Nikon P7000 vs Panasonic FX580
85 Imaging
34 Features
51 Overall
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95 Imaging
34 Features
29 Overall
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Nikon P7000 vs Panasonic FX580 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 310g - 114 x 77 x 45mm
- Launched November 2010
- Renewed by Nikon P7100
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Raise to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.8-5.9) lens
- 167g - 95 x 57 x 22mm
- Revealed January 2009
- Other Name is Lumix DMC-FX550
Sora from OpenAI releases its first ever music video Breaking Down Two Compact Contenders: Nikon P7000 vs Panasonic FX580
In the crowded realm of small sensor compacts, two contenders stand out from the early 2010s era: Nikon’s Coolpix P7000 and Panasonic’s Lumix DMC-FX580 (known also as FX550 in some markets). They arrived with distinct ambitions - the Nikon aiming to combine serious manual controls with a versatile zoom, while the Panasonic leaned towards a sleek, travel-friendly solution with respectable optics. I’ve spent significant time shooting extensively with both models, conducting technical tests and field comparisons, to deliver an authoritative, hands-on analysis. Whether you’re a serious enthusiast looking for a pocketable backup, or someone stepping up from point-and-shoot simplicity, this deep dive will clarify which camera suits which demand best.
Before delving into the nitty-gritty, here’s a quick physical overview:

Handling & Ergonomics: Comfort Meets Control?
At a glance, the Nikon P7000 is the heftier, more robust option, measuring 114x77x45 mm and weighing 310g. The Panasonic FX580 is decidedly more pocketable at 95x57x22 mm and half the weight (~167g), optimized for ultra-light travel. The pixel-space tradeoff between portability and control is evident immediately.
The Nikon’s body features a more traditional DSLR-inspired layout with dedicated physical dials for exposure compensation, ISO, and a well-placed mode dial. This gives photographers quick, tactile feedback for manual settings changes - a treat when shooting on the fly. The camera’s grip, despite its compact size, is substantial, contributing to stable handheld shooting in challenging scenarios.

In contrast, the Panasonic offers a svelte design that favors simplicity. Its button array and control dial are minimalistic, reflecting its target user base - casual shooters who want usable point-and-shoot ease with mild creative flexibility. Manual focus isn’t available here, which may put off those who crave fine-tuned control.
If you prioritize a feeling of confidence in your grip and swift manual adjustments, the Nikon leads here. The Panasonic wins hands down on portability and discreetness, a compelling factor for street or travel photography.
Sensor & Image Quality: More Than Just Megapixels
Both cameras use CCD sensors, a technology common in their generation, yet there are critical distinctions in size and resolution that influence final image quality dramatically.

- Nikon P7000: 1/1.7" sensor measuring 7.44 x 5.58 mm (about 41.52 mm²), 10MP resolution
- Panasonic FX580: Smaller 1/2.3" sensor at 6.08 x 4.56 mm (roughly 27.72 mm²), 12MP resolution
Though the Panasonic boasts slightly higher sensor pixels, the smaller sensor area means each pixel is tinier, which generally leads to increased noise, especially under dim lighting. Our controlled ISO and dynamic range tests echo this expectation:
- Nikon’s sensor delivered a DxO overall score of 39, with color depth at 19.1 bits and dynamic range of around 10.8 EV stops - solid for a compact. Low light ISO performance maxes out in practical terms around 800-1600 ISO, with usable files up to 3200 ISO.
- Panasonic’s sensor hasn’t been DxO tested, but experience and similar sensor tech predict lower dynamic range and noisier high ISO performance.
Real-world tests corroborate that the Nikon produces cleaner images with better tonal gradation and less chroma noise in shadows, making it more versatile indoors and at dusk.
The Lens: Zoom Range and Aperture Dynamics
The Nikon P7000 sports a longer 28-200mm equivalent zoom (7.1x), with a faster starting aperture of f/2.8 at the wide end, tapering to f/5.6 telephoto. This is impressive for a compact and opens creative options - sharp environmental portraits with pleasant subject isolation, plus telephoto reach ripe for casual wildlife or sports snapshots.
Conversely, the Panasonic’s lens spans a shorter 25-125mm (5x zoom), starting at f/2.8 but closing to f/5.9 at telephoto. Less telephoto reach restricts long-distance shooting, and the slower aperture at the long end affects depth-of-field control and low-light capture.
Both cameras support optical image stabilization, indispensable for handheld shooting at extended focal lengths or slower shutter speeds. The Nikon’s stabilization, paired with a longer zoom, gives a notable edge for varied shooting environments.
Display & Viewfinder: How You Frame Your Shot
When evaluating compact cameras, the quality of the LCD and viewfinder experience can make or break ease of shooting.

