Nikon P1000 vs Olympus SP-620 UZ
49 Imaging
42 Features
67 Overall
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78 Imaging
39 Features
36 Overall
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Nikon P1000 vs Olympus SP-620 UZ Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-3000mm (F2.8-8) lens
- 1415g - 146 x 119 x 181mm
- Released July 2018
- Previous Model is Nikon P900
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 435g - 110 x 74 x 74mm
- Released January 2012
- Succeeded the Olympus SP-610UZ
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon P1000 vs Olympus SP-620 UZ: An In-Depth Real-World Comparison for Serious Superzoom Seekers
When diving into the world of superzoom cameras, it's vital to sift beyond raw specs and advertising bravado to find the real-world performer that suits your photographic ambitions, budget, and style. Today, I’m inviting you to join me on a detailed walk-through between two intriguing compact superzoom contenders from different eras: the Nikon Coolpix P1000, launched in 2018, and the older Olympus SP-620 UZ from 2012.
Both cameras flaunt that enticing small-sensor superzoom formula but approach it with wildly different values, feature sets, and ergonomic philosophies. Over the course of about three decades of combined camera experience (okay, slight exaggeration - but I have tested thousands of cameras!), I’ve learned that beyond megapixels and zoom reach, the devil is in details like autofocus reliability, handling comfort, and real-life image quality. So let’s unpack what these two have under the hood and between the fingers, shall we?

Size and Handling: Bridge Beast vs Compact Cruiser
Right off the bat, the sheer physical presence of these two cameras couldn’t be more different. The Nikon P1000 is practically a small DSLR in size and heft, tipping the scales at 1415g and sized at 146x119x181mm. It feels substantial, bordering on bulky by modern lightweight standards, but that size confers a sense of control and reassuring solidity. The P1000’s deep grip and SLR-like body layout strive to make handling those mammoth telephoto shots easier during extended shoots.
In contrast, the Olympus SP-620 UZ is a much lighter compact camera at only 435g, with a small, boxy silhouette measuring 110x74x74mm. It practically slips into a jacket pocket and is perfect for spontaneous, grab-and-go shooting - the kind of camera you bring on hikes or city strolls without feeling encumbered. However, that reduction in bulk also trims down grip comfort and control sophistication.
If ergonomics and a reassuring camera-in-hand experience matter to you (which they usually do when pushing a 3000mm-equivalent zoom like Nikon’s monster), the P1000 feels like a dedicated photographic tool. The Olympus is more a casual superzoom for snapshots and travel where pocketability weighs heavily.
Top Controls and Interface: Serious Photographer vs Simplified Snapper

Peek from above and you’ll see why the Nikon P1000 exudes a professional aura. It sports dedicated dials for aperture, shutter speed, and mode selection - offering full manual exposure control. If you’re someone who likes to tweak settings on the fly, those physical controls are a godsend. The P1000 also features an electronic viewfinder (EVF) with a high resolution of 2359 dots, providing a lag-free shooting experience that’s essential for capturing fast action or composing in bright light.
Meanwhile, Olympus’ SP-620 UZ opts for a more stripped-down setup, reflecting its simpler design ethos. It lacks an EVF entirely (relying on its fixed 3-inch LCD for composing shots), and manual control options are severely limited. There’s no shutter or aperture priority, and full manual exposure is absent, which limits the creative control for enthusiasts.
The P1000’s thoughtful layout - with buttons clustered logically for quick reach, a customizable function button, and a fully articulated screen - caters to those who want precision and versatility. The Olympus’ controls are minimalistic, geared more toward casual shooters happy to rely on auto modes.
Sensor and Image Quality: BSI-CMOS Advances vs Vintage CCD

Both cameras share the same sensor size, a 1/2.3-inch type with a sensor area of 28.07 mm² and a resolution of 16 megapixels. This small sensor format, common in superzooms, inherently limits overall dynamic range and high ISO performance due to tiny pixel pitch. However, the technology behind the sensors and processing pipelines reveal meaningful performance differences.
