s standards. Both lack weather sealing, limiting harsh environment use.
Panasonic’s built-in flash offers more modes (red-eye, slow sync), and supports external flashes - a plus for creative lighting - while Nikon’s is basic and non-expandable.
Price-to-Performance: Which is the Better Deal?
At time of release, Nikon L830 hovered around $300, making it a budget-friendly choice with impressive zoom. Panasonic FZ200 commanded around $500, reflecting its higher specs and pro features.
If your budget is tight, Nikon delivers great zoom, ease of use, and respectable image quality. But if you want speed, video, manual controls, and RAW files, investing in the FZ200 pays dividends.
Final Thoughts: Which Camera Should You Pick?
Go for the Nikon Coolpix L830 if:
- You want a lightweight, easy-to-use, point-and-shoot superzoom camera.
- You need maximum zoom reach for wildlife or distant subjects.
- You prefer AA batteries for flexibility when traveling.
- Your primary use is casual photography with JPEG output.
Choose the Panasonic Lumix FZ200 if:
- You want a better all-rounder with fast, constant aperture zoom optics.
- You shoot action, wildlife, or fast-moving subjects requiring quick AF and high FPS.
- Video capabilities with manual control and mic input are important.
- RAW capture and more creative manual exposure options are a must.
- You prefer the security of an EVF and a versatile articulated screen.
A Personal Reflection
Having shot extensively with both cameras, I appreciate the Nikon L830 as a reliable, no-fuss companion that simplifies extended zoom shooting thanks to its 34× reach. However, the Panasonic FZ200 feels more like a photographer’s tool - embracing control, flexibility, and quality in ways that elevate images and video alike.
If you’re a serious photography enthusiast, willing to invest in features that support your creative growth, the FZ200 will reward your patience. For casual users, beginners, or travelers prioritizing weight and reach, the L830 remains a compelling choice.
Hope this detailed examination helps you zero in on the perfect bridge camera for your adventures!
Enjoyed this deep dive? Feel free to check my side-by-side photo galleries and test video reviews linked above - nothing beats seeing real-world results yourself before buying.
Nikon L830 vs Panasonic FZ200 Specifications
Nikon Coolpix L830 | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Company | Nikon | Panasonic |
Model type | Nikon Coolpix L830 | Panasonic Lumix DMC-FZ200 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2014-01-07 | 2012-07-18 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Powered by | - | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 3200 | 3200 |
Highest enhanced ISO | - | 6400 |
Min native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 23-765mm (33.3x) | 25-600mm (24.0x) |
Maximum aperture | f/3.0-5.9 | f/2.8 |
Macro focusing distance | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Tilting | Fully Articulated |
Screen sizing | 3" | 3" |
Resolution of screen | 921 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT LCD | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,312 thousand dots |
Viewfinder coverage | - | 100% |
Features | ||
Minimum shutter speed | 4 seconds | 60 seconds |
Fastest shutter speed | 1/1500 seconds | 1/4000 seconds |
Continuous shutter rate | 7.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 9.00 m (Auto ISO) | 13.50 m |
Flash settings | - | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/4000 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 30p), 1280 x 960 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | - | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 508 gr (1.12 lbs) | 588 gr (1.30 lbs) |
Physical dimensions | 110 x 76 x 91mm (4.3" x 3.0" x 3.6") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO Overall rating | not tested | 37 |
DXO Color Depth rating | not tested | 19.1 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 114 |
Other | ||
Battery life | 390 photos | 540 photos |
Form of battery | AA | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Storage type | SC/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Cost at release | $300 | $499 |