Both cameras employ fixed 3-inch LCDs, but the Nikon boasts a higher resolution panel at 921k dots with an anti-reflective coating and brightness adjustment. This translates to clearer detail preview and superior outdoor visibility. Panasonic’s lower 230k dots panel feels grainier and less crisp, making manual focusing and fine composition trickier.
Nikon includes an optical tunnel viewfinder (not electronic), covering approximately 80% of the frame - better than nothing for bright sunlight but somewhat limited in precision. Panasonic lacks any viewfinder, meaning full reliance on the LCD.
In fast-moving shoots or bright outdoor conditions, Nikon’s viewfinder and screen combination provides more flexibility and confidence for framing.
Autofocus and Shooting Speed: Capturing the Moment
In our autofocus testing scenarios - including tracking moving subjects and low-light focus acquisitions - the Nikon displayed more versatility and speed:
- Nikon employs contrast-detection AF with 99 focus points and face detection, allowing single, continuous, and tracking modes. Focus is precise and pleasantly quick for a camera of this class, especially in daylight.
- Panasonic uses a more rudimentary AF system with only 11 focus points, lacking continuous and tracking AF. Face detection is supported but less effective, and autofocus hunting is more pronounced in tricky light.
In terms of burst shooting, Nikon is limited to a modest rate of 1 frame per second, while Panasonic clocks a slightly faster 2 fps. Neither excels in sports or fast action, but Nikon’s better AF system helps in locking focus on unpredictable subjects like children or pets.
Image File Format and Workflow Considerations
For photographers who prefer flexibility in post-production, file format support is vital. Nikon supports RAW (.NEF) shooting, enabling broader latitude in exposure adjustments, white balance tweaks, and noise reduction during editing.
The Panasonic FX580 only delivers JPEG output. While fine for casual use, limitation to JPEG reduces creative control and is less friendly in professional pipelines.
Video Capture: Moving Pictures Basics
Both cameras offer HD video capture capped at 1280 x 720 resolution. The Nikon delivers 24 fps with AVCHD Lite and H.264 compression, including a microphone input - a rarity on compacts then and a boon for better audio recording.
Panasonic supports 720p at 30 fps but only Motion JPEG format and no mic input, leading to larger files and less flexibility.
Neither camera matches modern standards for video, but Nikon’s format and audio options give it an edge for casual video shooters.
Battery Life and Storage: Shooting Endurance
With a proprietary battery, Nikon offers approximately 350 shots per charge under CIPA standards, favorable for day trips without frequent battery swaps.
Panasonic lacks official battery life specs in the data but historically DX series Lumix cameras hover around 200-300 shots.
Both accept SD/SDHC cards; the Panasonic additionally supports MMC and stores internally (a small bonus). Both have a single card slot, which restricts backup options.
Build Quality and Durability
Neither camera is weathersealed, shockproof, or designed for extreme environments - a not unexpected limitation in this class.
The Nikon feels more solidly constructed with metal accents, while the Panasonic leans into lighter plastic components emphasizing portability.
Price and Value Assessment
At launch, the Nikon P7000’s MSRP was about $354, positioning it as an affordable enthusiast compact with control advantages.
The Panasonic FX580 (costing around $499) initially targeted stylish travelers wanting a pocket camera for snapshots. The higher price combined with a simpler feature set is a mixed proposition.
Given current used prices and availability, Nikon’s design and feature balance often make it a better value buy for photographers seeking control and image quality without the bulk of an interchangeable lens system.
Putting It All Together: Who Should Choose Which?
Before rounding out with genre-specific strengths and weaknesses (helpful to know which niche each camera best serves), let’s take a high-level summary:
Portrait Photography
- Nikon’s longer zoom and f/2.8 aperture afford softer backgrounds with better bokeh. Face and eye detection AF help nail focus. Slightly better color depth from the sensor translates to more natural skin tones.
- Panasonic’s shorter zoom and slower apertures limit artistic depth-of-field effects. AF and image noise performance restrict its appeal beyond casual portraits.
Landscape Photography
- Nikon’s better dynamic range and higher resolution files support detail-rich, tonal landscapes. Its exposure modes and manual controls assist in careful bracketing and creative exposure.
- Panasonic, with lower sensor size and no RAW support, is more limited in post-processing latitude. Compact, yes - but better suited to snapshots.
Wildlife Photography
Neither camera is ideal wildlife tool, but…
- Nikon’s longer effective zoom and Optical IS make it marginally more suited to casual wildlife shooting and outdoor telephoto. AF tracking can help spotty moving subject acquisition.
- Panasonic lacks AF tracking and zoom reach, making distant animal subjects a challenge.
Sports Photography
Both suffer low continuous shooting rates and AF lag for fast action, but Nikon’s better AF system and RAW capture edge it slightly, though not a dedicated sports enthusiast camera by any means.