The Nikon P1000 uses a BSI-CMOS sensor - a back-illuminated design that allows for improved low-light sensitivity and noise control compared to traditional front-illuminated sensors. It has a maximum ISO of 6400, which, while not rivaling APS-C or full-frame cameras, is respectable for this class, enabling cleaner images under dim conditions.
On the flip side, the Olympus SP-620 UZ relies on an older CCD sensor design with a max native ISO capped at 3200. CCDs traditionally excelled at color fidelity in mid-ISO ranges but tend to produce more noise as ISO climbs. Combined with a dated processor (TruePic III+), the SP-620 UZ struggles more in low-light scenarios and shows softer details at higher ISOs.
Looking at the maximum aperture ranges also tells a story: Nikon’s F2.8 wide end ensures more light gathering, useful for both handheld shooting and background separation, compared to the Olympus’ slower F3.1 aperture.
In practice, the P1000 delivers sharper images with richer color gradations and better noise control, especially beyond ISO 800.

Composing Your Shots: Display and Viewfinder Quality
LCD quality is often overlooked but vital for composition and reviewing images in the field. The Nikon P1000 boasts a 3.2-inch fully articulated LCD with 921k dots, allowing shooting from awkward angles and facilitating vlogging or creative framing. As a bonus, its EVF coverage is a full 99%, meaning the viewfinder gives an accurate preview without surprises at the edges.
Olympus sticks to a fixed 3-inch TFT LCD with a markedly diminished resolution of 230k dots. The lack of articulation limits flexibility, and the low resolution hampers fine focus checking or reviewing images outdoors. Since it lacks a built-in EVF, composing in bright daylight can feel like wrestling with glare.
In my experience, a bright, articulated screen paired with a high-res EVF - like on the P1000 - boosts both confidence and shooting efficiency. The SP-620 UZ’s limitations make it less suited for serious, prolonged use but adequate for casual snaps.
Autofocus and Shooting Speeds: Chasing Subjects with Precision
Autofocus (AF) is a critical battle ground between these two. The Nikon P1000 leverages contrast-detection autofocus with a wide array of AF modes including single, continuous, tracking, and even face detection. While not the fastest AF system compared to modern mirrorless cameras, the P1000’s ability to track subjects while zoomed into thousands of millimeters is impressive, especially for wildlife and bird photography. Continuous shooting at 7 fps (frames per second) ensures you can capture fleeting moments.
Olympus lags in this department. It features a rudimentary contrast-detection AF system, limited to single AF and tracking within a modest range. Continuous shooting is absent, effectively ruling it out for action or sports shooting where rapid bursts are essential.
For photographers focused on wildlife, sports, or any genre demanding sharp focus on moving subjects, the P1000 wins hands-down.
Image Samples: Is the Zoom King Worth Your Money for Output Quality?
The P1000’s marquee feature is its unprecedented 125x optical zoom range, from 24mm ultra-wide to 3000mm super telephoto equivalent. That leap in focal length opens photographic doors to distant wildlife, moon shots, and expansive terrestrial landscapes otherwise out of reach.
In contrast, the SP-620 UZ sports a modest 21x zoom range (25mm to 525mm equivalent), suitable for day-to-day travel, portraits, and limited telephoto needs but without the jaw-dropping reach.
Viewing side-by-side sample images, Nikon’s P1000 produces crisp, detailed photos even at full zoom, thanks to optical stabilization and decent resolution preservation - though handheld stability at 3000mm still demands a tripod or rock-solid technique.
Olympus photos tend to be softer at full zoom, with reduced detail retrieval and more lens distortion. Low-light images show more noise and less dynamic range, highlighting sensor and processing limitations.
So, if ultimate zoom capability paired with decent image quality is on your wishlist, the P1000 excels. The Olympus SP-620 UZ fits those who prioritize simplicity and portability over reach.
The All-Important Build and Weather Resistance
Neither camera offers weather sealing or rugged protection. The Nikon P1000’s robust build nonetheless feels durable and ready for outdoor adventures, but you should shelter it from rain or dust.
The Olympus, with its plastic compact body, is more vulnerable to environmental challenges but remains a trustworthy companion for urban or fair-weather outings.
Video and Audio: Going Beyond Stills
Both cameras venture into video territory, but the P1000 flexes considerably stronger muscles here, offering 4K UHD recording at 30p with MPEG-4 / H.264 encoding and AAC audio. It also includes a microphone input, allowing higher quality audio recording - a boon for vloggers or multimedia storytellers.
Meanwhile, the SP-620 UZ pegs video at 720p max resolution and lacks any microphone or headphone jacks, constraining video quality and post-production flexibility.
If your heart beats for multimedia versatility, the P1000 feels like an all-in-one cinematography superzoom, while the Olympus remains a basic video option.
Battery Life and Storage Essentials
Surprisingly, despite its heft and complexity, the P1000 only manages 250 shots per charge, which is on the low side for modern cameras; expect to tote spare batteries for extended shoots. USB charging is supported, which is handy on the road.
The Olympus uses readily available AA batteries (four of them), which you can pop into almost anywhere - a plus for traveling in remote areas - but estimates of capacity are vague. AA batteries also add bulk and weight, which somewhat offsets the petite form factor.
Both cameras accept SD/SDHC/SDXC memory cards with UHS-I support on the Nikon. The Olympus carries a similar slot with USB 2.0 for transfer, although slower.
Connectivity and Wireless Features: Modern Versus Legacy
Digital lives may vary, but wireless connectivity increasingly matters. Nikon includes built-in Wi-Fi and Bluetooth for seamless photo transfer and remote control via mobile apps.
The Olympus offers "Eye-Fi connected" support, which is essentially legacy Wi-Fi, and no Bluetooth - less convenient by today’s standards.
Price-to-Performance Ratio: Are You Getting Your Money’s Worth?
Let's talk money because, at nearly $1000 new for the Nikon P1000 versus about $200 for the Olympus SP-620 UZ, the gulf is considerable.
The Nikon commands a premium for its insane zoom range, robust feature set, and better technology. It’s aimed at serious enthusiasts or semi-pros who need extended reach and manual control in a single body without switching lenses.
The Olympus appeals to budget-conscious users seeking versatile zooms without fuss or bulk, but who can tolerate compromises in speed, control, and image quality.
Choosing between them hinges on your photographic priorities and wallet - more on that below.
How They Stack Up in Overall Performance
The Nikon P1000 earns high marks for zoom range, image quality, manual controls, and video features. Its autofocus and build are solid, yet battery life and bulk slightly dampen the appeal.
Olympus scores well on portability and affordability but trails behind in image quality, speed, and versatility.
Wrap-Up: Who Should Buy Which? Discipline-by-Discipline Verdict
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Portrait Photography: Nikon's wider max aperture (F2.8) and better manual exposure controls give it the edge for controlled portraiture and skin tone rendering. Olympus' slower lens and limited controls constrain creative portrait work.
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Landscape: Nikon’s higher resolution, better dynamic range from BSI-CMOS, and articulation help capture expansive vistas. Olympus can handle landscapes but with less nuance and flexibility.
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Wildlife: Nikon’s 3000mm beast mode plus advanced AF tracking serve wildlife enthusiasts well. Olympus zoom maxes out at 525mm – fine for birds in parks but limited for serious telephoto work.
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Sports: Continuous 7fps shooting and AF tracking put P1000 ahead; Olympus lacks continuous burst, sidelining it for action photography.
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Street: Olympus’ compact size is stealthier; its limited zoom and controls fit casual street shooting. P1000’s bulk and brightness may draw unwanted attention.
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Macro: Both reach close focus down to 1cm; optical stabilization in P1000 helps handholding. Olympus lacking focus bracketing or stacking.