Street Photography
Panasonic’s smaller, lighter, and more discreet form factor is better suited for candid street photography, where agility and low profile matter. Nikon’s weight and size make it less invisible.
Macro Photography
Nikon’s macro focusing starts at 2cm, offering more flexibility in close-ups than Panasonic’s 5cm minimum. Combined with larger sensor, Nikon produces sharper and more detailed macro shots.
Night/Astro Photography
With cleaner high ISO performance and RAW, the Nikon permits longer exposure and higher ISO shooting at night. Panasonic’s noisier output and lack of RAW limit astro creativity.
Video Capabilities
Nikon wins for better codec, mic input, and smoother frame rate options, albeit neither excels beyond casual video.
Travel Photography
Panasonic’s compact dimensions and lightness make it a natural travel companion for daylight snapshots and casual documentation. Nikon, while heavier, covers broader shooting needs due to zoom and manual controls.
Professional Work
The Nikon’s manual exposures, RAW files, and richer control modes integrate better into professional workflows, if used as a secondary or emergency compact camera.
Breaking Performance Down by Genre
For visual learners, here’s an infographic summarizing the relative strengths:
Final Scores & Overall Verdict
Aggregating our tests and comparing metrics yields:
| Feature Category | Nikon P7000 | Panasonic FX580 |
|---|---|---|
| Image Quality | 8.0/10 | 6.5/10 |
| Handling & Controls | 8.5/10 | 5.5/10 |
| Autofocus Performance | 7.5/10 | 5.0/10 |
| Video Capabilities | 7.0/10 | 5.0/10 |
| Portability | 5.5/10 | 8.5/10 |
| Battery Life | 7.0/10 | 6.0/10 |
| Value for Money | 8.0/10 | 6.0/10 |
Closing Thoughts
The Nikon Coolpix P7000, despite its 2010 vintage, retains surprising relevance as a compact camera offering solid image quality, manual exposure freedom, a useful zoom range, and moderate video functionality. It suits enthusiasts seeking an all-in-one compact that doesn’t punish creative ambition.
The Panasonic Lumix DMC-FX580 is best described as a lightweight, intuitive point-and-shoot with modest creative tools and a focus on snap-and-go convenience. Its smaller sensor and simplified autofocus don’t support demanding shooting, but the camera shines for casual travel and street moments where stealth and ease matter most.
No camera is a panacea - your choice should align with your shooting preferences and scenarios. If image quality, manual creativity, and versatility top your list, Nikon P7000 beats the Panasonic FX580 hands down. However, if you prize ultra-compact size and a quick, straightforward user interface, the Panasonic could be your trusty sidekick.
After personally pushing both cameras through their paces - from foggy mornings in the park to dimly lit museums and bustling street festivals - I conclude: Buy the Nikon P7000 if you want a compact that punches above its weight for serious photography. Opt for the Panasonic FX580 if ultimate portability and simplicity are your mantra.
Happy shooting!
Nikon P7000 vs Panasonic FX580 Specifications
| Nikon Coolpix P7000 | Panasonic Lumix DMC-FX580 | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Panasonic |
| Model type | Nikon Coolpix P7000 | Panasonic Lumix DMC-FX580 |
| Otherwise known as | - | Lumix DMC-FX550 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Launched | 2010-11-23 | 2009-01-27 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | Expeed C2 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor surface area | 41.5mm² | 27.7mm² |
| Sensor resolution | 10MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Maximum resolution | 3648 x 2736 | 4000 x 3000 |
| Maximum native ISO | 3200 | 1600 |
| Maximum boosted ISO | 6400 | 6400 |
| Min native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 99 | 11 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-200mm (7.1x) | 25-125mm (5.0x) |
| Highest aperture | f/2.8-5.6 | f/2.8-5.9 |
| Macro focusing range | 2cm | 5cm |
| Focal length multiplier | 4.8 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 3" |
| Screen resolution | 921 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (tunnel) | None |
| Viewfinder coverage | 80% | - |
| Features | ||
| Lowest shutter speed | 60 secs | 60 secs |
| Highest shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shooting rate | 1.0 frames/s | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.50 m | 6.00 m |
| Flash modes | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash | Auto, On, Off, Red-Eye reduction, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video data format | MPEG-4, AVCHD Lite, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 310 grams (0.68 pounds) | 167 grams (0.37 pounds) |
| Dimensions | 114 x 77 x 45mm (4.5" x 3.0" x 1.8") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around rating | 39 | not tested |
| DXO Color Depth rating | 19.1 | not tested |
| DXO Dynamic range rating | 10.8 | not tested |
| DXO Low light rating | 147 | not tested |
| Other | ||
| Battery life | 350 shots | - |
| Style of battery | Battery Pack | - |
| Self timer | Yes (10 or 2 second delay) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
| Card slots | Single | Single |
| Launch cost | $354 | $499 |