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Night/Astro: P1000’s higher ISO and long shutter speeds (up to 60s) accommodate night shots better. Olympus tops out at slower shutter speeds (1/4s to 1/1500s) limiting astrophotography.
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Video: Nikon 4K UHD and mic port trump Olympus 720p; essential for multimedia.
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Travel: Olympus’ lightness and pocketability win for minimalist travel. The P1000 demands a backpack but provides unmatched zoom versatility.
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Professional Use: Nikon suits pros wanting extended zooms with solid manual control and RAW support. Olympus, lacking RAW and advanced controls, is more consumer-grade.
Final Thoughts: A Tale of Two Superzooms
Choosing between the Nikon P1000 and Olympus SP-620 UZ boils down to a classic camera buyer dilemma: do you crave the pinnacle of superzoom reach, image quality, and creative control, or are you after a no-nonsense, easy-to-use compact that lets you shoot great general photos with minimal fuss?
The Nikon Coolpix P1000, despite its bulk and modest battery endurance, delivers jaw-dropping zoom capability, impressive autofocus, 4K video, and robust handling that can fulfill the dreams of wildlife, landscape, and multimedia photographers. It’s a technical marvel of the bridge camera realm with capabilities few can match.
Conversely, the Olympus SP-620 UZ is a charming, affordable compact zoom that caters to casual photographers or novices who want a straightforward all-in-one camera for travel, family holidays, or street snapshots without the complexity or expense.
Your choice ultimately hinges on your photographic ambitions and budget. If long reach, versatility, and quality top your list, the Nikon P1000 cannot be beaten in its class. If simplicity, size, and economy matter more, the Olympus SP-620 UZ remains a notable option - though purchasing something newer or investing in mirrorless systems may offer better value in today’s market.
Thanks for joining me on this tour of two distinctly different superzoom cameras. It’s been a pleasure distilling years of testing into practical insights just for you. If you have any questions about these or other cameras, you know where to find me!
Happy shooting!
appendix
- Tested Nikon P1000 extensively across wildlife shoots in bright and dim conditions
- Olympus SP-620 UZ experience focused on travel and casual street use scenarios
- Text and image analysis based on hands-on testing and benchmark protocols aligning with industry standards
Disclosure: Cameras reviewed were purchased or rented; no manufacturer incentives received.
Nikon P1000 vs Olympus SP-620 UZ Specifications
| Nikon Coolpix P1000 | Olympus SP-620 UZ | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Olympus |
| Model | Nikon Coolpix P1000 | Olympus SP-620 UZ |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2018-07-10 | 2012-01-10 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Chip | Nikon Expeed | TruePic III+ |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 4:3 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4608 x 3456 |
| Maximum native ISO | 6400 | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-3000mm (125.0x) | 25-525mm (21.0x) |
| Largest aperture | f/2.8-8 | f/3.1-5.8 |
| Macro focus distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fully Articulated | Fixed Type |
| Display size | 3.2 inches | 3 inches |
| Resolution of display | 921 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,359 thousand dot | - |
| Viewfinder coverage | 99% | - |
| Features | ||
| Lowest shutter speed | 60 secs | 4 secs |
| Highest shutter speed | 1/4000 secs | 1/1500 secs |
| Continuous shooting speed | 7.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 12.00 m (at Auto ISO) | 6.00 m |
| Flash options | - | Auto, On, Off, Red-Eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Maximum video resolution | 3840x2160 | 1280x720 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1415g (3.12 pounds) | 435g (0.96 pounds) |
| Dimensions | 146 x 119 x 181mm (5.7" x 4.7" x 7.1") | 110 x 74 x 74mm (4.3" x 2.9" x 2.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 pictures | - |
| Type of battery | Battery Pack | - |
| Battery model | - | 4 x AA |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 12 sec, pet auto shutter) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC (UHS-I support) | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail price | $1,000 | $199 |